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Changed line(s) 111,112 (click to see context) from:
* Creator/EdgarWright's projects tend to be creatively stylized and GenreBusting films with dramatic-ironical dialogue, clever {{Foreshadowing}} and editing, and at least a bit of satire; they can function as both {{Genre Deconstruction}}s and straightforward yet [[ChekhovsArmoury carefully crafted]] stories. Meanwhile, the main characters are likable whether they're a NiceGuy or a JerkWithAHeartOfGold. He homages clips from films into his own also taking old-fashioned cliches into something fresh and overblown. The main action is stylized and ultra-violent with at least one MickeyMousing scene where the action ties into the rhythm of the soundtrack, especially in ''Baby Driver''.
tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
to:
* Creator/EdgarWright's projects tend to be creatively stylized and GenreBusting films with dramatic-ironical dialogue, clever {{Foreshadowing}} and editing, and at least a bit of satire; they can function as both {{Genre Deconstruction}}s and straightforward yet [[ChekhovsArmoury carefully crafted]] stories.
** Meanwhile, the main characters are likable whether they're a NiceGuy or a JerkWithAHeartOfGold. They also feature them eating a Cornetto ice cream treat.
** He homages clips from classic films (usually geeky ones at that) into his own also taking old-fashioned cliches into something fresh andoverblown. overblown.
** The main action is stylized and ultra-violent with at least one MickeyMousing scene where the action ties into the rhythm of thesoundtrack, especially in ''Baby Driver''.
tend to have clever foreshadowing and dramatic-ironical dialog.soundtrack.
** Phrases will be repeated, once innocent, once really sad ormenacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast menacing.
** Fast cuts and lots of close-ups, oftenplayed for laughs PlayedForLaughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
** Meanwhile, the main characters are likable whether they're a NiceGuy or a JerkWithAHeartOfGold. They also feature them eating a Cornetto ice cream treat.
** He homages clips from classic films (usually geeky ones at that) into his own also taking old-fashioned cliches into something fresh and
** The main action is stylized and ultra-violent with at least one MickeyMousing scene where the action ties into the rhythm of the
tend to have clever foreshadowing and dramatic-ironical dialog.
** Phrases will be repeated, once innocent, once really sad or
** Fast cuts and lots of close-ups, often
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* Creator/MichaelBay's films are all explosion-heavy action films with large casts, extremely large-scale action sequences, and plenty of macho hero worship. They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them. They're also very expensive; it's telling that [[Film/{{Ambulance}} a film with a $40 million production budget]] is considered to be on the smaller end of the scale for him.
to:
* Creator/MichaelBay's films are all explosion-heavy [[StuffBlowingUp explosion-heavy]], popcorn action films with large casts, extremely large-scale action sequences, polished technical cinematography within those action sequences, and plenty of macho hero worship. worship and (heterosexual male) sex appeal.
** Those same high-energy action sequences often SmashCut with [[ActionFilmQuietDramaScene easy to overlook quiet drama scenes]].
** Slapstick and broad-appeal humor (though he occasionally forsakes this)
** They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. (In other words, "military porn".)
** His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them. ** They're also very expensive; it's telling that [[Film/{{Ambulance}} a film with a $40 million production budget]] is considered to be on the smaller end of the scale for him.
** Those same high-energy action sequences often SmashCut with [[ActionFilmQuietDramaScene easy to overlook quiet drama scenes]].
** Slapstick and broad-appeal humor (though he occasionally forsakes this)
** They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. (In other words, "military porn".)
** His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them. ** They're also very expensive; it's telling that [[Film/{{Ambulance}} a film with a $40 million production budget]] is considered to be on the smaller end of the scale for him.
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* Creator/ShaneBlack ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect it.
to:
* Creator/ShaneBlack Creator/ShaneBlack: His films usually take the form of a BuddyPicture notable for their DeadpanSnarker and LemonyNarrator characters; most of Black's works often overlap with themes found in [[FilmNoir noir]] and [[HardboiledDetective hardboiled]] fiction; failing that, you can expect a [[GenreMashup gratuitous genre mix]] or NoFourthWall...if not both.
** AntiHero tropes galore: GoodIsNotNice, JerkWithAHeartOfGold, KnightInSourArmor, MrViceGuy, PoliticallyIncorrectHero.
** The heroes resorting to MacGyvering.
** AnAsskickingChristmas: He ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expectit.it; as of yet, five of his movies (and one [[DevelopmentHell abandoned script]]) are set at Christmas.
** Most of his characters are written to carry [[RevolversAreJustBetter a six shooter]]. Such examples include [[Film/LethalWeapon1987 Roger Murtaugh]], [[Film/TheLastBoyScout Joe Hallenbeck]], [[Film/TheLongKissGoodnight Mitch Henessey]], [[Film/TheNiceGuys Holland March]].
** AntiHero tropes galore: GoodIsNotNice, JerkWithAHeartOfGold, KnightInSourArmor, MrViceGuy, PoliticallyIncorrectHero.
** The heroes resorting to MacGyvering.
** AnAsskickingChristmas: He ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect
** Most of his characters are written to carry [[RevolversAreJustBetter a six shooter]]. Such examples include [[Film/LethalWeapon1987 Roger Murtaugh]], [[Film/TheLastBoyScout Joe Hallenbeck]], [[Film/TheLongKissGoodnight Mitch Henessey]], [[Film/TheNiceGuys Holland March]].
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
Deleted line(s) 13 (click to see context) :
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
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Changed line(s) 91 (click to see context) from:
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
to:
* Creator/QuentinTarantino films are talky, [[GenreThrowback pastiches of other films and genres]], often with featuring cinema or the entertainment industry itself as a recurring subject, characterized by elements such as:
** [[ProductionPosse Recurring actors]]
** [[AnachronicOrder Nonlinear storylines]]
** [[{{Gorn}} Stylized violence]]
** BlackComedy
** [[SeinfeldianConversationlong, Long, rambling, roundabout conversations]] full of old pop-culture references and witty dialogue often laced with hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most Adding to that, [[ClusterFBomb lots of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino swearing]].
** {{Trunk Shot}}s. He is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequentshot. Also has at least one TrunkShot in each shot.
** Close-ups on feet due to AuthorAppeal, especially women's bare feet (don't ask)
** And a volume ofhis movies. Also, all {{homage}}s and [[ShoutOut Shout-Outs]] to other movies only attainable with an [[TheMovieBuff absurdly encyclopedic knowledge of his films contain the film history]].
** The phrase "Your reputation precedes you", or some slight variation.
** [[ProductionPosse Recurring actors]]
** [[AnachronicOrder Nonlinear storylines]]
** [[{{Gorn}} Stylized violence]]
** BlackComedy
** [[SeinfeldianConversation
** {{Trunk Shot}}s. He is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent
** Close-ups on feet due to AuthorAppeal, especially women's bare feet (don't ask)
** And a volume of
** The phrase "Your reputation precedes you", or some slight variation.
Changed line(s) 94 (click to see context) from:
* Things written by Creator/EdgarWright (and Creator/SimonPegg) tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
to:
* Things written by Creator/EdgarWright (and Creator/SimonPegg) Creator/EdgarWright's projects tend to be creatively stylized and GenreBusting films with dramatic-ironical dialogue, clever {{Foreshadowing}} and editing, and at least a bit of satire; they can function as both {{Genre Deconstruction}}s and straightforward yet [[ChekhovsArmoury carefully crafted]] stories. Meanwhile, the main characters are likable whether they're a NiceGuy or a JerkWithAHeartOfGold. He homages clips from films into his own also taking old-fashioned cliches into something fresh and overblown. The main action is stylized and ultra-violent with at least one MickeyMousing scene where the action ties into the rhythm of the soundtrack, especially in ''Baby Driver''.
tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
Is there an issue? Send a MessageReason:
None
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/JoeDante is known for black comedy, references to 50's B-movies and cartoons particularly ''WesternAnimation/LooneyTunes'', references to his past films, and tends to use actors like Dick Miller and Robert Picardo.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
Deleted line(s) 37,48 (click to see context) :
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He also does a lot of [[OneEyedShot One-Eyed Shots]] in most of his works, although sometimes it may be a close-up shot of both eyes. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Things written by Creator/EdgarWright (and Creator/SimonPegg) tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
* Creator/JohnLandis always sticks "See You Next Wednesday" somewhere in his movies. And cameos by other filmmakers.
* Some common tropes of Mike Leigh films include:
** Scripts devised from extended improv with actors.
** Long takes.
** An eventful get-together.
** [[LawOfInverseFertility Fertility woes]].
** Alison Steadman
** Creator/TimothySpall
** A working-class woman all but completely ground down by the horribleness of her circumstances.
** An aspiring lower middle-class housewife who is an intolerable snob. She may or may not be driving her more working-class husband away from his roots.
** Scripts devised from extended improv with actors.
** Long takes.
** An eventful get-together.
** [[LawOfInverseFertility Fertility woes]].
** Alison Steadman
** Creator/TimothySpall
** A working-class woman all but completely ground down by the horribleness of her circumstances.
** An aspiring lower middle-class housewife who is an intolerable snob. She may or may not be driving her more working-class husband away from his roots.
* Creator/BazLuhrmann makes period dramas with a bombastic and flashy visual style, focus on spectacle just as much as plot, liberal use of AnachronisticSoundtrack, and lots of bright colors to make his movies stand out. His movies mostly have a BittersweetEnding that are usually more on the bitter side.
* Creator/AdamMcKay has developed a style specific to [[TomHanksSyndrome his more dramatic forays into filmmaking]]: black comedies with a leftist slant, quirky storytelling devices (he seems especially fond of narration and fourth-wall breaks, with ''Film/TheBigShort'' delighting in it), a satirical look at America and its political system, ensemble casts full of A-listers, messages delivered with [[{{Anvilicious}} the subtlety of a baseball bat to the face]], and {{Downer Ending}}s.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He also does a lot of [[OneEyedShot One-Eyed Shots]] in most of his works, although sometimes it may be a close-up shot of both eyes. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
Changed line(s) 78 (click to see context) from:
to:
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Things written by Creator/EdgarWright (and Creator/SimonPegg) tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
* Creator/PaulVerhoeven ''loves'' [[{{Gorn}} graphic violence]], nudity and [[EveryoneIsJesusInPurgatory religious symbolism]]. His projects are often science fiction, but he has done other genres as well (neo-noir in ''Film/BasicInstinct'', historical fiction in ''Film/FleshAndBlood1985'', ''Soldaat van Oranje'', ''Film/{{Zwartboek}}'', and so on).
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Things written by Creator/EdgarWright (and Creator/SimonPegg) tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
* Creator/PaulVerhoeven ''loves'' [[{{Gorn}} graphic violence]], nudity and [[EveryoneIsJesusInPurgatory religious symbolism]]. His projects are often science fiction, but he has done other genres as well (neo-noir in ''Film/BasicInstinct'', historical fiction in ''Film/FleshAndBlood1985'', ''Soldaat van Oranje'', ''Film/{{Zwartboek}}'', and so on).
Deleted line(s) 80,101 (click to see context) :
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
* Creator/JoeDante is known for black comedy, references to 50's B-movies and cartoons particularly ''WesternAnimation/LooneyTunes'', references to his past films, and tends to use actors like Dick Miller and Robert Picardo.
* Some common tropes of Mike Leigh films include:
** Scripts devised from extended improv with actors.
** Long takes.
** An eventful get-together.
** [[LawOfInverseFertility Fertility woes]].
** Alison Steadman
** Creator/TimothySpall
** A working-class woman all but completely ground down by the horribleness of her circumstances.
** An aspiring lower middle-class housewife who is an intolerable snob. She may or may not be driving her more working-class husband away from his roots.
* Creator/PaulVerhoeven ''loves'' [[{{Gorn}} graphic violence]], nudity and [[EveryoneIsJesusInPurgatory religious symbolism]]. His projects are often science fiction, but he has done other genres as well (neo-noir in ''Film/BasicInstinct'', historical fiction in ''Film/FleshAndBlood1985'', ''Soldaat van Oranje'', ''Film/{{Zwartboek}}'', and so on).
* Creator/JohnLandis always sticks "See You Next Wednesday" somewhere in his movies. And cameos by other filmmakers.
* Creator/BazLuhrmann makes period dramas with a bombastic and flashy visual style, focus on spectacle just as much as plot, liberal use of AnachronisticSoundtrack, and lots of bright colors to make his movies stand out. His movies mostly have a BittersweetEnding that are usually more on the bitter side.
* Creator/AdamMcKay has developed a style specific to [[TomHanksSyndrome his more dramatic forays into filmmaking]]: black comedies with a leftist slant, quirky storytelling devices (he seems especially fond of narration and fourth-wall breaks, with ''Film/TheBigShort'' delighting in it), a satirical look at America and its political system, ensemble casts full of A-listers, messages delivered with [[{{Anvilicious}} the subtlety of a baseball bat to the face]], and {{Downer Ending}}s.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,9 (click to see context) from:
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Creator/DavidFincher lights every single one of his films with the same shadowy, yellow or blue mood lighting, he rarely uses close-ups except when showing something very important, avoids handheld camera work, and favors shooting from a dolly, using motion control software or CGI.
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* Creator/ShaneBlack ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect it.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork. As he said: "I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things".
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* Things written by Creator/SimonPegg and Creator/EdgarWright tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
* Creator/DavidFincher lights every single one of his films with the same shadowy, yellow or blue mood lighting, he rarely uses close-ups except when showing something very important, avoids handheld camera work, and favors shooting from a dolly, using motion control software or CGI.
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* Creator/ShaneBlack ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect it.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork. As he said: "I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things".
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* Things written by Creator/SimonPegg and Creator/EdgarWright tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
to:
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Creator/DavidFincher lights every single one of his films with the same shadowy, yellow or blue mood lighting, he rarely uses close-ups except when showing something very important, avoids handheld camera work, and favors shooting from a dolly, using motion control software or CGI.
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* Creator/ShaneBlack ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect it.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork. As he said: "I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things".
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* Things written by Creator/SimonPegg and Creator/EdgarWright tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial styleCreator/JJAbrams includes fast cuts a fair amount Main/LensFlare, MagicalRealism, ball-shaped McGuffin designs, and lots retro-aesthetics reminiscent of close-ups, often played for laughs genre films made by [[MundaneMadeAwesome over-dramatizing Lucas and Spielberg.
** If themundane.]]film's universe has FasterThanLightTravel, then some [[HyperspeedAmbush tricky]] [[HyperspeedEscape and dangerous]] usage of it will be featured.
* Creator/DavidFincher lights every single one of his films with the same shadowy, yellow or blue mood lighting, he rarely uses close-ups except when showing something very important, avoids handheld camera work, and favors shooting from a dolly, using motion control software or CGI.
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* Creator/ShaneBlack ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect it.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork. As he said: "I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things".
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* Things written by Creator/SimonPegg and Creator/EdgarWright tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style
** If the
Changed line(s) 11,22 (click to see context) from:
* If you're watching an 80's Creator/JohnHughes flick, expect it to have some humor with at least one angsty teenager thrown in. It's often set in a Chicago Suburb with yuppies. Expect some realistic dilemmas and human drama mixed with something larger than life (in Film/HomeAlone, Kevin is a believable kid but the slapstick is really cartoony and unrealistic).
* Creator/AlfredHitchcock films have a number of recurring features:
** Often there's a guy or girl unjustly accused, on the run from someone, who has at least one dysfunctional parent, and/or who suddenly vanishes when the love interest takes center place.
** The motif of abuse of hospitality (either by the guest or the host) is also prevalent.
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his films so viewers wouldn't be distracted from the plot while they looked for him.
** Also there's lots of voyeurism depicted.
** He also uses lots of extreme close-ups, and will shoot his dramatic set pieces in either extremely public or extremely private places, to emphasize that you are not safe ''anywhere.''
* Creator/TheCoenBrothers like to make pastiches of other works. Their films often play with language, using heavily stylized dialects from various locations and time periods. Proper heroes are few and far between, with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusWasPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk of their movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met a monologue he didn't like, we have to keep those damned commies out of America, and guns/swords are good. Very, very good. He is also is a big fan of mythology and mythological storytelling. Both Conan and Apocalypse Now also feature the hero killing the villain, who has become a wicked father of sorts to the hero, in a temple and then breaking the cult of said villain.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* If you are watching a Creator/TimBurton movie you ''will'' stumble into at least two of these elements: a character who LooksLikeCesare, German Expressionism, mutilated or unusual hands, [[GothSpirals gothic-style spirals]], characters with parental issues, settings styled after 1950s B-movies, grim and surreal atmospheres, Creator/JohnnyDepp, Creator/HelenaBonhamCarter, a score by Creator/DannyElfman, and [[ArsonMurderAndJaywalking dogs]].
* Creator/AlfredHitchcock films have a number of recurring features:
** Often there's a guy or girl unjustly accused, on the run from someone, who has at least one dysfunctional parent, and/or who suddenly vanishes when the love interest takes center place.
** The motif of abuse of hospitality (either by the guest or the host) is also prevalent.
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his films so viewers wouldn't be distracted from the plot while they looked for him.
** Also there's lots of voyeurism depicted.
** He also uses lots of extreme close-ups, and will shoot his dramatic set pieces in either extremely public or extremely private places, to emphasize that you are not safe ''anywhere.''
* Creator/TheCoenBrothers like to make pastiches of other works. Their films often play with language, using heavily stylized dialects from various locations and time periods. Proper heroes are few and far between, with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusWasPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk of their movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met a monologue he didn't like, we have to keep those damned commies out of America, and guns/swords are good. Very, very good. He is also is a big fan of mythology and mythological storytelling. Both Conan and Apocalypse Now also feature the hero killing the villain, who has become a wicked father of sorts to the hero, in a temple and then breaking the cult of said villain.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* If you are watching a Creator/TimBurton movie you ''will'' stumble into at least two of these elements: a character who LooksLikeCesare, German Expressionism, mutilated or unusual hands, [[GothSpirals gothic-style spirals]], characters with parental issues, settings styled after 1950s B-movies, grim and surreal atmospheres, Creator/JohnnyDepp, Creator/HelenaBonhamCarter, a score by Creator/DannyElfman, and [[ArsonMurderAndJaywalking dogs]].
to:
* If you're watching an 80's Creator/JohnHughes flick, expect it to have some humor with at least one angsty teenager thrown in. It's often set in a Chicago Suburb with yuppies. Expect some realistic dilemmas and human drama mixed with something larger than life (in Film/HomeAlone, Kevin is a believable kid but the slapstick is really cartoony and unrealistic).
* Creator/AlfredHitchcockCreator/WesAnderson films have a number can be easily spotted by regular use of recurring features:
** Often there'swide-angle, straight-on still shots for scene establishment, quirky characters with a guy or girl unjustly accused, on complex web of social ties, a [[UsefulNotes/{{Fonts}} clean sans serif font]] for location names, and a soundtrack filled out by dipping into the run B-sides of hits from someone, who has at least one dysfunctional parent, and/or who suddenly vanishes when the love interest takes center place.1970's and 1980's. Most of his characters are either unsatisfied upper class people or industrious working class people aspiring to be in the upper class. Characters will always wear very distinctive costumes, and stand in impeccably created sets. His large ProductionPosse is also a matter of course, frequently including Creator/BillMurray and Creator/JasonSchwartzman.
** The motif of abuse of hospitality (either by the guest or the host) is also prevalent.
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his* Creator/JuddApatow films so viewers wouldn't be distracted from the plot while they looked for him.
** Also there's lotsusually feature [[ClusterFBomb copious profanity]], MaleFrontalNudity, sex and stoner jokes, and a large amount of voyeurism depicted.
**improvised dialogue. He also uses lots of extreme close-ups, and will shoot his dramatic set pieces in either extremely public or extremely private places, tends to emphasize that you are not safe ''anywhere.''
* Creator/TheCoenBrothers like to make pastiches of other works. Their films often playwork with language, using heavily stylized dialects from various locations [[ProductionPosse the same cast of actors]] a lot.
* Creator/DarioArgento's trademarks include masked killers, dark gloves, women being pushed through plate glass, tracking shots, andtime periods. Proper heroes who are few and far between, involved with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusWasPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk artistic/creative profession who are usually foreigners.
* Creator/OlivierAssayas is fond in all oftheir his movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met a monologue he didn't like, we have to keep those damned commies outof America, and guns/swords are good. Very, very good. He is also is a big fan of mythology and mythological storytelling. Both Conan and Apocalypse Now also feature the hero killing the villain, who has become a wicked father of sorts to the hero, filming in a temple several different languages, and then breaking deliberately refusing to subtitle, in order to increase the cult of said villain.
audience's alienation from the characters.
*If awkward sexual dysfunctions/kinks Creator/MichaelBay's films are all explosion-heavy action films with large casts, extremely large-scale action sequences, and CrapsackWorld suburban mundanity abound, you're probably watching plenty of macho hero worship. They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them. They're also very expensive; it's telling that [[Film/{{Ambulance}} a film directed with a $40 million production budget]] is considered to be on the smaller end of the scale for him.
* Creator/ShaneBlack ''loves'' Christmas andwritten by Creator/ToddSolondz.
* If you are watching a Creator/TimBurton movie you ''will'' stumblewill usually incorporate the holiday into at his movies even when you least two of these elements: a character who LooksLikeCesare, German Expressionism, mutilated or unusual hands, [[GothSpirals gothic-style spirals]], characters with parental issues, settings styled after 1950s B-movies, grim and surreal atmospheres, Creator/JohnnyDepp, Creator/HelenaBonhamCarter, a score by Creator/DannyElfman, and [[ArsonMurderAndJaywalking dogs]].expect it.
* Creator/AlfredHitchcock
** Often there's
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his
** Also there's lots
**
* Creator/TheCoenBrothers like to make pastiches of other works. Their films often play
* Creator/DarioArgento's trademarks include masked killers, dark gloves, women being pushed through plate glass, tracking shots, and
* Creator/OlivierAssayas is fond in all of
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met a monologue he didn't like, we have to keep those damned commies out
*
* Creator/ShaneBlack ''loves'' Christmas and
* If you are watching a Creator/TimBurton movie you ''will'' stumble
Changed line(s) 24,37 (click to see context) from:
* Creator/MichaelBay's films are all explosion-heavy action films with large casts, extremely large-scale action sequences, and plenty of macho hero worship. They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them. They're also very expensive; it's telling that [[Film/{{Ambulance}} a film with a $40 million production budget]] is considered to be on the smaller end of the scale for him.
* Likewise, Creator/RolandEmmerich even discussed how his reputation is as a "destroyer", given his pechant for SceneryGorn and MonumentalDamage. The only exception was ''Anonymous''.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* If you're watching a film by legendary Japanese film director, [[Franchise/{{Godzilla}} Ishiro Honda]], chances are the film will feature people being overwhelmed by either armies, giant monsters, or some other antagonist. This stems from him being drafted into the Japanese Army during WWII. It's safe to assume the whole ordeal left a HUGE impression on his psyche.
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/DarioArgento's trademarks include masked killers, dark gloves, women being pushed through plate glass, tracking shots, and heroes who are involved with some sort of artistic/creative profession who are usually foreigners.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* Creator/YasujiroOzu is known for his very personal style. Most of his films are family dramas. He uses a number of distinctive shots over and over again, including low-angle shots about 1-2 feet off the ground and shots of characters looking directly in the camera. His editing, transitions, and use of music also follow very specific rules.
* Creator/SpikeLee often makes [[strike:films]] [[InsistentTerminology Spike Lee Joints]] about race relations in America, using New York as a setting. More often than not, he also is either the [[AuthorAvatar main character]] or prominently featured in the supporting cast. Expect to see Creator/GiancarloEsposito, Creator/JohnTurturro, or Creator/MichaelImperioli (but never all three) in the supporting cast. Towards the end of any of his films, expect to see a shot centered on the protagonist standing still, while only the background moves forward. [[http://en.wikipedia.org/wiki/Spike_Lee#Themes_and_style That other wiki]] has a pretty big section on the subject.
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He also does a lot of [[OneEyedShot One-Eyed Shots]] in most of his works, although sometimes it may be a close-up shot of both eyes. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* The films of Creator/AkiraKurosawa tend to have dramatic camera angles, either very low or very high, using telephoto lenses to flatten the perspective, with a distinctive "{{Wipe}}" transition; weather elements used to heighten or contrast the mood of a scene; minimalist music; tragic heroes or anti-heroes who have either risen from a lower status, or fallen from a higher, often returning to their previous status; and explorations of the human psyche and condition, particularly among the poor and marginalized. They're also very likely to include Creator/ToshiroMifune in a starring or prominent role.
* Creator/ZhangYimou films are identified for the striking cinematography of his films, particularly the dominance of one or two colors in any given scene (or the oversaturation of too ''many'' colors in the place scenes in ''Film/CurseOfTheGoldenFlower''). He is also notable for making a lot of films that are family epics (fittingly for a family-oriented society like China), and his early realistic films (as opposed to his later Wuxia) focus on the effect of 20th-century modernity on ordinary Chinese.
* Creator/JeanLucGodard is one of the most important French filmmakers of all time, and despite having a wide variety of styles, he has a lot of recurring styles- Red White & Blue (the colors of the French flag) prominently together in a single shot, strongly colored lighting, Anna Karina, in-dialog references to other films, cameos of other filmmakers (Creator/FritzLang, Creator/SamuelFuller, etc.), voice-overs, abrupt silence, unexpected nudity, and adults doing goofy and childish things.
* Creator/OlivierAssayas is fond in all of his movies of filming in several different languages, and then deliberately refusing to subtitle, in order to increase the audience's alienation from the characters.
* Likewise, Creator/RolandEmmerich even discussed how his reputation is as a "destroyer", given his pechant for SceneryGorn and MonumentalDamage. The only exception was ''Anonymous''.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* If you're watching a film by legendary Japanese film director, [[Franchise/{{Godzilla}} Ishiro Honda]], chances are the film will feature people being overwhelmed by either armies, giant monsters, or some other antagonist. This stems from him being drafted into the Japanese Army during WWII. It's safe to assume the whole ordeal left a HUGE impression on his psyche.
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/DarioArgento's trademarks include masked killers, dark gloves, women being pushed through plate glass, tracking shots, and heroes who are involved with some sort of artistic/creative profession who are usually foreigners.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* Creator/YasujiroOzu is known for his very personal style. Most of his films are family dramas. He uses a number of distinctive shots over and over again, including low-angle shots about 1-2 feet off the ground and shots of characters looking directly in the camera. His editing, transitions, and use of music also follow very specific rules.
* Creator/SpikeLee often makes [[strike:films]] [[InsistentTerminology Spike Lee Joints]] about race relations in America, using New York as a setting. More often than not, he also is either the [[AuthorAvatar main character]] or prominently featured in the supporting cast. Expect to see Creator/GiancarloEsposito, Creator/JohnTurturro, or Creator/MichaelImperioli (but never all three) in the supporting cast. Towards the end of any of his films, expect to see a shot centered on the protagonist standing still, while only the background moves forward. [[http://en.wikipedia.org/wiki/Spike_Lee#Themes_and_style That other wiki]] has a pretty big section on the subject.
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He also does a lot of [[OneEyedShot One-Eyed Shots]] in most of his works, although sometimes it may be a close-up shot of both eyes. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* The films of Creator/AkiraKurosawa tend to have dramatic camera angles, either very low or very high, using telephoto lenses to flatten the perspective, with a distinctive "{{Wipe}}" transition; weather elements used to heighten or contrast the mood of a scene; minimalist music; tragic heroes or anti-heroes who have either risen from a lower status, or fallen from a higher, often returning to their previous status; and explorations of the human psyche and condition, particularly among the poor and marginalized. They're also very likely to include Creator/ToshiroMifune in a starring or prominent role.
* Creator/ZhangYimou films are identified for the striking cinematography of his films, particularly the dominance of one or two colors in any given scene (or the oversaturation of too ''many'' colors in the place scenes in ''Film/CurseOfTheGoldenFlower''). He is also notable for making a lot of films that are family epics (fittingly for a family-oriented society like China), and his early realistic films (as opposed to his later Wuxia) focus on the effect of 20th-century modernity on ordinary Chinese.
* Creator/JeanLucGodard is one of the most important French filmmakers of all time, and despite having a wide variety of styles, he has a lot of recurring styles- Red White & Blue (the colors of the French flag) prominently together in a single shot, strongly colored lighting, Anna Karina, in-dialog references to other films, cameos of other filmmakers (Creator/FritzLang, Creator/SamuelFuller, etc.), voice-overs, abrupt silence, unexpected nudity, and adults doing goofy and childish things.
* Creator/OlivierAssayas is fond in all of his movies of filming in several different languages, and then deliberately refusing to subtitle, in order to increase the audience's alienation from the characters.
to:
* Likewise, Creator/RolandEmmerich even discussed how his reputation is as a "destroyer", given his pechant for SceneryGorn and MonumentalDamage. The only exception was ''Anonymous''.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* Creator/OliverStone's films tend to include a lot
* Creator/DarioArgento's trademarks include masked killers, dark gloves, women being pushed through plate glass, tracking shots, and heroes who are involved with some sort of artistic/creative profession who are usually foreigners.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* Creator/YasujiroOzu is known for his very personal style. Most of his films are family dramas. He uses a number of distinctive shots over and over again, including low-angle shots about 1-2 feet off the ground and shots of characters looking directly in the camera. His editing, transitions, and use of music also follow very specific rules.
* Creator/SpikeLee often makes [[strike:films]] [[InsistentTerminology Spike Lee Joints]] about race relations in America, using New York as a setting. More often than not, he also is either the [[AuthorAvatar main character]] or prominently featured in the supporting cast. Expect to see Creator/GiancarloEsposito, Creator/JohnTurturro, or Creator/MichaelImperioli (but never all three) in the supporting cast. Towards the end of any of his films, expect to see a shot centered on the protagonist standing still, while only the background moves forward. [[http://en.wikipedia.org/wiki/Spike_Lee#Themes_and_style That other wiki]] has a pretty big section on the subject.
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind
* The films of Creator/AkiraKurosawa tend to have dramatic camera angles, either very low or very high, using telephoto lenses to flatten the perspective, with
* Creator/ZhangYimou films are identified for the striking cinematography of his films, particularly the dominance of one or two colors in any given scene (or the oversaturation of too ''many'' colors in the place scenes in ''Film/CurseOfTheGoldenFlower''). He is also notable for making a lot of films that are family epics (fittingly for a family-oriented society like China), and his early realistic films (as opposed to his later Wuxia) focus on the effect of 20th-century modernity on ordinary Chinese.
* Creator/JeanLucGodard is one of the most important French filmmakers of all time, and despite having a wide variety of styles, he has a lot of recurring styles- Red White & Blue (the colors of the French flag) prominently together in a single shot, strongly colored lighting, Anna Karina, in-dialog references to other films, cameos of other filmmakers (Creator/FritzLang, Creator/SamuelFuller, etc.), voice-overs, abrupt silence, unexpected nudity, and adults doing goofy and childish things.
* Creator/OlivierAssayas is fond in all of his movies of filming in several different languages, and then deliberately refusing to subtitle, in order to increase the audience's alienation from the characters.
Changed line(s) 45,59 (click to see context) from:
* Creator/ChristopherNolan:
** Most of his films are a MindScrew, with [[AnachronicOrder non-linear narration]] and highly complex characterisation.
** All of his movies have the common theme of guilt, where the male lead regrets having set in motion a chain of events that ended up killing:
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (more or less since ''Film/BatmanBegins''), he revealed his love for minimalist architecture (like [[Film/BatmanBegins Lucius Fox's workshop]], [[Film/TheDarkKnight Bruce Wayne's penthouse and Batmobile garage]], [[Film/{{Inception}} the 2nd level]] [[spoiler: [[Film/{{Inception}} and the limbo]]]]), mountains ([[Film/{{Insomnia}} Nightmute]], [[Film/BatmanBegins the Himalayas]], [[Film/ThePrestige Colorado]] and [[Film/{{Inception}} the 3rd level]]), cities with skyscrapers ([[Film/TheDarkKnightTrilogy Gotham, Hong Kong]] and [[Film/{{Inception}} the 1st level]]), and the Orient in general, with ''Film/ThePrestige'', ''Film/TheDarkKnightTrilogy'' and ''Film/{{Inception}}''.
** There well also be mention to theatrics or the element of illusion. ''Batman Begins'' uses words like "dramatic" and "theatrics" in the dialogue frequently, ''The Prestige'' talks about misdirection and its use in magic, and ''Inception'' focuses on "creating the world of the dream", as well as use of misdirection to hide what is dream and what is reality.
** A common theme in Nolan's work is "A good lie is better than the truth." Who really killed Leonard's wife in ''Memento'', who really shot Eckhart in ''Insomnia'', Who Rachel really loved/ Who killed Harvey Dent's victims in ''The Dark Knight'', Fischer's love for his son, and the nature of the dream world in ''Inception''. There is either self-deception involved by the end or a cover up made for the greater good.
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of which is killed during the trick; "I don't like trains" and the fluttering curtains in ''Film/{{Inception}}''; even the ''posters'' for ''Film/TheDarkKnight'' highlight the triad of Batman, the Joker and Harvey Dent (good, evil, and both).
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men are dressed better than the women, chances are you're watching a Creator/ChristopherNolan movie. Nolan himself shows up to sets in a suit every day.
** He also likes using real effects instead of CGI. Examples include: the exploding hospital in ''The Dark Knight'', the rotating corridor in ''Inception'', the crashed plane in ''The Dark Knight Rises'', the docking scene in ''Interstellar'', and the Tumbler.
* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with SceneryPorn. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some of the greatest examples of casting against type]].
** Most of his films are a MindScrew, with [[AnachronicOrder non-linear narration]] and highly complex characterisation.
** All of his movies have the common theme of guilt, where the male lead regrets having set in motion a chain of events that ended up killing:
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (more or less since ''Film/BatmanBegins''), he revealed his love for minimalist architecture (like [[Film/BatmanBegins Lucius Fox's workshop]], [[Film/TheDarkKnight Bruce Wayne's penthouse and Batmobile garage]], [[Film/{{Inception}} the 2nd level]] [[spoiler: [[Film/{{Inception}} and the limbo]]]]), mountains ([[Film/{{Insomnia}} Nightmute]], [[Film/BatmanBegins the Himalayas]], [[Film/ThePrestige Colorado]] and [[Film/{{Inception}} the 3rd level]]), cities with skyscrapers ([[Film/TheDarkKnightTrilogy Gotham, Hong Kong]] and [[Film/{{Inception}} the 1st level]]), and the Orient in general, with ''Film/ThePrestige'', ''Film/TheDarkKnightTrilogy'' and ''Film/{{Inception}}''.
** There well also be mention to theatrics or the element of illusion. ''Batman Begins'' uses words like "dramatic" and "theatrics" in the dialogue frequently, ''The Prestige'' talks about misdirection and its use in magic, and ''Inception'' focuses on "creating the world of the dream", as well as use of misdirection to hide what is dream and what is reality.
** A common theme in Nolan's work is "A good lie is better than the truth." Who really killed Leonard's wife in ''Memento'', who really shot Eckhart in ''Insomnia'', Who Rachel really loved/ Who killed Harvey Dent's victims in ''The Dark Knight'', Fischer's love for his son, and the nature of the dream world in ''Inception''. There is either self-deception involved by the end or a cover up made for the greater good.
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of which is killed during the trick; "I don't like trains" and the fluttering curtains in ''Film/{{Inception}}''; even the ''posters'' for ''Film/TheDarkKnight'' highlight the triad of Batman, the Joker and Harvey Dent (good, evil, and both).
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men are dressed better than the women, chances are you're watching a Creator/ChristopherNolan movie. Nolan himself shows up to sets in a suit every day.
** He also likes using real effects instead of CGI. Examples include: the exploding hospital in ''The Dark Knight'', the rotating corridor in ''Inception'', the crashed plane in ''The Dark Knight Rises'', the docking scene in ''Interstellar'', and the Tumbler.
* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with SceneryPorn. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some of the greatest examples of casting against type]].
to:
* Creator/ChristopherNolan:
** MostCreator/TheCoenBrothers like to make pastiches of other works. Their films often play with language, using heavily stylized dialects from various locations and time periods. Proper heroes are few and far between, with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusWasPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk of their movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork. As he once said:
-->"I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things."
* Creator/RolandEmmerich, similiar to the aforementioned Michael Bay, discussed how his reputation is as a "destroyer", given his pechant for SceneryGorn and MonumentalDamage. The only exception was ''Anonymous''.
* Creator/DavidFincher lights every single one of his filmsare a MindScrew, with [[AnachronicOrder non-linear narration]] the same shadowy, yellow or blue mood lighting, he rarely uses close-ups except when showing something very important, avoids handheld camera work, and highly complex characterisation.
** All of his movies have the common theme of guilt, where the male lead regrets having set infavors shooting from a dolly, using motion a chain of events that ended up killing:
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (morecontrol software or less since ''Film/BatmanBegins''), he revealed his love for minimalist architecture (like [[Film/BatmanBegins Lucius Fox's workshop]], [[Film/TheDarkKnight Bruce Wayne's penthouse and Batmobile garage]], [[Film/{{Inception}} the 2nd level]] [[spoiler: [[Film/{{Inception}} and the limbo]]]]), mountains ([[Film/{{Insomnia}} Nightmute]], [[Film/BatmanBegins the Himalayas]], [[Film/ThePrestige Colorado]] and [[Film/{{Inception}} the 3rd level]]), cities with skyscrapers ([[Film/TheDarkKnightTrilogy Gotham, Hong Kong]] and [[Film/{{Inception}} the 1st level]]), and the Orient in general, with ''Film/ThePrestige'', ''Film/TheDarkKnightTrilogy'' and ''Film/{{Inception}}''.
** There well also be mention to theatrics or the element of illusion. ''Batman Begins'' uses words like "dramatic" and "theatrics" in the dialogue frequently, ''The Prestige'' talks about misdirection and its use in magic, and ''Inception'' focuses on "creating the world of the dream", as well as use of misdirection to hide what is dream and what is reality.
** A common theme in Nolan's work is "A good lie is better than the truth." Who really killed Leonard's wife in ''Memento'', who really shot Eckhart in ''Insomnia'', Who Rachel really loved/ Who killed Harvey Dent's victims in ''The Dark Knight'', Fischer's love for his son, and the nature of the dream world in ''Inception''. There is either self-deception involved by the end or a cover up made for the greater good.
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of which is killed during the trick; "I don't like trains" and the fluttering curtains in ''Film/{{Inception}}''; even the ''posters'' for ''Film/TheDarkKnight'' highlight the triad of Batman, the Joker and Harvey Dent (good, evil, and both).
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men are dressed better than the women, chances are you're watching a Creator/ChristopherNolan movie. Nolan himself shows up to sets in a suit every day.
** He also likes using real effects instead of CGI. Examples include: the exploding hospital in ''The Dark Knight'', the rotating corridor in ''Inception'', the crashed plane in ''The Dark Knight Rises'', the docking scene in ''Interstellar'', and the Tumbler.
* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with SceneryPorn. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some of the greatest examples of casting against type]].CGI.
** Most
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork. As he once said:
-->"I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things."
* Creator/RolandEmmerich, similiar to the aforementioned Michael Bay, discussed how his reputation is as a "destroyer", given his pechant for SceneryGorn and MonumentalDamage. The only exception was ''Anonymous''.
* Creator/DavidFincher lights every single one of his films
** All of his movies have the common theme of guilt, where the male lead regrets having set in
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (more
** There well also be mention to theatrics or the element of illusion. ''Batman Begins'' uses words like "dramatic" and "theatrics" in the dialogue frequently, ''The Prestige'' talks about misdirection and its use in magic, and ''Inception'' focuses on "creating the world of the dream", as well as use of misdirection to hide what is dream and what is reality.
** A common theme in Nolan's work is "A good lie is better than the truth." Who really killed Leonard's wife in ''Memento'', who really shot Eckhart in ''Insomnia'', Who Rachel really loved/ Who killed Harvey Dent's victims in ''The Dark Knight'', Fischer's love for his son, and the nature of the dream world in ''Inception''. There is either self-deception involved by the end or a cover up made for the greater good.
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of which is killed during the trick; "I don't like trains" and the fluttering curtains in ''Film/{{Inception}}''; even the ''posters'' for ''Film/TheDarkKnight'' highlight the triad of Batman, the Joker and Harvey Dent (good, evil, and both).
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men are dressed better than the women, chances are you're watching a Creator/ChristopherNolan movie. Nolan himself shows up to sets in a suit every day.
** He also likes using real effects instead of CGI. Examples include: the exploding hospital in ''The Dark Knight'', the rotating corridor in ''Inception'', the crashed plane in ''The Dark Knight Rises'', the docking scene in ''Interstellar'', and the Tumbler.
* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with SceneryPorn. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some of the greatest examples of casting against type]].
Changed line(s) 61,68 (click to see context) from:
* Creator/StanleyKubrick: Very far on the cynicism side for SlidingScaleOfCynicismVersusIdealism, lots of hallways and tracking shots (he was particularly fond of the Steadicam), almost always an adaption of a book, mentally unstable protagonists, classical music [[SoundtrackDissonance (many times used for ironic effect)]], tons of BlackHumor, the KubrickStare and above all meticulous attention to detail. [[MoodWhiplash And at least one scene involving a toilet.]]
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/JuddApatow films usually feature [[ClusterFBomb copious profanity]], MaleFrontalNudity, sex and stoner jokes, and a large amount of improvised dialogue. He also tends to work with [[ProductionPosse the same cast of actors]] a lot.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCast of the most popular black actors at the time.
* Creator/StevenSpielberg
** Daddy issues. It's not really a question of whether they'll be included in a movie he has any part in, but rather how much, how blatant, and how central to the plot they'll be.
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] even in his darkest movies, and a single person's struggle to beat unfavorable odds and\or make a difference.
** As far as visuals go, he loves having shots of characters staring in shock at something off camera.
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/JuddApatow films usually feature [[ClusterFBomb copious profanity]], MaleFrontalNudity, sex and stoner jokes, and a large amount of improvised dialogue. He also tends to work with [[ProductionPosse the same cast of actors]] a lot.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCast of the most popular black actors at the time.
* Creator/StevenSpielberg
** Daddy issues. It's not really a question of whether they'll be included in a movie he has any part in, but rather how much, how blatant, and how central to the plot they'll be.
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] even in his darkest movies, and a single person's struggle to beat unfavorable odds and\or make a difference.
** As far as visuals go, he loves having shots of characters staring in shock at something off camera.
to:
* Creator/StanleyKubrick: Very far on the cynicism side for SlidingScaleOfCynicismVersusIdealism, lots of hallways and tracking shots (he was particularly fond of the Steadicam), almost always an adaption of a book, mentally unstable protagonists, classical music [[SoundtrackDissonance (many times used for ironic effect)]], tons of BlackHumor, the KubrickStare and above all meticulous attention to detail. [[MoodWhiplash And at least Creator/JeanLucGodard is one scene involving a toilet.]]
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/JuddApatow films usually feature [[ClusterFBomb copious profanity]], MaleFrontalNudity, sex and stoner jokes, and a large amount of improvised dialogue. He also tends to work with [[ProductionPosse the same cast of actors]] a lot.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCastof the most popular black actors at the time.
* Creator/StevenSpielberg
** Daddy issues. It's not really a questionimportant French filmmakers of whether they'll be included in all time, and despite having a movie wide variety of styles, he has any part in, but rather how much, how blatant, and how central to a lot of recurring styles- Red White & Blue (the colors of the plot they'll be.
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] evenFrench flag) prominently together in his darkest movies, and a single person's struggle shot, strongly colored lighting, Anna Karina, in-dialog references to beat unfavorable odds and\or make a difference.
** As far as visuals go, he loves having shotsother films, cameos of characters staring in shock at something off camera.other filmmakers (Creator/FritzLang, Creator/SamuelFuller, etc.), voice-overs, abrupt silence, unexpected nudity, and adults doing goofy and childish things.
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/JuddApatow films usually feature [[ClusterFBomb copious profanity]], MaleFrontalNudity, sex and stoner jokes, and a large amount of improvised dialogue. He also tends to work with [[ProductionPosse the same cast of actors]] a lot.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCast
* Creator/StevenSpielberg
** Daddy issues. It's not really a question
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] even
** As far as visuals go, he loves having shots
Changed line(s) 70,71 (click to see context) from:
* Creator/JJAbrams includes a fair amount Main/LensFlare, MagicalRealism, ball-shaped McGuffin designs, and retro-aesthetics reminiscent of genre films made by Lucas and Spielberg.
** If the film's universe has FasterThanLightTravel, then some [[HyperspeedAmbush tricky]] [[HyperspeedEscape and dangerous]] usage of it will be featured.
** If the film's universe has FasterThanLightTravel, then some [[HyperspeedAmbush tricky]] [[HyperspeedEscape and dangerous]] usage of it will be featured.
to:
* Creator/JJAbrams Creator/AlfredHitchcock films have a number of recurring features:
** Often there's a guy or girl unjustly accused, on the run from someone, who has at least one dysfunctional parent, and/or who suddenly vanishes when the love interest takes center place.
** The motif of abuse of hospitality (either by the guest or the host) is also prevalent.
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his films so viewers wouldn't be distracted from the plot while they looked for him.
** Also there's lots of voyeurism depicted.
** He also uses lots of extreme close-ups, and will shoot his dramatic set pieces in either extremely public or extremely private places, to emphasize that you are not safe ''anywhere.''
* If you're watching a film by legendary Japanese film director, [[Franchise/{{Godzilla}} Ishiro Honda]], chances are the film will feature people being overwhelmed by either armies, giant monsters, or some other antagonist. This stems from him being drafted into the Japanese Army during WWII. It's safe to assume the whole ordeal left a HUGE impression on his psyche.
* If you're watching an 80's Creator/JohnHughes flick, expect it to have some humor with at least one angsty teenager thrown in. It's often set in a Chicago Suburb with yuppies. Expect some realistic dilemmas and human drama mixed with something larger than life (in Film/HomeAlone, Kevin is a believable kid but the slapstick is really cartoony and unrealistic).
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He also does a lot of [[OneEyedShot One-Eyed Shots]] in most of his works, although sometimes it may be a close-up shot of both eyes. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Things written by Creator/EdgarWright (and Creator/SimonPegg) tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includesa fair amount Main/LensFlare, MagicalRealism, ball-shaped McGuffin designs, fast cuts and retro-aesthetics reminiscent lots of genre close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* The filmsmade by Lucas of Creator/AkiraKurosawa tend to have dramatic camera angles, either very low or very high, using telephoto lenses to flatten the perspective, with a distinctive "{{Wipe}}" transition; weather elements used to heighten or contrast the mood of a scene; minimalist music; tragic heroes or anti-heroes who have either risen from a lower status, or fallen from a higher, often returning to their previous status; and Spielberg.
** Ifexplorations of the film's universe human psyche and condition, particularly among the poor and marginalized. They're also very likely to include Creator/ToshiroMifune in a starring or prominent role.
* Creator/StanleyKubrick: Very far on the cynicism side for SlidingScaleOfCynicismVersusIdealism, lots of hallways and tracking shots (he was particularly fond of the Steadicam), almost always an adaption of a book, mentally unstable protagonists, classical music [[SoundtrackDissonance (many times used for ironic effect)]], tons of BlackHumor, the KubrickStare and above all meticulous attention to detail. [[MoodWhiplash And at least one scene involving a toilet.]]
* Creator/SpikeLee often makes [[strike:films]] [[InsistentTerminology Spike Lee Joints]] about race relations in America, using New York as a setting. More often than not, he also is either the [[AuthorAvatar main character]] or prominently featured in the supporting cast. Expect to see Creator/GiancarloEsposito, Creator/JohnTurturro, or Creator/MichaelImperioli (but never all three) in the supporting cast. Towards the end of any of his films, expect to see a shot centered on the protagonist standing still, while only the background moves forward. [[http://en.wikipedia.org/wiki/Spike_Lee#Themes_and_style That other wiki]] hasFasterThanLightTravel, then a pretty big section on the subject.
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some[[HyperspeedAmbush tricky]] [[HyperspeedEscape and dangerous]] usage of it will be featured.the greatest examples of casting against type]].
** Often there's a guy or girl unjustly accused, on the run from someone, who has at least one dysfunctional parent, and/or who suddenly vanishes when the love interest takes center place.
** The motif of abuse of hospitality (either by the guest or the host) is also prevalent.
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his films so viewers wouldn't be distracted from the plot while they looked for him.
** Also there's lots of voyeurism depicted.
** He also uses lots of extreme close-ups, and will shoot his dramatic set pieces in either extremely public or extremely private places, to emphasize that you are not safe ''anywhere.''
* If you're watching a film by legendary Japanese film director, [[Franchise/{{Godzilla}} Ishiro Honda]], chances are the film will feature people being overwhelmed by either armies, giant monsters, or some other antagonist. This stems from him being drafted into the Japanese Army during WWII. It's safe to assume the whole ordeal left a HUGE impression on his psyche.
* If you're watching an 80's Creator/JohnHughes flick, expect it to have some humor with at least one angsty teenager thrown in. It's often set in a Chicago Suburb with yuppies. Expect some realistic dilemmas and human drama mixed with something larger than life (in Film/HomeAlone, Kevin is a believable kid but the slapstick is really cartoony and unrealistic).
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He also does a lot of [[OneEyedShot One-Eyed Shots]] in most of his works, although sometimes it may be a close-up shot of both eyes. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Things written by Creator/EdgarWright (and Creator/SimonPegg) tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* The films
** If
* Creator/StanleyKubrick: Very far on the cynicism side for SlidingScaleOfCynicismVersusIdealism, lots of hallways and tracking shots (he was particularly fond of the Steadicam), almost always an adaption of a book, mentally unstable protagonists, classical music [[SoundtrackDissonance (many times used for ironic effect)]], tons of BlackHumor, the KubrickStare and above all meticulous attention to detail. [[MoodWhiplash And at least one scene involving a toilet.]]
* Creator/SpikeLee often makes [[strike:films]] [[InsistentTerminology Spike Lee Joints]] about race relations in America, using New York as a setting. More often than not, he also is either the [[AuthorAvatar main character]] or prominently featured in the supporting cast. Expect to see Creator/GiancarloEsposito, Creator/JohnTurturro, or Creator/MichaelImperioli (but never all three) in the supporting cast. Towards the end of any of his films, expect to see a shot centered on the protagonist standing still, while only the background moves forward. [[http://en.wikipedia.org/wiki/Spike_Lee#Themes_and_style That other wiki]] has
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some
Changed line(s) 73,80 (click to see context) from:
* Creator/WesAnderson films can be easily spotted by regular use of wide-angle, straight-on still shots for scene establishment, quirky characters with a complex web of social ties, a [[UsefulNotes/{{Fonts}} clean sans serif font]] for location names, and a soundtrack filled out by dipping into the B-sides of hits from the 1970's and 1980's. Most of his characters are either unsatisfied upper class people or industrious working class people aspiring to be in the upper class. Characters will always wear very distinctive costumes, and stand in impeccably created sets. His large ProductionPosse is also a matter of course, frequently including Creator/BillMurray and Creator/JasonSchwartzman.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
to:
* Creator/WesAnderson Creator/SamMendes loves films can be easily spotted by regular use of wide-angle, straight-on still shots for scene establishment, quirky characters about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with SceneryPorn. He would also end his films in a complex web of social ties, a [[UsefulNotes/{{Fonts}} clean sans serif font]] for location names, bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met asoundtrack filled monologue he didn't like, we have to keep those damned commies out by dipping into of America, and guns/swords are good. Very, very good. He is also is a big fan of mythology and mythological storytelling. Both Conan and Apocalypse Now also feature the B-sides of hits from hero killing the 1970's villain, who has become a wicked father of sorts to the hero, in a temple and 1980's. then breaking the cult of said villain.
* Creator/ChristopherNolan:
** Most of hischaracters are either unsatisfied upper class people or industrious working class people aspiring to be in the upper class. Characters will always wear very distinctive costumes, and stand in impeccably created sets. His large ProductionPosse is also a matter of course, frequently including Creator/BillMurray and Creator/JasonSchwartzman.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest'sfilms are all mockumentaries a MindScrew, with largely improvised dialogue, taken from [[AnachronicOrder non-linear narration]] and highly complex characterisation.
** All of hisexperience working on ''Film/ThisIsSpinalTap''. He movies have the common theme of guilt, where the male lead regrets having set in motion a chain of events that ended up killing:
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (more or less since ''Film/BatmanBegins''), he revealed his love for minimalist architecture (like [[Film/BatmanBegins Lucius Fox's workshop]], [[Film/TheDarkKnight Bruce Wayne's penthouse and Batmobile garage]], [[Film/{{Inception}} the 2nd level]] [[spoiler: [[Film/{{Inception}} and the limbo]]]]), mountains ([[Film/{{Insomnia}} Nightmute]], [[Film/BatmanBegins the Himalayas]], [[Film/ThePrestige Colorado]] and [[Film/{{Inception}} the 3rd level]]), cities with skyscrapers ([[Film/TheDarkKnightTrilogy Gotham, Hong Kong]] and [[Film/{{Inception}} the 1st level]]), and the Orient in general, with ''Film/ThePrestige'', ''Film/TheDarkKnightTrilogy'' and ''Film/{{Inception}}''.
** There well alsoworks with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's notbe mention to theatrics or the element of illusion. ''Batman Begins'' uses words like "dramatic" and "theatrics" in the dialogue frequently, ''The Prestige'' talks about misdirection and its use in magic, and ''Inception'' focuses on behalf "creating the world of a woman, it's often a woman herself. Besson usually pours a lot the dream", as well as use of misdirection to hide what is dream and what is reality.
** A common theme in Nolan's workinto an action packed opening scene, which in several cases even ends up overshadowing is "A good lie is better than the grande finale final showdown. This even carries over into films truth." Who really killed Leonard's wife in ''Memento'', who really shot Eckhart in ''Insomnia'', Who Rachel really loved/ Who killed Harvey Dent's victims in ''The Dark Knight'', Fischer's love for his son, and the nature of the dream world in ''Inception''. There is either self-deception involved by the end or a cover up made for the greater good.
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of whichhe was not is killed during the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small grouptrick; "I don't like trains" and the fluttering curtains in ''Film/{{Inception}}''; even the ''posters'' for ''Film/TheDarkKnight'' highlight the triad of Batman, the Joker and Harvey Dent (good, evil, and both).
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men- sometimes with one or two women - who are elite professionals performing a dangerous job. If dressed better than the women, chances are you're watching a Creator/ChristopherNolan movie. Nolan himself shows up to sets in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's suit every day.
** He alsolots likes using real effects instead of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people inCGI. Examples include: the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settingsexploding hospital in ''The Dark Knight'', the rotating corridor in ''Inception'', the crashed plane in ''The Dark Knight Rises'', the docking scene in ''Interstellar'', and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.Tumbler.
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met a
* Creator/ChristopherNolan:
** Most of his
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's
** All of his
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (more or less since ''Film/BatmanBegins''), he revealed his love for minimalist architecture (like [[Film/BatmanBegins Lucius Fox's workshop]], [[Film/TheDarkKnight Bruce Wayne's penthouse and Batmobile garage]], [[Film/{{Inception}} the 2nd level]] [[spoiler: [[Film/{{Inception}} and the limbo]]]]), mountains ([[Film/{{Insomnia}} Nightmute]], [[Film/BatmanBegins the Himalayas]], [[Film/ThePrestige Colorado]] and [[Film/{{Inception}} the 3rd level]]), cities with skyscrapers ([[Film/TheDarkKnightTrilogy Gotham, Hong Kong]] and [[Film/{{Inception}} the 1st level]]), and the Orient in general, with ''Film/ThePrestige'', ''Film/TheDarkKnightTrilogy'' and ''Film/{{Inception}}''.
** There well also
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not
** A common theme in Nolan's work
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of which
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men
** He also
* Writer/Director Shane Meadows makes films about working class people in
* Creator/RidleyScott has visually beautiful movies which usually have grim settings
Added DiffLines:
* Creator/YasujiroOzu is known for his very personal style. Most of his films are family dramas. He uses a number of distinctive shots over and over again, including low-angle shots about 1-2 feet off the ground and shots of characters looking directly in the camera. His editing, transitions, and use of music also follow very specific rules.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCast of the most popular black actors at the time.
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/StevenSpielberg
** Daddy issues. It's not really a question of whether they'll be included in a movie he has any part in, but rather how much, how blatant, and how central to the plot they'll be.
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] even in his darkest movies, and a single person's struggle to beat unfavorable odds and\or make a difference.
** As far as visuals go, he loves having shots of characters staring in shock at something off camera.
* Creator/ZhangYimou films are identified for the striking cinematography of his films, particularly the dominance of one or two colors in any given scene (or the oversaturation of too ''many'' colors in the place scenes in ''Film/CurseOfTheGoldenFlower''). He is also notable for making a lot of films that are family epics (fittingly for a family-oriented society like China), and his early realistic films (as opposed to his later Wuxia) focus on the effect of 20th-century modernity on ordinary Chinese.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCast of the most popular black actors at the time.
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/StevenSpielberg
** Daddy issues. It's not really a question of whether they'll be included in a movie he has any part in, but rather how much, how blatant, and how central to the plot they'll be.
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] even in his darkest movies, and a single person's struggle to beat unfavorable odds and\or make a difference.
** As far as visuals go, he loves having shots of characters staring in shock at something off camera.
* Creator/ZhangYimou films are identified for the striking cinematography of his films, particularly the dominance of one or two colors in any given scene (or the oversaturation of too ''many'' colors in the place scenes in ''Film/CurseOfTheGoldenFlower''). He is also notable for making a lot of films that are family epics (fittingly for a family-oriented society like China), and his early realistic films (as opposed to his later Wuxia) focus on the effect of 20th-century modernity on ordinary Chinese.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
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* Creator/WesAnderson films can be easily spotted by regular use of wide-angle, straight-on still shots for scene establishment, quirky characters with numerous relations between them, a [[UsefulNotes/{{Fonts}} clean sans serif font]] for location names, and dipping into the B-sides of hits from the 1970's and 1980's to fill out the soundtrack. Most of his characters are either unsatisfied upper class people or industrious working class people apsiring to be in the upper class. Characters will always wear very distinctive costumes. His works usually feature Creator/BillMurray and Owen Wilson, among a larger ProductionPosse.
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* Creator/WesAnderson films can be easily spotted by regular use of wide-angle, straight-on still shots for scene establishment, quirky characters with numerous relations between them, a complex web of social ties, a [[UsefulNotes/{{Fonts}} clean sans serif font]] for location names, and a soundtrack filled out by dipping into the B-sides of hits from the 1970's and 1980's to fill out the soundtrack. 1980's. Most of his characters are either unsatisfied upper class people or industrious working class people apsiring aspiring to be in the upper class. Characters will always wear very distinctive costumes. costumes, and stand in impeccably created sets. His works usually feature large ProductionPosse is also a matter of course, frequently including Creator/BillMurray and Owen Wilson, among a larger ProductionPosse.Creator/JasonSchwartzman.
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* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
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* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He also does a lot of [[OneEyedShot One-Eyed Shots]] in most of his works, although sometimes it may be a close-up shot of both eyes. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
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* Creator/AdamMcKay has developed a style specific to [[TomHanksSyndrome his more dramatic forays into filmmaking]]: black comedies with a leftist slant, quirky storytelling devices (he seems especially fond of narration and fourth-wall breaks, with ''Film/TheBigShort'' delighting in it), a satirical look at America and its political system, ensemble casts full of A-listers, messages delivered with [[{{Anvilicious}} the subtlety of a baseball bat to the face]], and {{Downer Ending}}s.
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* Creator/MichaelBay's films are all explosion-heavy action films with large casts, extremely large-scale action sequences, and plenty of macho hero worship. They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them.
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* Creator/MichaelBay's films are all explosion-heavy action films with large casts, extremely large-scale action sequences, and plenty of macho hero worship. They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them. They're also very expensive; it's telling that [[Film/{{Ambulance}} a film with a $40 million production budget]] is considered to be on the smaller end of the scale for him.
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* Creator/BazLuhrmann makes period dramas with a bombastic and flashy visual style, focus on spectacle just as much as plot, liberal use of AnachronisticSoundtrack, and lots of bright colors to make his movies stand out. His movies mostly have a BittersweetEnding that are usually more on the bitter side.
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* Creator/PaulVerhoeven ''loves'' [[{{Gorn}} graphic violence]], nudity and [[EveryoneIsJesusInPurgatory religious symbolism]]. His projects are often science fiction, but he has done other genres as well (neo-noir in ''Film/BasicInstinct'', historical fiction in ''Film/FleshAndBlood'', ''Soldaat van Oranje'', ''Film/{{Zwartboek}}'', and so on).
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* Creator/PaulVerhoeven ''loves'' [[{{Gorn}} graphic violence]], nudity and [[EveryoneIsJesusInPurgatory religious symbolism]]. His projects are often science fiction, but he has done other genres as well (neo-noir in ''Film/BasicInstinct'', historical fiction in ''Film/FleshAndBlood'', ''Film/FleshAndBlood1985'', ''Soldaat van Oranje'', ''Film/{{Zwartboek}}'', and so on).
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* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with [[SceneryPorn scenery porn]]. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
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* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with [[SceneryPorn scenery porn]].SceneryPorn. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
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* Creator/JohnLandis always sticks "See You Next Wednesday" somewhere in his movies.
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* Creator/JohnLandis always sticks "See You Next Wednesday" somewhere in his movies. And cameos by other filmmakers.
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* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork.
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* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork. As he said: "I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things".
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* Creator/JohnLandis always sticks "See You Next Wednesday" somewhere in his movies.
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* Creator/TheCoenBrothers like to make pastiches of other works. Their films often play with language, using heavily stylized dialects from various locations and time periods. Proper heroes are few and far between, with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusIsPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk of their movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
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* Creator/TheCoenBrothers like to make pastiches of other works. Their films often play with language, using heavily stylized dialects from various locations and time periods. Proper heroes are few and far between, with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusIsPaul TheWalrusWasPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk of their movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
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* Creator/QuentinTarantino films are talky, often with [[SeinfeldianConversation long, rambling, roundabout conversations]] full of old pop-culture references and hipster philosophy that somehow feel natural while still containing dialogue no normal person would ever speak. Most of his films are [[GenreThrowback pastiches of other films and genres]], and often feature cinema or the entertainment industry itself as a recurring subject. Some of his films are episodic in plot structure, with "chapters" or chunks arranged [[AnachronicOrder out of order]]. Lots of violence and swearing are to be expected. Due to AuthorAppeal, women's bare feet will often be highlighted. Tarantino is also fond of a particular shot where the camera passes through a wall or ceiling, which is only later revealed in a subsequent shot. Also has at least one TrunkShot in each of his movies. Also, all of his films contain the phrase "Your reputation precedes you", or some slight variation.
* Creator/DavidFincher lights every single one of his films with the same shadowy, yellow or blue mood lighting, he rarely uses close-ups except when showing something very important, avoids handheld camera work, and favors shooting from a dolly, using motion control software or CGI.
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* Creator/ShaneBlack ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect it.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork.
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* Things written by Creator/SimonPegg and Creator/EdgarWright tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
* Creator/WoodyAllen movies generally feature a nebbishy, fussy Jewish New York AuthorAvatar who is stuck in psychotherapy, spouts self-deprecating one-liners and Ingmar Bergman references, and gets into romantic entanglements with [[ManicPixieDreamGirl inexplicably attractive women]]. Visually, his films tend to have a specific look and feel: Warm colors (when he's not shooting in [[DeliberatelyMonochrome black-and-white]]), and scenes with as few cuts as possible, occasionally using [[TheOner oners]]. Soundtracks heavily favor classic Tin Pan Alley tunes, especially Music/ColePorter (who naturally appears as a HistoricalDomainCharacter in ''Film/MidnightInParis'').
* If you're watching an 80's Creator/JohnHughes flick, expect it to have some humor with at least one angsty teenager thrown in. It's often set in a Chicago Suburb with yuppies. Expect some realistic dilemmas and human drama mixed with something larger than life (in Film/HomeAlone, Kevin is a believable kid but the slapstick is really cartoony and unrealistic).
* Creator/AlfredHitchcock films have a number of recurring features:
** Often there's a guy or girl unjustly accused, on the run from someone, who has at least one dysfunctional parent, and/or who suddenly vanishes when the love interest takes center place.
** The motif of abuse of hospitality (either by the guest or the host) is also prevalent.
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his films so viewers wouldn't be distracted from the plot while they looked for him.
** Also there's lots of voyeurism depicted.
** He also uses lots of extreme close-ups, and will shoot his dramatic set pieces in either extremely public or extremely private places, to emphasize that you are not safe ''anywhere.''
* Creator/TheCoenBrothers like to make pastiches of other works. Their films often play with language, using heavily stylized dialects from various locations and time periods. Proper heroes are few and far between, with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusIsPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk of their movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met a monologue he didn't like, we have to keep those damned commies out of America, and guns/swords are good. Very, very good. He is also is a big fan of mythology and mythological storytelling. Both Conan and Apocalypse Now also feature the hero killing the villain, who has become a wicked father of sorts to the hero, in a temple and then breaking the cult of said villain.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* If you are watching a Creator/TimBurton movie you ''will'' stumble into at least two of these elements: a character who LooksLikeCesare, German Expressionism, mutilated or unusual hands, [[GothSpirals gothic-style spirals]], characters with parental issues, settings styled after 1950s B-movies, grim and surreal atmospheres, Creator/JohnnyDepp, Creator/HelenaBonhamCarter, a score by Creator/DannyElfman, and [[ArsonMurderAndJaywalking dogs]].
* Creator/DannyBoyle's films are frequently marked by the use of sky-high levels of contemporary pop and electronic music, and protagonists emerging from or entering into a toilet.
* Creator/MichaelBay's films are all explosion-heavy action films with large casts, extremely large-scale action sequences, and plenty of macho hero worship. They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them.
* Likewise, Creator/RolandEmmerich even discussed how his reputation is as a "destroyer", given his pechant for SceneryGorn and MonumentalDamage. The only exception was ''Anonymous''.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* If you're watching a film by legendary Japanese film director, [[Franchise/{{Godzilla}} Ishiro Honda]], chances are the film will feature people being overwhelmed by either armies, giant monsters, or some other antagonist. This stems from him being drafted into the Japanese Army during WWII. It's safe to assume the whole ordeal left a HUGE impression on his psyche.
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/DarioArgento's trademarks include masked killers, dark gloves, women being pushed through plate glass, tracking shots, and heroes who are involved with some sort of artistic/creative profession who are usually foreigners.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* Creator/YasujiroOzu is known for his very personal style. Most of his films are family dramas. He uses a number of distinctive shots over and over again, including low-angle shots about 1-2 feet off the ground and shots of characters looking directly in the camera. His editing, transitions, and use of music also follow very specific rules.
* Creator/SpikeLee often makes [[strike:films]] [[InsistentTerminology Spike Lee Joints]] about race relations in America, using New York as a setting. More often than not, he also is either the [[AuthorAvatar main character]] or prominently featured in the supporting cast. Expect to see Creator/GiancarloEsposito, Creator/JohnTurturro, or Creator/MichaelImperioli (but never all three) in the supporting cast. Towards the end of any of his films, expect to see a shot centered on the protagonist standing still, while only the background moves forward. [[http://en.wikipedia.org/wiki/Spike_Lee#Themes_and_style That other wiki]] has a pretty big section on the subject.
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* The films of Creator/AkiraKurosawa tend to have dramatic camera angles, either very low or very high, using telephoto lenses to flatten the perspective, with a distinctive "{{Wipe}}" transition; weather elements used to heighten or contrast the mood of a scene; minimalist music; tragic heroes or anti-heroes who have either risen from a lower status, or fallen from a higher, often returning to their previous status; and explorations of the human psyche and condition, particularly among the poor and marginalized. They're also very likely to include Creator/ToshiroMifune in a starring or prominent role.
* Creator/ZhangYimou films are identified for the striking cinematography of his films, particularly the dominance of one or two colors in any given scene (or the oversaturation of too ''many'' colors in the place scenes in ''Film/CurseOfTheGoldenFlower''). He is also notable for making a lot of films that are family epics (fittingly for a family-oriented society like China), and his early realistic films (as opposed to his later Wuxia) focus on the effect of 20th-century modernity on ordinary Chinese.
* Creator/JeanLucGodard is one of the most important French filmmakers of all time, and despite having a wide variety of styles, he has a lot of recurring styles- Red White & Blue (the colors of the French flag) prominently together in a single shot, strongly colored lighting, Anna Karina, in-dialog references to other films, cameos of other filmmakers (Creator/FritzLang, Creator/SamuelFuller, etc.), voice-overs, abrupt silence, unexpected nudity, and adults doing goofy and childish things.
* Creator/OlivierAssayas is fond in all of his movies of filming in several different languages, and then deliberately refusing to subtitle, in order to increase the audience's alienation from the characters.
* Creator/JamesCameron has a number of signatures:
** Pre-Titanic, there was ''always'' at least one nuclear weapon in the mix (Judgement Day in the ''Franchise/{{Terminator}}'' films, A stolen warhead in ''Film/TrueLies'', a recovered warhead in ''Film/TheAbyss'', and "Nuke the site from orbit" ''plus'' the exploding reactor in ''Film/{{Aliens}}'').
** He likes shots of feet in a nonsexualized manner. There are many shots of feet or some equivalent stand-in, such as a tire, thudding down onto the ground, sometimes crushing things as they do so: a Terminator's foot crushing a skull in ''[[Film/Terminator2JudgmentDay T2]]'', the APC's tyres crushing an alien, the undercarriage of the Harrier jump jet making a mess of parked cars, and less extreme examples like the regimented thumping of Navy SEAL combat boots onto the deck, followed by Lindsey Brigman's high heels, the Power-loader's feet slamming down onto the deck as the lead-in to "Get away from her you ''bitch!''" in ''Film/{{Aliens}}'', or Jake Sully wiggling his new toes in ''Film/{{Avatar}}''.
** Strong female characters, either as an Action Girl or a strong-willed NonActionGuy.
** A love/hate relationship with technology stories.
** Heroes are always blue-collar, lower-social-echelon people: (''Film/{{Aliens}}'': Corporal Hicks is competent, badass, and caring, while Lieutenant Gorman is not; Ripley vs. Carter Burke plays the civilian version of this. The rig crew in ''Film/TheAbyss'' are great guys while the SEALS are mostly stand-offish at the least; Bud Brigman goes to disarm the warhead although he knows it's a one-way trip. Jake Sully gets to be lower-echelon in three different worlds at the same time in ''Film/{{Avatar}}''; he's just a grunt to the lab guys, he's a newcomer ''and'' a cripple to the soldiers, and he's an untrustworthy alien to the Na'vi. If you're the one person in the world who hasn't seen it yet, guess who's on top at the end of the film.)
** He apparently likes blue so much that his movies tend to have really long sequences in blue, ranging from the ColorWash in the ''Franchise/{{Terminator}}'' films to the all-blue fauna of Pandora in ''Film/{{Avatar}}''.
* Creator/ChristopherNolan:
** Most of his films are a MindScrew, with [[AnachronicOrder non-linear narration]] and highly complex characterisation.
** All of his movies have the common theme of guilt, where the male lead regrets having set in motion a chain of events that ended up killing:
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (more or less since ''Film/BatmanBegins''), he revealed his love for minimalist architecture (like [[Film/BatmanBegins Lucius Fox's workshop]], [[Film/TheDarkKnight Bruce Wayne's penthouse and Batmobile garage]], [[Film/{{Inception}} the 2nd level]] [[spoiler: [[Film/{{Inception}} and the limbo]]]]), mountains ([[Film/{{Insomnia}} Nightmute]], [[Film/BatmanBegins the Himalayas]], [[Film/ThePrestige Colorado]] and [[Film/{{Inception}} the 3rd level]]), cities with skyscrapers ([[Film/TheDarkKnightTrilogy Gotham, Hong Kong]] and [[Film/{{Inception}} the 1st level]]), and the Orient in general, with ''Film/ThePrestige'', ''Film/TheDarkKnightTrilogy'' and ''Film/{{Inception}}''.
** There well also be mention to theatrics or the element of illusion. ''Batman Begins'' uses words like "dramatic" and "theatrics" in the dialogue frequently, ''The Prestige'' talks about misdirection and its use in magic, and ''Inception'' focuses on "creating the world of the dream", as well as use of misdirection to hide what is dream and what is reality.
** A common theme in Nolan's work is "A good lie is better than the truth." Who really killed Leonard's wife in ''Memento'', who really shot Eckhart in ''Insomnia'', Who Rachel really loved/ Who killed Harvey Dent's victims in ''The Dark Knight'', Fischer's love for his son, and the nature of the dream world in ''Inception''. There is either self-deception involved by the end or a cover up made for the greater good.
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of which is killed during the trick; "I don't like trains" and the fluttering curtains in ''Film/{{Inception}}''; even the ''posters'' for ''Film/TheDarkKnight'' highlight the triad of Batman, the Joker and Harvey Dent (good, evil, and both).
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men are dressed better than the women, chances are you're watching a Creator/ChristopherNolan movie. Nolan himself shows up to sets in a suit every day.
** He also likes using real effects instead of CGI. Examples include: the exploding hospital in ''The Dark Knight'', the rotating corridor in ''Inception'', the crashed plane in ''The Dark Knight Rises'', the docking scene in ''Interstellar'', and the Tumbler.
* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with [[SceneryPorn scenery porn]]. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some of the greatest examples of casting against type]].
* Creator/PaulGreengrass loves [[JitterCam shaky, hand-held cameras]].
* Creator/StanleyKubrick: Very far on the cynicism side for SlidingScaleOfCynicismVersusIdealism, lots of hallways and tracking shots (he was particularly fond of the Steadicam), almost always an adaption of a book, mentally unstable protagonists, classical music [[SoundtrackDissonance (many times used for ironic effect)]], tons of BlackHumor, the KubrickStare and above all meticulous attention to detail. [[MoodWhiplash And at least one scene involving a toilet.]]
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/JuddApatow films usually feature [[ClusterFBomb copious profanity]], MaleFrontalNudity, sex and stoner jokes, and a large amount of improvised dialogue. He also tends to work with [[ProductionPosse the same cast of actors]] a lot.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCast of the most popular black actors at the time.
* Creator/StevenSpielberg
** Daddy issues. It's not really a question of whether they'll be included in a movie he has any part in, but rather how much, how blatant, and how central to the plot they'll be.
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] even in his darkest movies, and a single person's struggle to beat unfavorable odds and\or make a difference.
** As far as visuals go, he loves having shots of characters staring in shock at something off camera.
* Nearly every movie directed, written, or produced by Robert Halmi Sr. and Jr. deals with a variation of ParentalAbandonment, either emotional or physical. It doesn't matter what book or biography is being adapted, the central theme or plot will be changed to be entirely about a missing or aloof parent of the main character.
* Creator/JJAbrams includes a fair amount Main/LensFlare, MagicalRealism, ball-shaped McGuffin designs, and retro-aesthetics reminiscent of genre films made by Lucas and Spielberg.
** If the film's universe has FasterThanLightTravel, then some [[HyperspeedAmbush tricky]] [[HyperspeedEscape and dangerous]] usage of it will be featured.
* Creator/TerrenceMalick: Lots and LOTS of SceneryPorn framing a slow-moving, meditative plot with voice-over narration that is used more to meditate philosophically than it is to actually narrate the events of the film.
* Creator/WesAnderson films can be easily spotted by regular use of wide-angle, straight-on still shots for scene establishment, quirky characters with numerous relations between them, a [[UsefulNotes/{{Fonts}} clean sans serif font]] for location names, and dipping into the B-sides of hits from the 1970's and 1980's to fill out the soundtrack. Most of his characters are either unsatisfied upper class people or industrious working class people apsiring to be in the upper class. Characters will always wear very distinctive costumes. His works usually feature Creator/BillMurray and Owen Wilson, among a larger ProductionPosse.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
* Films with screenplays written by [[Creator/DanOBannon Dan O'Bannon]] (''Film/{{Alien}}, [[Film/TotalRecall1990 Total Recall]], Film/{{Screamers}}'') tend to take place in a grim industrial future where a callous MegaCorp owns everyone and everything, and is engaged in some kind of horribly exploitative activity like strip-mining entire alien worlds of natural resources. Meanwhile the real danger is lurking just under the surface, discovered accidentally by our WorkingClassHero, and no one in a position of power can be relied on to deal with it, or even care about it.
* Creator/JoeDante is known for black comedy, references to 50's B-movies and cartoons particularly ''WesternAnimation/LooneyTunes'', references to his past films, and tends to use actors like Dick Miller and Robert Picardo.
* Some common tropes of Mike Leigh films include:
** Scripts devised from extended improv with actors.
** Long takes.
** An eventful get-together.
** [[LawOfInverseFertility Fertility woes]].
** Alison Steadman
** Creator/TimothySpall
** A working-class woman all but completely ground down by the horribleness of her circumstances.
** An aspiring lower middle-class housewife who is an intolerable snob. She may or may not be driving her more working-class husband away from his roots.
* Creator/PaulVerhoeven ''loves'' [[{{Gorn}} graphic violence]], nudity and [[EveryoneIsJesusInPurgatory religious symbolism]]. His projects are often science fiction, but he has done other genres as well (neo-noir in ''Film/BasicInstinct'', historical fiction in ''Film/FleshAndBlood'', ''Soldaat van Oranje'', ''Film/{{Zwartboek}}'', and so on).
----
* Creator/DavidFincher lights every single one of his films with the same shadowy, yellow or blue mood lighting, he rarely uses close-ups except when showing something very important, avoids handheld camera work, and favors shooting from a dolly, using motion control software or CGI.
* Creator/DavidCronenberg loves gore, body horror, sexual deviance, and MindRape. Basically, if it causes passions to flair in otherwise intelligent people, he’s there to analyze it. Accordingly, he also eschews flashy editing and rarely, if ever, moves the camera, giving his films a clinical, objective feel.
* Creator/ShaneBlack ''loves'' Christmas and will usually incorporate the holiday into his movies even when you least expect it.
* Creator/JohnWoo uses slow-mo, GunsAkimbo, and lots of [[DisturbedDoves doves flying]] in his HeroicBloodshed movies. Themes in his movies usually focus upon family, loyalty and betrayal, and usually feature two brothers or other people on opposite sides of the law who develop a bond of friendship and usually have to join forces against a mutual enemy who is threatening both.
* Marc Webb likes deconstructions, emotionally centered storytelling, and complex, realistic characters interacting with and subverting genre tropes.
* The films of Creator/GuillermoDelToro will often favour a specific and small palette (amber for ''Film/{{Hellboy|2004}}'', blue-green for ''Film/PansLabyrinth'', yellow/blue for night/day in ''Film/BladeII''), will frequently go BeneathTheEarth, put something slimy in a jar, and always always ''always'' include some reference to Roman Catholicism. And clockwork.
* In Creator/AlejandroJodorowsky movie and comics, you can expect [[WhatDoYouMeanItsNotSymbolic more religious symbolism than you'll find anywhere else]] and a ShootTheShaggyDog ending. (sometimes -- like in ''Fando & Lis'' and ''The Holy Mountain'' -- played for laughs). Jodorowsky displays a keen style of absurdism and everything absurdly symbolic, probably meant as a mockery of various religious beliefs and contemporary practices. His work mixes the celebral and intense with the satirical. He also has [[AuthorAppeal a thing]] for bald women.
* Things written by Creator/SimonPegg and Creator/EdgarWright tend to have clever foreshadowing and dramatic-ironical dialog. Phrases will be repeated, once innocent, once really sad or menacing. They tend to be filled with homages to other works, usually geeky ones. They also feature main characters eating a Cornettos. Wright's directorial style includes fast cuts and lots of close-ups, often played for laughs by [[MundaneMadeAwesome over-dramatizing the mundane.]]
* Creator/WoodyAllen movies generally feature a nebbishy, fussy Jewish New York AuthorAvatar who is stuck in psychotherapy, spouts self-deprecating one-liners and Ingmar Bergman references, and gets into romantic entanglements with [[ManicPixieDreamGirl inexplicably attractive women]]. Visually, his films tend to have a specific look and feel: Warm colors (when he's not shooting in [[DeliberatelyMonochrome black-and-white]]), and scenes with as few cuts as possible, occasionally using [[TheOner oners]]. Soundtracks heavily favor classic Tin Pan Alley tunes, especially Music/ColePorter (who naturally appears as a HistoricalDomainCharacter in ''Film/MidnightInParis'').
* If you're watching an 80's Creator/JohnHughes flick, expect it to have some humor with at least one angsty teenager thrown in. It's often set in a Chicago Suburb with yuppies. Expect some realistic dilemmas and human drama mixed with something larger than life (in Film/HomeAlone, Kevin is a believable kid but the slapstick is really cartoony and unrealistic).
* Creator/AlfredHitchcock films have a number of recurring features:
** Often there's a guy or girl unjustly accused, on the run from someone, who has at least one dysfunctional parent, and/or who suddenly vanishes when the love interest takes center place.
** The motif of abuse of hospitality (either by the guest or the host) is also prevalent.
** Most female main characters will be blonde, due to AuthorAppeal.
** Hitchcock famously made a nonspeaking cameo in every film. In fact, his cameos became so widely known that he was forced to restrict them to the first 10 minutes of his films so viewers wouldn't be distracted from the plot while they looked for him.
** Also there's lots of voyeurism depicted.
** He also uses lots of extreme close-ups, and will shoot his dramatic set pieces in either extremely public or extremely private places, to emphasize that you are not safe ''anywhere.''
* Creator/TheCoenBrothers like to make pastiches of other works. Their films often play with language, using heavily stylized dialects from various locations and time periods. Proper heroes are few and far between, with even the most sympathetic characters being criminals or morons. They like to use exaggerated camera movements, an influence from their time working with Sam Raimi. They often have one character who personifies pure evil. Expect copious amounts of slapstick, TheWalrusIsPaul symbolism, and large, howling men behind desks as a sign of power. No matter how realistic or nuanced, may fall into WorldOfHam, especially in their comedies. Also, nearly every movie the Coen Brothers have made is centered around the unforeseen consequences of some sort of crime gone wrong, and a huge chunk of their movies have seemingly meaningless {{Word Salad Title}}s (''Film/RaisingArizona'', ''Film/BloodSimple'', ''Film/TheBigLebowski'', ''Film/TheHudsuckerProxy'', etc.).
* John Milius (of ''[[Film/ConanTheBarbarian1982 Conan the Barbarian]]'' the movie fame) apparently never met a monologue he didn't like, we have to keep those damned commies out of America, and guns/swords are good. Very, very good. He is also is a big fan of mythology and mythological storytelling. Both Conan and Apocalypse Now also feature the hero killing the villain, who has become a wicked father of sorts to the hero, in a temple and then breaking the cult of said villain.
* If awkward sexual dysfunctions/kinks and CrapsackWorld suburban mundanity abound, you're probably watching a film directed and written by Creator/ToddSolondz.
* If you are watching a Creator/TimBurton movie you ''will'' stumble into at least two of these elements: a character who LooksLikeCesare, German Expressionism, mutilated or unusual hands, [[GothSpirals gothic-style spirals]], characters with parental issues, settings styled after 1950s B-movies, grim and surreal atmospheres, Creator/JohnnyDepp, Creator/HelenaBonhamCarter, a score by Creator/DannyElfman, and [[ArsonMurderAndJaywalking dogs]].
* Creator/DannyBoyle's films are frequently marked by the use of sky-high levels of contemporary pop and electronic music, and protagonists emerging from or entering into a toilet.
* Creator/MichaelBay's films are all explosion-heavy action films with large casts, extremely large-scale action sequences, and plenty of macho hero worship. They are also generally right-wing, supportive of {{Cowboy Cop}}s and militarism. His films usually feature a control room and a shot with two people (usually the heroes) standing close to each other while the camera circles around them.
* Likewise, Creator/RolandEmmerich even discussed how his reputation is as a "destroyer", given his pechant for SceneryGorn and MonumentalDamage. The only exception was ''Anonymous''.
* Creator/MNightShyamalan's films are frequently set in Philadelphia and will sometimes feature shocking twists or a CreatorCameo.
* If you're watching a film by legendary Japanese film director, [[Franchise/{{Godzilla}} Ishiro Honda]], chances are the film will feature people being overwhelmed by either armies, giant monsters, or some other antagonist. This stems from him being drafted into the Japanese Army during WWII. It's safe to assume the whole ordeal left a HUGE impression on his psyche.
* Creator/OliverStone's films tend to include a lot of stock footage.
* Creator/DarioArgento's trademarks include masked killers, dark gloves, women being pushed through plate glass, tracking shots, and heroes who are involved with some sort of artistic/creative profession who are usually foreigners.
* Creator/ZackSnyder and his slow-mo. To a lesser extent, using extensive green-screening and CG to create very rich images that look almost like art.
* Creator/YasujiroOzu is known for his very personal style. Most of his films are family dramas. He uses a number of distinctive shots over and over again, including low-angle shots about 1-2 feet off the ground and shots of characters looking directly in the camera. His editing, transitions, and use of music also follow very specific rules.
* Creator/SpikeLee often makes [[strike:films]] [[InsistentTerminology Spike Lee Joints]] about race relations in America, using New York as a setting. More often than not, he also is either the [[AuthorAvatar main character]] or prominently featured in the supporting cast. Expect to see Creator/GiancarloEsposito, Creator/JohnTurturro, or Creator/MichaelImperioli (but never all three) in the supporting cast. Towards the end of any of his films, expect to see a shot centered on the protagonist standing still, while only the background moves forward. [[http://en.wikipedia.org/wiki/Spike_Lee#Themes_and_style That other wiki]] has a pretty big section on the subject.
* Creator/SamRaimi films, especially his early ones, often had a fast-moving POV shot rapidly zooming toward a character. He is also fond of dolly zooms, in which the landscape behind a character seems to change size in relation to the character. He often combines the hyperactive camerawork with slapstick humor. He frequently casts his brother Ted Raimi and his longtime friend Creator/BruceCampbell in small roles.
* The films of Creator/AkiraKurosawa tend to have dramatic camera angles, either very low or very high, using telephoto lenses to flatten the perspective, with a distinctive "{{Wipe}}" transition; weather elements used to heighten or contrast the mood of a scene; minimalist music; tragic heroes or anti-heroes who have either risen from a lower status, or fallen from a higher, often returning to their previous status; and explorations of the human psyche and condition, particularly among the poor and marginalized. They're also very likely to include Creator/ToshiroMifune in a starring or prominent role.
* Creator/ZhangYimou films are identified for the striking cinematography of his films, particularly the dominance of one or two colors in any given scene (or the oversaturation of too ''many'' colors in the place scenes in ''Film/CurseOfTheGoldenFlower''). He is also notable for making a lot of films that are family epics (fittingly for a family-oriented society like China), and his early realistic films (as opposed to his later Wuxia) focus on the effect of 20th-century modernity on ordinary Chinese.
* Creator/JeanLucGodard is one of the most important French filmmakers of all time, and despite having a wide variety of styles, he has a lot of recurring styles- Red White & Blue (the colors of the French flag) prominently together in a single shot, strongly colored lighting, Anna Karina, in-dialog references to other films, cameos of other filmmakers (Creator/FritzLang, Creator/SamuelFuller, etc.), voice-overs, abrupt silence, unexpected nudity, and adults doing goofy and childish things.
* Creator/OlivierAssayas is fond in all of his movies of filming in several different languages, and then deliberately refusing to subtitle, in order to increase the audience's alienation from the characters.
* Creator/JamesCameron has a number of signatures:
** Pre-Titanic, there was ''always'' at least one nuclear weapon in the mix (Judgement Day in the ''Franchise/{{Terminator}}'' films, A stolen warhead in ''Film/TrueLies'', a recovered warhead in ''Film/TheAbyss'', and "Nuke the site from orbit" ''plus'' the exploding reactor in ''Film/{{Aliens}}'').
** He likes shots of feet in a nonsexualized manner. There are many shots of feet or some equivalent stand-in, such as a tire, thudding down onto the ground, sometimes crushing things as they do so: a Terminator's foot crushing a skull in ''[[Film/Terminator2JudgmentDay T2]]'', the APC's tyres crushing an alien, the undercarriage of the Harrier jump jet making a mess of parked cars, and less extreme examples like the regimented thumping of Navy SEAL combat boots onto the deck, followed by Lindsey Brigman's high heels, the Power-loader's feet slamming down onto the deck as the lead-in to "Get away from her you ''bitch!''" in ''Film/{{Aliens}}'', or Jake Sully wiggling his new toes in ''Film/{{Avatar}}''.
** Strong female characters, either as an Action Girl or a strong-willed NonActionGuy.
** A love/hate relationship with technology stories.
** Heroes are always blue-collar, lower-social-echelon people: (''Film/{{Aliens}}'': Corporal Hicks is competent, badass, and caring, while Lieutenant Gorman is not; Ripley vs. Carter Burke plays the civilian version of this. The rig crew in ''Film/TheAbyss'' are great guys while the SEALS are mostly stand-offish at the least; Bud Brigman goes to disarm the warhead although he knows it's a one-way trip. Jake Sully gets to be lower-echelon in three different worlds at the same time in ''Film/{{Avatar}}''; he's just a grunt to the lab guys, he's a newcomer ''and'' a cripple to the soldiers, and he's an untrustworthy alien to the Na'vi. If you're the one person in the world who hasn't seen it yet, guess who's on top at the end of the film.)
** He apparently likes blue so much that his movies tend to have really long sequences in blue, ranging from the ColorWash in the ''Franchise/{{Terminator}}'' films to the all-blue fauna of Pandora in ''Film/{{Avatar}}''.
* Creator/ChristopherNolan:
** Most of his films are a MindScrew, with [[AnachronicOrder non-linear narration]] and highly complex characterisation.
** All of his movies have the common theme of guilt, where the male lead regrets having set in motion a chain of events that ended up killing:
*** A loved one: [[spoiler: ''Film/{{Memento}}'', ''Film/ThePrestige'', ''Film/TheDarkKnight'', ''Film/{{Inception}}'']].
*** His family: ''Film/BatmanBegins'', ''[[spoiler: Film/ThePrestige]]''.
*** A partner: ''Film/{{Insomnia}}''.
*** Himself: ''[[spoiler: Film/ThePrestige]]''.
** And in his later movies (more or less since ''Film/BatmanBegins''), he revealed his love for minimalist architecture (like [[Film/BatmanBegins Lucius Fox's workshop]], [[Film/TheDarkKnight Bruce Wayne's penthouse and Batmobile garage]], [[Film/{{Inception}} the 2nd level]] [[spoiler: [[Film/{{Inception}} and the limbo]]]]), mountains ([[Film/{{Insomnia}} Nightmute]], [[Film/BatmanBegins the Himalayas]], [[Film/ThePrestige Colorado]] and [[Film/{{Inception}} the 3rd level]]), cities with skyscrapers ([[Film/TheDarkKnightTrilogy Gotham, Hong Kong]] and [[Film/{{Inception}} the 1st level]]), and the Orient in general, with ''Film/ThePrestige'', ''Film/TheDarkKnightTrilogy'' and ''Film/{{Inception}}''.
** There well also be mention to theatrics or the element of illusion. ''Batman Begins'' uses words like "dramatic" and "theatrics" in the dialogue frequently, ''The Prestige'' talks about misdirection and its use in magic, and ''Inception'' focuses on "creating the world of the dream", as well as use of misdirection to hide what is dream and what is reality.
** A common theme in Nolan's work is "A good lie is better than the truth." Who really killed Leonard's wife in ''Memento'', who really shot Eckhart in ''Insomnia'', Who Rachel really loved/ Who killed Harvey Dent's victims in ''The Dark Knight'', Fischer's love for his son, and the nature of the dream world in ''Inception''. There is either self-deception involved by the end or a cover up made for the greater good.
** His movies also haves very strong, very heavily emphasised motifs and foreshadowing that will require you to watch more than once to understand their significance. The two birds in the cage in ''Film/ThePrestige'', one of which is killed during the trick; "I don't like trains" and the fluttering curtains in ''Film/{{Inception}}''; even the ''posters'' for ''Film/TheDarkKnight'' highlight the triad of Batman, the Joker and Harvey Dent (good, evil, and both).
** He also has a love for [[SharpDressedMan tasteful, high-end men's fashion.]] If the men are dressed better than the women, chances are you're watching a Creator/ChristopherNolan movie. Nolan himself shows up to sets in a suit every day.
** He also likes using real effects instead of CGI. Examples include: the exploding hospital in ''The Dark Knight'', the rotating corridor in ''Inception'', the crashed plane in ''The Dark Knight Rises'', the docking scene in ''Interstellar'', and the Tumbler.
* Creator/SamMendes loves films about [[BigScrewedUpFamily screwed-up familes (literal and metaphorical)]] and morally and emotionally damaged characters, all lovingly covered with [[SceneryPorn scenery porn]]. He would also end his films in a bittersweet manner and likes to unravel crucial plot points, emotions and suspense through [[ShowDontTell visuals and detail]].
* Creator/SergioLeone loved close ups. He also always used multiple scores by composer Music/EnnioMorricone (who was a classmate of his). Frequently he would use the music to achieve all kinds of effects, from building tension during the showdown in the Film/DollarsTrilogy to ''telling the entire story'' of ''Film/OnceUponATimeInTheWest''. He also liked to put an emphasis on diagetic sound, and enjoyed playing with conventions, eliminating the BlackAndWhiteMorality that had been so prevalent in Westerns before, plus [[PlayingAgainstType some of the greatest examples of casting against type]].
* Creator/PaulGreengrass loves [[JitterCam shaky, hand-held cameras]].
* Creator/StanleyKubrick: Very far on the cynicism side for SlidingScaleOfCynicismVersusIdealism, lots of hallways and tracking shots (he was particularly fond of the Steadicam), almost always an adaption of a book, mentally unstable protagonists, classical music [[SoundtrackDissonance (many times used for ironic effect)]], tons of BlackHumor, the KubrickStare and above all meticulous attention to detail. [[MoodWhiplash And at least one scene involving a toilet.]]
* Creator/KevinSmith films usually feature foul-mouthed geeks who discuss geek topics with foul mouths. Hockey, video games, comics, perverse sex acts and various pet films and filmmakers will be featured or discussed.
* Creator/JuddApatow films usually feature [[ClusterFBomb copious profanity]], MaleFrontalNudity, sex and stoner jokes, and a large amount of improvised dialogue. He also tends to work with [[ProductionPosse the same cast of actors]] a lot.
* Creator/TylerPerry's films all have similar styles, in fact almost all of them are in the same continuity. Usually there is an educated black woman who has an abusive husband or background and usually at least one child. She will at some point leave her husband (this may have happened before the movie starts) and meet another man who is usually a good Christian blue collar worker. The movie will end with them getting together. Often the movie has an AllStarCast of the most popular black actors at the time.
* Creator/StevenSpielberg
** Daddy issues. It's not really a question of whether they'll be included in a movie he has any part in, but rather how much, how blatant, and how central to the plot they'll be.
** Also, [[SlidingScaleOfCynicismVersusIdealism idealism]] even in his darkest movies, and a single person's struggle to beat unfavorable odds and\or make a difference.
** As far as visuals go, he loves having shots of characters staring in shock at something off camera.
* Nearly every movie directed, written, or produced by Robert Halmi Sr. and Jr. deals with a variation of ParentalAbandonment, either emotional or physical. It doesn't matter what book or biography is being adapted, the central theme or plot will be changed to be entirely about a missing or aloof parent of the main character.
* Creator/JJAbrams includes a fair amount Main/LensFlare, MagicalRealism, ball-shaped McGuffin designs, and retro-aesthetics reminiscent of genre films made by Lucas and Spielberg.
** If the film's universe has FasterThanLightTravel, then some [[HyperspeedAmbush tricky]] [[HyperspeedEscape and dangerous]] usage of it will be featured.
* Creator/TerrenceMalick: Lots and LOTS of SceneryPorn framing a slow-moving, meditative plot with voice-over narration that is used more to meditate philosophically than it is to actually narrate the events of the film.
* Creator/WesAnderson films can be easily spotted by regular use of wide-angle, straight-on still shots for scene establishment, quirky characters with numerous relations between them, a [[UsefulNotes/{{Fonts}} clean sans serif font]] for location names, and dipping into the B-sides of hits from the 1970's and 1980's to fill out the soundtrack. Most of his characters are either unsatisfied upper class people or industrious working class people apsiring to be in the upper class. Characters will always wear very distinctive costumes. His works usually feature Creator/BillMurray and Owen Wilson, among a larger ProductionPosse.
* Creator/RobertBresson cast actors with little to no acting experience, to the point that he referred to them as "models" rather than actors. His dialogue is given a flat, almost deadpan delivery, while the actors' movements are meticulously orchestrated. This all gives his characters a detached, robot-like impression.
* Creator/TerryGilliam's films usually feature dark, hallucinatory visuals shot in a wide-angle lens. His films also tend to have a Downer or BitterSweetEnding. His animation features heavy use of vintage photograph cut-outs. His films also tend to be filthy and feature charactors crawling through mud, or covered in other kinds of dirt.
* Creator/ChristopherGuest's films are all mockumentaries with largely improvised dialogue, taken from his experience working on ''Film/ThisIsSpinalTap''. He also works with an extended ProductionPosse.
* Creator/LucBesson's action films almost always feature a badass InvincibleHero who goes against ridiculous odds. If it's not on behalf of a woman, it's often a woman herself. Besson usually pours a lot of work into an action packed opening scene, which in several cases even ends up overshadowing the grande finale final showdown. This even carries over into films of which he was not the director, but involved as (executive) producer.
* Creator/HowardHawks movies, if they're serious adventure films, will have a small group of men - sometimes with one or two women - who are elite professionals performing a dangerous job. If you're in their club, you will share their cigarettes and get an AffectionateNickname, and occasionally there will be a sing-a-long. Also you'll die if you're not good at your job. There's also lots of [[MametSpeak overlapping, speedy dialogue]], which likely inspired Tarantino.
* Writer/Director Shane Meadows makes films about working class people in the Midlands of England.
* Creator/RidleyScott has visually beautiful movies which usually have grim settings and not very happy endings. Also look for strong presence of female characters, the death of the the father (or both parents in some cases) being relevant to the main character's (even sometimes the villain's) motivations, emphasis on hands, the military being involved and slowly placed openings.
* Films with screenplays written by [[Creator/DanOBannon Dan O'Bannon]] (''Film/{{Alien}}, [[Film/TotalRecall1990 Total Recall]], Film/{{Screamers}}'') tend to take place in a grim industrial future where a callous MegaCorp owns everyone and everything, and is engaged in some kind of horribly exploitative activity like strip-mining entire alien worlds of natural resources. Meanwhile the real danger is lurking just under the surface, discovered accidentally by our WorkingClassHero, and no one in a position of power can be relied on to deal with it, or even care about it.
* Creator/JoeDante is known for black comedy, references to 50's B-movies and cartoons particularly ''WesternAnimation/LooneyTunes'', references to his past films, and tends to use actors like Dick Miller and Robert Picardo.
* Some common tropes of Mike Leigh films include:
** Scripts devised from extended improv with actors.
** Long takes.
** An eventful get-together.
** [[LawOfInverseFertility Fertility woes]].
** Alison Steadman
** Creator/TimothySpall
** A working-class woman all but completely ground down by the horribleness of her circumstances.
** An aspiring lower middle-class housewife who is an intolerable snob. She may or may not be driving her more working-class husband away from his roots.
* Creator/PaulVerhoeven ''loves'' [[{{Gorn}} graphic violence]], nudity and [[EveryoneIsJesusInPurgatory religious symbolism]]. His projects are often science fiction, but he has done other genres as well (neo-noir in ''Film/BasicInstinct'', historical fiction in ''Film/FleshAndBlood'', ''Soldaat van Oranje'', ''Film/{{Zwartboek}}'', and so on).
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