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Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native Music/LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Creator/StaxRecords he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music GospelMusic as well as the output of fellow Georgia native Music/LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Creator/StaxRecords he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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* CoverVersion: Redding did quite a few covers across several genres - gospel, traditional pop, straight-up blues, county, early funk, and British Invasion rock - with his most famous probably being "Try A Little Tenderness", Sam Cooke's "A Change Is Gonna Come" and Music/TheRollingStones' "Satisfaction". His own songs have been subject to a great many covers over the years as well.
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* CoverVersion: Redding did quite a few covers across several genres - gospel, traditional pop, straight-up blues, county, {{blues}}, CountryMusic, early funk, {{funk}}, and British Invasion UsefulNotes/TheBritishInvasion rock - with his most famous probably being "Try A Little Tenderness", Sam Cooke's Music/SamCooke's "A Change Is Gonna Come" and Music/TheRollingStones' "Satisfaction". His own songs have been subject to a great many covers over the years as well.
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* BittersweetEnding: Not only did he die a matter of months after his triumphant Monterey Pop Festival performance and Aretha Franklin taking "Respect" to #1, he also died one day before the anniversary of the death of his idol Sam Cooke
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* BittersweetEnding: Not only did he die a matter of months after his triumphant Monterey Pop Festival performance and Aretha Franklin taking "Respect" to #1, he also died one day before the anniversary of the death of his idol Sam CookeMusic/SamCooke
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* ShesGotLegs: From the Monterey Pop Festival
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* ShesGotLegs: From the Monterey Pop Film/MontereyPop Festival
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Otis Redding (1941-1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native Music/LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Creator/StaxRecords he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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Otis Ray Redding (1941-1967) Jr. (September 9, 1941 – December 10, 1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native Music/LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Creator/StaxRecords he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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->''I'm sittin' on the dock of the bay,\\
Watchin' the tide roll away, ooh,\\
I'm just sittin' on the dock of the bay,\\
Wastin' time.''
-->"(Sittin' On) The Dock of the Bay"
Watchin' the tide roll away, ooh,\\
I'm just sittin' on the dock of the bay,\\
Wastin' time.''
-->"(Sittin' On) The Dock of the Bay"
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Otis Redding (1941-1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native Music/LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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Otis Redding (1941-1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native Music/LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records Creator/StaxRecords he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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Otis Redding (1941-1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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Otis Redding (1941-1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, Music/LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the Deep Soul subgenre.
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** One of his most exuberant songs opens with the line "They call me [[TitleDrop Mr. Pitiful]]".
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* BittersweetEnding: Not only did he die a matter of months after his triumphant Monterey Pop Festival performance and Aretha Franklin taking "Respect" to #1, he also died on the anniversary of the death of his idol Sam Cooke
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* BittersweetEnding: Not only did he die a matter of months after his triumphant Monterey Pop Festival performance and Aretha Franklin taking "Respect" to #1, he also died on one day before the anniversary of the death of his idol Sam Cooke
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* BittersweetEnding: Not only did he die a matter of months after his triumphant Monterey Pop Festival performance and Aretha Franklin taking "Respect" to #1, he also died on the anniversary of the death of his idol Sam Cooke
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* ShesGotLegs: From the Monterrey Pop Festival
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* ShesGotLegs: From the Monterrey Monterey Pop Festival
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* SourceMusic: Featured on the TV show ''{{Lost}}''
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* SourceMusic: Featured on the TV show ''{{Lost}}''''Series/{{Lost}}''
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* GenerationXerox: The Reddings, featuring his sons Dexter and Otis III, had a few R&B hits in TheEighties, including a CoverVersion of "(Sittin' on) The Dock Of The Bay".
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->'''Redding''': This one goes out to all the miniskirts...I dig.
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[[quoteright:295:http://static.tvtropes.org/pmwiki/pub/images/f74f2bc40c0ef6de937347124ca94808.jpg]]
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Otis Redding (1941-1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
to:
Otis Redding (1941-1967) was an American {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul Deep Soul subgenre.
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* ShesGotLegs: From the Monterrey Pop Festival
->'''Redding''': This one goes out to all the miniskirts...I dig.
->'''Redding''': This one goes out to all the miniskirts...I dig.
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* SpellingSong: "[[Music/OtisBlue Respect]]"
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* ProductionPosse: Like most of the Stax records stable, he was almost always backed by Booker T & the MG's.
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* CoverVersion: Music/TheRollingStones covered his song "That's How Strong My Love Is" and in return Redding covered "Satisfaction" with slightly different lyrics and horns playing the main riff (which was Keith Richards' original intention).
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* CoverVersion: Music/TheRollingStones covered his song "That's How Strong My Love Is" and in return Redding covered "Satisfaction" did quite a few covers across several genres - gospel, traditional pop, straight-up blues, county, early funk, and British Invasion rock - with slightly different lyrics his most famous probably being "Try A Little Tenderness", Sam Cooke's "A Change Is Gonna Come" and horns playing Music/TheRollingStones' "Satisfaction". His own songs have been subject to a great many covers over the main riff (which was Keith Richards' original intention). years as well.
* FakeOutFadeOut: Odd live-only variant; live versions of "Try A Little Tenderness" often featured Redding and the band jumping back into the song after an apparent conclusion.
* {{Jingle}}: An appropriately dramatic (or not) take on "Things Go Better With Coke"
* LetsDuet: An entire duet album with Carla Thomas, ''King and Queen''.
* FakeOutFadeOut: Odd live-only variant; live versions of "Try A Little Tenderness" often featured Redding and the band jumping back into the song after an apparent conclusion.
* {{Jingle}}: An appropriately dramatic (or not) take on "Things Go Better With Coke"
* LetsDuet: An entire duet album with Carla Thomas, ''King and Queen''.
* ProductionPosse: Like most of the Stax records stable, he was almost always backed by Booker T & the MG's.
* {{Rockumentary}}: 2007's ''Dreams To Remember: The Legacy Of Otis Redding''
* SillyLoveSongs: As titles like "Pain In My Heart" and "My Lover's Prayer" make pretty clear, Redding was no stranger to love songs.
* {{Rockumentary}}: 2007's ''Dreams To Remember: The Legacy Of Otis Redding''
* SillyLoveSongs: As titles like "Pain In My Heart" and "My Lover's Prayer" make pretty clear, Redding was no stranger to love songs.
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* SpellingSong
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* TheSomethingSong
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* TheSomethingSongTheSomethingSong: "Fa-Fa-Fa-Fa-Fa (Sad Song)" and "The Happy Song (Dum-Dum)"
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* VerySpecialEpisode: "[[https://www.youtube.com/watch?v=empqp-RuGaE Stay In School]]", which is ExactlyWhatItSaysOnTheTin.
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* AuthorExistenceFailure: As a matter of point, the whistling on "(Sittin' On) The Dock of the Bay" was a placeholder; Redding intended to write another verse.
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Otis Redding (1941-1967) was an American [[{{Music/Soul}} soul]] singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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Otis Redding (1941-1967) was an American [[{{Music/Soul}} soul]] {{Soul}} singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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** And more famously, ''Gotta, gotta''.
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** And more famously, ''Gotta, famously: ''gotta, gotta''.
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** And more famously, ''Gotta, gotta''.
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* AuthorExistenceFailure
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* AuthorExistenceFailureAuthorExistenceFailure: As a matter of point, the whistling on "(Sittin' On) The Dock of the Bay" was a placeholder; Redding intended to write another verse.
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Otis Redding (1941-1967) was an American [[{{Music/Soul}} soul]] singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the MGs and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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Otis Redding (1941-1967) was an American [[{{Music/Soul}} soul]] singer famous for his distinctive voice and energetic live performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the MGs [=MGs=] and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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!!Tropes that apply to him:
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!!Associated Tropes:
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* CoverVersion: TheRollingStones covered his song "That's How Strong My Love Is" and in return Redding covered "Satisfaction" with slightly different lyrics and horns playing the main riff (which was Keith Richards' original intention).
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* CoverVersion: TheRollingStones Music/TheRollingStones covered his song "That's How Strong My Love Is" and in return Redding covered "Satisfaction" with slightly different lyrics and horns playing the main riff (which was Keith Richards' original intention).
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Moved to Trivia.
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* WhatCouldHaveBeen: Died just before his music broke into the mainstream, at what is now regarded as a possible career turning point hinted at by "(Sittin' On) The Dock of the Bay". There is also evidence to suggest that "Dock of the Bay" was intended to be part of a ''[[TheBeatles Sgt. Pepper]]''-style ConceptAlbum.
** Related to Redding's plane crash, both Steve Cropper and Stax session bassist Donald "Duck" Dunn were also supposed to be on that very flight, but they changed plans at the last minute.
** Related to Redding's plane crash, both Steve Cropper and Stax session bassist Donald "Duck" Dunn were also supposed to be on that very flight, but they changed plans at the last minute.
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Moved to YMMV.
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* CoveredUp: Hit this one from both directions; most notably, he originally recorded "Respect", which became a big hit for ArethaFranklin.
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* TooCoolToLive
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Otis Redding (1941-1967) was an American [[{{Music/Soul}} soul]] singer famous for his distinctive voice and energetic live performances raw. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the MGs and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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Otis Redding (1941-1967) was an American [[{{Music/Soul}} soul]] singer famous for his distinctive voice and energetic live performances raw.performances. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the MGs and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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* VerbalTic: "''Lord, have mercy!''"
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Otis Redding was an American [[{{Music/Soul}} soul]] singer famous for his distinctive voice and energetic live performances raw. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the MGs and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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Otis Redding (1941-1967) was an American [[{{Music/Soul}} soul]] singer famous for his distinctive voice and energetic live performances raw. Born in Georgia, he was influenced by gospel music as well as the output of fellow Georgia native LittleRichard, whose raw, emotional vocals he greatly admired. When he came to Stax Records he recorded with the backing of house bands Booker T. and the MGs and the Mar-Kays, often recording songs he had written himself. Redding's songwriting and performing, which combined soul with rock and roll codified southern soul, and he is often credited as the TropeMaker for the DeepSoul subgenre.
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trope was renamed.
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* TheTropeSong
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* TheTropeSongTheSomethingSong