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* RealityEnsues: After his big number about "The Beauty within", the Phantom shows Gustave his disfigured face, to which the boy instantly screams and runs off in a fright. You can't make someone automatically not be afraid of disfigurement, especially when the person in question is just a child.
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* RealityEnsues: After his big number about "The Beauty within", the Phantom shows Gustave his disfigured face, to which the boy instantly screams and runs off in a fright. You While people are capable of looking past appearances, one can't make someone automatically not be afraid of disfigurement, especially when the person in question is just expect a child.child to do so automatically.
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* RealityEnsues: After his big number about "The Beauty within", the Phantom shows Gustave his disfigured face, to which the boy instantly screams and runs off in a fright. You can't make someone automatically not be afraid of disfigurement, especially when the person in question is just a child.
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*NotActuallyHisChild: During ''Devil Take The Hindmost'', [[spoiler: the Phantom rebuts Raoul’s claim that Christine loves him more because they have a son by saying that Gustave is not actually Raoul’s son]].
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The sequel to Creator/AndrewLloydWebber's sensationally popular ''Theatre/ThePhantomOfTheOpera''. It takes place on Coney Island, [[TimeSkip approximately ten years after]] the end of ''[[ThePhantomOfTheOpera Phantom]]''. Madame Giry and her daughter, Meg, helped the Phantom to escape to America after the events of the first show, and from there made it possible for him to open up a lavish amusement park on Coney Island. Then, without telling either of the Girys, he lures Christine -- now married to Raoul -- to come sing at his park. Craziness ensues. Music was done by Andrew Lloyd Webber, while the book was written by him, as well as Ben Elton, and Glenn Slater.
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The sequel to Creator/AndrewLloydWebber's sensationally popular ''Theatre/ThePhantomOfTheOpera''. It takes place on Coney Island, [[TimeSkip approximately ten years after]] the end of ''[[ThePhantomOfTheOpera ''[[Theatre/ThePhantomOfTheOpera Phantom]]''. Madame Giry and her daughter, Meg, helped the Phantom to escape to America after the events of the first show, and from there made it possible for him to open up a lavish amusement park on Coney Island. Then, without telling either of the Girys, he lures Christine -- now married to Raoul -- to come sing at his park. Craziness ensues. Music was done by Andrew Lloyd Webber, while the book was written by him, as well as Ben Elton, and Glenn Slater.
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* DoubleEntendre: Meg says she kept "dying" for Erik. This may sound like she's just talking about putting herself through the wringer, but there's a French slang term for orgasm: "le petit mort", or "the little death". And considering Meg is French and slept with men in high places to "grease the wheels" for Erik's benefit...
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The show ran from 2010-11 in the West End. A [[{{Retool}} rewritten]] Australian production ran from 2011-12 and was filmed and released on [=DVD=], and several other countries (Denmark, Japan, etc.) have mounted their own productions since. A Broadway staging ''was'' supposed to launch in New York City in Fall 2010, but has since been lost to DevelopmentHell. A North American touring production [[http://www.broadwayworld.com/article/Breaking-News-The-Phantom-Is-Coming-To-America--LOVE-NEVER-DIES-Will-Tour-US-in-2017-20150519 has been announced for 2017]].
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The show ran from 2010-11 in the West End. A [[{{Retool}} rewritten]] Australian production ran from 2011-12 and was filmed and released on [=DVD=], and several other countries (Denmark, Japan, etc.) have mounted their own productions since. A Broadway staging ''was'' supposed to launch in New York City in Fall 2010, but has since been lost to DevelopmentHell. A North American touring production [[http://www.broadwayworld.com/article/Breaking-News-The-Phantom-Is-Coming-To-America--LOVE-NEVER-DIES-Will-Tour-US-in-2017-20150519 has been announced for 2017]].
launched in 2017.
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** Meg also has this reaction [[spoiler: after her gun goes off by accident shooting her best friend in the process. In the London Production the show ends as she tearfully cradles Christine's lifeless body in her arms, as the Phantom comforts Gustave.]]
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* TalkingDownTheSuicidal: [[spoiler:The Phantom tries to do this to Meg after she loses it. He's pretty successful at it too, until he says "we can't all be like Christine", after which things go to hell.]]
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* StylisticSuck: "Bathing Beauty", a parody of inane, teasing vaudeville numbers.
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* Downer ending
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* Downer endingDownerEnding
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The sequel to AndrewLloydWebber's sensationally popular ''Theatre/ThePhantomOfTheOpera''. It takes place on Coney Island, [[TimeSkip approximately ten years after]] the end of ''[[ThePhantomOfTheOpera Phantom]]''. Madame Giry and her daughter, Meg, helped the Phantom to escape to America after the events of the first show, and from there made it possible for him to open up a lavish amusement park on Coney Island. Then, without telling either of the Girys, he lures Christine -- now married to Raoul -- to come sing at his park. Craziness ensues. Music was done by Andrew Lloyd Webber, while the book was written by him, as well as Ben Elton, and Glenn Slater.
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The sequel to AndrewLloydWebber's Creator/AndrewLloydWebber's sensationally popular ''Theatre/ThePhantomOfTheOpera''. It takes place on Coney Island, [[TimeSkip approximately ten years after]] the end of ''[[ThePhantomOfTheOpera Phantom]]''. Madame Giry and her daughter, Meg, helped the Phantom to escape to America after the events of the first show, and from there made it possible for him to open up a lavish amusement park on Coney Island. Then, without telling either of the Girys, he lures Christine -- now married to Raoul -- to come sing at his park. Craziness ensues. Music was done by Andrew Lloyd Webber, while the book was written by him, as well as Ben Elton, and Glenn Slater.
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**The recap of the last show's events on the DVD place the events of the original Phantom in 1895, which would be (roughly) ten years prior to the given date. Regardless, this still conflicts with the dates given in the original.
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* DrowningMySorrows: Raoul does this at the start of Act Two at a Coney Island bar, wondering in song "Why Does She [Christine] Love Me?" Meg even asks him "Drowning your sorrows?" when she arrives.
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* DrowningMySorrows: Raoul does this at the start of Act Two at a Coney Island bar, wondering in song "Why Does She [Christine] Love Me?" Meg even [[LampshadeHanging asks him "Drowning your sorrows?" sorrows?"]] when she arrives.
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Woman In Black is being cut
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* WomanInBlack: Madame Giry.
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** Actually it's a DownerEnding, as [[spoiler: Gustave is left in the care of an obsessive psychopath that will most likely kill him when he does something untoward, and Meg ends up completely broken, thanks especially to Erik lighting the fuse by telling her 'we can't all be like Christine']]. As WebVideo/MusicalHell says, the only one with a positive outcome is [[spoiler: Erik]], who's at fault for pretty much everything that went wrong in both this and its prequel.
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** Actually it's Depending on how YMMV it could also be considered a DownerEnding, as [[spoiler: Gustave is left in the care of an obsessive psychopath that will most likely kill recluse who might harm him when if he does something untoward, and Meg ends up completely broken, thanks especially to Erik lighting the fuse by telling her 'we can't all be like Christine']]. As WebVideo/MusicalHell says, the only one with a true positive outcome is [[spoiler: Erik]], who's at fault for pretty much everything that went wrong in both this and its prequel.
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* BigThinShortTrio: In the Australian version, Squelch is big (he's a strongman), Gangle is thin (he's a barker), and Fleck is short (she's a little person).
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** BigThinShortTrio: In the Australian version, Squelch is big (he's a strongman), Gangle is thin (he's a barker), and Fleck is short (she's a little person).
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* {{Yandere}}: Like in the [[Theatre/ThePhantomOfTheOpera original musical]], the Phantom is still deep in his obsession for Christine and refuses to give up on her and is willing to threaten her to get what he wants.
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* {{Yandere}}: {{Yandere}}:
** Like in the [[Theatre/ThePhantomOfTheOpera original musical]], the Phantom is still deep in his obsession for Christine and refuses to give up on her and is willing to threaten her to get what he wants.
** Like in the [[Theatre/ThePhantomOfTheOpera original musical]], the Phantom is still deep in his obsession for Christine and refuses to give up on her and is willing to threaten her to get what he wants.
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http://static.tvtropes.org/pmwiki/pub/images/LoveNeverDies_9784.jpg
The sequel to AndrewLloydWebber's sensationally popular ''ThePhantomOfTheOpera''. It takes place on Coney Island, [[TimeSkip approximately ten years after]] the end of ''[[ThePhantomOfTheOpera Phantom]]''. Madame Giry and her daughter, Meg, helped the Phantom to escape to America after the events of the first show, and from there made it possible for him to open up a lavish amusement park on Coney Island. Then, without telling either of the Girys, he lures Christine -- now married to Raoul -- to come sing at his park. Craziness ensues. Music was done by Andrew Lloyd Webber, while the book was written by him, as well as Ben Elton, and Glenn Slater.
The sequel to AndrewLloydWebber's sensationally popular ''ThePhantomOfTheOpera''. It takes place on Coney Island, [[TimeSkip approximately ten years after]] the end of ''[[ThePhantomOfTheOpera Phantom]]''. Madame Giry and her daughter, Meg, helped the Phantom to escape to America after the events of the first show, and from there made it possible for him to open up a lavish amusement park on Coney Island. Then, without telling either of the Girys, he lures Christine -- now married to Raoul -- to come sing at his park. Craziness ensues. Music was done by Andrew Lloyd Webber, while the book was written by him, as well as Ben Elton, and Glenn Slater.
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The sequel to AndrewLloydWebber's sensationally popular
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!!''Love Never Dies'' contains examples of:
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** In the revised version, Christine refuses to sing for the Phantom until he threatens to take Gustave from her. [[spoiler:He ends up having a Villainous Breakdown at the end of the first act when he realizes Gustave is his child.]]
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** In the revised version, Christine refuses to sing for the Phantom until he threatens to take Gustave from her. [[spoiler:He ends up having a Villainous Breakdown VillainousBreakdown at the end of the first act when he realizes Gustave is his child.]]
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** Actually it's a DownerEnding, as [[spoiler: Gustave is left in the care of an obsessive psychopath that will most likely kill him when he does something untoward, and Meg ends up completely broken, thanks especially to Erik lighting the fuse by telling her 'we can't all be like Christine']]. As WebVideo/MusicalHell says, the only one with a positive outcome is [[spoiler: Erik]], who's at fault for pretty much everything that went wrong in both this and its prequel.
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----
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----
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* SpurnedIntoSuicide: [[spoiler:In one version of the musical, Meg is about to shoot herself because the Phantom doesn't feel the same way she does towards him. He is able to stop her, but she accidentally shoots Christine.]]
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* TheAlcoholic: Raoul.
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* TheAlcoholic: Raoul. This is what he spends his money on along with his gambling addiction.
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* {{Yandere}}: Like in the [[Theatre/ThePhantomOfTheOpera original musical]], the Phantom is still deep in his obsession for Christine and refuses to give up on her and is willing to threaten her to get what he wants.
** Meg Giry of all characters has become one for the Phantom.
** Meg Giry of all characters has become one for the Phantom.
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* CutSong: The original prologue (later incorporated into "The Coney Island Waltz" in Australia), "That's the Place You Ruined, You Fool!" and "Heaven by the Sea".
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* ObviouslyEvil: Madame Giry was immediately suspected of kidnapping Gustave because of this.
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** "We can't be all like Christine". Cue [[spoiler:Meg's]] VillainousBreakdown and [[spoiler: accidentally shooting Christine]].
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* AlternateContinuity: Veers strongly away from the book on which it is based.
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* ICouldaBeenAContender: Meg Giry seems to be an uncharacteristically young example of this trope; back in Paris she had a "promising" ballet career ahead of her -- the stage musical even presents her as the lead of the corps de ballet -- and now she's a burlesque stripper.
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* WhiteDwarfStarlet: Meg Giry seems to be an uncharacteristically young example of this trope; back in Paris she had a "promising" ballet career ahead of her -- the stage musical even presents her as the lead of the corps de ballet -- and now she's a burlesque stripper.
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The show ran from 2010-11 in the West End. A [[{{Retool}} rewritten]] Australian production ran from 2011-12 and was filmed and released on [=DVD=]. A staging in Denmark ran from 2012-13, a Japanese production launched in 2014, and it's also had a concert staging in Austria. A Broadway production ''was'' supposed to launch in Fall 2010, but has since been lost to DevelopmentHell; Lloyd Webber still hopes to see it happen.
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The show ran from 2010-11 in the West End. A [[{{Retool}} rewritten]] Australian production ran from 2011-12 and was filmed and released on [=DVD=]. A staging in Denmark ran from 2012-13, a Japanese production launched in 2014, [=DVD=], and it's also had a concert staging in Austria. several other countries (Denmark, Japan, etc.) have mounted their own productions since. A Broadway production staging ''was'' supposed to launch in New York City in Fall 2010, but has since been lost to DevelopmentHell; Lloyd Webber still hopes to see it happen.
DevelopmentHell. A North American touring production [[http://www.broadwayworld.com/article/Breaking-News-The-Phantom-Is-Coming-To-America--LOVE-NEVER-DIES-Will-Tour-US-in-2017-20150519 has been announced for 2017]].
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*NotEvenBotheringWithTheAccent: In the original London cast recording. Ramin Karimloo, Sierra Boggess, Joseph Millson and Harry Child have of course an English accent, Summer Strallen has rather strangely an American one, while Sally Dexter, like Miranda Richardson in the 2004 movie, has a French accent... albeit not a very good one, which, to be honest, borders more on the Transylvanian accent.
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* WritersCannotDoMath: The sequel, set in 1907, is supposed to take place ten years after the original. Whether you go by the stage version (set in 1881) or the movie (1870), this doesn't add up. The opening text on the filmed version of the Australian staging says the original's events took place in 1895!
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* WritersCannotDoMath: The sequel, set in 1907, is supposed to take place ten years after the original. Whether you go by the stage version (set in 1881) or the movie (1870), this doesn't add up. The opening text on the filmed version of the Australian staging says the original's events took place in 1895!1895! But it also says Love Never Dies takes place in 1905, so it's semi-averted.
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The show ran from 2010-11 in the West End. A [[{{Retool}} rewritten]] Australian production ran from 2011-12 and was filmed and released on [=DVD=]. A staging in Denmark ran from 2012-13, a Japanese production launched in 2014, and it's also had a concert staging in Germany. A Broadway production ''was'' supposed to launch in Fall 2010, but has since been lost to DevelopmentHell; Lloyd Webber still hopes to see it happen.
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The show ran from 2010-11 in the West End. A [[{{Retool}} rewritten]] Australian production ran from 2011-12 and was filmed and released on [=DVD=]. A staging in Denmark ran from 2012-13, a Japanese production launched in 2014, and it's also had a concert staging in Germany.Austria. A Broadway production ''was'' supposed to launch in Fall 2010, but has since been lost to DevelopmentHell; Lloyd Webber still hopes to see it happen.