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* The 1972 Film/NationalLampoon album ''Radio Dinner'' has a sketch called "Those Fabulous Sixties", a parody commercial in which Dylan (voiced by Creator/ChristopherGuest) smarmily pitches a compilation album of ProtestSong and PsychedelicRock hits. The basic joke is the idea of the turbulent years of TheSixties being used as fodder for bland nostalgic merchandising (which was hilarious in 1972, but became SeinfeldIsUnfunny over the next few decades as Baby Boomer nostalgia, including cheesy TV commercials for albums like ''Freedom Rock'', was a major bit of American pop culture), but it's also a veiled swipe at Dylan, implying that he was a has-been, and it opens with Dylan singing a song with loopy WordSaladLyrics.
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* The 1972 Film/NationalLampoon album ''Radio Dinner'' has a sketch called "Those Fabulous Sixties", a parody commercial in which Dylan (voiced by Creator/ChristopherGuest) smarmily pitches a compilation album of ProtestSong and PsychedelicRock hits. The basic joke is the idea of the turbulent years of TheSixties being used as fodder for bland nostalgic merchandising (which was hilarious in 1972, but became SeinfeldIsUnfunny reality over the next few decades as Baby Boomer nostalgia, including cheesy TV commercials for albums like ''Freedom Rock'', was a major bit of American pop culture), but it's also a veiled swipe at Dylan, implying that he was a has-been, and it opens with Dylan singing a song with loopy WordSaladLyrics.
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* Music/NickiMinaj referenced him in "[[Film/Barbie2023 Barbie]] [[{{Music/Aqua}} World]], featuring Music/IceSpice, referring to her bobcut style wig as Bob Dylan.
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* Music/NickiMinaj referenced him in "[[Film/Barbie2023 Barbie]] [[{{Music/Aqua}} World]], World]]", featuring Music/IceSpice, referring to her bobcut style wig as Bob Dylan.
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* Music/NickiMinaj referenced him in "[[Film/Barbie2023 Barbie]] [[{{Music/Aqua}} World]], featuring Music/IceSpice, referring to her bobcut style wig as Bob Dylan.
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Music is a disambig. Song titles also go in quotes and aren't italicized unless otherwise specified.
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[[AC:{{Music}}]]
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* The Flemish band De Nieuwe Snaar has a song called ''In De Hemel Is Geen Dylan'' ("There's no Dylan in heaven") with the line "because there is no Dylan in heaven, we'll play him here."
* Music/DavidBowie's album ''Music/HunkyDory'' has a song named ''Song For Bob Dylan'', in reference to Dylan's own song ''Song For Woody''.
* Music/DavidBowie's album ''Music/HunkyDory'' has a song named ''Song For Bob Dylan'', in reference to Dylan's own song ''Song For Woody''.
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* The Flemish band De Nieuwe Snaar has a song called ''In "In De Hemel Is Geen Dylan'' Dylan" ("There's no Dylan in heaven") with the line "because there is no Dylan in heaven, we'll play him here."
* Music/DavidBowie's album ''Music/HunkyDory'' has a song named''Song "Song For Bob Dylan'', Dylan", in reference to Dylan's own song ''Song For Woody''.
* Music/DavidBowie's album ''Music/HunkyDory'' has a song named
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* Music/WeirdAlYankovic parodied the "Subterranean Homesick Blues" video in his music video [[Music/PoodleHat "Bob"]].
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* Music/WeirdAlYankovic parodied the "Subterranean Homesick Blues" video in his the music video for [[Music/PoodleHat "Bob"]]. "Bob"]], itself written as a pastiche of Dylan's style.
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* In ''Film/GoodMorningVietnam'', when Lt. Hauk is telling the other radio staff the type of music that's acceptable at the station, Adrian asks, "Would Bob Dylan be out of line?", to which Hauk responds, "Way, ''way'' out of line."
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* Music/WeirdAlYankovic parodied the "Subterranean Homesick Blues" video in his music video "Bob".
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* Music/WeirdAlYankovic parodied the "Subterranean Homesick Blues" video in his music video "Bob".[[Music/PoodleHat "Bob"]].
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* The third verse of "Only Wanna Be With You" by Music/HootieAndTheBlowfish references Dylan heavily. Describing the song's narrator and his girlfriend listening to Bob Dylan's music together.
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* The third verse of "Only Wanna Be With You" by Music/HootieAndTheBlowfish references Dylan heavily. Describing the song's narrator and his girlfriend listening to Bob Dylan's music together.together, the song quotes part of the first verse of "Idiot Wind" (which would later earn Dylan co-writer's credit on the song).
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* ''Film/MasculinFeminin'': Robert tells Paul he's reading an article about Dylan, and [[PopCulturalOsmosisFailure Paul doesn't know who Dylan is]].
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* On the wall of the bathroom graffiti cover of Music/TheRollingStones' ''Music/BeggarsBanquet'' (1968) we can read the text: "Bob Dylan's Dream", a reference to the song of the same name from ''Music/TheFreewheelinBobDylan''.
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* On the wall of the bathroom graffiti cover of Music/TheRollingStones' Music/{{The Rolling Stones|Band}}' ''Music/BeggarsBanquet'' (1968) we can read the text: "Bob Dylan's Dream", a reference to the song of the same name from ''Music/TheFreewheelinBobDylan''.
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* The 1972 Film/NationalLampoon album ''Radio Dinner'' has a sketch called "Those Fabulous Sixties", a parody commercial in which Dylan (voiced by Creator/ChristopherGuest) smarmily pitches a compilation album of ProtestSong and PsychedelicRock hits. The basic joke is the incongruity of TheSixties being used as fodder for nostalgic merchandising (which was funny in 1972, but became SeinfeldIsUnfunny over the next few decades as Baby Boomer nostalgia, including cheesy TV commercials for albums like ''Freedom Rock'', was a major bit of American pop culture), but it's also a veiled swipe at Dylan, implying that he was a has-been, and it opens with Dylan singing a song with loopy WordSaladLyrics.
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* The 1972 Film/NationalLampoon album ''Radio Dinner'' has a sketch called "Those Fabulous Sixties", a parody commercial in which Dylan (voiced by Creator/ChristopherGuest) smarmily pitches a compilation album of ProtestSong and PsychedelicRock hits. The basic joke is the incongruity idea of the turbulent years of TheSixties being used as fodder for bland nostalgic merchandising (which was funny hilarious in 1972, but became SeinfeldIsUnfunny over the next few decades as Baby Boomer nostalgia, including cheesy TV commercials for albums like ''Freedom Rock'', was a major bit of American pop culture), but it's also a veiled swipe at Dylan, implying that he was a has-been, and it opens with Dylan singing a song with loopy WordSaladLyrics.
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* The 1972 Film/NationalLampoon album ''Radio Dinner'' has a sketch called "Those Fabulous Sixties", a parody commercial in which Dylan (voiced by Creator/ChristopherGuest) smarmily pitches a compilation album of ProtestSong and PsychedelicRock hits. The basic joke is the incongruity of TheSixties being used as fodder for nostalgic merchandising (which was funny in 1972, but became SeinfeldIsUnfunny over the next few decades as Baby Boomer nostalgia, including cheesy TV commercials for albums like ''Freedom Rock'', was a major bit of American pop culture), but it's also a veiled swipe at Dylan, implying that he was a has-been, and it opens with Dylan singing a song with loopy WordSaladLyrics.
-->The spangled dwarf in his bow tie\\
The infantry that don't ask why
-->The spangled dwarf in his bow tie\\
The infantry that don't ask why
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* ''Series/FamilyTies'': In the two-part seventh season episode "All in the Neighborhood", Steven's African-American co-worker Gus moves into the neighborhood with his family, but is met with resistance from whites who insist property values will be driven down as a result. When Gus' house gets vandalized, the Keatons all show up to help clean it up, and Alex, Mallory, Jennifer, and Gus' son Michael wonder aloud if anything will change for the better, which is when they start singing the chorus to "Blowin' in the Wind".
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* Liana from ''Literature/TheHalfLifeOfPlanets'' bonded with one of her exes over their shared love of Bob Dylan.
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* ''Film/{{Identity}}'': Paris sings along to "I Want You" as she's driving to her orange grove - [[spoiler:or, rather, Malcolm is singing it while in a prison van, as Paris is one of Malcolm's personalities]].
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* ''Film/ThePost'': After the Pentagon Papers are first released, during the protests in front of ''The Washington Post'', there's a group of guitarists leading a sing-a-long of "A Hard Rain's A-Gonna Fall".
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* ''Film/BeginAgain'': Dan and Gretta get into an argument about authenticity in popular music, and when he asks who meets her ideal of authenticity, she responds, "Dylan." Dan retorts Dylan had changed his act and his image so many times, he doesn't count.
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* "Mediate" by Music/{{INXS}} from their album "Kick" has a music video which is a shout-out to the Subterranean Homesick Blues" sequence in this film.
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* "Mediate" by Music/{{INXS}} from their album "Kick" has a music video which is a shout-out to the Subterranean "Subterranean Homesick Blues" sequence in this film.''Don't Look Back''.
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* Music/SteveTaylor delivers a TakeThat to Dylan in his song "Meltdown (At Madame Tussaud's):
-->''Dylan may be fillin' the puddle they designed''\\
''Is it gonna take a miracle to make up his mind?''
-->''Dylan may be fillin' the puddle they designed''\\
''Is it gonna take a miracle to make up his mind?''
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On my last edit: I corrected indentation and added a few examples.
