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* PerpetualFrowner: Unlike other versions of Mikazuki Munechika, who are {{Perpetual Smiler}}s, this version of Mikazuki ''never'' smiles. Ironically, he is also a version of Mikazuki who displays the widest range of emotions beyond this, especially when it comes to expressing his sadness.

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* PerpetualFrowner: Unlike other versions of the Mikazuki Munechika, Munechika's from the browser game and other continuities, who are {{Perpetual Smiler}}s, this version of Mikazuki ''never'' smiles. Ironically, he is also a version of Mikazuki who displays the widest range of emotions beyond this, especially when it comes to expressing his sadness.
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* PerpetualFrowner: Unlike other versions of Mikazuki Munechika, who are {{Perpetual Smiler}}s, this version of Mikazuki ''never'' smiles. Ironically, he is also a version of Mikazuki who displays the widest range of emotions beyond this, especially when it comes to expressing his sadness.
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* AllLoveIsUnrequited: Yoshiteru's sister has a crush on Mikazuki, who doesn't notice until she confesses, and doesn't reciprocate even when she does. Yoshiteru himself also develops feelings for Mikazuki after spending time with him, which are described as love in the official pamphlet, but Mikazuki is unable to reciprocate due to his duty to being a protector of history.

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* AllLoveIsUnrequited: Yoshiteru's sister Kobaihime has a crush on Mikazuki, who doesn't notice until she confesses, and doesn't reciprocate even when she does. Yoshiteru himself also develops feelings for Mikazuki after spending time with him, which are described as love in the official pamphlet, but Mikazuki is unable to reciprocate due to his duty to being a protector of history.



* CosmicMotifs: Mikazuki Munechika is associated with the waxing and waning crescent moon because of the crescent-shaped patterns on his blade, which becomes a recurring theme throughout the play. [[spoiler: As he's being forged, the characters sing of the moon sword, and later, both Ashikaga Yoshiteru and his sister confesses to him that whenever they see the crescent moon in the sky, they think of Mikazuki]].

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* CosmicMotifs: Mikazuki Munechika is associated with the waxing and waning crescent moon because of the crescent-shaped patterns on his blade, which becomes a recurring theme throughout the play. [[spoiler: As he's being forged, the characters sing of the moon sword, and later, both Ashikaga Yoshiteru and his sister Kobaihime confesses to him that whenever they see the crescent moon in the sky, they think of Mikazuki]].



** Higekiri's actor also plays the role of Yoshiteru's sister.

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** Higekiri's actor also plays the role of Yoshiteru's sister.Kobaihime.



* ObliviousToLove: Mikazuki spends a good portion of his interactions with Yoshiteru's sister being oblivious to her very obvious feelings for him until she outright confesses.
* OutOfFocus: Kogitsunemaru and Higekiri are barely in the play due being double casted as the historical figures Ashikaga Yoshiteru and his sister, the former whom is the primary focus of the play along with Mikazuki Munechika himself. This is hilariously lampshaded in the story itself when Mikazuki asks why they don't show up more often, to which Kogitsunemaru annoyedly responds that it's his fault, with this also serving as a meta reference to the fact that the director of the play, who plays Mikazuki, is responsible for their lack of screen time.

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* ObliviousToLove: Mikazuki spends a good portion of his interactions with Yoshiteru's sister Kobaihime being oblivious to her very obvious feelings for him until she outright confesses.
* OutOfFocus: Kogitsunemaru and Higekiri are barely in the play due being double casted as the historical figures Ashikaga Yoshiteru and his sister, Kobaihime, the former whom is the primary focus of the play along with Mikazuki Munechika himself. This is hilariously lampshaded in the story itself when Mikazuki asks why they don't show up more often, to which Kogitsunemaru annoyedly responds that it's his fault, with this also serving as a meta reference to the fact that the director of the play, who plays Mikazuki, is responsible for their lack of screen time.
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* WordOfHam: PlayedWith. When interacting with the audience and historical figures, the Touken Danshi speak in the usual loud, overacted Kabuki style, whereas when speaking to each other, the Saniwa and the Touken Danshi speak fairly normally and in modern Japanese.

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* WordOfHam: WorldOfHam: PlayedWith. When interacting with the audience and historical figures, the Touken Danshi speak in the usual loud, overacted Kabuki style, whereas when speaking to each other, the Saniwa and the Touken Danshi speak fairly normally and in modern Japanese.
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* WordOfHam: PlayedWith. When interacting with the audience and historical figures, the Touken Danshi speak in the usual loud, overacted Kabuki style, whereas when speaking to each other, the Saniwa and the Touken Danshi speak fairly normally and in modern Japanese.
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* MultidemographicAppeal: Created to appeal to fans of Kabuki theatre and ''Touken Ranbu'', as well as to pique the former's interest in the latter, and vice versa.

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* MultidemographicAppeal: MultipleDemographicAppeal: Created to appeal to fans of Kabuki theatre and ''Touken Ranbu'', as well as to pique the former's interest in the latter, and vice versa.
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* MultidemographicAppeal: Created to appeal to fans of Kabuki theatre and ''Touken Ranbu'', as well as to pique the former's interest in the latter, and vice versa.

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* TheCameo: Sanjou Munechika and his attendants are depicted forging Mikazuki Munechika at the beginning of the play.

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* TheCameo: TheCameo:
**
Sanjou Munechika and his attendants are depicted forging Mikazuki Munechika at the beginning of the play.play.
** The Saniwa of this citadel doesn't make a physical appearance, but he can be heard just before the Touken Danshi go on their mission.



* CosmicMotifs: Mikazuki Munechika is associated with the waxing and waning crescent moon because of the crescent-shaped patterns on his blade, which becomes a recurring theme throughout the play. [[spoiler: As he's being forged, the characters sing of the moon sword, and later, Ashikaga Yoshiteru confesses to him that whenever he sees the crescent moon in the sky, he thinks of Mikazuki, before asking him to be his vassal because he believes Mikazuki has a pure heart that shines as brightly as the moon in the heavens compared to his actual vassals who are wicked and dishonest]].

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* CosmicMotifs: Mikazuki Munechika is associated with the waxing and waning crescent moon because of the crescent-shaped patterns on his blade, which becomes a recurring theme throughout the play. [[spoiler: As he's being forged, the characters sing of the moon sword, and later, both Ashikaga Yoshiteru and his sister confesses to him that whenever he sees they see the crescent moon in the sky, he thinks they think of Mikazuki, before asking him to be his vassal because he believes Mikazuki has a pure heart that shines as brightly as the moon in the heavens compared to his actual vassals who are wicked and dishonest]].Mikazuki]].



* MythologyGag: The play uses many rearranged songs from the [[VideoGame/ToukenRanbu browser game]], such as the Touken Danshi attendant themes.

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* MythologyGag: The play uses many rearranged songs from the [[VideoGame/ToukenRanbu browser game]], such as the Touken Danshi Mikazuki Munechika's attendant themes.theme, which is heard after he is forged.
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* OutOfFocus: Despite being prominently featured on the promotional poster, Kogitsunemaru is barely in the play due to being on an offscreen mission for the majority of the story. Justified, however, as Kogitsunemaru's actor also plays Ashikaga Yoshiteru, who plays a much bigger role in the play. Higekiri is also affected to a lesser degree due to his actor also playing Yoshiteru's sister. Mikazuki lampshades both of their absences by asking why they only come out occasionally, to which Kogitsunemaru responds by saying it's his fault (for sending them out on a mission).

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* OutOfFocus: Despite being prominently featured on the promotional poster, Kogitsunemaru is and Higekiri are barely in the play due to being on an offscreen mission for double casted as the majority of the story. Justified, however, as Kogitsunemaru's actor also plays historical figures Ashikaga Yoshiteru, who plays a much bigger role in Yoshiteru and his sister, the play. Higekiri former whom is also affected to a lesser degree due to his actor also playing Yoshiteru's sister. the primary focus of the play along with Mikazuki lampshades both of their absences by asking Munechika himself. This is hilariously lampshaded in the story itself when Mikazuki asks why they only come out occasionally, don't show up more often, to which Kogitsunemaru annoyedly responds by saying that it's his fault (for sending them out on fault, with this also serving as a mission). meta reference to the fact that the director of the play, who plays Mikazuki, is responsible for their lack of screen time.
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* RealNameAsAnAlias: After saving Yoshiteru and his comrades from the Historical Revisionists, Mikazuki Munechika introduces himself to them as "Munechika" rather than coming up with a clever alias, prompting the historical figures to immediately connect the name to the blade that Yoshiteru currently owns, "Mikazuki Munechika," the version of himself from this time period. Fortunately for him, Kogarasumaru covers for him to avoid suspicion.


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* ThoseTwoGuys: As always, Higekiri and Hizamaru are treated as a set, and are even introduced together at the beginning of the play whereas everyone else got solo introductions.

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* AllLoveIsUnrequited: Throughout the play, it becomes clear that Ashikaga Yoshiteru's sister has developed feelings for Mikazuki, who remains obvious to her feelings until she outright confesses to him. Even after the revelation, though, he doesn't feel that way about her and calmly rejects her by asking her to give up her feelings for him.

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* AllLoveIsUnrequited: Throughout the play, it becomes clear that Ashikaga Yoshiteru's sister has developed feelings for a crush on Mikazuki, who remains obvious to her feelings until she outright confesses to him. Even after the revelation, though, he doesn't feel that way about her notice until she confesses, and calmly rejects her by asking her to give up her doesn't reciprocate even when she does. Yoshiteru himself also develops feelings for him.Mikazuki after spending time with him, which are described as love in the official pamphlet, but Mikazuki is unable to reciprocate due to his duty to being a protector of history.



* OutOfFocus: Despite being prominently featured on the promotional poster, Kogitsunemaru is barely in the play due to being on an offscreen mission for the majority of the story. Justified, however, as Kogitsunemaru's actor also plays Ashikaga Yoshiteru, who plays a much bigger role in the play.

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* ObliviousToLove: Mikazuki spends a good portion of his interactions with Yoshiteru's sister being oblivious to her very obvious feelings for him until she outright confesses.
* OutOfFocus: Despite being prominently featured on the promotional poster, Kogitsunemaru is barely in the play due to being on an offscreen mission for the majority of the story. Justified, however, as Kogitsunemaru's actor also plays Ashikaga Yoshiteru, who plays a much bigger role in the play. Higekiri is also affected to a lesser degree due to his actor also playing Yoshiteru's sister. Mikazuki lampshades both of their absences by asking why they only come out occasionally, to which Kogitsunemaru responds by saying it's his fault (for sending them out on a mission).
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* LockedOutOfTheLoop: Yoshiteru, his sister, and their vassals are deliberately left in the dark about the true nature of the Touken Danshi and their mission after meeting them. [[spoiler: That is, until the final climactic battle when Yoshiteru compares Mikazuki Munechika and his blade to his own and realizes that they're the same]].
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* SceneryPorn: ''Kabuki Touken Ranbu'' has the most elaborate and detailed sets of any ''Touken Ranbu'' theatre production, and a significant amount of time is spent breaking so the sets can be changed out during the major scene changes.
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* CommonalityConnection: Mikazuki Munechika and Kogitsunemaru have a close bond as the only swords in the play forged by Sanjou Munechika.

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* CommonalityConnection: Mikazuki Munechika ChromosomeCasting: Along with the Touken Danshi all being male and Kogitsunemaru have a close bond as played by male actors, all of the only swords in the play forged female roles are played by Sanjou Munechika.men as well due to being a Kabuki theatre production.

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* AdaptedOut: Like in other live-action ''Touken Ranbu'' works, Konnosuke and the Tousou are absent.



** A very unusual example. Kogarasumaru is canonically male, being a Touken Danshi and all, but in the story he's treated as a female role... but is still played by a male actor who is pretending to play a female role. Yeah.

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** A very unusual example. Kogarasumaru is canonically male, [[OneGenderRace being a Touken Danshi and all, all]], but in the story he's is for some reason treated as a female role... but is still played by a male actor who is pretending to play a female role. Yeah.

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* CommonalityConnection: Mikazuki Munechika and Kogitsunemaru have a close bond as the only swords in the play forged by Sanjou Munechika.



* CrossCastRole: A very unusual example. Kogarasumaru is canonically male, being a Touken Danshi and all, but in the story he's treated as a female role... but is still played by a male actor who is pretending to play a female role. Yeah.

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* CrossCastRole: CrossCastRole:
**
A very unusual example. Kogarasumaru is canonically male, being a Touken Danshi and all, but in the story he's treated as a female role... but is still played by a male actor who is pretending to play a female role. Yeah.Yeah.
** Higekiri's actor also plays the role of Yoshiteru's sister.
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* OutOfFocus: Despite being prominently featured on the promotional poster, Kogitsunemaru is barely in the play due to being on an offscreen mission for the majority of the story.

to:

* OutOfFocus: Despite being prominently featured on the promotional poster, Kogitsunemaru is barely in the play due to being on an offscreen mission for the majority of the story. Justified, however, as Kogitsunemaru's actor also plays Ashikaga Yoshiteru, who plays a much bigger role in the play.
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Added DiffLines:

* MythologyGag: The play uses many rearranged songs from the [[VideoGame/ToukenRanbu browser game]], such as the Touken Danshi attendant themes.
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* ConflictingLoyalty: This becomes a major plot point toward the end of the play. [[spoiler: Mikazuki's loyalty to the Saniwa is tested when his former owner, Ashikaga Yoshiteru, who he also loves, confesses to him that he wants him to become his vassal, and accepting would mean betraying not only his current master, but also his role in protecting history, as he was supposed to kill Yoshiteru to preserve it. In the end, he makes the tough decision to kill Yoshiteru in a dramatic and emotional scene to protect history and return home to the citadel]].
* CosmicMotifs: Mikazuki Munechika is associated with the waxing and waning crescent moon because of the crescent-shaped patterns on his blade, which becomes a recurring theme throughout the play. [[spoiler: As he's being forged, the characters sing of the moon sword, and later, Ashikaga Yoshiteru confesses to him that whenever he sees the crescent moon in the sky, he thinks of Mikazuki, before asking him to be his vassal because he believes Mikazuki has a pure heart that shines as brightly as the moon in the heavens compared to his actual vassals who are wicked and dishonest]].
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* AllLoveIsUnrequited: Ashikaga Yoshiteru's sister confesses her love to Mikazuki Munechika, who calmly rejects her by asking her to give up her feelings for him.

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* AllLoveIsUnrequited: Throughout the play, it becomes clear that Ashikaga Yoshiteru's sister has developed feelings for Mikazuki, who remains obvious to her feelings until she outright confesses to him. Even after the revelation, though, he doesn't feel that way about her love to Mikazuki Munechika, who and calmly rejects her by asking her to give up her feelings for him.
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* AllLoveIsUnrequited: Ashikaga Yoshiteru's sister confesses her love to Mikazuki Munechika, who calmly rejects her by asking her to give up her feelings for him.
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* ChromosomeCasting: As is customary in Kabuki theatre productions, all of the actors are male, even those playing female roles.
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* TheCameo: Sanjou Munechika and his attendants are depicted forging Mikazuki Munechika at the beginning of the play.
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* IrrelevantActOpener: Nearly five minutes of the play's opening sequence is dedicated to a theatrical recreation of Mikazuki Munechika's forging, which is only relevant because it transitions to Mikazuki's introduction as a character once it's over, followed by the introductions of the other Touken Danshi in the cast, but otherwise has no bearing on the plot.
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One of the three distinct stage continuities, Kabuki Touken Ranbu (歌舞伎 刀剣乱舞) is a KabukiTheatre production for the widely popular ''VideoGame/ToukenRanbu'' franchise, and is the fourth live action continuity in the series, following ''Theatre/MusicalToukenRanbu'', ''Theatre/ToukenRanbuStage'', and the live action films.

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One of the three distinct stage continuities, Kabuki ''Kabuki Touken Ranbu Ranbu'' (歌舞伎 刀剣乱舞) is a KabukiTheatre production for the widely popular ''VideoGame/ToukenRanbu'' franchise, and is the fourth live action continuity in the series, following ''Theatre/MusicalToukenRanbu'', ''Theatre/ToukenRanbuStage'', and the live action films.



!!

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!! !!''Kabuki Touken Ranbu'' contains examples of:

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[[quoteright:428:https://static.tvtropes.org/pmwiki/pub/images/img_1336_39.jpeg]]
[[caption-width-right:428:some caption text]]

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[[quoteright:428:https://static.[[quoteright:400:https://static.tvtropes.org/pmwiki/pub/images/img_1336_39.jpeg]]
[[caption-width-right:428:some caption text]]\n



!!



* MakeWrongWhatOnceWentRight: As usual for a ''Touken Ranbu'' work, the Historical Revisionists are up to no good again, and the Touken Danshi are sent back in time to stop them from altering history.



* SetWrongWhatOnceWentRight: As usual for a ''Touken Ranbu'' work, the Historical Revisionists are up to no good again, and the Touken Danshi are sent back in time to stop them from altering history.

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The production was announced on December 8th, 2022, with the first play, ''Touken Ranbu: Tsuki no Tsurugi Enishi no Kiri no wa'', premiering on July 2nd and running through July 27th, 2023. On December 27th, 2023, it was announced that the play would have a theatrical release in Japan on April 5th, 2024.

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The production was announced on December 8th, 2022, with the first play, ''Touken Ranbu: Tsuki no Tsurugi Enishi no Kiri no wa'', premiering on July 2nd and running through July 27th, 2023.

On December 27th, 2023, it was announced that the play would have a theatrical release in Japan on April 5th, 2024.



* TheProtagonist: The play is primarily centered on Mikazuki Munechika's conflict regarding his former master Ashikaga Yoshiteru.
* SetWrongWhatOnceWentRight: As usual for a Touken Ranbu work, the Historical Revisionists are up to no good again, and the Touken Danshi are sent back in time to stop them from altering history.

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* TheProtagonist: The play is primarily centered on Mikazuki Munechika's conflict regarding his former master Ashikaga Yoshiteru.
Yoshiteru [[spoiler: which culminates into him having to fight and kill his to preserve history after the Historical Revisionists prevented Yoshiteru's assassination]].
* SetWrongWhatOnceWentRight: As usual for a Touken Ranbu ''Touken Ranbu'' work, the Historical Revisionists are up to no good again, and the Touken Danshi are sent back in time to stop them from altering history.
Is there an issue? Send a MessageReason:
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One of the three distinct stage continuities, Kabuki Touken Ranbu (歌舞伎 刀剣乱舞) is a KabukiTheatre production for the widely popular Touken Ranbu franchise, and is the fourth live action continuity in the series, following ''Theatre/MusicalToukenRanbu'', ''Theatre/ToukenRanbuStage'', and the live action films.

to:

One of the three distinct stage continuities, Kabuki Touken Ranbu (歌舞伎 刀剣乱舞) is a KabukiTheatre production for the widely popular Touken Ranbu ''VideoGame/ToukenRanbu'' franchise, and is the fourth live action continuity in the series, following ''Theatre/MusicalToukenRanbu'', ''Theatre/ToukenRanbuStage'', and the live action films.
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Added DiffLines:

[[quoteright:428:https://static.tvtropes.org/pmwiki/pub/images/img_1336_39.jpeg]]
[[caption-width-right:428:some caption text]]

One of the three distinct stage continuities, Kabuki Touken Ranbu (歌舞伎 刀剣乱舞) is a KabukiTheatre production for the widely popular Touken Ranbu franchise, and is the fourth live action continuity in the series, following ''Theatre/MusicalToukenRanbu'', ''Theatre/ToukenRanbuStage'', and the live action films.

The production was announced on December 8th, 2022, with the first play, ''Touken Ranbu: Tsuki no Tsurugi Enishi no Kiri no wa'', premiering on July 2nd and running through July 27th, 2023. On December 27th, 2023, it was announced that the play would have a theatrical release in Japan on April 5th, 2024.

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* CostumeEvolution: Every character in the cast had their designs changed to better fit in with the aesthetic of Kabuki theatre, with Higekiri and Hizamaru being the most affected of the group.
* ChromosomeCasting: As is customary in Kabuki theatre productions, all of the actors are male, even those playing female roles.
* CrossCastRole: A very unusual example. Kogarasumaru is canonically male, being a Touken Danshi and all, but in the story he's treated as a female role... but is still played by a male actor who is pretending to play a female role. Yeah.
* LongHairedPrettyBoy: Originally, only Kogitsunemaru and Kogarasumaru had long hair, but in this production, all main characters were given long hair.
* KabukiTheatre
* KillTheOnesYouLove: [[spoiler: At the end of the play, Mikazuki is made to fight and execute his former owner Ashikaga Yoshiteru to preserve history after the Historical Revisionists meddling]].
* OutOfFocus: Despite being prominently featured on the promotional poster, Kogitsunemaru is barely in the play due to being on an offscreen mission for the majority of the story.
* TheProtagonist: The play is primarily centered on Mikazuki Munechika's conflict regarding his former master Ashikaga Yoshiteru.
* SetWrongWhatOnceWentRight: As usual for a Touken Ranbu work, the Historical Revisionists are up to no good again, and the Touken Danshi are sent back in time to stop them from altering history.
* YouDontLookLikeYou: Arguably, the entire cast, as only a few aspects of their designs and color palettes resemble the original character designs, but Higekiri and Hizamaru are the most affected, as their modern designs were completely changed to fit in better with the cast and Kabuki aesthetic, with only their hair colors distinguishing them as the original characters.

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