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Added example(s)
* ClassicalChimera: One of the statues near the emporium is a three-headed beast consisting of [[GruesomeGoat a goat]], [[NobleBirdOfPrey an eagle]], and [[KingOfBeasts a lion]] on the body of [[OurGryphonsAreDifferent a gryphon]].
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* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium (a [[BatPeople bat]]-like [[OurGargoylesRock gargoyle]] [[UnscaledMerfolk with tentacles]], a [[CreepyHairlessAnimal hairless]] anthropomorphic {{Hellhound}}, and [[TokenHuman an actual]] HumanoidAbomination [[{{Cyclops}} with one eye]]) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were not afraid of her.
to:
* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium (a [[OurVampiresAreDifferent vampire]] [[BatPeople bat]]-like [[OurGargoylesRock gargoyle]] [[UnscaledMerfolk with tentacles]], a [[CreepyHairlessAnimal hairless]] anthropomorphic {{Hellhound}}, and [[TokenHuman an actual]] HumanoidAbomination [[{{Cyclops}} with one eye]]) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were not afraid of her.
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Added example(s)
Changed line(s) 24 (click to see context) from:
* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium (a [[BatPeople bat]]-like [[OurGargoylesRock gargoyle]] [[UnscaledMerfolk with tentacles]], an anthropomorphic {{Hellhound}}, and [[TokenHuman an actual]] HumanoidAbomination) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were not afraid of her.
to:
* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium (a [[BatPeople bat]]-like [[OurGargoylesRock gargoyle]] [[UnscaledMerfolk with tentacles]], an a [[CreepyHairlessAnimal hairless]] anthropomorphic {{Hellhound}}, and [[TokenHuman an actual]] HumanoidAbomination) HumanoidAbomination [[{{Cyclops}} with one eye]]) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were not afraid of her.
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* BadPeopleAbuseAnimals: In front of the emporium are statues of dogs and pigs that were turned to stone by Medusa.
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* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium (a [[BatPeople bat]]/[[SnakePeople snake]]-like [[OurGargoylesRock gargoyle]], an anthropomorphic {{Hellhound}}, and [[TokenHuman an actual]] HumanoidAbomination) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were unafraid of her.
to:
* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium (a [[BatPeople bat]]/[[SnakePeople snake]]-like bat]]-like [[OurGargoylesRock gargoyle]], gargoyle]] [[UnscaledMerfolk with tentacles]], an anthropomorphic {{Hellhound}}, and [[TokenHuman an actual]] HumanoidAbomination) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were unafraid not afraid of her.
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* MonstrousHumanoid: Three of the monster statues in front of the emporium.
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* MixAndMatchCritters: In front of the emporium is a small warthog-like animal that was turned to stone by Medusa.
* MonstrousHumanoid: Three of the monster statues in front of the emporium. See DefiantToTheEnd.
* MonstrousHumanoid: Three of the monster statues in front of the emporium. See DefiantToTheEnd.
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** Annabeth smiles when Percy begins singing the Consensus song. Grover tries to act annoyed, but is clearly trying not to laugh.
to:
** Annabeth smiles when Percy begins singing the Consensus song.Song. Grover tries to act annoyed, but is clearly trying not to laugh.
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Added DiffLines:
* DisabledBadass: The wheelchair-using female camper, who Percy flubbed his attempt at archery in front of, is brought forward by Chiron as a potential candidate for one of Percy's quest-mates, implicitly making her this.
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Changed line(s) 17 (click to see context) from:
* AdaptedOut: The show simplifies the encounter with the Furies on the bus. In the book, the fight results in a fiery explosion that makes national news. [[HateSink Gabe]] capitalizes on the drama and starts a media circus chasing down the "dangerous juvenile delinquents" across the country. Here, likely for budget reasons, the bus remains intact and Gabe does not appear past the vision of him in Percy's visit to the Oracle.
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* AdaptedOut: The show simplifies the encounter with the Furies on the bus. In the book, the fight results in a fiery explosion that makes national news. [[HateSink Gabe]] capitalizes on the drama and starts a media circus chasing down the "dangerous juvenile delinquents" across the country. Here, likely for budget reasons, the bus remains intact and Gabe does not appear past the vision of him in Percy's visit to the Oracle. Gabe's media blitz is moved to episode five, after the incident at the Gateway Arch.
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Spelling/grammar fix(es)
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* AdaptationalAngstUpgrade: While the books played uncle Ferdinand's fate for laughs, here Grover properly mourns when he discovers the statue of his uncle in Medusa's basement.
to:
* AdaptationalAngstUpgrade: While the books played uncle Uncle Ferdinand's fate for laughs, here Grover properly mourns when he discovers the statue of his uncle in Medusa's basement.
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Spelling/grammar fix(es), Added example(s)
Changed line(s) 22 (click to see context) from:
* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium ([[OurGargoylesRock a bat gargoyle]], [[{{Hellhound}} a humanoid dog]], and an [[TokenHuman actual]] HumanoidAbomination) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were unafraid of her.
to:
* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium ([[OurGargoylesRock a bat (a [[BatPeople bat]]/[[SnakePeople snake]]-like [[OurGargoylesRock gargoyle]], [[{{Hellhound}} a humanoid dog]], an anthropomorphic {{Hellhound}}, and an [[TokenHuman an actual]] HumanoidAbomination) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were unafraid of her.
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-->'''Percy:''' I didn't even know they had forests in New Jersey, but we found one
to:
-->'''Percy:''' I didn't even know they had forests in New Jersey, but we found oneone.
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Added example(s)
* DefiantToTheEnd: The MonstrousHumanoid statues in front of the emporium ([[OurGargoylesRock a bat gargoyle]], [[{{Hellhound}} a humanoid dog]], and an [[TokenHuman actual]] HumanoidAbomination) seem to have been [[DeathGlare glaring]] at Medusa when she turned them to stone which implies they were unafraid of her.
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* FreudianExcuseIsNoExcuse: However sympathetically Medusa came to be a Gorgon, she undeniably uses her curse for evil. She has petrified hundreds of humans, [[BadPeopleAbuseAnimals animals]], and monsters over the years, and makes a tidy profit off of selling her victims as outdoor décor. When the kids fail to internalize the "lessons" she is trying to teach about the gods, she decides to simply turn them to stone and send their statues to Olympus, musing that maybe then Poseidon and Athena will regret their actions.
to:
* FreudianExcuseIsNoExcuse: However sympathetically Medusa came to be a Gorgon, she undeniably uses her curse for evil. She has petrified hundreds of humans, [[BadPeopleAbuseAnimals animals]], and monsters [[HorrifyingTheHorror monsters]] over the years, and makes a tidy profit off of selling her victims as outdoor décor. When the kids fail to internalize the "lessons" she is trying to teach about the gods, she decides to simply turn them to stone and send their statues to Olympus, musing that maybe then Poseidon and Athena will regret their actions.
* MonstrousHumanoid: Three of the monster statues in front of the emporium.
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* WhamShot: When Percy, Grover, and Annabeth go hide in Medusa's basement, they discover ''thousands of human-shaped statues''. In spite of Medusa's justified anger to the gods, she had remorselessly used her curse to turn not only monsters to stone, but also innocent people and animals, and sold them for tips (thus rendering her [[FreudianExcuseIsNoExcuse sympathetic excuses completely moot]]).
to:
* WhamShot: When Percy, Grover, and Annabeth go hide in Medusa's basement, they discover ''thousands of human-shaped statues''. In spite of Medusa's justified anger to the gods, she had remorselessly used her curse to turn not only monsters to stone, but also innocent people and animals, [[BadPeopleAbuseAnimals animals]], and sold them for tips (thus rendering her [[FreudianExcuseIsNoExcuse sympathetic excuses completely moot]]).
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Changed line(s) 19 (click to see context) from:
* CreatorCameo: Statues of executive producers Creator/{{Rick|Riordan}} and Becky Riordan are present in Medusa's collection.
to:
* CreatorCameo: Statues of executive producers Creator/{{Rick|Riordan}} and Becky Riordan are present in Medusa's collection.
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None
Changed line(s) 19 (click to see context) from:
* CreatorCameo: A statue of Creator/RickRiordan is part of Medusa's collection, and is one of the statues Grover crashes into in the climax. His wife, Becky, also appears as a statue.
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* CreatorCameo: A statue Statues of Creator/RickRiordan is part of executive producers Creator/{{Rick|Riordan}} and Becky Riordan are present in Medusa's collection, and is one of the statues Grover crashes into in the climax. His wife, Becky, also appears as a statue.collection.
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Added example(s)
Changed line(s) 23 (click to see context) from:
* FreudianExcuseIsNoExcuse: However sympathetically Medusa came to be a Gorgon, she undeniably uses her curse for evil. She has petrified hundreds of humans, animals, and monsters over the years, and makes a tidy profit off of selling her victims as outdoor décor. When the kids fail to internalize the "lessons" she is trying to teach about the gods, she decides to simply turn them to stone and send their statues to Olympus, musing that maybe then Poseidon and Athena will regret their actions.
to:
* FreudianExcuseIsNoExcuse: However sympathetically Medusa came to be a Gorgon, she undeniably uses her curse for evil. She has petrified hundreds of humans, animals, [[BadPeopleAbuseAnimals animals]], and monsters over the years, and makes a tidy profit off of selling her victims as outdoor décor. When the kids fail to internalize the "lessons" she is trying to teach about the gods, she decides to simply turn them to stone and send their statues to Olympus, musing that maybe then Poseidon and Athena will regret their actions.
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Spelling/grammar fix(es)
Changed line(s) 13 (click to see context) from:
* AdaptationalConsent: Like the book, the show uses a middle-schooler-friendly version of Medusa's myth as laid out in ''Literature/TheMetamorphoses'' by Creator/{{Ovid}}. Medusa and Poseidon were a happy couple, but she grew to resent to sea god when he didn't do anything to stop Athena from punishing her. In Ovid's version of events, Poseidon raped Medusa at the Temple of Athena, and since the goddess of wisdom couldn't punish her fellow deity, she turned Medusa into a Gorgon in retribution.
to:
* AdaptationalConsent: Like the book, the show uses a middle-schooler-friendly version of Medusa's myth as laid out in ''Literature/TheMetamorphoses'' by Creator/{{Ovid}}. Medusa and Poseidon were a happy couple, but she grew to resent to the sea god when he didn't do anything to stop Athena from punishing her. In Ovid's version of events, Poseidon raped Medusa at the Temple of Athena, and since the goddess of wisdom couldn't punish her fellow deity, she turned Medusa into a Gorgon in retribution.
