History Main / SignatureShot

Does not include overarching SignatureStyle elements of a body of work, or ''explicit'' UsefulNotes/{{trademark}}s, such as Creator/AlfredHitchcock's silhouette or Walt Disney's signature.

* Creator/SpikeLee has his double dolly shot, which involves an actor being moved through a scene via a dolly, in addition to the camera, giving the impression that they are essentially gliding through the environment.

A recurring shot in the works of a film director. Can form part of a SignatureStyle. The literary/unintentional equivalent of this is an AuthorCatchphrase, and the actor equivalent of this is just a normal CatchPhrase ([[Creator/ArnoldSchwarzenegger "I'll be back"]]).

* Creator/TerryGilliam: Extreme close-ups of actors with extremely wide lenses.
** Ditto for Creator/PeterJackson.

* Creator/StevenSpielberg does at least one reflection shot per film. Also, the "Spielberg Face" is his signature shot where we see a character's face as they look in awe toward some wonder or during some monumental event.
** Long before Spielberg, William Perlberg had Jennifer Jones do a Spielberg Face in ''Film/TheSongOfBernadette'', where Bernadette first sees her lady.
* Creator/QuentinTarantino: [[TrunkShot Shots from the POV of a car trunk]].
** He's also [[AuthorAppeal partial to feet]].

* Creator/RobertZemeckis often uses [[ObjectTrackingShot ObjectTrackingShots]].

* Creator/RainierWenerFassbinder is known for still-shots framing characters in doorways.

* Creator/BusbyBerkley is very famous for his overhead shots, especially where dancers form kaleidoscope-like or artistic patterns. Even today putting overhead shots into your film is considered an homage to Berkley.

Does not include overarching SignatureStyle elements of a body of work, or ''explicit'' IconicLogo trademarks, such as Creator/AlfredHitchcock's silhouette or Walt Disney's signature.

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* Creator/KennethBranagh's love of Dutch Angles is well-documented.

* Creator/QuentinTarantino: [[TrunkShot Shots from the POV of a car trunk]].
** He's also [[AuthorAppeal partial to feet]].
* Creator/JohnWoo: pulled back tight angle shots of DisturbedDoves are a frequent HarbingerOfAsskicking and accompaniment to {{Hit Stop}}s in his works. Action scenes frequently involve highly mobile cameras and various forms of AdrenalineTime and BulletTime, becoming more extreme as a film's budget rises. He's also known for a particular form of close-up MexicanStandoff featuring lots of {{WhipPan}}s and {{ReactionShot}}s over GunpointBanter.
* Creator/TimBurton: TunnelVision.
* Creator/SamRaimi: WhipPan (along with ShakyPOVCam).
** He also does that thing where he rapidly zooms in on something in the scene, then rapidly zooms in on something a different detail in the scene, and so on, always using a sound effect with the zoom.
* Creator/StanleyKubrick: the KubrickStare and the use of One-Point Perspective.
* Creator/PaulThomasAnderson has used IrisShot in every film he's ever made.
* Creator/JonathanDemme loves extreme close ups where the character LOOKS at the camera, especially ones where Creator/AnthonyHopkins stares at you and does [[https://www.youtube.com/watch?v=UvlBS5CmsNA this]]. His technique is so iconic, directors like Creator/PaulThomasAnderson replicated it. A gallery of his close-ups can be seen in [[https://vimeo.com/126757480 this supercut]].
* Creator/TerryGilliam: Extreme close-ups of actors with extremely wide lenses.
** Ditto for Creator/PeterJackson.

* Creator/YasujiroOzu really liked to shoot conversations by having the person speaking directly face the camera and cutting to different members of the conversation with 180˚ cuts, rather than put two people in the same shot, or shoot over the shoulder of the person who's listening. As his style developed, he moved the camera less and less until he did not move it at all; he liked to shoot people at their center of mass when they were standing, and he liked the camera being two or three feet above the ground.
* Creator/OrsonWelles famously used deep-focus shots typically featuring three planes- front, middle, and back, all simultaneously in focus, but clearly separate.
* Creator/AlfredHitchcock used a technique called "cross-tracking", a variation of shot/reverse-shot, in which a character, walking towards a threatening object is intercut with that object.
* Creator/IngmarBergman is known for his intense close-ups of faces in despair. He has another one where the intense close-up is in profile, while including another character a bit further away facing the camera. Creator/GeorgeStevens did a beautiful ''homage'' to it at a tense moment in ''Film/IRememberMama''.

* Creator/RobertZemeckis often uses [[ObjectTrackingShot ObjectTrackingShots]].
* Creator/SergioLeone loves long close-ups of faces and EyedScreen.

* Creator/BusbyBerkley is very famous for his overhead shots, especially where dancers form kaleidoscope-like or artistic patterns. Even today putting overhead shots into your film is considered an homage to Berkley.
* Creator/WesAnderson always has a Walking and Talking scene where the camera spins around the protagonist as he does a surprising amount of work.
* Creator/LucioFulci often uses a extreme close up of characters' eyes, either with or without a zoom. It is present in almost all of his films several times.
* Creator/SamMendes: Mendes likes shots where the protagonist stares into the distance, regardless if it took place inside (where he/she looks out the window) or outside (where he/she would look at a beach or a landscape). He'd have been wonderful with Creator/KatharineHepburn or Creator/GretaGarbo.
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