History Main / RepriseMedley

* ''Franchise/{{Halo}}'': "Roll Call", the credits music for ''VideoGame/{{Halo 3}}'', reprises the Halo chant, "Farthest Outpost", the Arbiter's theme, ''VideoGame/HaloCombatEvolved''[='s=] "Under Cover of Night", and ''VideoGame/{{Halo 2}}''[='s=] "In Amber Clad". "From the Vault", heard in ''VideoGame/HaloReach'''s [[DevelopersRoom Tribute Room]], is a similar medley.

->''Why did our mothers start this war?''
->''What the fuck are they fighting for?''
->''When did this song become a marathon?''

* The stage version of Music/PinkFloyd's ''Music/TheWall'' has a RepriseMedley called "The Last Few Bricks" right before "Goodbye Cruel World" to give the stage hands time to put [[ExactlyWhatItSaysOnTheTin the last few bricks]] of the wall in place.

* Christopher Wheeldon's ballet adaptation of ''Literature/AlicesAdventuresInWonderland'' has a ''dance'' version of this trope. For the trial of the Knave of Hearts, characters from previous scenes are called to give "testimony," which consists of a short musical reprise of their main motif, and some of the steps from their respective big numbers. This being Wonderland, it quickly descends into chaos, with motifs being played over each other and characters being dragged around into each others' dancing sections.

* TheVeryDefinitelyFinalDungeon of ''[[VideoGame/PuyoPuyo Puyo Puyo Chronicle]]'' includes portions of iconic BGM all the way from ''VideoGame/MadouMonogatari'' (such as the opening and first dungeon themes) to ''VideoGame/PuyoPuyoFever'' (the Fever mode theme).

* The last song of Creator/BoBurnham's ''Inside'' special is "Goodbye," which reuses melodies and lyrics from "Comedy," "All Eyes On Me," "Look Who's Inside Again" and "Welcome to the Internet" to create a truly haunting SanitySlippageSong.

* The music for the final level of ''VideoGame/MedalOfHonor: Allied Assault'' is a medley of the Fort Schmerzen and Nordhausen {{leitmotif}}s from the first game and a [[ThemeMusicPowerUp powered-up]] version of the Allied Assault Main Theme.

* TheVeryDefinitelyFinalDungeon of ''[[VideoGame/PuyoPuyo Puyo Puyo Chronicle]]'' includes portions of iconic BGM all the way from ''VideoGame/MadouMonogatari'' (such as the opening and first dungeon themes) to ''Puyo Puyo Fever'' (the Fever mode theme).

* TheVeryDefinitelyFinalDungeon of ''[[VideoGame/PuyoPuyo Puyo Puyo Chronicle]]'' includes portions of iconic BGM all the way from ''Madou Monogatari'' (such as the opening and first dungeon themes) to ''Puyo Puyo Fever'' (the Fever mode theme).

* ''VideoGame/DissidiaFinalFantasy'' does a variation -- the ending theme is a medley of the ending themes of each character's original game, set to their ''Dissidia'' storyline cutscenes. This leads to certain oddities, such as [[VideoGame/FinalFantasyVIII Squall and Ultimecia's]] FoeYay infused confrontation being set to a snippet of their game's love theme, and, because of the nature of ''VideoGame/FinalFantasyVI''[='=]s ending theme, Terra's part of the credits is set to ''Gau''[='=]s theme instead of her own.

** "Descend", the music accompanying the End of Act 4 animation, reprises just about every theme or leitmotif used in the comic to that point/

* In ''VideoGame/{{Celeste}}'''s Chapter 7, where AllTheWorldsAreAStage, each section's BGM incorporates the {{leitmotif}} of the previous chapter it is based on.

* ''Film/MaryPoppins: The Musical'' concludes with the instrumental medley "A Shooting Star", which includes "A Spoonful of Sugar", "Being Mrs. Banks", "Let's Go Fly A Kite", "Practically Perfect", and "Anything Can Happen".

* In the film ''Film/LaLaLand'' Mia happens to catch [[OldFlame Sebastian]] playing at his new club with her husband. The song Sebastian plays, "Epilogue", turns into a DreamSequence that imagines the life Mia and Sebastian would have had if they stayed together and reprises melodies from "Another Day of Sun", "Mia and Sebastian's Theme", "Someone in the Crowd", "City of Stars", and "Audition (The Fools Who Dream)".

* In the film ''Film/LaLaLand'' Mia happens to catch [[OldFlame Sebastian]] playing at his new club with her husband. The song Sebastian plays, "Epilogue", turns into a DreamSequence that imagines the life Mia and Sebastian would have had they stayed together and reprises melodies from "Another Day of Sun", "Mia and Sebastian's Theme", "Someone in the Crowd", "City of Stars", and "Audition (The Fools Who Dream)".

* ''Film/ThankYourLuckyStars'' might have set some kind of record in movie musicals by reprising eleven songs in a row in the finale.
* ''Film/MoulinRouge'' ends with a rather epic example: "Come What May", after Toulouse reveals the truth about Christian's life being in danger, morphs into a recapitulation and dueling medley of most of the movie's main themes, with "The Show Must Go On", "Your Song", "I'll Fly Away", "Children of the Revolution", and even a bit of "The Pitch" (the part about the "sitar player's secret song") all showing up.
* ''Film/TheProducers'' has "Betrayed" where Max reprises every song up until he got arrested.

* In the musical adaption of ComicBook/FunHome there's "Flying Away/Finale" which mashes up bits of "Welcome To Our House On Maple Avenue," "Telephone Wire," and "Maps" as well as having some of the '''BEST''' harmonizations in musical theatre.

* ''Film/AChristmasCarolTheMusical'' has a DarkReprise medley during the Christmas Future sequence, including "Jolly Good Time", "Link By Link", "You Mean More To Me", "Nothing to Do With Me," and a TriumphantReprise of "God Bless Us Everyone." The finale has {{triumphant reprise}}s of "Nothing to Do With Me," "A Place Called Home," "You Mean More to Me," and "Christmas Together".
* The [[ScreenToStageAdaptation Amateur Operatic Version]] of ''Film/CalamityJane'' has the triple-wedding finale begin with a choral reprise of "The Deadwood Stage." The chorus and Fryer continue with "A Woman's Touch" as Susan (who doesn't sing) enters in a wedding gown, and Fryer sings "Hive Full of Honey" with different lyrics from the DragQueen version. Katie and Danny reprise their duet "Love You Dearly," Bill reprises "Higher Than A Hawk," and the chorus and Calamity reprise the end of "My Secret Love." For good measure, "The Deadwood Stage" is then reprised by the entire cast, who go on to reprise "The Black Hills of Dakota" at the CurtainCall.
* In the musical adaption of ComicBook/FunHome there's "Flying Away/Finale" which mashes up bits of "Welcome To Our House On Maple Avenue," "Telephone Wire," and "Maps" as well as having some of the '''BEST''' harmonizations in musical theatre.
* In ''Theatre/TheGoldenApple'', the "Sewing Bee" sequence in the final scene includes reprises of "Lazy Afternoon," the River Song from the end of the first act and "A Good Girl," all with somewhat or vastly different lyrics.

* "Finale" from ''Theatre/InTheHeights'' contains snippets from the title song, "Piragua", "When You're Home", and the song that Camilla plays on the record player at the dinner party in Act 1.
* The penultimate scene of ''Theatre/{{Brigadoon}}'' has reprises of "Come To Me, Bend To Me," "The Heather On The Hill," "I'll Go Home With Bonnie Jean," "From This Day on" and "Down On [=MacConnachy=] Square." These are listed collectively as "Reprises." The show goes on to end with a reprise of the title song.
* The finale ultimo of ''Theatre/HMSPinafore'' consists of five reprises: "Oh joy, oh rapture unforeseen," "I am the Captain of the Pinafore," "I'm called Little Buttercup," "I am the monarch of the sea" and "He is an Englishman." Most other Creator/GilbertAndSullivan shows only have one or two reprises at the end; ''[[Theatre/UtopiaLtd Utopia, Ltd]]'' has none.
** Ditto for ''Theatre/ThePiratesOfPenzance''.
* "Man Up" in ''Theatre/TheBookOfMormon'' samples sequences from almost all of the songs that have come before it, even a single line from "Turn it off."
* Don Quixote's death in ''Theatre/ManOfLaMancha'' is preceded by "Dulcinea," "The Impossible Dream" and "Man Of La Mancha" reprised in succession.
* The "Final Sequence" in ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' goes through quite a few reprised snippets of previous songs (pretty much all of them {{Dark Reprise}}s) as the play reaches its climax, including "Not While I'm Around", "Pretty Women", "My Friends", "Poor Thing", "A Little Priest", and "The Barber and His Wife".

* The original cast album of TheMusical of ''Literature/ATreeGrowsInBrooklyn'', ends with a medley of "I'll Buy You A Star," "Make The Man Love Me," "Love Is The Reason" (with Cissy and Harry singing new lyrics about their baby) and "Look Who's Dancing." It's not clear where this "Finale" came from; it's certainly not how the show actually ended. (Johnny gets to sing the reprises of his songs despite having died, though that didn't stop [[Theatre/{{Carousel}} Billy Bigelow]].)
* ''Theatre/LesMiserables''
** "One Day More" (the Act I finale), which reprises "Who Am I?", "I Dreamed A Dream", "Do You Hear The People Sing", "Fantine's Arrest" and "Master of the House" in counterpoint.
** "Javert's Suicide" contains "The Confrontation", "Look Down", "Valjean's Soliloquy" and "Stars".
** Cosette & Marius' courtship and wedding reprises "A Heart Full of Love", "Who Am I", "Waltz of Treachery" and "Master of the House". The movie musical throws in "Suddenly" as well.
** The epilogue is a reprise of 'Bring Him Home' then music from the barricade 'my god, they've run away', 'Come To Me' and 'Do You Hear The People Sing?'. Parts of 'I Dreamed A Dream', 'At The End Of The Day' and 'Look Down' are also used. And it is awesome.
* ''Theatre/ThePhantomOfTheOpera'' finale reprises All I Ask of You, The Phantom theme, Don Juan Triumphant, Music of the Night, The Phantom's Notes, Point of No Return, Angel of Music and Masquerade.
* "Looking Good", the closing song of the Theatre Works Palo Alto and Second Stage Theatre versions of ''Vanities: A New Musical'', ends with brief reprises of "Hey There Beautiful" and "Setting Your Sights"(only in the latter production). "Letting Go", the alternate finale ultimo (used in Pasadena Playhouse and ACT's productions so far), also does this somewhat.

* The Finale Ultimo of ''Theatre/HelloDolly'' is a medley of the title song, "Dancing", "It Only Takes A Moment" and "Put on Your Sunday Clothes".

* The final scene of ''Theatre/TheMostHappyFella'' ends with reprises of the letter song, "My Heart Is So Full Of You" and the title song.
* "Finale" from ''Theatre/{{Wicked}}'' reprises "Sentimental Man", "No One Mourns the Wicked", and "For Good", the latter two being in counterpoint.

* In ''Theatre/TheRiseAndFallOfTheCityOfMahagonny'', the finale begins with reprises of four old refrains: "Aber dieses ganze Mahagonny"; "Wir brauchen keinen Hurrikan"; "Denn wie man sich bettet, so liegt man"; and "Oh moon of Alabama."
* ''Film/AChristmasCarolTheMusical'' has a DarkReprise medley during the Christmas Future sequence, including "Jolly Good Time", "Link By Link", "You Mean More To Me", "Nothing to Do With Me," and a TriumphantReprise of "God Bless Us Everyone." The finale has {{triumphant reprise}}s of "Nothing to Do With Me," "A Place Called Home," "You Mean More to Me," and "Christmas Together".
* The finale of ''Theatre/{{Amaluna}}'' includes a reprise [[MusicalPastiche pastiche]] of "Elma Om Mi Lize" and "Run" followed by a BookEnds reprise of "All Come Together".
* The 2011 revival of ''Theatre/AnythingGoes'' replaced the finale's TriumphantReprise of "I Get a Kick Out of You" with a medley of "It's Delovely", "Be Like the Bluebird", and the title song.
* The ScreenToStageAdaptation of ''Film/SinginInTheRain'' has the entire cast singing "Broadway Rhythm" and "You Were Meant For Me," "Good Morning" and the title song at the curtain call.

* The Finale of ''Theatre/LaCageAuxFolles'' reprises "With You On My Arm," the title song and "Song On The Sand." This works more like a medley on the original cast recording, which cuts out Georges's "stars of the future" spiel that follows the first song and attaches the CurtainCall full-ensemble repeat of "The Best Of Times."

* In ''Theatre/{{Matilda}}'', the first verse of "Revolting Children" reprises the refrains of "Naughty" and "Miracle", while the second does likewise with "School Song" and "The Hammer". The Finale is a medley of "When I Grow Up" and "Naughty".

* Practically every ''Theatre/{{Hamilton}}'' song reprises or is reprised by at least one other, but the only song that really piles on a huge number of reprises is the MassiveMultiplayerEnsembleNumber ''Non-Stop'', which reprises ''Satisfied'', ''History Has Its Eyes On You'', ''Wait For It'', and ''That Would Be Enough'', which is itself an altered reprise of a line from ''The Schuyler Sisters''. Notably, there's a part where the characters have a short conversation entirely in borrowed lines and riffs: Hamilton borrows Eliza's line from ''The Schuyler Sisters'', and she replies with the titular line from ''Helpless'' and then the line from ''That Would Be enough'', and then Angelica voices her agreement with a line from ''Satisfied''.
* The [[https://www.youtube.com/watch?v=iZIa30ixUX8 finale]] of the ScreenToStageAdaptation of ''Theatre/TheLittleMermaid'' has a short reprise of "If Only" followed by an extended TriumphantReprise of "Part of Your World". [[https://www.youtube.com/watch?v=APdDLNpeztw The Broadway version]] also had an instrumental reprise of "Fathoms Below" as a bridge between the two. Earlier, "The Contest" combines the melodies of "Part of Your World" and "Daughters of Triton".
* ''Theatre/{{Finale}}'' has the finale, "Finally," which combines this with DarkReprise. It reprises almost every major character's IWant song, including "Today is the Day," "Once in a Lifetime," "Perpetually Almost," "More Than This," "Leaving You/Me" "Break Free," and "Falling". All of these songs are given new meaning, however, by the fact that when they were sung in Act One, they were about hope, and when sung in the finale, they are about how [[spoiler:the world is ending.]]
* "Bring on the Monsters" contains reprises of "Drive," "Strong," and "My Grand Plan" in ''The Lightning Thief'', the musical adaptation of the first book in the Theatre/PercyJacksonAndTheOlympians series.
* ''Theatre/{{Elisabeth}}'''s finale, "Der Schleier fällt", reprises "Schwarzer Prinz"/"Kein Kommen ohne Gehn", "Elisabeth, mach auf mein Engel", and "Ich gehör nur mir".
* In the ScreenToStageAdaptation of ''Theatre/TheHunchbackOfNotreDame'', "Finale" reprises "Made of Stone", "Top Of The World", "Esmeralda", "Out There", "The Bells of Notre Dame", and "Someday" (which actually gets reprised ''twice''). Bonus points for nearly all of them being [[DarkReprise Dark Reprises]].
* In ''[[Literature/PrideAndPrejudice Austen's Pride]]'', the Finale begins with a TriumphantReprise of "The Portrait Song", followed by reprises of "Choices", "Why", "When I Fall in Love", "Not Romantic"(as "I Am Romantic"), and "Isn't She Wonderful", in that order.
* In the stage musical ''Theatre/{{Anastasia}}'' the song "Quartet at the Ballet" reprises melodies and lyrics from "In My Dreams", "The Neva Flows", "Once Upon a December", and "Close the Door".
* In the ''Theatre/{{Six}}'' medley "Megasix", each of the queens' songs get reprised in order, ending with a reprise of opening number "Ex-Wives" and the finale number "Six".

* In the ''Theatre/{{Six}}'' medley "Megasix", each of the queens' songs get reprised in order, ending with a reprise of the finale number "Six".