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''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Music/SystemsOfRomance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter. Production of the album was much more drawn out than ''Vienna'' as well, taking over three months to record compared to the mere three weeks of its predecessor, owed to the band deciding to craft the material as they went along rather than using live performances to test out prospective songs.

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''Rage in Eden'', released in 1981, 1981 through Creator/ChrysalisRecords, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Music/SystemsOfRomance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter. Production of the album was much more drawn out than ''Vienna'' as well, taking over three months to record compared to the mere three weeks of its predecessor, owed to the band deciding to craft the material as they went along rather than using live performances to test out prospective songs.
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* ColorWash: The music video for the 2022 mix of "The Thin Wall" takes the video for the original mix and makes it DeliberatelyMonochrome, with white tones dominating the image.


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* TheNotRemix: The album received one by Music/StevenWilson in 2022, following up on his similar treatment of ''Music/{{Vienna}}'' two years prior. Like the ''Vienna'' remix, the one for this album doesn't focus on radically changing the material, but rather rearranging the structural elements to make certain instruments more or less prominent.
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* WordSaladLyrics: According to Music/MidgeUre in [[https://superdeluxeedition.com/interview/midge-ure-on-ultravoxs-rage-in-eden/ a 2022 interview]], the lyrics for the album used Creator/WilliamSBurroughs' "cut and paste" technique in order to invoke this trope, citing Music/DavidBowie's use of the technique as an influence. The results are even more abstract and metaphorical than those on ''Music/{{Vienna}}''.
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''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Music/SystemsOfRomance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter. Production of the album was a much rockier affair than ''Vienna'' as well, taking over three months to record compared to the mere three weeks of its predecessor, owed largely to the lack of sufficient live performances to test out the material that would be included on the record. Consequently, the band would move away from working with Plank during the production of ''Music/{{Quartet}}'', which would instead be produced by former [[Music/TheBeatles Beatles]] producer George Martin.

to:

''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Music/SystemsOfRomance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter. Production of the album was a much rockier affair more drawn out than ''Vienna'' as well, taking over three months to record compared to the mere three weeks of its predecessor, owed largely to the lack of sufficient band deciding to craft the material as they went along rather than using live performances to test out the material that would be included on the record. Consequently, the band would move away from working with Plank during the production of ''Music/{{Quartet}}'', which would instead be produced by former [[Music/TheBeatles Beatles]] producer George Martin.
prospective songs.
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* AlternateAlbumCover: The original album cover, designed by Creator/FactoryRecords collaborator Peter Saville, depicts a stylized face with a gold pane. According to Music/MidgeUre, the artwork was based on an unspecified film poster. Due to rights issues, the European CD release replaces it with a surrealist painting of a wooden landscape, and the 1997 remaster replaces it with the "UV" horse logo associated with the album against a burgundy and navy blue backdrop. A further variant of this, used for most 21st century reissues, features the same logo against a gray and white backdrop.

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* AlternateAlbumCover: The original album cover, designed by Creator/FactoryRecords collaborator Peter Saville, depicts a stylized face with a gold pane. According to Music/MidgeUre, the artwork was based on an unspecified film poster. Due to rights issues, the European CD release replaces reissues replace it with a surrealist painting of a wooden landscape, and the 1997 remaster replaces it with the "UV" horse logo associated with the album against a burgundy and navy blue backdrop. A further variant of this, used for most 21st century reissues, the 2015 LP reissue, features the same logo against a gray and white backdrop.

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* AlternateAlbumCover: The original album cover, designed by Creator/FactoryRecords collaborator Peter Saville, depicts a stylized face with a gold pane. According to Music/MidgeUre, the artwork was based on an unspecified film poster. Due to rights issues, the European CD release replaces it with a surrealist painting of a wooden landscape, and the 1997 remaster replaces it with the "UV" horse logo associated with the album against a burgundy and navy blue backdrop. A further variant of this, used for most 21st century reissues, features the same logo against a gray and white backdrop.



* DesignStudentsOrgasm: All four variations of the album cover; it helps when you get Music/JoyDivision[=/=]Music/NewOrder designer Peter Saville to do your artwork.
** The original cover, depicted above, is a minimalist stylized rendition of a face with a gold pane apparently nodding to former frontman John Foxx's solo album ''Metamatic''.
** [[https://img.discogs.com/iVbIp7jr-0PgBCqRNbJCSDc_Rfk=/fit-in/600x600/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-545696-1459937698-4379.jpeg.jpg The first alternate cover]] depicts a surrealist painting of a wooden landscape.
** [[https://img.discogs.com/Hiu8nL9xgxSu6fzIHshvNHNrQrs=/fit-in/600x593/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-1565913-1228920448.jpeg.jpg The second alternate cover]], used for the 1997 remaster, depicts the "UV" horse logo against a burgundy and navy blue backdrop.
** [[https://img.discogs.com/NPE1axJkYQ4o9olFtcw1eZ0xmRc=/fit-in/600x589/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-7833376-1451742910-6655.jpeg.jpg The third alternate cover]], used for most current-day reissues, feature the same logo against a gray and white backdrop.

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* DesignStudentsOrgasm: All four variations of the album cover; it helps when you get Music/JoyDivision[=/=]Music/NewOrder designer Peter Saville to do your artwork.
**
The original cover, depicted above, is album cover and first AlternateAlbumCover are both fairly elaborate, consisting of a minimalist stylized rendition of a face with a gold pane apparently nodding to former frontman John Foxx's solo album ''Metamatic''.
** [[https://img.discogs.com/iVbIp7jr-0PgBCqRNbJCSDc_Rfk=/fit-in/600x600/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-545696-1459937698-4379.jpeg.jpg The first alternate cover]] depicts
and a surrealist painting of a wooden landscape.
** [[https://img.discogs.com/Hiu8nL9xgxSu6fzIHshvNHNrQrs=/fit-in/600x593/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-1565913-1228920448.jpeg.jpg The second alternate cover]], used for the 1997 remaster, depicts the "UV" horse logo against a burgundy and navy blue backdrop.
** [[https://img.discogs.com/NPE1axJkYQ4o9olFtcw1eZ0xmRc=/fit-in/600x589/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-7833376-1451742910-6655.jpeg.jpg The third alternate cover]], used for most current-day reissues, feature the same logo against a gray and white backdrop.
landscape, respectively.

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''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Systems of Romance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter. Production of the album was a much rockier affair than ''Vienna'' as well, taking over three months to record compared to the mere three weeks of its predecessor, owed largely to the lack of sufficient live performances to test out the material that would be included on the record. Consequently, the band would move away from working with Plank during the production of ''Music/{{Quartet}}'', which would instead be produced by former [[Music/TheBeatles Beatles]] producer George Martin.

to:

''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Systems of Romance'' ''Music/SystemsOfRomance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter. Production of the album was a much rockier affair than ''Vienna'' as well, taking over three months to record compared to the mere three weeks of its predecessor, owed largely to the lack of sufficient live performances to test out the material that would be included on the record. Consequently, the band would move away from working with Plank during the production of ''Music/{{Quartet}}'', which would instead be produced by former [[Music/TheBeatles Beatles]] producer George Martin.



* SiameseTwinSongs: "Accent on Youth", "The Ascent", and "Your Name (Has Slipped My Mind Again)" are all interconnected to the point where they could be a single piece.

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* SiameseTwinSongs: "Accent on Youth", "The Ascent", and "Your Name (Has Slipped My Mind Again)" are all interconnected to the point where they could be a single piece.piece.
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* ConceptVideo: The video for "The Thin Wall", which features Midge Ure in a labyrinth of horrors as his bandmates conspire to kill him.

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* ConceptVideo: The video for "The Thin Wall", which features Midge Ure Music/MidgeUre in a labyrinth of horrors as his bandmates conspire to kill him.
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Despite the band's reservations about its potential sales, being worried that ''Vienna'' would be too much of a ToughActToFollow, ''Rage in Eden'' was another commercial success; while not as strong-selling as ''Vienna'', it peaked at No. 4 on the UK Albums chart and was certified gold by the British Phonographic Industry. The album would also be certified gold in New Zealand. In the United States meanwhile, the album peaked at a far quieter No. 144 on the Billboard 200; still, it was a major improvement from ''Vienna'' missing the US charts entirely.

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Despite the band's reservations about its potential sales, being worried that ''Vienna'' would be too much of a ToughActToFollow, ''Rage in Eden'' was another commercial success; while not as strong-selling as ''Vienna'', it peaked at No. 4 on the UK Albums chart and was certified gold by the British Phonographic Industry. The album would also be certified gold in New Zealand. In the United States meanwhile, the album peaked at a far quieter No. 144 on the Billboard 200; still, it was a major improvement from ''Vienna'' missing the US charts entirely.
200.

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[[caption-width-right:350:''"And those who sneer will fade and die/And those who laugh will surely fall/And those who know will always feel their backs against the thin wall!"'']]

''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Systems of Romance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter.

Despite the band's reservations about its potential sales, being worried that ''Vienna'' would be too much of a ToughActToFollow, ''Rage in Eden'' was another commercial success; while not as strong-selling as ''Vienna'', it peaked at No. 4 on the UK Albums chart and was certified gold by the British Phonographic Industry.

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[[caption-width-right:350:''"And those who sneer will fade and die/And those who laugh will surely fall/And those who know will always feel their backs against [[caption-width-right:350:''"The screenplay calls a message for the thin wall!"'']]

nation."'']]

''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Systems of Romance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter.

latter. Production of the album was a much rockier affair than ''Vienna'' as well, taking over three months to record compared to the mere three weeks of its predecessor, owed largely to the lack of sufficient live performances to test out the material that would be included on the record. Consequently, the band would move away from working with Plank during the production of ''Music/{{Quartet}}'', which would instead be produced by former [[Music/TheBeatles Beatles]] producer George Martin.

Despite the band's reservations about its potential sales, being worried that ''Vienna'' would be too much of a ToughActToFollow, ''Rage in Eden'' was another commercial success; while not as strong-selling as ''Vienna'', it peaked at No. 4 on the UK Albums chart and was certified gold by the British Phonographic Industry.
Industry. The album would also be certified gold in New Zealand. In the United States meanwhile, the album peaked at a far quieter No. 144 on the Billboard 200; still, it was a major improvement from ''Vienna'' missing the US charts entirely.


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* FadingIntoTheNextSong: Done with the last three tracks on the album, forming an interconnected piece.
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Despite the band's reservations about its potential sales, the album was another commercial success; while not as strong-selling as ''Vienna'', it peaked at No. 4 on the UK Albums chart and was certified gold by the British Phonographic Industry.

to:

Despite the band's reservations about its potential sales, the album being worried that ''Vienna'' would be too much of a ToughActToFollow, ''Rage in Eden'' was another commercial success; while not as strong-selling as ''Vienna'', it peaked at No. 4 on the UK Albums chart and was certified gold by the British Phonographic Industry.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/rage_in_eden.jpg]]
[[caption-width-right:350:''"And those who sneer will fade and die/And those who laugh will surely fall/And those who know will always feel their backs against the thin wall!"'']]

''Rage in Eden'', released in 1981, is the fifth album by British band Music/{{Ultravox}}. The album is a continuation of the artsy NewWaveMusic style developed on ''Systems of Romance'' and especially ''Music/{{Vienna}}'', though with a more focused direction compared to the GenreRoulette of the latter.

Despite the band's reservations about its potential sales, the album was another commercial success; while not as strong-selling as ''Vienna'', it peaked at No. 4 on the UK Albums chart and was certified gold by the British Phonographic Industry.

The album produced two singles: "The Thin Wall" and "The Voice".

!!Tracklist:
[[AC:1]]
# "The Voice" (6:01)
# "We Stand Alone" (5:39)
# "Rage in Eden" (4:12)
# "I Remember (Death in the Afternoon)" (4:57)

[[AC:2]]
# "The Thin Wall" (5:39)
# "Stranger Within" (7:26)
# "Accent on Youth" (5:57)
# "The Ascent" (1:10)
# "Your Name (Has Slipped My Mind Again)" (4:29)

!!''Native these tropes speak to me'':
* {{Backmasking}}: Done to the chorus of "I Remember (Death in the Afternoon)" to form that of "Rage in Eden"; according to the band members, the backmasked chorus was the starting point for writing "Rage in Eden".
* BeneathTheMask: "Stranger Within" examines the effects of being unable to keep the mask on.
* ConceptVideo: The video for "The Thin Wall", which features Midge Ure in a labyrinth of horrors as his bandmates conspire to kill him.
* DarkerAndEdgier: The songs on ''Rage in Eden'' are more dour and introspective in tone compared to ''Vienna''.
* DesignStudentsOrgasm: All four variations of the album cover; it helps when you get Music/JoyDivision[=/=]Music/NewOrder designer Peter Saville to do your artwork.
** The original cover, depicted above, is a minimalist stylized rendition of a face with a gold pane apparently nodding to former frontman John Foxx's solo album ''Metamatic''.
** [[https://img.discogs.com/iVbIp7jr-0PgBCqRNbJCSDc_Rfk=/fit-in/600x600/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-545696-1459937698-4379.jpeg.jpg The first alternate cover]] depicts a surrealist painting of a wooden landscape.
** [[https://img.discogs.com/Hiu8nL9xgxSu6fzIHshvNHNrQrs=/fit-in/600x593/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-1565913-1228920448.jpeg.jpg The second alternate cover]], used for the 1997 remaster, depicts the "UV" horse logo against a burgundy and navy blue backdrop.
** [[https://img.discogs.com/NPE1axJkYQ4o9olFtcw1eZ0xmRc=/fit-in/600x589/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-7833376-1451742910-6655.jpeg.jpg The third alternate cover]], used for most current-day reissues, feature the same logo against a gray and white backdrop.
* EpicRocking: "The Voice" and "Stranger Within" both exceed the six-minute mark, while "We Stand Alone" and "Accent on Youth" come pretty close.
* {{Foreshadowing}}: The seemingly gibberish vocals in the TitleTrack's chorus are actually a backmasked rendition of the chorus to the next track, "I Remember (Death in the Afternoon)".
* HolyIsNotSafe: Implied with "Rage in Eden", which depicts a race of divine beings appearing to humanity and slaughtering hordes of them, leaving the survivors terrified out of their damn minds.
* MediumBlending: "Rage in Eden" ends with the song fading into radio static, which is promptly shut off. On CD copies, this gives the impression of the radio simply switching to another station, which ends up fitting well with the opening lyrics to "I Remember (Death in the Afternoon)".
* MindScrew: As with ''Vienna'', the lyrics on ''Rage in Eden'' are filled with surreal figurative imagery and metaphor.
* MinisculeRocking: "The Ascent" clocks in at just 1:10.
* ScrewTheWarWerePartying: [[{{Deconstruction}} Deconstructed]] on "I Remember (Death in the Afternoon)"; despite trying their best to distract themselves from the ongoing chaos in the news, the narrator and their friends are unable to avoid the inevitable and end up breaking down as they remember peaceful days gone by.
* SenseLossSadness: The subject of "Your Name (Has Slipped My Mind Again)".
* SiameseTwinSongs: "Accent on Youth", "The Ascent", and "Your Name (Has Slipped My Mind Again)" are all interconnected to the point where they could be a single piece.

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