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* Music/TakeThat have had a phenomenal comeback after they reformed in 2006 after a decade apart - their three studio albums since their reformation vastly outselling their three before their breakup and their 2011 tour becoming the 22nd highest grossing in history.

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* Music/TakeThat Music/TakeThatBand have had a phenomenal comeback after they reformed in 2006 after a decade apart - their three studio albums since their reformation vastly outselling their three before their breakup and their 2011 tour becoming the 22nd highest grossing in history.

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* Rock music, of all things, was practically dead in the early '60s, when most of the big stars were put out of commission -- Music/ElvisPresley got drafted and then turned to acting, the Day the Music Died took the life of Music/BuddyHolly, Music/LittleRichard became born-again and started recording exclusively gospel songs, Music/JerryLeeLewis derailed his career by marrying his [[KissingCousins 14-year-old cousin]], Music/ChuckBerry did the same with his own run-ins with the law, and the remaining artists were mostly recording forgettable novelty songs. It was felt that, soon, RockAndRoll would be swept in the dustbin of history where the MoralGuardians felt it belonged... and then came UsefulNotes/TheBritishInvasion, providing a new jolt of creativity and mainstream appeal to the genre by blending it with other styles (most notably blues) and sporting a rebellious streak in tune with the 60s, turning what had previously been a teenage craze into the biggest game-changer in music history. In spite of no longer having the all-dominant position it had between 1965 and 1974, rock and its subgenres have consistently been at the forefront of popular music.
** Since the 1960s, rock has shifted from elaborate to stripped-down and back and everything in-between: The experimentation of the "British Invasion" bands was replaced by 1967-68 with "hippie rock" and {{folk rock}}. This was itself succeeded in the early 1970s by [[DoingItForTheArt more "artsy" styles]] such as {{prog rock}} and {{glam rock}}, while jazz-rock and country-rock would also be popular, [[CriticProof even if the critics rarely]] [[CriticalDissonance liked any of them]]. By the second half of the decade, {{punk rock}} and {{heavy metal}} surged as a reaction against the magnamity of prog (critics warmed up to them because of that), but the 50s-tinged "[[GenreThrowback rock revivalism]]" became the most popular subgenre of the late 70s. The 1980s were dominated by the synth-heavy sounds of {{new wave|music}} and later on {{hair metal}} and {{arena rock}}, but by the next decade {{alternative rock}}, college rock and {{grunge}} surged as a backlash against them. After a brief period in the mid-late 1990s dominated in quick succession by pop-rock, the 60s-inspired {{Britpop}} and {{rap rock}}, the late 90s and 2000s were marked by "rawer" styles such as {{post grunge}}, indie-folk, {{rockabilly}}/[[RevisitingTheRoots "roots" rock]], {{funk rock}}, new prog and especially {{pop punk}}. The 2010s have been noted for the dominance of the [[IndieRock Brit indie/festival rock]] subgenre, [[BaseBreaker particularly polarizing]] given its closeness to EDM, as well as for imposing [[NiceGuy an archetype]] considered to be antithetical of what rock-and-roll is supposed to be.



* Rock music, of all things, was practically dead in the early '60s, when most of the big stars were put out of commission -- Music/ElvisPresley got drafted and then turned to acting, the Day the Music Died took the life of Music/BuddyHolly, Music/LittleRichard became born-again and started recording exclusively gospel songs, Music/JerryLeeLewis derailed his career by marrying his [[KissingCousins 14-year-old cousin]], Music/ChuckBerry did the same with his own run-ins with the law, and the remaining artists were mostly recording forgettable novelty songs. It was felt that, soon, RockAndRoll would be swept in the dustbin of history where the MoralGuardians felt it belonged... and then came UsefulNotes/TheBritishInvasion, providing a new jolt of creativity and mainstream appeal to the genre. While its popularity has been challenged by the rise of other musical genres throughout the decades, and no longer has the hegemony it enjoyed during the British Invasion era, it and its many offshoots remain prominent fixtures of the modern music landscape in both the mainstream and the underground.
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However, the album proved to be a FranchiseOriginalSin for Metallica, as the process of their sound moving away from metal and the HypeBacklash from disgruntled thrash fans would just keep going further and further. Over the course of TheNineties, the band gradually shed even more of their metal elements, cutting their hair and changing to a BluesRock[=/=]SouthernRock[=/=]AlternativeRock sound for the decidedly SoOkayItsAverage ''Load'' and ''Reload'' albums. While both albums were successful and spawned quite a few radio staples[[note]]Although "Fuel" is probably the only song that still gets regular play to this day[[/note]], they ultimately failed to match the popularity of The Black Album. They partially regained credibility among metal fans with the 1998 [[CoveredUp all covers album]] ''Garage, Inc.'' and a live collaboration with the San Francisco Symphony Orchestra one year later. However, in 2000, they became embroiled in the controversy over Napster, which was the first major blow to their mainstream credibility. After that, things went haywire for the band. Frontman James Hetfield went to rehab for alcoholism, bassist Music/JasonNewsted left the band for good, and then the double whammy of ''St. Anger'' and the {{Documentary}} ''Some Kind of Monster'' hit in 2003/2004. ''St. Anger'' proved to be a disastrous trainwreck that sounded like a Music/{{Korn}} album GoneHorriblyWrong (although it did sell reasonably well), and ''Some Kind of Monster'' made the band (especially drummer Lars Ulrich) come across as pretentious prima donnas who were well past their prime. After that, the band's name was permanently sullied, and became a punchline in both the mainstream and amongst metalheads. Fortunately, the band had a WinBackTheCrowd period in 2008-2009 with the ''Death Magnetic'' [=LP=] (which, despite its problems with [[LoudnessWar clipping]] and accusations of the songs being too long, was widely considered to be a welcome return to form for the band), ''[[VideoGame/GuitarHero Guitar Hero Metallica]]'', and their induction into the Rock and Roll Hall of Fame. However, they fell from grace yet again with their controversial 2011 collaboration with Music/LouReed, ''Lulu'', which was slammed by critics and reviled by fans. Today, Metallica's in a bit of a precarious position, as their anticipated new album (set to be released sometime in 2016) will likely be a crucial make-or-break moment for the band's credibility and popularity.

to:

However, the album proved to be a FranchiseOriginalSin for Metallica, as the process of their sound moving away from metal and the HypeBacklash from disgruntled thrash fans would just keep going further and further. Over the course of TheNineties, the band gradually shed even more of their metal elements, cutting their hair and changing to a BluesRock[=/=]SouthernRock[=/=]AlternativeRock sound for the decidedly SoOkayItsAverage ''Load'' and ''Reload'' albums. While both albums were successful and spawned quite a few radio staples[[note]]Although "Fuel" is probably the only song that still gets regular play to this day[[/note]], they ultimately failed to match the popularity of The Black Album. They partially regained credibility among metal fans with the 1998 [[CoveredUp all covers album]] ''Garage, Inc.'' and a live collaboration with the San Francisco Symphony Orchestra one year later. However, in 2000, they became embroiled in the controversy over Napster, which was the first major blow to their mainstream credibility. After that, things went haywire for the band. Frontman James Hetfield went to rehab for alcoholism, bassist Music/JasonNewsted left the band for good, and then the double whammy of ''St. Anger'' and the {{Documentary}} ''Some Kind of Monster'' hit in 2003/2004. ''St. Anger'' proved to be a disastrous trainwreck that sounded like a Music/{{Korn}} album GoneHorriblyWrong (although it did sell reasonably well), and ''Some Kind of Monster'' made the band (especially drummer Lars Ulrich) come across as pretentious prima donnas who were well past their prime. After that, the band's name was permanently sullied, and became a punchline in both the mainstream and amongst metalheads. Fortunately, the band had a WinBackTheCrowd period in 2008-2009 with the ''Death Magnetic'' [=LP=] (which, despite its problems with [[LoudnessWar clipping]] and accusations of the songs being too long, was widely considered to be a welcome return to form for the band), ''[[VideoGame/GuitarHero Guitar Hero Metallica]]'', and their induction into the Rock and Roll Hall of Fame. However, they fell from grace yet again with their controversial 2011 collaboration with Music/LouReed, ''Lulu'', which was slammed by critics and reviled by fans. Today, Metallica's in a bit of a precarious position, as their anticipated new 2016 album (set to be released sometime in 2016) ''Hardwired...To Self-Destruct'' will likely be a crucial make-or-break moment for the band's credibility and popularity.



* Music/ArianaGrande was always a very successful singer since she first broke out onto the scene in 2013, but for quite a while, she was largely a very unpopular figure in the general public, after she was caught licking donuts and bragging about hating Americans in a donut shop. Although she still did well on the pop charts, he success since then was lower than that of her first two albums. Unfortunately, a horrible tragedy hit in 2017, when a concert of hers was bombed by an ISIS terrorist, killing several of her fans and injuring many more. The attack reversed her reputation overnight, with Grande once again seen by the public as an influential role model for teens and a figure of bravery.

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* Music/ArianaGrande was always a very successful singer since she first broke out onto the scene in 2013, but for quite a while, she was largely a very unpopular figure in the general public, after she was caught licking donuts and bragging about hating Americans in a donut shop. Although she still did well on the pop charts, he her success since then was lower than that of her first two albums. Unfortunately, a horrible tragedy hit in 2017, when a concert of hers was bombed by an ISIS terrorist, killing several of her fans and injuring many more. The attack reversed her reputation overnight, with Grande once again seen by the public as an influential role model for teens and a figure of bravery.
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* Music/ArianaGrande was always a very successful singer since she first broke out onto the scene in 2013, but for quite a while, she was largely a very unpopular figure in the general public, after she was caught licking donuts and bragging about hating Americans in a donut shop. Although she still did well on the pop charts, he success since then was lower than that of her first two albums. Unfortunately, a horrible tragedy hit in 2017, when a concert of hers was bombed by an ISIS terrorist, killing several of her fans and injuring many more. The attack reversed her reputation overnight, with Grande once again seen by the public as an influential role model for teens and a figure of bravery.
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* Even worse hit by the disco backlash were the Music/BeeGees, the top act of the late 70s (and also producers of many hits of the era): Their 1981 album ''Livin Eyes'' went unnoticed except for a few singles and the fact it was the first album produced in Compact Disc. It did not help that the Gibbs were often at odds with each other and were entangled in a lawsuit against their label RSO. By 1987, the brothers reunited after a six-year break (not counting the soundtrack for ''Stayin' Alive'') with the album ''E.S.P.'', which also reunited them with producer Arif Mardin. While the album was a success, the group would have to wait until 1997 to regain popularity in North America with their penultinate album ''Still Waters'', coupled with their inclusion in the Rock n' Roll Hall of Fame.
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It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100; the corresponding album ''Purpose'' went straight to #1 as well. He also got his first taste of widespread critical acclaim in his entire career, with ''SPIN'' naming "What Do You Mean?" the best song of 2015, and other publications rating the song highly in their own year-end lists. All this ultimately solidified that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). He continued this success into 2016 when he appeared on Music/MajorLazer's "Cold Water" (making it their biggest hit) and DJ Snake's "Let Me Love You". His proudest moment came at the end of 2016, when ''Billboard'' declared "Love Yourself" and "Sorry" the biggest hits of the year. This made him the third artist in history to have the two biggest hits of the year (after Music/TheBeatles in 1964 and Music/{{Usher}} in 2004). Only time will tell if he manages to stick around for very long.

to:

It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100; the corresponding album ''Purpose'' went straight to #1 as well. He also got his first taste of widespread critical acclaim in his entire career, with ''SPIN'' naming "What Do You Mean?" the best song of 2015, and other publications rating the song highly in their own year-end lists. All this ultimately solidified that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). He continued this success into 2016 when he appeared on Music/MajorLazer's "Cold Water" (making it their biggest hit) and DJ Snake's "Let Me Love You". His proudest moment came at the end of 2016, when ''Billboard'' declared "Love Yourself" and "Sorry" the biggest hits of the year. This made him the third artist in history to have the two biggest hits of the year (after Music/TheBeatles in 1964 and Music/{{Usher}} in 2004). His PeripheryHatedom rapidly began to cool off at that point, with hatred of him being quickly diverted to UsefulNotes/DonaldTrump. Only time will tell if he manages to stick around for very long.
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** The [[TheNineties 1990s]] and early 2000s revived [[TheSeventies 1970s]]-style hard rock and metal into grunge and post-grunge. Hip-hop and R&B songs sampled every '70s funk and disco track they could get their hands on. British Invasion-era music became popular for much of the 90s with ''Series/{{Friends}}'' and the "Cool Britannia" phenomenon.

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** The [[TheNineties 1990s]] and early 2000s revived [[TheSeventies 1970s]]-style hard rock (ex. [[Music/TheBlackCrowes The Black Crowes]] were called "a band out of time") and metal into grunge and post-grunge. Hip-hop and R&B songs sampled every '70s funk and disco track they could get their hands on. British Invasion-era music became popular for much of the 90s with ''Series/{{Friends}}'' and the "Cool Britannia" phenomenon.
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* During the 2000s, the music industry considered that physical formats would be dead in a few years, with the popularity of {{MP3}}s and streaming. However in 2014-15 many artists weary of the royalties paid by Spotify and the like jumped ship to the premium subscription service Tidal as their only means of digital distribution. Since then, physical sales have taken a rebound, not only for [=CDs=] but also for vinyl records and cassettes. And on that note...

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* During the 2000s, it was a truism in the music industry considered that physical formats would were dying out, soon to be dead in a few years, with rendered obsolete by the popularity rise of {{MP3}}s and later streaming. However However, in 2014-15 the mid-'10s many artists artists, weary of the low royalties paid by the likes of Spotify and the like Pandora, jumped ship to the premium subscription service services like Tidal (created by Music/JayZ specifically as a creator-owned distribution platform) and Apple Music as their only means of digital distribution. Since then, physical sales have taken a rebound, not only for [=CDs=] but also for vinyl records and cassettes. And on that note...



** Cassettes are beginning to make a silent resurgence in popularity in TheNewTens. In 2014 alone, [[http://www.hypebot.com/hypebot/2015/09/the-cassette-tapes-comeback.html over 10,000,000 cassette tapes were sold]] while [[https://en.wikipedia.org/wiki/Compact_Cassette#21st_century_use sales went up by 20% in 2015,]] and seem to have risen alongside vinyl amongst the same crowd. Reasons for this sudden re-popularity can be traced to their similar immunity to (or necessary removal of) the LoudnessWar, their relative cheapness compared to [=CDs=], decent players providing surprisingly good quality, and the artists of genres that ''did'' make use of cassettes during their dormancy getting greater exposure. The fact that labels such as Sony and Universal have readopted cassette tapes, with their use of them making up 70% of sales in 2014, speaks volumes.

to:

** Cassettes are also beginning to make a silent resurgence in popularity in TheNewTens. In 2014 alone, [[http://www.hypebot.com/hypebot/2015/09/the-cassette-tapes-comeback.html over 10,000,000 cassette tapes were sold]] while [[https://en.wikipedia.org/wiki/Compact_Cassette#21st_century_use sales went up by 20% in 2015,]] and seem to have risen alongside vinyl amongst the same crowd. Reasons for this sudden re-popularity can be traced to their similar immunity to (or necessary removal of) the LoudnessWar, their relative cheapness compared to [=CDs=], decent players providing surprisingly good quality, and the artists of genres that ''did'' make use of cassettes during their dormancy getting greater exposure. The fact that labels such as Sony and Universal have readopted cassette tapes, with their use of them making up 70% of sales in 2014, speaks volumes.



* Rock music, of all things, was practically dead in the early '60s, when most of the big stars were put out of commission -- Music/ElvisPresley got drafted and then turned to acting, the Day the Music Died took the life of Music/BuddyHolly, Music/LittleRichard became born-again and started recording exclusively gospel songs, Music/JerryLeeLewis derailed his career by marrying his [[KissingCousins 14-year-old cousin]], Music/ChuckBerry did the same with his own run-ins with the law, and the remaining artists were mostly recording forgettable novelty songs. It was felt that, soon, RockAndRoll would be swept in the dustbin of history where the MoralGuardians felt it belonged, and then came UsefulNotes/TheBritishInvasion, providing a new jolt of creativity and mainstream appeal to the genre, and it hasn't looked back since, although its popularity has been challenged by the rise of other musical genres throughout the decades, and no longer has the hegemony of the 50's rock and roll or British Invasion eras.

to:

* Rock music, of all things, was practically dead in the early '60s, when most of the big stars were put out of commission -- Music/ElvisPresley got drafted and then turned to acting, the Day the Music Died took the life of Music/BuddyHolly, Music/LittleRichard became born-again and started recording exclusively gospel songs, Music/JerryLeeLewis derailed his career by marrying his [[KissingCousins 14-year-old cousin]], Music/ChuckBerry did the same with his own run-ins with the law, and the remaining artists were mostly recording forgettable novelty songs. It was felt that, soon, RockAndRoll would be swept in the dustbin of history where the MoralGuardians felt it belonged, belonged... and then came UsefulNotes/TheBritishInvasion, providing a new jolt of creativity and mainstream appeal to the genre, and it hasn't looked back since, although genre. While its popularity has been challenged by the rise of other musical genres throughout the decades, and no longer has the hegemony of it enjoyed during the 50's rock and roll or British Invasion eras.era, it and its many offshoots remain prominent fixtures of the modern music landscape in both the mainstream and the underground.

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* Vinyl records. They were already starting to become old-hat in TheSeventies with the introduction of audiocassettes. Then they went out of style in TheEighties as the cassette surpassed it in popularity, and more importantly the compact disc took over the market and they saw themselves pushed back to the indie rock genre and niche applications (particularly DJ-ing). However, beginning around the late 2000s or so, they've come back to the forefront, thanks to a combination of factors: the audio distortion caused by the LoudnessWar having a nasty effect on CD audio quality (an effect that killed cassettes, and was ''not'' heard on vinyl, since such loudness can't be achieved on that medium), a growing preference for the sound of vinyl records (possibly for the reason discussed), the obsolescence of [=CDs=] themselves due to the internet, and the surging popularity of indie rock and dance music, the two genres that made the most use of vinyl records since TheEighties. By the mid-2010s, many companies began to mass-produce turntables, and Sony announced it would manufacture a record player at CES 2016.
* Cassettes are beginning to make a silent resurgence in popularity in TheNewTens. [[http://www.hypebot.com/hypebot/2015/09/the-cassette-tapes-comeback.html In 2014 alone, over 10,000,000 cassette tapes were sold]] [[https://en.wikipedia.org/wiki/Compact_Cassette#21st_century_use while sales went up by 20% in 2015,]] and seem to have risen alongside vinyl amongst the same crowd. Reasons for this sudden re-popularity can be traced to the same immunity to (or necessary removal of) the LoudnessWar, its relative cheapness compared to [=CDs=], decent players providing surprisingly good quality, and the artists of genres that ''did'' make use of cassettes during their dormancy are getting greater exposure. The fact that labels such as Sony and Universal have readopted cassette tapes and their use of them made up 70% of sales in 2014 speaks volumes.
* In the late 2000s, the music industry considered that physical formats would be dead in a few years, with the popularity of {{MP3}}s and streaming. However in 2014-15 many artists weary of the royalties paid by Spotify and the like jumped ship to the premium subscription service Tidal as their only means of digital distribution. Since then, physical sales have taken a rebound (specially for cassettes).
* While there were still bands playing more traditionally rooted styles of metal in the late 90s and early 2000s that received a fair amount of attention from fan of their particular styles, bands playing modern styles of metal, such as GrooveMetal and modern TechnicalDeathMetal, was grew to be more popular with the average metal fan. However, by the mid 2000s, several thrash metal bands began to receive a lot more attention than you would expect for a band playing that style in that period, and these bands kicked off the ThrashMetal revival, which remained fairly popular for a couple of years. In the meantime, interest in older forms of metal other than thrash was also increasing thanks to Darkthrone who adopted a more straightforward, punkier sound and inspired an entire "metalpunk" movement. This was followed by an old school DeathMetal revival, the rise of a "retro" doom/70s occult rock scene and "new wave" of traditional heavy metal. Many older bands had also reformed during this time. Though the bands playing more modern forms of metal were still as popular as ever, the interest in older forms of metal among people who would normally have ignored it had grown. With the subsequent interest in the music of the 1990s as of TheNewTens, metal has seen a major rise in stoner and sludge metal; additionally, while [[{{Metalcore}} melodic metalcore]] as people knew it from the 2000s is essentially dead (having largely been integrated into post-hardcore and/or modern rock), there has been a large uptick in traditional metalcore as people started rediscovering the founders of the genre, while a new form that mixes that style with Swedish death metal, crust punk, and powerviolence has also been making waves.

to:

* Vinyl records. They were already starting to become old-hat in TheSeventies with During the introduction of audiocassettes. Then they went out of style in TheEighties as the cassette surpassed it in popularity, and more importantly the compact disc took over the market and they saw themselves pushed back to the indie rock genre and niche applications (particularly DJ-ing). However, beginning around the late 2000s or so, they've come back to the forefront, thanks to a combination of factors: the audio distortion caused by the LoudnessWar having a nasty effect on CD audio quality (an effect that killed cassettes, and was ''not'' heard on vinyl, since such loudness can't be achieved on that medium), a growing preference for the sound of vinyl records (possibly for the reason discussed), the obsolescence of [=CDs=] themselves due to the internet, and the surging popularity of indie rock and dance music, the two genres that made the most use of vinyl records since TheEighties. By the mid-2010s, many companies began to mass-produce turntables, and Sony announced it would manufacture a record player at CES 2016.
* Cassettes are beginning to make a silent resurgence in popularity in TheNewTens. [[http://www.hypebot.com/hypebot/2015/09/the-cassette-tapes-comeback.html In 2014 alone, over 10,000,000 cassette tapes were sold]] [[https://en.wikipedia.org/wiki/Compact_Cassette#21st_century_use while sales went up by 20% in 2015,]] and seem to have risen alongside vinyl amongst the same crowd. Reasons for this sudden re-popularity can be traced to the same immunity to (or necessary removal of) the LoudnessWar, its relative cheapness compared to [=CDs=], decent players providing surprisingly good quality, and the artists of genres that ''did'' make use of cassettes during their dormancy are getting greater exposure. The fact that labels such as Sony and Universal have readopted cassette tapes and their use of them made up 70% of sales in 2014 speaks volumes.
* In the late
2000s, the music industry considered that physical formats would be dead in a few years, with the popularity of {{MP3}}s and streaming. However in 2014-15 many artists weary of the royalties paid by Spotify and the like jumped ship to the premium subscription service Tidal as their only means of digital distribution. Since then, physical sales have taken a rebound (specially rebound, not only for cassettes).
[=CDs=] but also for vinyl records and cassettes. And on that note...
** Vinyl records. They were already starting to become old-hat in TheSeventies with the introduction of compact cassettes, but they seemingly went out of fashion for good in TheEighties as the cassette and especially the compact disc took over the market, and they saw themselves pushed back to the indie rock genre and niche applications (particularly DJ-ing). However, beginning around the late 2000s or so, they've come back to the forefront, thanks to a combination of factors: the audio distortion caused by the LoudnessWar having a nasty effect on CD audio quality (an effect that killed cassettes, and was ''not'' heard on vinyl, since such loudness can't be achieved on that medium), a growing preference for the sound of vinyl records (possibly for the reason discussed), the obsolescence of [=CDs=] themselves at the hands of [=MP3s=] and streaming, and the surging popularity of indie rock and dance music, the two genres that made the most use of vinyl records since TheEighties. By the mid-2010s, many companies began to mass-produce turntables, and Sony announced it would manufacture a record player at CES 2016.
** Cassettes are beginning to make a silent resurgence in popularity in TheNewTens. In 2014 alone, [[http://www.hypebot.com/hypebot/2015/09/the-cassette-tapes-comeback.html over 10,000,000 cassette tapes were sold]] while [[https://en.wikipedia.org/wiki/Compact_Cassette#21st_century_use sales went up by 20% in 2015,]] and seem to have risen alongside vinyl amongst the same crowd. Reasons for this sudden re-popularity can be traced to their similar immunity to (or necessary removal of) the LoudnessWar, their relative cheapness compared to [=CDs=], decent players providing surprisingly good quality, and the artists of genres that ''did'' make use of cassettes during their dormancy getting greater exposure. The fact that labels such as Sony and Universal have readopted cassette tapes, with their use of them making up 70% of sales in 2014, speaks volumes.
* While there were still bands playing more traditionally rooted styles of metal in the late 90s '90s and early 2000s '00s that received a fair amount of attention from fan of their particular styles, bands playing modern styles of metal, such as GrooveMetal and modern TechnicalDeathMetal, was grew to be more popular with the average metal fan. However, by the mid 2000s, several thrash metal bands began to receive a lot more attention than you would expect for a band playing that style in that period, and these bands kicked off the ThrashMetal revival, which remained fairly popular for a couple of years. In the meantime, interest in older forms of metal other than thrash was also increasing thanks to Darkthrone who adopted a more straightforward, punkier sound and inspired an entire "metalpunk" movement. This was followed by an old school DeathMetal revival, the rise of a "retro" doom/70s occult rock scene and "new wave" of traditional heavy metal. Many older bands had also reformed during this time. Though the bands playing more modern forms of metal were still as popular as ever, the interest in older forms of metal among people who would normally have ignored it had grown. With the subsequent interest in the music of the 1990s as of TheNewTens, metal has seen a major rise in stoner and sludge metal; additionally, while [[{{Metalcore}} melodic metalcore]] as people knew it from the 2000s is essentially dead (having largely been integrated into post-hardcore and/or modern rock), there has been a large uptick in traditional metalcore as people started rediscovering the founders of the genre, while a new form that mixes that style with Swedish death metal, crust punk, and powerviolence has also been making waves.


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* Music/MichaelBolton, after starting out as a hard rock singer, reached the peak of his success in the late '80s and early '90s as an adult contemporary crooner, only for his popularity to collapse after he was caught having {{plagiari|sm}}zed the Isley Brothers for one of his hits. Backlash set in quick, and for much of the late '90s and '00s he was the go-to punchline for jokes about bad soft rock, with the tipping point being when ''Film/OfficeSpace'' featured a character who [[NamesTheSame shared his name]] and hated that fact, an association that Bolton was never able to fully shake. So, in the '10s, he decided to [[AdamWesting embrace it]], collaborating with Music/TheLonelyIsland on multiple songs, appearing on ''WebVideo/HonestTrailers'' and ''Series/LastWeekTonightWithJohnOliver'', and even doing a parody of ''Office Space'' for Funny or Die. In the process, he [[CareerResurrection gained a brand new audience]] of young people who loved the sound of his voice and didn't know or care about the controversy, helping to turn him into an unlikely geek icon.
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* ElectronicMusic (SynthPop, NewWave, early HouseMusic and {{Ambient}} specifically) dominated pop music in America during the '80s, hitting a peak during the [[https://en.wikipedia.org/wiki/Second_Summer_of_Love "Second Summer of Love"]] in 1988-89. In the '90s and '00s, though, it was supplanted by RAndB, {{idol singer}}s, and alternative rock, and was viewed as overly-synthesized and artificial. It also was not helped by the fact that a tidal wave of bad publicity surrounding electronic music's association with drugs and deaths related to overdoses led to panicked ThinkOfTheChildren-type laws that targeted raves and electronic parties specifically. As a result, the scene ended up being a largely underground (or overseas) affair. In the late '00s, artists like Music/LadyGaga, Music/{{Kesha}}, Music/LaRoux and Music/OwlCity used elements of synth-pop to their music, bringing it back into the mainstream and helping to pave the way for a full electronic dance music craze to take over in the states.

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* ElectronicMusic (SynthPop, NewWave, NewWaveMusic, early HouseMusic and {{Ambient}} specifically) dominated pop music in America during the '80s, hitting a peak during the [[https://en.wikipedia.org/wiki/Second_Summer_of_Love "Second Summer of Love"]] in 1988-89. In the '90s and '00s, though, it was supplanted by RAndB, {{idol singer}}s, and alternative rock, and was viewed as overly-synthesized and artificial. It also was not helped by the fact that a tidal wave of bad publicity surrounding electronic music's association with drugs and deaths related to overdoses led to panicked ThinkOfTheChildren-type laws that targeted raves and electronic parties specifically. As a result, the scene ended up being a largely underground (or overseas) affair. In the late '00s, artists like Music/LadyGaga, Music/{{Kesha}}, Music/LaRoux and Music/OwlCity used elements of synth-pop to their music, bringing it back into the mainstream and helping to pave the way for a full electronic dance music craze to take over in the states.
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All that changed in [[TheNineties the following decade]] with the 1970s nostalgia wave, which revived public interest in ABBA's songs. A particularly important landmark for the group was the release, in 1992, of ''ABBA Gold'', which was a huge commercial success and got many younger people to listen to their music for the first time and eventually become fans. In the following years, the group managed to increase more and more its popularity, with the re-release of the original studio albums in CD, as well as the release of new compilation albums, some of which even included previously unreleased songs, such as ''I Am The City'', featured in ''More ABBA Gold'' (1993). In 1995, the band's listing in the landmark ''[[https://en.wikipedia.org/wiki/Spin_Alternative_Record_Guide SPIN Alternative Record Guide]]'', complete with a glowing write-up, was the first indication of a major, positive re-evaluation of the band's discography by music critics. Films such as ''[[MurielsWedding Muriel's Wedding]]'' and tributes by other bands, such as {{Music/Erasure}} and [[{{Music/ATeens}} A-Teens]], also helped increasing the group's popularity. Another great leap was the debut, in 1999, of ''[[MammaMia Mamma Mia!]]'' [[JukeboxMusical (the musical)]], which expanded to multiple locations worldwide, became one of the longest-running musicals in the history of [[UsefulNotes/BroadwayAndTheWestEnd Broadway]] and spawned a theatrical movie in 2008, starring Creator/MerylStreep, Creator/PierceBrosnan and a then little-known actress named Creator/AmandaSeyfried. Nowadays, over 40 years after their debut - and over 20 years after their revival - ABBA remains highly popular, selling millions of records each year and occasionally appearing in the media, in spite of never having reunited (officially).

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All that changed in [[TheNineties the following decade]] with the 1970s nostalgia wave, which revived public interest in ABBA's songs. A particularly important landmark for the group was the release, in 1992, of ''ABBA Gold'', which was a huge commercial success and got many younger people to listen to their music for the first time and eventually become fans. In the following years, the group managed to increase more and more its popularity, with the re-release of the original studio albums in CD, as well as the release of new compilation albums, some of which even included previously unreleased songs, such as ''I Am The City'', featured in ''More ABBA Gold'' (1993). In 1995, the band's listing in the landmark ''[[https://en.wikipedia.org/wiki/Spin_Alternative_Record_Guide SPIN Alternative Record Guide]]'', complete with a glowing write-up, was the first indication of a major, positive re-evaluation of the band's discography by music critics. Films such as ''[[MurielsWedding Muriel's Wedding]]'' and tributes by other bands, such as {{Music/Erasure}} and [[{{Music/ATeens}} A-Teens]], also helped increasing the group's popularity. Another great leap was the debut, in 1999, of ''[[MammaMia Mamma Mia!]]'' ''Theatre/MammaMia'' [[JukeboxMusical (the musical)]], which expanded to multiple locations worldwide, became one of the longest-running musicals in the history of [[UsefulNotes/BroadwayAndTheWestEnd Broadway]] and spawned a theatrical movie in 2008, starring Creator/MerylStreep, Creator/PierceBrosnan and a then little-known actress named Creator/AmandaSeyfried. Nowadays, over 40 years after their debut - and over 20 years after their revival - ABBA remains highly popular, selling millions of records each year and occasionally appearing in the media, in spite of never having reunited (officially).
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* While never getting the same amount of backlash other '80s artists got, and still having some hits during this period (in [[Recap/TheSimpsonsWhoShotMrBurns one episode of]] ''WesternAnimation/TheSimpsons'', Smithers said he was "feeling worse than Madonna after a recording session", [[spoiler:the joke being key to prove his innocence in Mr. Burns' shooting]]), by the mid-'90s Music/{{Madonna}} was better known for her complicated personal life and her ridiculously sexualized image than her music. The 1998 album ''Music/RayOfLight'' provided a CareerResurrection, while the '80s nostalgia craze in the '00s led to a further surge in her popularity. Now, she has become the role model for practically every female pop star of the 2010s thanks to the explosion of [[ElectronicDanceMusic pop-EDM]], and while her newer material is often polarizing, her position as a pop music icon on account of her '80s and '90s output is virtually unchallenged.

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* While never getting the same amount of backlash other '80s artists got, and still having some hits during this period (in [[Recap/TheSimpsonsWhoShotMrBurns one episode of]] ''WesternAnimation/TheSimpsons'', Smithers said he was "feeling worse than Madonna after a recording session", [[spoiler:the joke being key to prove his innocence in Mr. Burns' shooting]]), by the mid-'90s Music/{{Madonna}} was better known for her complicated personal life and her ridiculously sexualized image than her music. The 1998 album ''Music/RayOfLight'' provided a CareerResurrection, while the '80s nostalgia craze in the '00s led to a further surge in her popularity. Now, she has become the role model for practically every female pop star of the 2010s (except for Music/LadyGaga --at least her post-pop persona-- and Music/{{Adele}}) thanks to the explosion of [[ElectronicDanceMusic pop-EDM]], and while her newer material is often polarizing, her position as a pop music icon on account of her '80s and '90s output is virtually unchallenged.
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It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100; the corresponding album ''Purpose'' went straight to #1 as well. He also got his first taste of widespread critical acclaim in his entire career, with ''SPIN'' naming "What Do You Mean?" the best song of 2015, and other publications rating the song highly in their own year-end lists. All this ultimately solidified that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). He continued this success into 2016 when he appeared on Music/MajorLazer's "Cold Water", making it their biggest hit. His proudest moment came at the end of 2016, when ''Billboard'' declared "Love Yourself" and "Sorry" the biggest hits of the year. This made him the third artist in history to have the two biggest hits of the year (after Music/TheBeatles in 1964 and Music/{{Usher}} in 2004). Only time will tell if he manages to stick around for very long.

to:

It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100; the corresponding album ''Purpose'' went straight to #1 as well. He also got his first taste of widespread critical acclaim in his entire career, with ''SPIN'' naming "What Do You Mean?" the best song of 2015, and other publications rating the song highly in their own year-end lists. All this ultimately solidified that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). He continued this success into 2016 when he appeared on Music/MajorLazer's "Cold Water", making Water" (making it their biggest hit.hit) and DJ Snake's "Let Me Love You". His proudest moment came at the end of 2016, when ''Billboard'' declared "Love Yourself" and "Sorry" the biggest hits of the year. This made him the third artist in history to have the two biggest hits of the year (after Music/TheBeatles in 1964 and Music/{{Usher}} in 2004). Only time will tell if he manages to stick around for very long.
Is there an issue? Send a MessageReason:
None


It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100, Then the corresponding album ''Purpose'' was released and went straight to #1 as well. He also got his first taste of widespread critical acclaim in his entire career, with ''SPIN'' naming "What Do You Mean?" the best song of 2015, and other publications rating the song highly in their own year-end lists. All this ultimately solidified that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). Only time will tell if he manages to stick around for very long.

to:

It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100, Then 100; the corresponding album ''Purpose'' was released and went straight to #1 as well. He also got his first taste of widespread critical acclaim in his entire career, with ''SPIN'' naming "What Do You Mean?" the best song of 2015, and other publications rating the song highly in their own year-end lists. All this ultimately solidified that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). He continued this success into 2016 when he appeared on Music/MajorLazer's "Cold Water", making it their biggest hit. His proudest moment came at the end of 2016, when ''Billboard'' declared "Love Yourself" and "Sorry" the biggest hits of the year. This made him the third artist in history to have the two biggest hits of the year (after Music/TheBeatles in 1964 and Music/{{Usher}} in 2004). Only time will tell if he manages to stick around for very long.
Is there an issue? Send a MessageReason:
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* Music/{{Queen}} had been one of the definitive bands of TheSeventies, only to seriously derail in 1982 with their album ''Hot Space'' album, which was heavily influenced by {{disco}} at a time when it was undergoing massive backlash in North America and Britain (this was averted outside English-speaking countries, where Queen never saw a backlash.). Their follow-up, 1984's ''The Works'', almost restored their popularity with the worldwide success of "Radio Ga Ga", but while the controversial music video for "I Want to Break Free" was a hit in the UK (it helped that it was a parody of ''Series/CoronationStreet''), it ended the band's credibility in the rest of the English-speaking world. However, with Music/FreddieMercury's [[DeadArtistsAreBetter death]] in 1991, Queen's American popularity finally recovered, and they are now regarded as classic rock icons.

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* Music/{{Queen}} had been one of the definitive bands of TheSeventies, only to seriously derail in 1982 with their album ''Hot Space'' album, Space'', which was heavily influenced by {{disco}} at a time when it was undergoing massive backlash in North America and Britain (this was averted outside English-speaking countries, where Queen never saw a backlash.). Their follow-up, 1984's ''The Works'', almost restored their popularity with the worldwide success of "Radio Ga Ga", but while the controversial music video for "I Want to Break Free" was a hit in the UK (it helped that it was a parody of ''Series/CoronationStreet''), it ended the band's credibility in the rest of the English-speaking world.world (it was banned for years in North America and Oceania for indecency). However, with Music/FreddieMercury's [[DeadArtistsAreBetter death]] in 1991, Queen's American popularity finally recovered, and they are now regarded as classic rock icons.
Is there an issue? Send a MessageReason:
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* Music/{{Queen}} had been one of the definitive bands of TheSeventies, only to seriously derail in 1982 with their album ''Hot Space'' album, which was heavily influenced by {{disco}} at a time when it was undergoing massive backlash in North America and Britain. Their follow-up, 1984's ''The Works'', almost restored their popularity with the worldwide success of "Radio Ga Ga", but while the controversial music video for "I Want to Break Free" was a hit in the UK (it helped that it was a parody of ''Series/CoronationStreet''), it ended the band's credibility in the rest of the English-speaking world. However, with Music/FreddieMercury's [[DeadArtistsAreBetter death]] in 1991, Queen's American popularity finally recovered, and they are now regarded as classic rock icons.

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* Music/{{Queen}} had been one of the definitive bands of TheSeventies, only to seriously derail in 1982 with their album ''Hot Space'' album, which was heavily influenced by {{disco}} at a time when it was undergoing massive backlash in North America and Britain.Britain (this was averted outside English-speaking countries, where Queen never saw a backlash.). Their follow-up, 1984's ''The Works'', almost restored their popularity with the worldwide success of "Radio Ga Ga", but while the controversial music video for "I Want to Break Free" was a hit in the UK (it helped that it was a parody of ''Series/CoronationStreet''), it ended the band's credibility in the rest of the English-speaking world. However, with Music/FreddieMercury's [[DeadArtistsAreBetter death]] in 1991, Queen's American popularity finally recovered, and they are now regarded as classic rock icons.
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None


* [[HipHop Rap music]] tends to sporadically go in and out of style. It enjoyed its first peak of mainstream success during the late '80s and early '90s, with artists like Music/MCHammer, Music/RunDMC and Music/VanillaIce bringing it out of the South Bronx and onto MTV and mainstream pop radio. However, the rise of GangstaRap and HardcoreHipHop in the mid '90s, while [[VindicatedByHistory now remembered]] as something of a golden age for rap music, earned the ire of the era's MoralGuardians due to its [[DarkerAndEdgier hard-edged]] lyrical content, causing rap to be driven off of mainstream radio playlists. The rise of {{grunge}} and AlternativeRock around the same time didn't help matters either. Rap came back in the late '90s through the mid '00s when Music/JayZ, Music/FiftyCent, Music/LilJon and other artists made GlamRap a fixture of nightclubs and parties all across America, while Music/{{Eminem}} put a white face on gangsta rap to become one of the biggest (and most controversial) stars of the era. Currently, it seems to be entering another hiatus, particularly now that {{synthpop}} and other forms of ElectronicMusic are back in vogue and competing with rap for attention at the aforementioned clubs and parties.

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* [[HipHop Rap music]] tends to sporadically go in and out of style. It enjoyed its first peak of mainstream success during the late '80s and early '90s, with artists like Music/MCHammer, Music/RunDMC and Music/VanillaIce bringing it out of the South Bronx and onto MTV and mainstream pop radio. However, the rise of GangstaRap and HardcoreHipHop in the mid '90s, while [[VindicatedByHistory now remembered]] as something of a golden age for rap music, earned the ire of the era's MoralGuardians due to its [[DarkerAndEdgier hard-edged]] lyrical content, causing rap to be driven off of mainstream radio playlists. The rise of {{grunge}} and AlternativeRock around the same time didn't help matters either. Rap came back in the late '90s through the mid '00s when Music/JayZ, Music/FiftyCent, Music/LilJon and other artists made GlamRap a fixture of nightclubs and parties all across America, while Music/{{Eminem}} put a white face on gangsta rap to become one of the biggest (and most controversial) stars of the era. Currently, it seems to be entering another hiatus, As of the 2010's, though, "traditional" rap has largely been driven underground, particularly now that {{synthpop}} and other forms of ElectronicMusic are back in vogue and competing with rap for attention at the aforementioned clubs and parties.parties. Most mainstream rap during these times have focused on integrating with EDM and other popular genres, commonly as [[WolverinePublicity featured artists]] on pop songs, with other "pure" rap songs going LighterAndSofter instead.

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* While never getting the same amount of backlash other 80s artists got, by the mid 90s Music/{{Madonna}} was better known for her complicated personal life even if she had some hits during this period (in [[Recap/TheSimpsonsWhoShotMrBurns in one episode of]] ''WesternAnimation/TheSimpsons'', Smithers said he was "feeling worse than Madonna after a recording session", [[spoiler:the joke being key to prove his innocence in Burns' shooting]]). By the 2000s, the 80s nostalgia craze led to a surge in her popularity. Now she has become the role model for practically every female pop star of the 2010s thanks to the explosion of EDM.
* Music/{{Queen}} had been one of the definitive bands of TheSeventies, however they seriously derailed in 1982 with their ''Hot Space'' album, greatly filled with disco music at a time it was widely hated in North America and Britain. Their follow-up, 1984's ''The Works'' almost restored their popularity with the worldwide success of "Radio Ga Ga". However the controversial music video for "I Want to Break Free" caused quite a stir in the UK, but ended with the band's credibility in the rest of the English-speaking world. It was only with Freddie Mercury's death in 1991 when Queen resurged in popularity.
* Between 2004 and 2008, people felt that {{Britney Spears}}'s career and reputation were beyond repair, and that she'd literally kill herself through her out-of-control lifestyle and craziness. Some people were already writing her obituary. The release of her albums ''Circus'' and ''Femme Fatale'', however, put her music back on top of the charts, restoring her to a level of popularity not seen since her TeenIdol days, while her being placed in the conservatorship of her father took her name out of the tabloids.

to:

* While never getting the same amount of backlash other 80s '80s artists got, by the mid 90s Music/{{Madonna}} was better known for her complicated personal life even if she had and still having some hits during this period (in [[Recap/TheSimpsonsWhoShotMrBurns in one episode of]] ''WesternAnimation/TheSimpsons'', Smithers said he was "feeling worse than Madonna after a recording session", [[spoiler:the joke being key to prove his innocence in Mr. Burns' shooting]]). By shooting]]), by the 2000s, mid-'90s Music/{{Madonna}} was better known for her complicated personal life and her ridiculously sexualized image than her music. The 1998 album ''Music/RayOfLight'' provided a CareerResurrection, while the 80s '80s nostalgia craze in the '00s led to a further surge in her popularity. Now Now, she has become the role model for practically every female pop star of the 2010s thanks to the explosion of EDM.
[[ElectronicDanceMusic pop-EDM]], and while her newer material is often polarizing, her position as a pop music icon on account of her '80s and '90s output is virtually unchallenged.
* Music/{{Queen}} had been one of the definitive bands of TheSeventies, however they only to seriously derailed derail in 1982 with their album ''Hot Space'' album, greatly filled with disco music which was heavily influenced by {{disco}} at a time when it was widely hated undergoing massive backlash in North America and Britain. Their follow-up, 1984's ''The Works'' Works'', almost restored their popularity with the worldwide success of "Radio Ga Ga". However Ga", but while the controversial music video for "I Want to Break Free" caused quite was a stir hit in the UK, but UK (it helped that it was a parody of ''Series/CoronationStreet''), it ended with the band's credibility in the rest of the English-speaking world. It was only However, with Freddie Mercury's death Music/FreddieMercury's [[DeadArtistsAreBetter death]] in 1991 when Queen resurged in popularity.
1991, Queen's American popularity finally recovered, and they are now regarded as classic rock icons.
* Between 2004 and 2008, people felt that {{Britney Spears}}'s Music/BritneySpears' career and reputation were beyond repair, and that she'd literally kill herself through her out-of-control lifestyle and craziness. Some people were already writing her obituary. The release of her albums ''Circus'' and ''Femme Fatale'', however, put her music back on top of the charts, restoring her to a level of popularity not seen since her TeenIdol days, while her being placed in the conservatorship of her father took her name out of the tabloids.



* Music/EltonJohn began as a critically acclaimed singer-songwriter celebrated for classic albums like ''Elton John'', ''Tumbleweed Connection'', ''Madman Across The Water'' and ''Honky Chateau''. His public popularity grew in 1973 with the albums ''Don't Shoot Me I'm Only The Piano Player'' and the double album ''Music/GoodbyeYellowBrickRoad''. which spawned some of the biggest hits of TheSeventies. His popularity increased through the first half of the decade, and his outrageous image, employing crazy costumes and glasses made him a phenomenon and TeenIdol, [[CriticalBacklash even though the reviews were less enthusiastic]]. An infamous ''Rolling Stone'' magazine interview in 1976, where he [[StraightGay declared himself bisexual]] (later he'd claimed homosexuality), cost him much of his Middle American fanbase, and his own wish to stop touring, saw his fame taper off. Although he had a successful free concert in Central Park in 1980, sales and airplay were nowhere near as they were in the 1970s. He returned in the mid-1980s with albums like ''Too Low For Zero'' and ''Breaking Hearts'', and enjoyed more success in TheNineties after going sober (especially after co-writing songs for ''Disney/TheLionKing''), and he still has occasional comebacks to this day.
* While few have ever denied the social and cultural impact of Al Jolson's work, from about the 1970s onwards it was generally considered not cool to give him anything more than the most cursory acknowledgement, partly due to the nature of his act, but mostly because of his {{blackface}} makeup. It wasn't until the 2000s -- and ironically mostly through the efforts of modern-day black performers -- that Jolson started to become a widespread cultural icon again, with the turning point widely being seen as when the city of New York agreed to name a section of Broadway after Jolson.

to:

* Music/EltonJohn began as a critically acclaimed singer-songwriter celebrated for classic albums like ''Elton John'', ''Tumbleweed Connection'', ''Madman Across The Water'' Water'', and ''Honky Chateau''. His public popularity grew in 1973 with the albums ''Don't Shoot Me I'm Only The Piano Player'' and the double album ''Music/GoodbyeYellowBrickRoad''. which spawned some of the biggest hits of TheSeventies. His popularity increased through the first half of the decade, and his outrageous image, employing crazy costumes and glasses glasses, made him a phenomenon and TeenIdol, [[CriticalBacklash even though the reviews were less enthusiastic]]. An infamous ''Rolling Stone'' magazine interview in 1976, where he [[StraightGay declared himself bisexual]] (later he'd claimed homosexuality), cost him much of his Middle American fanbase, and his own wish to stop touring, touring saw his fame taper off. Although he had a successful free concert in Central Park in 1980, sales and airplay were nowhere near as what they were in the 1970s. He returned in the mid-1980s with albums like ''Too Low For Zero'' and ''Breaking Hearts'', and enjoyed more success in TheNineties after going sober (especially after co-writing songs for ''Disney/TheLionKing''), and he still has occasional comebacks to this day.
* While few have ever denied the social and cultural impact of Al Jolson's work, from about the 1970s onwards it was generally considered not cool to give him anything more than the most cursory acknowledgement, partly due to the nature of his act, but mostly because of his {{blackface}} makeup. It wasn't until the 2000s -- and ironically ironically, mostly through the efforts of modern-day black performers -- that Jolson started to become a widespread cultural icon again, with the turning point widely being seen as when the city of New York agreed to name a section of Broadway after Jolson.



* In 2014, EDM duo the Chainsmokers released the song "Selfie", which became an unexpected viral hit. Due to its memetic and EarWorm-ish nature, the band was quickly written off as a OneHitWonder novelty act. In 2016, however, the duo reinvented themselves shook that image off, scoring smash hits with "Roses", "Don't Let Me Down", and "Closer" (the latter becoming their first #1 hit).

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* In 2014, EDM duo the Chainsmokers released the song "Selfie", which became an unexpected viral hit. Due to its memetic and EarWorm-ish nature, the band was quickly written off as a OneHitWonder novelty act. In 2016, however, the duo reinvented themselves and shook that image off, scoring smash hits with "Roses", "Don't Let Me Down", and "Closer" (the latter becoming their first #1 hit).
Is there an issue? Send a MessageReason:
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It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100, Then the corresponding album ''Purpose'' was released and went straight to #1 as well, ultimately solidifying that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). Only time will tell if he manages to stick around for very long.

to:

It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100, Then the corresponding album ''Purpose'' was released and went straight to #1 as well, well. He also got his first taste of widespread critical acclaim in his entire career, with ''SPIN'' naming "What Do You Mean?" the best song of 2015, and other publications rating the song highly in their own year-end lists. All this ultimately solidifying solidified that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). Only time will tell if he manages to stick around for very long.
Is there an issue? Send a MessageReason:
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Is there an issue? Send a MessageReason:
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All that changed in [[TheNineties the following decade]] with the 1970s nostalgia wave, which revived public interest in ABBA's songs. A particularly important landmark for the group was the release, in 1992, of ''ABBA Gold'', which was a huge commercial success and got many younger people to listen to their music for the first time and eventually become fans. In the following years, the group managed to increase more and more its popularity, with the re-release of the original studio albums in CD, as well as the release of new compilation albums, some of which even included previously unreleased songs, such as ''I Am The City'', featured in ''More ABBA Gold'' (1993). 1995, the band's listing in the landmark ''[[https://en.wikipedia.org/wiki/Spin_Alternative_Record_Guide SPIN Alternative Record Guide]]'', complete with a glowing write-up, was the first indication of a major, positive re-evalution of the band's discography by music critics. Films such as ''[[MurielsWedding Muriel's Wedding]]'' and tributes by other bands, such as {{Music/Erasure}} and [[{{Music/ATeens}} A-Teens]], also helped increasing the group's popularity. Another great leap was the debut, in 1999, of ''[[MammaMia Mamma Mia!]]'' [[JukeboxMusical (the musical)]], which expanded to multiple locations worldwide, became one of the longest-running musicals in the history of [[UsefulNotes/BroadwayAndTheWestEnd Broadway]] and spawned a theatrical movie in 2008, starring Creator/MerylStreep, Creator/PierceBrosnan and a then little-known actress named Creator/AmandaSeyfried. Nowadays, over 40 years after their debut - and over 20 years after their revival - ABBA remains highly popular, selling millions of records each year and occasionally appearing in the media, in spite of never having reunited (officially).

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All that changed in [[TheNineties the following decade]] with the 1970s nostalgia wave, which revived public interest in ABBA's songs. A particularly important landmark for the group was the release, in 1992, of ''ABBA Gold'', which was a huge commercial success and got many younger people to listen to their music for the first time and eventually become fans. In the following years, the group managed to increase more and more its popularity, with the re-release of the original studio albums in CD, as well as the release of new compilation albums, some of which even included previously unreleased songs, such as ''I Am The City'', featured in ''More ABBA Gold'' (1993). In 1995, the band's listing in the landmark ''[[https://en.wikipedia.org/wiki/Spin_Alternative_Record_Guide SPIN Alternative Record Guide]]'', complete with a glowing write-up, was the first indication of a major, positive re-evalution re-evaluation of the band's discography by music critics. Films such as ''[[MurielsWedding Muriel's Wedding]]'' and tributes by other bands, such as {{Music/Erasure}} and [[{{Music/ATeens}} A-Teens]], also helped increasing the group's popularity. Another great leap was the debut, in 1999, of ''[[MammaMia Mamma Mia!]]'' [[JukeboxMusical (the musical)]], which expanded to multiple locations worldwide, became one of the longest-running musicals in the history of [[UsefulNotes/BroadwayAndTheWestEnd Broadway]] and spawned a theatrical movie in 2008, starring Creator/MerylStreep, Creator/PierceBrosnan and a then little-known actress named Creator/AmandaSeyfried. Nowadays, over 40 years after their debut - and over 20 years after their revival - ABBA remains highly popular, selling millions of records each year and occasionally appearing in the media, in spite of never having reunited (officially).
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* Between 2004 and 2008, people felt that {{BritneySpears}}'s career and reputation were beyond repair, and that she'd literally kill herself through her out-of-control lifestyle and craziness. Some people were already writing her obituary. The release of her albums ''Circus'' and ''Femme Fatale'', however, put her music back on top of the charts, restoring her to a level of popularity not seen since her TeenIdol days, while her being placed in the conservatorship of her father took her name out of the tabloids.

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* Between 2004 and 2008, people felt that {{BritneySpears}}'s {{Britney Spears}}'s career and reputation were beyond repair, and that she'd literally kill herself through her out-of-control lifestyle and craziness. Some people were already writing her obituary. The release of her albums ''Circus'' and ''Femme Fatale'', however, put her music back on top of the charts, restoring her to a level of popularity not seen since her TeenIdol days, while her being placed in the conservatorship of her father took her name out of the tabloids.
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* Between 2004 and 2008, Music/BritneySpears was viewed as the DistaffCounterpart of Music/MichaelJackson. People felt that her career and reputation were beyond repair, and that she'd literally kill herself through her out-of-control lifestyle and craziness. Some people were already writing her obituary. The release of her albums ''Circus'' and ''Femme Fatale'', however, put her music back on top of the charts, restoring her to a level of popularity not seen since her TeenIdol days, while her being placed in the conservatorship of her father took her name out of the tabloids.

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* Between 2004 and 2008, Music/BritneySpears was viewed as the DistaffCounterpart of Music/MichaelJackson. People people felt that her {{BritneySpears}}'s career and reputation were beyond repair, and that she'd literally kill herself through her out-of-control lifestyle and craziness. Some people were already writing her obituary. The release of her albums ''Circus'' and ''Femme Fatale'', however, put her music back on top of the charts, restoring her to a level of popularity not seen since her TeenIdol days, while her being placed in the conservatorship of her father took her name out of the tabloids.
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* It's easy to forget now, but near the end of his life, Music/MichaelJackson was known for only two things: his degenerating physical appearance and allegations of pedophilia. His death in 2009 pushed his bad qualities far enough into the background that it became [[TooSoon somewhat]] [[NeverSpeakIllOfTheDead disrespectful]] to bring them up. Radio stations were free to play his hits from TheEighties again, whereas before the only song of his that would receive any airplay was the TitleTrack from his 1982 hit album ''Music/{{Thriller}}'' -- and even then it was only around Halloween. Granted, the resurgence of interest didn't lasted as long as expected; aside from two successful Creator/CirqueDuSoleil JukeboxMusical variants, various postmortem releases -- the concert rehearsal film ''This Is It'', the unreleased tracks compilation ''Michael'', a 25th anniversary rerelease of ''Music/{{Bad}}'' accompanied by a Spike Lee documentary -- didn't live up to mountains of hype, and his post-1980s work remains largely overlooked. Still-ongoing (as of 2013) court cases regarding the ugly circumstances of his death don't help, nor does his [[VocalMinority rabid fanbase's]] unwillingness to tolerate those who don't think he was TooGoodForThisSinfulEarth and the greatest artist/entertainer of all time, as it's discouraged less-worshipful examinations of his work and impact. But at least his GloryDays work is acceptable again.

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* While never getting the same amount of backlash other 80s artists got, by the mid 90s Music/{{Madonna}} was better known for her complicated personal life even if she had some hits during this period (in [[Recap/TheSimpsonsWhoShotMrBurns in one episode of]] ''WesternAnimation/TheSimpsons'', Smithers said he was "feeling worse than Madonna after a recording session"). By the 2000s, the 80s nostalgia craze led to a surge in her popularity. This coupled with the explosion of synthpop the following decade, she has become the role model for practically every female pop star of the 2010s.

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* While never getting the same amount of backlash other 80s artists got, by the mid 90s Music/{{Madonna}} was better known for her complicated personal life even if she had some hits during this period (in [[Recap/TheSimpsonsWhoShotMrBurns in one episode of]] ''WesternAnimation/TheSimpsons'', Smithers said he was "feeling worse than Madonna after a recording session").session", [[spoiler:the joke being key to prove his innocence in Burns' shooting]]). By the 2000s, the 80s nostalgia craze led to a surge in her popularity. This coupled with the explosion of synthpop the following decade, Now she has become the role model for practically every female pop star of the 2010s.2010s thanks to the explosion of EDM.
* Music/{{Queen}} had been one of the definitive bands of TheSeventies, however they seriously derailed in 1982 with their ''Hot Space'' album, greatly filled with disco music at a time it was widely hated in North America and Britain. Their follow-up, 1984's ''The Works'' almost restored their popularity with the worldwide success of "Radio Ga Ga". However the controversial music video for "I Want to Break Free" caused quite a stir in the UK, but ended with the band's credibility in the rest of the English-speaking world. It was only with Freddie Mercury's death in 1991 when Queen resurged in popularity.
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* NuMetal. During the '90s, it brought metal back into the mainstream for the first time in nearly a decade and introduced the genre to a whole new generation of metal heads. It was built on the premise of [[GenreBusting defying]] and [[NeoclassicalPunkZydecoRockabilly mixing]] genres, with influences such a grunge, funk, and hip-hop. Bands like Music/{{KoRn}}, Music/{{Slipknot}}, and Music/LimpBizkit were some of the biggest acts in the industry, which were later joined by Music/LinkinPark, Music/PapaRoach, Music/{{Staind}}, and Music/{{Evanescence}}. However, it eventually died out as the audiences tastes shifted towards {{Emo|Music}} and {{Metalcore}}. Meanwhile, it built such a massive hatedom from metalheads, who gave it derogatory nicknames like "mallcore", "whinecore", "poser metal", "MTV metal", and "sports rock". A stereotype of nu metal fans grew that they were either [[PrettyFlyForAWhiteGuy white trash]] or {{wangst}}y teens. Bands like Music/LinkinPark and Music/PapaRoach only stayed relevant by changing their sound into something more socially acceptable, and it became a taboo to admit being a nu metal fan, while rock radio stations practically blacklisted all songs that fell into the genre.\\

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* NuMetal. During the '90s, it brought metal back into the mainstream for the first time in nearly a decade and introduced the genre to a whole new generation of metal heads. It was built on the premise of [[GenreBusting defying]] and [[NeoclassicalPunkZydecoRockabilly mixing]] genres, with influences such a grunge, funk, and hip-hop. Bands like Music/{{KoRn}}, Music/{{Slipknot}}, and Music/LimpBizkit were some of the biggest acts in the industry, which were later joined by Music/LinkinPark, Music/PapaRoach, Music/{{Staind}}, and Music/{{Evanescence}}. However, it eventually died out as the audiences tastes shifted towards {{Emo|Music}} and {{Metalcore}}. Meanwhile, it built such a massive hatedom from metalheads, who gave it derogatory nicknames like "mallcore", "whinecore", "poser metal", "MTV metal", and "sports rock". A stereotype of nu metal fans grew that they were either [[PrettyFlyForAWhiteGuy white trash]] or {{wangst}}y teens. Bands like Music/LinkinPark and Music/PapaRoach only stayed relevant by changing their sound into something more socially acceptable, and it Music/{{Deftones}} got a pass due to being one of the few bands in the genre who were acclaimed by critics. It eventually became a taboo to admit being a nu metal fan, while rock radio stations practically blacklisted all songs that fell into the genre.\\
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All that changed in [[TheNineties the following decade]] with the 1970s nostalgia wave, which revived public interest in ABBA's songs. A particularly important landmark for the group was the release, in 1992, of ''ABBA Gold'', which was a huge commercial success and got many younger people to listen to their music for the first time and eventually become fans. In the following years, the group managed to increase more and more its popularity, with the re-release of the original studio albums in CD, as well as the release of new compilation albums, some of which even included previously unreleased songs, such as ''I Am The City'', featured in ''More ABBA Gold'' (1993). Films such as ''[[MurielsWedding Muriel's Wedding]]'' and tributes by other bands, such as {{Music/Erasure}} and [[{{Music/ATeens}} A-Teens]], also helped increasing the group's popularity. Another great leap was the debut, in 1999, of ''[[MammaMia Mamma Mia!]]'' [[JukeboxMusical (the musical)]], which expanded to multiple locations worldwide, became one of the longest-running musicals in the history of [[UsefulNotes/BroadwayAndTheWestEnd Broadway]] and spawned a theatrical movie in 2008, starring Creator/MerylStreep, Creator/PierceBrosnan and a then little-known actress named Creator/AmandaSeyfried. Nowadays, over 40 years after their debut - and over 20 years after their revival - ABBA remains highly popular, selling millions of records each year and occasionally appearing in the media, in spite of never having reunited (officially).

to:

All that changed in [[TheNineties the following decade]] with the 1970s nostalgia wave, which revived public interest in ABBA's songs. A particularly important landmark for the group was the release, in 1992, of ''ABBA Gold'', which was a huge commercial success and got many younger people to listen to their music for the first time and eventually become fans. In the following years, the group managed to increase more and more its popularity, with the re-release of the original studio albums in CD, as well as the release of new compilation albums, some of which even included previously unreleased songs, such as ''I Am The City'', featured in ''More ABBA Gold'' (1993). 1995, the band's listing in the landmark ''[[https://en.wikipedia.org/wiki/Spin_Alternative_Record_Guide SPIN Alternative Record Guide]]'', complete with a glowing write-up, was the first indication of a major, positive re-evalution of the band's discography by music critics. Films such as ''[[MurielsWedding Muriel's Wedding]]'' and tributes by other bands, such as {{Music/Erasure}} and [[{{Music/ATeens}} A-Teens]], also helped increasing the group's popularity. Another great leap was the debut, in 1999, of ''[[MammaMia Mamma Mia!]]'' [[JukeboxMusical (the musical)]], which expanded to multiple locations worldwide, became one of the longest-running musicals in the history of [[UsefulNotes/BroadwayAndTheWestEnd Broadway]] and spawned a theatrical movie in 2008, starring Creator/MerylStreep, Creator/PierceBrosnan and a then little-known actress named Creator/AmandaSeyfried. Nowadays, over 40 years after their debut - and over 20 years after their revival - ABBA remains highly popular, selling millions of records each year and occasionally appearing in the media, in spite of never having reunited (officially).

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* In 2014, EDM duo the Chainsmokers released the song "Selfie", which became an unexpected viral hit. Due to its memetic and EarWorm-ish nature, the band was quickly written off as a OneHitWonder novelty act. In 2016, however, the duo reinvented themselves shook that image off, scoring smash hits with "Roses", "Don't Let Me Down", and "Closer" (the latter becoming their first #1 hit).
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[[AC:General]]

* In general, the TwoDecadesBehind rule of coolness applies:
** The [[TheFifties 1950s]] revival between [[TheSixties the late 1960s]] [[TheSeventies through]] [[TheEighties the 1980s]] [[TheNineties and even further]] with Music/ShaNaNa, ''Film/{{Grease}}'' and ''Film/StandByMe'' are remembered for sparking renewed interest in rock-and-roll.
*** The 1980s also revived 1960s guitar-based rock and jangly pop into college rock and AlternativeRock.
** The [[TheNineties 1990s]] and early 2000s revived [[TheSeventies 1970s]]-style hard rock and metal into grunge and post-grunge. Hip-hop and R&B songs sampled every '70s funk and disco track they could get their hands on. British Invasion-era music became popular for much of the 90s with ''Series/{{Friends}}'' and the "Cool Britannia" phenomenon.
** The 2000s and 2010s reinvigorated the 1980s' emphasis on synthesizers, vocal reverb, high production values, and relatively minimalist, almost un-syncopated beats.
** [[TheNewTens The 2010s]] have begun to show a revival of the grunge/alternative rock culture of the 1990s among the indie circles.
* The market for [[IdolSinger contemporary dance-pop music]] has seen great periods of popularity and decline, starting with the mid-to-late [[TheEighties 1980s]] led by Music/MichaelJackson's ''Music/{{Thriller}}'' and Music/{{Madonna}}'s early period, then falling to {{Grunge}} and hip-hop in TheNineties. It returned with the rise of the Music/SpiceGirls, Music/BackstreetBoys, Music/{{NSYNC}}, Music/{{Hanson}}, Music/ChristinaAguilera and Music/BritneySpears in 1998-1999, then gained a new audience when Creator/DisneyChannel and Creator/{{Nickelodeon}} stars like Music/TheJonasBrothers, Music/HilaryDuff and Music/MileyCyrus branched out into teen pop careers in the mid-to late 2000s. Music/JustinBieber, Cody Simpson, Music/OneDirection, Music/CarlyRaeJepsen, Series/BigTimeRush, Music/ArianaGrande and AustinMahone seem to be flying the flag for the 2010s.
* Teen Pop tends to regularly go in and out of style. The genre first reached mainstream prominence in the early-1960's and remained popular throughout both TheSixties and TheSeventies with such groups as The Osmonds and The Jackson 5. The genre fell out of fashion once [[DeaderThanDisco disco backlash]] set in but regained strength in the late-1980's with such singers as Tiffany and Debbie Gibson. This brief resurgence in the popularity of the genre was, of course, halted by the rise of grunge in the early-90's and remained dormant until the late 90's, when Music/TheSpiceGirls and Music/BritneySpears broke through. While the genre saw possibly more success than ever before at this time, a massive backlash came about, with many accusing the era's pop stars of being plastic and corporate made. Meanwhile, many up-and-coming singers like Music/{{Pink}} and Music/AvrilLavigne rebelled against the teen pop craze by creating a harsher and more rock-oriented style of pop music. The resurgence of genres like post-grunge also took a significant bite out of the genre's popularity. By around 2007 (thanks in no small part to Britney's highly publicized CreatorBreakdown), teen pop was good as dead. Only to come back during TheNewTens with such singers as Music/MileyCyrus and Music/JustinBieber. Also, some teenage singers have managed to hold appeal to adults and males due to their more mature DarkerAndEdgier premises, namely Music/{{Lorde}} and Birdy.
** By proxy, the BoyBand craze. From approximately 1998 to 2001, boy bands such as the Music/BackstreetBoys and Music/{{NSYNC}} ''dominated'' the pop music scene, with multi-platinum albums and incessant airplay and TV spots. At one point, the Backstreet Boys even had ''Burger King kids' meal toys''!! Inevitably, the over-saturation led to a huge backlash and by 2002, it was like they never existed. The boy band stigma has largely prevented most former boy band members from having much of a solo career afterwards (except Music/JustinTimberlake, who beat the stigma by downplaying his association with *NSYNC, and is now as well-known as an actor as he is a singer). Another reason for the downfall of boy bands was the increasing popularity of pop-punk bands like Simple Plan, Good Charlotte, and Fall Out Boy, who soon became the next big thing among the younger demographic, and since they actually played instruments and wrote their own songs, they had much less of a stigma attached to them than boy bands did. In 2012, though, boy bands [[UnCanceled made a comeback]], with Nickelodeon-produced Series/BigTimeRush and British exports Music/TheWanted and Music/OneDirection. A lot of the boy bands from the '80s and '90s (Music/NewKidsOnTheBlock, the Music/BackstreetBoys, etc.) also started reunion concerts, which attracted a sizable number of twenty- and thirty-something females. One Direction in particular has reached a phenomenon on the level of - or possibly even exceeding - their predecessors. In March, they became the first ever UK group to debut Billboard's top 200 album chart at #1 with the American release of their first album. Their second album sold half a million copies when it was released in November and was able to knock Music/TaylorSwift off the top of the charts. When their third album debuted at #1 in 2013, they became the ''first group in the nearly 60-year history of the Billboard 200 to debut their first three - and then four - albums at #1.''
* Music/TakeThat have had a phenomenal comeback after they reformed in 2006 after a decade apart - their three studio albums since their reformation vastly outselling their three before their breakup and their 2011 tour becoming the 22nd highest grossing in history.
* Vinyl records. They were already starting to become old-hat in TheSeventies with the introduction of audiocassettes. Then they went out of style in TheEighties as the cassette surpassed it in popularity, and more importantly the compact disc took over the market and they saw themselves pushed back to the indie rock genre and niche applications (particularly DJ-ing). However, beginning around the late 2000s or so, they've come back to the forefront, thanks to a combination of factors: the audio distortion caused by the LoudnessWar having a nasty effect on CD audio quality (an effect that killed cassettes, and was ''not'' heard on vinyl, since such loudness can't be achieved on that medium), a growing preference for the sound of vinyl records (possibly for the reason discussed), the obsolescence of [=CDs=] themselves due to the internet, and the surging popularity of indie rock and dance music, the two genres that made the most use of vinyl records since TheEighties. By the mid-2010s, many companies began to mass-produce turntables, and Sony announced it would manufacture a record player at CES 2016.
* Cassettes are beginning to make a silent resurgence in popularity in TheNewTens. [[http://www.hypebot.com/hypebot/2015/09/the-cassette-tapes-comeback.html In 2014 alone, over 10,000,000 cassette tapes were sold]] [[https://en.wikipedia.org/wiki/Compact_Cassette#21st_century_use while sales went up by 20% in 2015,]] and seem to have risen alongside vinyl amongst the same crowd. Reasons for this sudden re-popularity can be traced to the same immunity to (or necessary removal of) the LoudnessWar, its relative cheapness compared to [=CDs=], decent players providing surprisingly good quality, and the artists of genres that ''did'' make use of cassettes during their dormancy are getting greater exposure. The fact that labels such as Sony and Universal have readopted cassette tapes and their use of them made up 70% of sales in 2014 speaks volumes.
* In the late 2000s, the music industry considered that physical formats would be dead in a few years, with the popularity of {{MP3}}s and streaming. However in 2014-15 many artists weary of the royalties paid by Spotify and the like jumped ship to the premium subscription service Tidal as their only means of digital distribution. Since then, physical sales have taken a rebound (specially for cassettes).
* While there were still bands playing more traditionally rooted styles of metal in the late 90s and early 2000s that received a fair amount of attention from fan of their particular styles, bands playing modern styles of metal, such as GrooveMetal and modern TechnicalDeathMetal, was grew to be more popular with the average metal fan. However, by the mid 2000s, several thrash metal bands began to receive a lot more attention than you would expect for a band playing that style in that period, and these bands kicked off the ThrashMetal revival, which remained fairly popular for a couple of years. In the meantime, interest in older forms of metal other than thrash was also increasing thanks to Darkthrone who adopted a more straightforward, punkier sound and inspired an entire "metalpunk" movement. This was followed by an old school DeathMetal revival, the rise of a "retro" doom/70s occult rock scene and "new wave" of traditional heavy metal. Many older bands had also reformed during this time. Though the bands playing more modern forms of metal were still as popular as ever, the interest in older forms of metal among people who would normally have ignored it had grown. With the subsequent interest in the music of the 1990s as of TheNewTens, metal has seen a major rise in stoner and sludge metal; additionally, while [[{{Metalcore}} melodic metalcore]] as people knew it from the 2000s is essentially dead (having largely been integrated into post-hardcore and/or modern rock), there has been a large uptick in traditional metalcore as people started rediscovering the founders of the genre, while a new form that mixes that style with Swedish death metal, crust punk, and powerviolence has also been making waves.
* HeavyMetal in the mainstream suffered a deep slump in the early '90s, with {{grunge}} bands like Music/PearlJam and Music/{{Nirvana}} taking over the rock charts and Creator/{{MTV}}. The genre, which had ruled the rock music scene in TheEighties, was driven back underground; the few bands that did find success in TheNineties, like Music/AliceInChains, Music/{{Pantera}}, and Music/{{Metallica}}, were those with a DarkerAndEdgier sound that fit in with the anti-HairMetal sensibilities of the decade. However, as grunge burned out and transitioned into PostGrunge, metal made a comeback in the late '90s as an antidote to the {{boy band}}s and {{idol singer}}s of the era. Creator/{{MTV}} even celebrated this trend in 1999 with a TV special entitled ''The Return of the Rock'', featuring Music/KidRock and various other extreme musicians. While this breed of metal, known as NuMetal, eventually suffered a backlash itself, metal as a whole survived its fall better than it did the collapse of hair metal in the early '90s, with numerous subgenres emerging from its ashes.
* Swing music started off as a fringe genre of jazz, but through the '30s and '40s grew to be wildly popular. Then, in the aftermath of World War II, it suddenly fell out of favor. Teens and dancers abandoned swing for rock-n-roll or crooners like Music/FrankSinatra, while dedicated jazz fans abandoned swing for the more complex bebop. Up-and-coming jazz musicians preferred playing bebop, because it gave them more soloing time, and jazz clubs preferred booking bebop combos because they were smaller and thus less expensive than swing bands.
** Music/DukeEllington and his orchestra--who had originally been famous in the swing era--managed to make their comeback in 1956, when their performance at that year's Newport Jazz Festival drove the crowd to pandemonium. In the aftermath Duke was more renowned than he was back when swing was in, and this surge in popularity lasted until his death in 1974.
** Swing in general did ''not'' make a comeback with Duke. It did, however, make a brief revival in the '90s, largely thanks to musicians like Big Bad Voodoo Daddy and Brian Setzer.
* Rock music, of all things, was practically dead in the early '60s, when most of the big stars were put out of commission -- Music/ElvisPresley got drafted and then turned to acting, the Day the Music Died took the life of Music/BuddyHolly, Music/LittleRichard became born-again and started recording exclusively gospel songs, Music/JerryLeeLewis derailed his career by marrying his [[KissingCousins 14-year-old cousin]], Music/ChuckBerry did the same with his own run-ins with the law, and the remaining artists were mostly recording forgettable novelty songs. It was felt that, soon, RockAndRoll would be swept in the dustbin of history where the MoralGuardians felt it belonged, and then came UsefulNotes/TheBritishInvasion, providing a new jolt of creativity and mainstream appeal to the genre, and it hasn't looked back since, although its popularity has been challenged by the rise of other musical genres throughout the decades, and no longer has the hegemony of the 50's rock and roll or British Invasion eras.
* [[HipHop Rap music]] tends to sporadically go in and out of style. It enjoyed its first peak of mainstream success during the late '80s and early '90s, with artists like Music/MCHammer, Music/RunDMC and Music/VanillaIce bringing it out of the South Bronx and onto MTV and mainstream pop radio. However, the rise of GangstaRap and HardcoreHipHop in the mid '90s, while [[VindicatedByHistory now remembered]] as something of a golden age for rap music, earned the ire of the era's MoralGuardians due to its [[DarkerAndEdgier hard-edged]] lyrical content, causing rap to be driven off of mainstream radio playlists. The rise of {{grunge}} and AlternativeRock around the same time didn't help matters either. Rap came back in the late '90s through the mid '00s when Music/JayZ, Music/FiftyCent, Music/LilJon and other artists made GlamRap a fixture of nightclubs and parties all across America, while Music/{{Eminem}} put a white face on gangsta rap to become one of the biggest (and most controversial) stars of the era. Currently, it seems to be entering another hiatus, particularly now that {{synthpop}} and other forms of ElectronicMusic are back in vogue and competing with rap for attention at the aforementioned clubs and parties.
* ElectronicMusic (SynthPop, NewWave, early HouseMusic and {{Ambient}} specifically) dominated pop music in America during the '80s, hitting a peak during the [[https://en.wikipedia.org/wiki/Second_Summer_of_Love "Second Summer of Love"]] in 1988-89. In the '90s and '00s, though, it was supplanted by RAndB, {{idol singer}}s, and alternative rock, and was viewed as overly-synthesized and artificial. It also was not helped by the fact that a tidal wave of bad publicity surrounding electronic music's association with drugs and deaths related to overdoses led to panicked ThinkOfTheChildren-type laws that targeted raves and electronic parties specifically. As a result, the scene ended up being a largely underground (or overseas) affair. In the late '00s, artists like Music/LadyGaga, Music/{{Kesha}}, Music/LaRoux and Music/OwlCity used elements of synth-pop to their music, bringing it back into the mainstream and helping to pave the way for a full electronic dance music craze to take over in the states.
* One ElectronicMusic genre that has benefited from the polynomial is {{Trance}}. The genre (one known for its more emotional and melodic compositions compared to other electronic genres) began in the early 90s, and grew to popularity within the European club and party scene through the decade, eventually splintering off to several different subgenres. Trance continued to maintain a very dedicated fandom that gradually grew more and more through the '00s all over the world, and while it did grow a fanbase stateside, it was harshly written off by house, DrumAndBass and {{techno}} fans as being [[{{Narm}} cheesy]] and [[{{Glurge}} sappy]], with numerous think-piece articles proclaiming trance had become a DeadHorseGenre. Not helping matters was the massive BrokenBase and countless arguments between fans over what was [[NoTrueScotsman "true" trance]]. Then TheNewTens came in and an EDM explosion took over America, and although trance wasn't ''quite'' as popular as ElectroHouse, TrapMusic, or {{dubstep}}, it still did benefit greatly from the boom, with several [=DJs=] experiencing a major surge of new fans. The immediate selling-out of tickets for Insomniac's Dreamstate festival (which primarily featured smaller-name producers in its lineup) became the topic of discussion as the genre making a major comeback.
* The history of CountryMusic in America for the past few decades has essentially been a tug-of-war between those who performed a slicker sound inspired by pop and rock music (with frequent crossover forays on those charts) and those who preferred a more traditional country sound. From the late '50s through the '60s, the "Nashville sound" (also known as countrypolitan) dominated the country charts and had a significant presence on the pop charts, but it witnessed a backlash in the '60s from the rival "Bakersfield sound" and in the '70s from outlaw country artists, which both rejected the Nashville sound's pop styling and, in the latter's case, took on a DarkerAndEdgier attitude to boot. The film ''Film/UrbanCowboy'' in 1980 spawned a return of pop-country inspired by that film's soundtrack, which eventually produced a backlash in the late '80s in the form of the neotraditional movement, which drew its main influences from '40s and '50s country.\\
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The "Class of 1989", a group of young artists led by Music/GarthBrooks and Music/ClintBlack, was a turning point in country music, marking its transition into a mainstream force throughout the American music world. The booming, Arkansas-based retail chain UsefulNotes/{{Walmart}}, using discount records as a loss leader to pull customers into the store, helped to popularize country outside of its rural base and bring it into suburban America. Furthermore, as explained in [[http://www.popmatters.com/pm/column/123260-pour-some-sugarland-on-me-why-country-music-is-the-new-classic-rock/ this article]], the collapse of HairMetal and ArenaRock in the early '90s and the rise of ThreeChordsAndTheTruth in mainstream rock music caused a lot of talented session musicians to pack up for Nashville, where that kind of guitar work was still in demand. This pulled into country music a lot of fans of "classic" rock styles who were turned off by {{Grunge}} and AlternativeRock, with Music/ShaniaTwain's 1997 smash hit ''Come On Over'' serving as the TropeCodifier for this sound.\\
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Today, the "arena rock with a steel guitar" style remains the dominant trend within country music, albeit mixed with the "bro"-style rap-skewing country (e.g. Music/FloridaGeorgiaLine); time will tell how long it lasts. The 2010s have seen a backlash brewing, however, chiefly (and rather appropriately, given the aforementioned relationship with '80s hard rock) for the same reasons as the anti-hair metal backlash in TheNineties -- a perception that the genre has been overtaken by hedonistic party music and has lost touch with its roots, mirroring the criticism of GlamRap from old-school hip-hop fans. (The fact that [[CountryRap crossovers between country and hip-hop]] have been among the chief targets of this only heightens the comparisons.) It's been said that mainstream country music operates on a twenty year cycle, with the popular styles of country being reminiscent of what was popular in rock music [[TwoDecadesBehind twenty years prior]]; see, for example, the emergence of guitar-driven "arena country" in the mid-late '90s corresponding to the rise of arena rock in the mid-late '70s. If this is the case, then country may be facing a shift akin to the rise of grunge.
* NuMetal. During the '90s, it brought metal back into the mainstream for the first time in nearly a decade and introduced the genre to a whole new generation of metal heads. It was built on the premise of [[GenreBusting defying]] and [[NeoclassicalPunkZydecoRockabilly mixing]] genres, with influences such a grunge, funk, and hip-hop. Bands like Music/{{KoRn}}, Music/{{Slipknot}}, and Music/LimpBizkit were some of the biggest acts in the industry, which were later joined by Music/LinkinPark, Music/PapaRoach, Music/{{Staind}}, and Music/{{Evanescence}}. However, it eventually died out as the audiences tastes shifted towards {{Emo|Music}} and {{Metalcore}}. Meanwhile, it built such a massive hatedom from metalheads, who gave it derogatory nicknames like "mallcore", "whinecore", "poser metal", "MTV metal", and "sports rock". A stereotype of nu metal fans grew that they were either [[PrettyFlyForAWhiteGuy white trash]] or {{wangst}}y teens. Bands like Music/LinkinPark and Music/PapaRoach only stayed relevant by changing their sound into something more socially acceptable, and it became a taboo to admit being a nu metal fan, while rock radio stations practically blacklisted all songs that fell into the genre.\\
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However, by the turn of TheNewTens, the vitriol towards nu metal significantly declined. The aforementioned emo and metalcore genres that were instrumental in killing nu metal off have died out themselves. Bands that kept to their style were met with commercial success (which includes [=KoRn=], Limp Bizkit, and Evanescence), while bands that abandoned the genre have re-integrated it into their sound with their latest albums (which includes Slipknot, Linkin Park, Papa Roach, and Staind). Moreover, the revivalist bands like Music/{{Issues}}, King 810, and Butcher Babies have all met commercial success. Other bands like In This Moment and Of Mice and Men weren't formerly nu metal switched to it, and got significantly bigger afterwards. The rock radio stations that blacklisted them for so long have started putting nu metal songs back into circulation and metal heads are much freer to talk about nu metal bands they like with much-less fear of persecution. This is possibly the result of an unspoken truce declared, with "traditional" rock viewed to be in a state of limbo thanks to even ''more'' blurring of genres than nu metal had ever done, they were more willing to accept people who like nu metal on the basis that they still like a relatively traditional form of rock/metal. It's unlikely that it'll be anywhere near as big as it was in its peak, but it is, ''is'', becoming a genre that is once again socially acceptable to like.

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* When Music/TheMonkees debuted in the mid-'60s, they had a string of Top 40 hits and a television program. However, desperate to break out of the mold, they produced the movie ''Film/{{Head}}'', which was such a colossal MindScrew that it killed whatever popularity they had left. But when Creator/{{MTV}} reran their TV show to celebrate their 20th anniversary, their career got a second wind, and a single off their greatest hits album (''That Was Then, This Is Now'') re-entered the Top 40 after a 20+ year absence (at the time, it was a record).
* It's easy to forget now, but near the end of his life, Music/MichaelJackson was known for only two things: his degenerating physical appearance and allegations of pedophilia. His death in 2009 pushed his bad qualities far enough into the background that it became [[TooSoon somewhat]] [[NeverSpeakIllOfTheDead disrespectful]] to bring them up. Radio stations were free to play his hits from TheEighties again, whereas before the only song of his that would receive any airplay was the TitleTrack from his 1982 hit album ''Music/{{Thriller}}'' -- and even then it was only around Halloween. Granted, the resurgence of interest didn't lasted as long as expected; aside from two successful Creator/CirqueDuSoleil JukeboxMusical variants, various postmortem releases -- the concert rehearsal film ''This Is It'', the unreleased tracks compilation ''Michael'', a 25th anniversary rerelease of ''Music/{{Bad}}'' accompanied by a Spike Lee documentary -- didn't live up to mountains of hype, and his post-1980s work remains largely overlooked. Still-ongoing (as of 2013) court cases regarding the ugly circumstances of his death don't help, nor does his [[VocalMinority rabid fanbase's]] unwillingness to tolerate those who don't think he was TooGoodForThisSinfulEarth and the greatest artist/entertainer of all time, as it's discouraged less-worshipful examinations of his work and impact. But at least his GloryDays work is acceptable again.
* While never getting the same amount of backlash other 80s artists got, by the mid 90s Music/{{Madonna}} was better known for her complicated personal life even if she had some hits during this period (in [[Recap/TheSimpsonsWhoShotMrBurns in one episode of]] ''WesternAnimation/TheSimpsons'', Smithers said he was "feeling worse than Madonna after a recording session"). By the 2000s, the 80s nostalgia craze led to a surge in her popularity. This coupled with the explosion of synthpop the following decade, she has become the role model for practically every female pop star of the 2010s.
* Between 2004 and 2008, Music/BritneySpears was viewed as the DistaffCounterpart of Music/MichaelJackson. People felt that her career and reputation were beyond repair, and that she'd literally kill herself through her out-of-control lifestyle and craziness. Some people were already writing her obituary. The release of her albums ''Circus'' and ''Femme Fatale'', however, put her music back on top of the charts, restoring her to a level of popularity not seen since her TeenIdol days, while her being placed in the conservatorship of her father took her name out of the tabloids.
* Music/{{Weezer}}'s music video for [[http://www.youtube.com/watch?v=kemivUKb4f4 "Buddy Holly"]] is the ultimate illustration of the 20-year cycle: a video made in TheNineties about a [[Series/HappyDays TV show]] from TheSeventies that was itself nostalgic for TheFifties.
* Music/{{Deftones}} were generally seen as being in somewhat of a downward slump after their apex, ''White Pony'', which was followed by two albums generally regarded as mediocre, ''Deftones'' (self-titled) and ''Saturday Night Wrist''. However, Chi Cheng's accident and the subsequent emotions it inspired in the band seemed to have spurred them into a new renaissance, abandoning the record they were working on at the time, ''Eros'', and instead producing ''Diamond Eyes'' and ''Koi No Yokan'', two of their most popular and highly regarded albums yet.
* Music/PinkFloyd, most specifically ''Music/TheDarkSideOfTheMoon'', has been described in a book as this:
-->As such ''Dark Side'' has outlasted almost all vagaries of fashion. {{Punk|Rock}} pilloried it, but the CD age rescued it; the hardcore late 1980s spat upon it, but the chemical generation spaced out to it; {{Britpop}} made it obsolete, but Music/{{Radiohead}} made it more relevant than ever. And not for one second did it ever stop selling.
* Music/EltonJohn began as a critically acclaimed singer-songwriter celebrated for classic albums like ''Elton John'', ''Tumbleweed Connection'', ''Madman Across The Water'' and ''Honky Chateau''. His public popularity grew in 1973 with the albums ''Don't Shoot Me I'm Only The Piano Player'' and the double album ''Music/GoodbyeYellowBrickRoad''. which spawned some of the biggest hits of TheSeventies. His popularity increased through the first half of the decade, and his outrageous image, employing crazy costumes and glasses made him a phenomenon and TeenIdol, [[CriticalBacklash even though the reviews were less enthusiastic]]. An infamous ''Rolling Stone'' magazine interview in 1976, where he [[StraightGay declared himself bisexual]] (later he'd claimed homosexuality), cost him much of his Middle American fanbase, and his own wish to stop touring, saw his fame taper off. Although he had a successful free concert in Central Park in 1980, sales and airplay were nowhere near as they were in the 1970s. He returned in the mid-1980s with albums like ''Too Low For Zero'' and ''Breaking Hearts'', and enjoyed more success in TheNineties after going sober (especially after co-writing songs for ''Disney/TheLionKing''), and he still has occasional comebacks to this day.
* While few have ever denied the social and cultural impact of Al Jolson's work, from about the 1970s onwards it was generally considered not cool to give him anything more than the most cursory acknowledgement, partly due to the nature of his act, but mostly because of his {{blackface}} makeup. It wasn't until the 2000s -- and ironically mostly through the efforts of modern-day black performers -- that Jolson started to become a widespread cultural icon again, with the turning point widely being seen as when the city of New York agreed to name a section of Broadway after Jolson.
* Music/{{Kiss}} suffered a career meltdown in the late '70s, partly due to HypeBacklash (they were ''everywhere'') and partly because the two ascendant hard-rock styles of the era, punk and British metal, made Kiss's style sound pretty outdated. Their 1980 "concept" album, ''Music/MusicFromTheElder'', was a commercial disaster. They had a mini-comeback starting in 1983 when they removed their trademark white-and-black makeup and relaunched as a Music/BonJovi-style glam-metal band, but they never again enjoyed the level of popularity in which they had basked from 1975 to 1978...until 1996, when drummer Peter Criss and lead guitarist Ace Frehley (temporarily) rejoined the band, the makeup was slathered back on, and Seventies nostalgia hit America in a huge way.
* Much like Kiss in the '80s, Music/MarilynManson experienced a massive decline in the 2000s as his style of showmanship, fashion, and composition became the rock and metal mainstream. Furthermore, a string of personal disasters and albums whose content was now controversial for ''not'' being offensive and over-the-top enough, but more personal and heartfelt (especially the album ''Eat Me, Drink Me'', a guitar driven, straight-up rock album), caused the ''Music/AntichristSuperstar'' to become a joke. Then he quit Interscope, came out with his "comeback album" ''Born Villain'', and then decided to be on all the shows. ''Series/TheWalkingDead''[='=]s talk show? On it. ''Series/OnceUponATime''? On it. ''Series/{{Californication}}''? As himself. Additionally, Website/{{Tumblr}} exposed the tall, androgynous rock star to teen girls, with [[EstrogenBrigade the expected results]]. Thanks to him being friends with approximately all of Hollywood, along with finally having a stable life, he is now seen as the flip side of TheNewTens '90s love, inspiring many of the new acts on the scene, like Motionless In White and In This Moment. Even the usually critical metal media gushed about "Third Day Of A Seven Day Binge", and he got a Grammy nomination for "No Reflection" in 2012.
* Music/TheBeachBoys were one of the few groups in the early-to-mid-[[TheSixties 1960s]] to rival Music/TheBeatles in popularity and influence, first through "fun and sun" hits like "Surfin' U.S.A." and "Little Deuce Coupe", then via their more sophisticated sound of 1965-67. ''Music/PetSounds'' was misunderstood and sold poorly when it was released, [[VindicatedByHistory but has since gone on to be seen and one of the best albums ever made in the rock era]] and is regularly rereleased. Failure to appear at 1967's Monterey Pop Festival, personal crises and the abandonment of their ''Smile'' project derailed the band's momentum and brought them negative press, they were seen to be terminally unhip, and Music/BrianWilson's descent into drug-aggravated mental illness and the release of inconsistent (or equally misunderstood) albums decreased the band's popularity, but touring and performing their golden oldies kept the money flowing, at a time when they needed the funds when their publishing was sold for a pittance by the Wilsons' father Murry. A GreatestHits album, ''Endless Summer'', came out in 1974 and went to number one, and the return of Brian as writer/producer/performer led to a career comeback. Inconsistent or weird album squandered this opportunity, Dennis Wilson died in a tragic drowning incident in 1983, and the group entered a slow period that lasted until 1988, when "Kokomo" from that year's ''Film/{{Cocktail}}'' movie topped the charts. With Brian separated from the band by his svengali therapist Dr. Eugene Landy (who Brian hired in 1975 and finally fired in 1993), the group could not sustain the success of "Kokomo" via Mike Love's leadership, the "golden oldies" formula was wearing thin as boomer nostalgia faded as the 90s rolled on, and Carl Wilson succumbed to cancer in 1996. However a renewed interest in the band occurred with 1992's boxed set ''Good Vibrations'', and Brian took to touring and recording playing ''Music/{{Smile}}'' and "Pet Sounds" on the road to massive success and critical acclaim. They later scored their first Top Ten album in many years with Brian as full-time member with the 50th anniversary "reunion album", ''That's Why God Made The Radio'' in 2012, though Brian, David Marks and Al Jardine left the band a year later.
* Music/{{Metallica}}. When they first appeared on the scene in 1982 with their demo ''No Life Til Leather'' and, a year later, their debut album ''Kill 'Em All'', they became hugely popular with metalheads and served as one of the {{Trope Codifier}}s for the then-new genre of ThrashMetal. With each new album the band released, the band became ever more popular, even with the tragic loss of their EnsembleDarkhorse LeadBassist Cliff Burton, and their PowerBallad "One" even had a MusicVideo Released on Creator/{{MTV}}. In 1991, the band released ''Metallica'', aka "The Black Album," which featured a GenreShift from their complex thrash material to a more conventional and commercial HeavyMetal sound. Metal fans everywhere [[TheyChangedItNowItSucks cried]] [[RuinedForever foul]], but the album went on to sell 20 million copies and make the band one of the biggest in the world.\\
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However, the album proved to be a FranchiseOriginalSin for Metallica, as the process of their sound moving away from metal and the HypeBacklash from disgruntled thrash fans would just keep going further and further. Over the course of TheNineties, the band gradually shed even more of their metal elements, cutting their hair and changing to a BluesRock[=/=]SouthernRock[=/=]AlternativeRock sound for the decidedly SoOkayItsAverage ''Load'' and ''Reload'' albums. While both albums were successful and spawned quite a few radio staples[[note]]Although "Fuel" is probably the only song that still gets regular play to this day[[/note]], they ultimately failed to match the popularity of The Black Album. They partially regained credibility among metal fans with the 1998 [[CoveredUp all covers album]] ''Garage, Inc.'' and a live collaboration with the San Francisco Symphony Orchestra one year later. However, in 2000, they became embroiled in the controversy over Napster, which was the first major blow to their mainstream credibility. After that, things went haywire for the band. Frontman James Hetfield went to rehab for alcoholism, bassist Music/JasonNewsted left the band for good, and then the double whammy of ''St. Anger'' and the {{Documentary}} ''Some Kind of Monster'' hit in 2003/2004. ''St. Anger'' proved to be a disastrous trainwreck that sounded like a Music/{{Korn}} album GoneHorriblyWrong (although it did sell reasonably well), and ''Some Kind of Monster'' made the band (especially drummer Lars Ulrich) come across as pretentious prima donnas who were well past their prime. After that, the band's name was permanently sullied, and became a punchline in both the mainstream and amongst metalheads. Fortunately, the band had a WinBackTheCrowd period in 2008-2009 with the ''Death Magnetic'' [=LP=] (which, despite its problems with [[LoudnessWar clipping]] and accusations of the songs being too long, was widely considered to be a welcome return to form for the band), ''[[VideoGame/GuitarHero Guitar Hero Metallica]]'', and their induction into the Rock and Roll Hall of Fame. However, they fell from grace yet again with their controversial 2011 collaboration with Music/LouReed, ''Lulu'', which was slammed by critics and reviled by fans. Today, Metallica's in a bit of a precarious position, as their anticipated new album (set to be released sometime in 2016) will likely be a crucial make-or-break moment for the band's credibility and popularity.
* Music/JustinBieber was one of the first "internet celebrities" to become a legitimate, mainstream pop star, having started out posting Website/YouTube videos of himself singing covers of R&B songs in the late '00s. He was a pop music sensation among teenage girls, known as [[FanCommunityNickname "Beliebers"]], and while he also had a massive Hatedom (mostly revolving around his high-pitched singing voice, his {{bish|onen}}ie appearance, and of course [[FanHater his fans themselves]]), it did little to slow his popularity.\\
Things started to change in 2012, however. His fanbase's biggest weakness, being dependent on a FleetingDemographic, began to manifest itself when the British/Irish BoyBand Music/OneDirection underwent a meteoric rise in popularity in the US. Bieber's popularity was gutted by the rise of One Direction; his sophomore album ''Believe'' sold an underwhelming 374,000 copies in its opening week and took nearly half a year to be certified platinum (in turn, One Direction's ''Take Me Home'' opened with 540,000 copies sold and went platinum in just five weeks), while One Direction started winning all of the awards that Bieber would've claimed just the prior year. That and his increasing {{jerkass}} demeanor battered his already-negative public image and turned many of his remaining fans against him (which benefited One Direction even more). He attempted to remain in the music world with a second concert film, ''Justin Bieber's Believe'', and with the album ''Journals'', both released in late 2013, but ''Believe'' was a BoxOfficeBomb (especially compared to his first concert film just two years prior), and ''Journals'' flopped so badly that his label withheld the album's sales figures to prevent further embarrassment. By the start of 2014, he had become better known for his tabloid antics, his on-and-off relationship with Music/SelenaGomez, and as the victim of arguably the most infamous musical equivalent of the [=MySpace=] vs. Facebook battle than for his music, many former "Beliebers" held him in very poor regard, and it was clear he was had become all but a has-been.\\
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It wasn't until spring 2015 that audiences decided to give Bieber another chance. That was because he collaborated with Music/{{Skrillex}} and Music/{{Diplo}} for their side project Jack U, producing "Where Are U Now", which became Bieber's first top 10 hit since 2013 (the song's success can be attributed to Skrillex and Diplo's popularity and curiosity from fans wondering how a collaboration between them would work). In late summer 2015, he released "What Do You Mean?", a single that gained respect from even Bieber's haters and debuted at #1 in over a dozen countries. His next two singles, "Sorry" and "Love Yourself", also topped the Hot 100, Then the corresponding album ''Purpose'' was released and went straight to #1 as well, ultimately solidifying that Bieber was back and bigger than ever (One Direction, meanwhile, has underwent a series of problems following the departure of Zayn Malik from the group). Only time will tell if he manages to stick around for very long.
* This has not only happened personally with Music/JethroTull, notably with their CareerResurrection in [[TheEighties the late 1980s]], but the trope is explored with its share of satire in their 1976 ConceptAlbum, ''Too Old To Rock 'n Roll--Too Young To Die!'', which chronicle an over-the-hill rocker named Ray Lomas, who, well, is "living in the past". Fearing his unfashionability and growing old, he winds up, in a near-fatal motorcycle accident, has reconstructive surgery that makes him look twenty years younger, and emerges having seen a career comeback as his image and style of music come back into vogue.
* {{Music/ABBA}} were massively popular in their time, especially in [[GermansLoveDavidHasselhoff Australia]] and Europe, and became one of the best-selling music groups of the world within a considerably short time - by 1978, at the height of their popularity, they had already sold over 120 million records -, but the group fell into obscurity after their (initially temporary) break-up in 1982, in spite of some efforts, such as the subsequent release of [[GreatestHits Greatest Hits]] compilations worldwide. By the late 1980s, when none of the former members intended to reunite anymore, ABBA were so unfashionable to the point that not even new compilations were released.\\
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All that changed in [[TheNineties the following decade]] with the 1970s nostalgia wave, which revived public interest in ABBA's songs. A particularly important landmark for the group was the release, in 1992, of ''ABBA Gold'', which was a huge commercial success and got many younger people to listen to their music for the first time and eventually become fans. In the following years, the group managed to increase more and more its popularity, with the re-release of the original studio albums in CD, as well as the release of new compilation albums, some of which even included previously unreleased songs, such as ''I Am The City'', featured in ''More ABBA Gold'' (1993). Films such as ''[[MurielsWedding Muriel's Wedding]]'' and tributes by other bands, such as {{Music/Erasure}} and [[{{Music/ATeens}} A-Teens]], also helped increasing the group's popularity. Another great leap was the debut, in 1999, of ''[[MammaMia Mamma Mia!]]'' [[JukeboxMusical (the musical)]], which expanded to multiple locations worldwide, became one of the longest-running musicals in the history of [[UsefulNotes/BroadwayAndTheWestEnd Broadway]] and spawned a theatrical movie in 2008, starring Creator/MerylStreep, Creator/PierceBrosnan and a then little-known actress named Creator/AmandaSeyfried. Nowadays, over 40 years after their debut - and over 20 years after their revival - ABBA remains highly popular, selling millions of records each year and occasionally appearing in the media, in spite of never having reunited (officially).

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