Is there an issue? Send a MessageReason:
complaining, adding more stuff
Changed line(s) 161,162 (click to see context) from:
* The girl group Meet Me at the Altar have released several pop punk rock songs that sound too similar to PopPunk from The2000s.
* The genre of Synthwave Electro (which includes such labels as Rosso Corsa Records and electro acts such as Kavinsky and Power Glove) is a genre throwback to synth-heavy '80s film soundtracks. The soundtracks to films such as ''Film/Drive2011'' and ''Film/KungFury'', and games such as ''VideoGame/HotlineMiami'' and ''VideoGame/FarCry3BloodDragon'' (which are themselves throwbacks to '80s action films), provide very good examples.
* The genre of Synthwave Electro (which includes such labels as Rosso Corsa Records and electro acts such as Kavinsky and Power Glove) is a genre throwback to synth-heavy '80s film soundtracks. The soundtracks to films such as ''Film/Drive2011'' and ''Film/KungFury'', and games such as ''VideoGame/HotlineMiami'' and ''VideoGame/FarCry3BloodDragon'' (which are themselves throwbacks to '80s action films), provide very good examples.
to:
* The girl group Meet Me at the Altar have released several pop punk rock songs that sound too similar to heavily inspired by PopPunk from in The2000s.
* The genre of Synthwave Electro (which includes such labels as Rosso Corsa Records and electro acts such as Kavinsky and Power Glove) is a genre throwback to synth-heavy '80s film soundtracks. The soundtracks to films such as ''Film/Drive2011'' and ''Film/KungFury'', and games such as ''VideoGame/HotlineMiami'' and ''VideoGame/FarCry3BloodDragon'' (which are themselves throwbacks to '80s action films), provide very good examples. Synthwave itself, as well as Darkwave, add in heavier metal and industry inspirations, such as Music/CarpenterBrut.
* The genre of Synthwave Electro (which includes such labels as Rosso Corsa Records and electro acts such as Kavinsky and Power Glove) is a genre throwback to synth-heavy '80s film soundtracks. The soundtracks to films such as ''Film/Drive2011'' and ''Film/KungFury'', and games such as ''VideoGame/HotlineMiami'' and ''VideoGame/FarCry3BloodDragon'' (which are themselves throwbacks to '80s action films), provide very good examples. Synthwave itself, as well as Darkwave, add in heavier metal and industry inspirations, such as Music/CarpenterBrut.
Changed line(s) 215 (click to see context) from:
* Music/PorterRobinson's work under the VIRTUAL SELF alias is inspired by Y2K-era trance and video game music. The result wouldn't feel out of place in the early VideoGame/DanceDanceRevolution games.
to:
* Music/PorterRobinson's work under the VIRTUAL SELF alias is inspired by Y2K-era trance and video game music. The result results, such as the "Cheerleader" single (which throws in PopPunk, nerdcore, and anime fandom aesthetics from The2000s), wouldn't feel out of place in the early VideoGame/DanceDanceRevolution games.games.
* Music/GingerRoot is a throwback to East Asian (especially Japanese) CityPop, funk, and soul that's heavily inspired by 80s and 90s acts like Music/YellowMagicOrchestra, Music/{{Cassiopea}}, Music/MariyaTakeuchi (who even gave the OneManBand a ColbertBump), and Music/PinkLady. The expanded universe goes further with fuzzy VHS visuals in the vein of 90s Hong Kong films and talk shows patterned off of Series/TheTonightShowStarringJohnnyCarson.
* Music/GingerRoot is a throwback to East Asian (especially Japanese) CityPop, funk, and soul that's heavily inspired by 80s and 90s acts like Music/YellowMagicOrchestra, Music/{{Cassiopea}}, Music/MariyaTakeuchi (who even gave the OneManBand a ColbertBump), and Music/PinkLady. The expanded universe goes further with fuzzy VHS visuals in the vein of 90s Hong Kong films and talk shows patterned off of Series/TheTonightShowStarringJohnnyCarson.
Changed line(s) 230 (click to see context) from:
* Music/OliviaRodrigo was born in 2003, and when she wants she can make a rock song that sounds like it was recorded in 2003, like "good 4 u", "brutal" or [[https://www.youtube.com/watch?v=IeTeaO7guGY this version]] of "jealousy jealousy".
to:
* Music/OliviaRodrigo was born in 2003, and when she wants she can make a rock song that sounds like it was recorded in 2003, like "good 4 u", u" (which was heavily inspired by PopPunk mavens Music/{{Paramore}} to the point she gave them writing credits), "brutal" or [[https://www.youtube.com/watch?v=IeTeaO7guGY this version]] of "jealousy jealousy".
Added DiffLines:
* Music/{{Laufey}} sings old-timey [[LoveHurts songs of heartbreak]] and [[TorchSong longing]] in the vein of 50s pop acts that blended jazz and musical theatre, like Music/FrankSinatra, Music/DorisDay, Music/EllaFitzgerald, Music/ArethaFranklin, etc.. She's also thrown in a lot of Music/ChetBaker's melancholic singing style and has dipped into other old-school homages, like sixties/seventies BassaNova for "From the Start".
Is there an issue? Send a MessageReason:
None
Changed line(s) 79 (click to see context) from:
* Matt Fraction's ''ComicBook/{{Casanova}}'' is this for the psychedelic spy comics of the sixties.
to:
* Matt Fraction's ''ComicBook/{{Casanova}}'' is this for an unabashed throwback to the psychedelic spy comics SpyFiction of the sixties.TheSixties and TheSeventies, such as ''ComicBook/NickFury'' and ''Literature/TheCorneliusChronicles.''
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Like the [[VideoGame/{{Fallout}} game it's based on]] ''Series/{{Fallout}}'' is an homage to [[BMovie '50s B-movie sci-fi flicks]] and AtomPunk with a good dash of horror, TwoFistedTales, and TheWestern tossed in.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''ComicBook/Aquaman1994 Annual #3'' was part of a "Pulp Heroes" event that took superheroes back to their pulp-inspired roots. Aquaman had three noir-style adventures as he searched for his missing friend Tusky, rescued Nera, a dolphin friend of his, and went undercover to infiltrate a gang.
Is there an issue? Send a MessageReason:
Corrected trope
Changed line(s) 204 (click to see context) from:
* Music/HollywoodUndead, particularly in their later albums, is a throwback to late '90s NuMetal[=/=]RapRock.
to:
* Music/HollywoodUndead, particularly in their later albums, is a throwback to late '90s NuMetal[=/=]RapRock.NuMetal[=/=]RapMetal.
Is there an issue? Send a MessageReason:
None
Changed line(s) 154 (click to see context) from:
* ''Series/Warrior2019'' was developed from Creator/BruceLee's original pitch for the show that ended up becoming ''Series/KungFu1972'', and as such, feels very much like a throwback to the sorts of martial arts movies Lee was making in the '60s and early '70s. There are also quite a few nods (of varying degrees of subtlety) to Bruce Lee's movies, and the hero, Ah Sahm, is essentially an unapologetic BruceLeeClone.
to:
* ''Series/Warrior2019'' was developed from Creator/BruceLee's original a dusted-off series pitch for the show that ended up becoming ''Series/KungFu1972'', by Creator/BruceLee, and as such, feels very much like a throwback to the sorts of martial arts movies Lee he was making in the '60s and early '70s. There are also quite a few nods (of varying degrees of subtlety) to Bruce Lee's movies, and the hero, Ah Sahm, is essentially an unapologetic BruceLeeClone.
Changed line(s) 174 (click to see context) from:
** "Leave the Door Open" (2021): Late [[TheSixties '60s]]/Early '70s Motown Slow Jam R&B somewhat reminiscent of Music/TheTemptations or Music/MarvinGaye (in collaboration with Anderson .Paak as the duo Silk Sonic).
to:
** "Leave the Door Open" (2021): Late [[TheSixties '60s]]/Early '70s Motown Slow Jam R&B somewhat reminiscent of Music/TheTemptations or Music/MarvinGaye (in collaboration with Anderson .Anderson Paak as the duo Silk Sonic).
Changed line(s) 186 (click to see context) from:
* The Reckless Love does much the same, its first album coming out a little later in 2010. The third album, Spirit, is as obvious a tribute to 80s glam as it gets.
to:
* The Reckless Love does much the same, its first album coming out a little later in 2010. The third album, Spirit, is as obvious a tribute to 80s '80s glam as it gets.
Is there an issue? Send a MessageReason:
None
Changed line(s) 76,77 (click to see context) from:
** ''ComicBook/{{Watchmen}}'' isn't one of these. The in-story ''Tales of the Black Freighter'' comic, on the other hand, is, homaging the old Creator/ECComics horror/mystery titles of TheFifties. The horror/mystery genre never ''completely'' died out[[note]]DC's own ''ComicBook/HouseOfMystery'' ran uninterrupted from the early 1950s through the early 1980s, and there was a short-lived revival of the title starring Creator/{{Elvira|MistressOfTheDark}} around the time ''Watchmen'' itself came out[[/note]], but after the rise of UsefulNotes/TheComicsCode they were pushed to the margins while superhero comics like Batman and Superman took over the mainstream of the medium. ''Tales of the Black Freighter'' was Moore's take on what the best-selling comic in a world without superhero comics would look like.
* ''ComicBook/{{Planetary}}'' throws in pastiches of comic book genres that were popular in the 1950s (sci-fi, pulp adventure, western, horror, etc.) before being almost completely eclipsed by the superhero genre in UsefulNotes/TheSilverAgeOfComicBooks.
* ''ComicBook/{{Planetary}}'' throws in pastiches of comic book genres that were popular in the 1950s (sci-fi, pulp adventure, western, horror, etc.) before being almost completely eclipsed by the superhero genre in UsefulNotes/TheSilverAgeOfComicBooks.
to:
** ''ComicBook/{{Watchmen}}'' isn't one of these. The in-story ''Tales of the Black Freighter'' comic, on the other hand, is, homaging the old Creator/ECComics horror/mystery titles of TheFifties. The horror/mystery genre never ''completely'' died out[[note]]DC's own ''ComicBook/HouseOfMystery'' ran uninterrupted from the early 1950s through the early 1980s, and there was a short-lived revival of the title starring Creator/{{Elvira|MistressOfTheDark}} around the time ''Watchmen'' itself came out[[/note]], but after the rise of UsefulNotes/TheComicsCode MediaNotes/TheComicsCode they were pushed to the margins while superhero comics like Batman and Superman took over the mainstream of the medium. ''Tales of the Black Freighter'' was Moore's take on what the best-selling comic in a world without superhero comics would look like.
* ''ComicBook/{{Planetary}}'' throws in pastiches of comic book genres that were popular in the 1950s (sci-fi, pulp adventure, western, horror, etc.) before being almost completely eclipsed by the superhero genre inUsefulNotes/TheSilverAgeOfComicBooks.MediaNotes/TheSilverAgeOfComicBooks.
* ''ComicBook/{{Planetary}}'' throws in pastiches of comic book genres that were popular in the 1950s (sci-fi, pulp adventure, western, horror, etc.) before being almost completely eclipsed by the superhero genre in
Changed line(s) 83 (click to see context) from:
* ''ComicBook/AstroCity'' wears its indebtedness to UsefulNotes/TheSilverAgeOfComicBooks on its sleeve.
to:
* ''ComicBook/AstroCity'' wears its indebtedness to UsefulNotes/TheSilverAgeOfComicBooks MediaNotes/TheSilverAgeOfComicBooks on its sleeve.
Changed line(s) 87 (click to see context) from:
* ''ComicBook/SandmanMysteryTheatre'': [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] pulp detective comics and novels.
to:
* ''ComicBook/SandmanMysteryTheatre'': [[UsefulNotes/TheGoldenAgeOfComicBooks [[MediaNotes/TheGoldenAgeOfComicBooks Golden Age]] pulp detective comics and novels.
Changed line(s) 89,90 (click to see context) from:
* ''ComicBook/PinkLemonade'' is a LighterAndSofter [[AlternativeComics Alt-Comic]] done InTheStyleOf UsefulNotes/TheSilverAgeOfComicBooks (as well as referencing UsefulNotes/TheDarkAgeOfComicBooks via the character of ex-NinetiesAntiHero Ron Radical).
* ''ComicBook/WonderWomanBlackAndGold'': "Whatever Happened to Cathy Perkins?" is a throwback to the [[UsefulNotes/TheBronzeAgeOfComicBooks Bronze Age]] Mod era of ''ComicBook/{{Wonder Woman|1942}}'' (1968-73) with Diana unexpectedly running into her old supporting character Cathy Perkins after decades, revisiting the bouquet shop they used to run, and fending off the old villain trio of THEM!.
* ''ComicBook/WonderWomanBlackAndGold'': "Whatever Happened to Cathy Perkins?" is a throwback to the [[UsefulNotes/TheBronzeAgeOfComicBooks Bronze Age]] Mod era of ''ComicBook/{{Wonder Woman|1942}}'' (1968-73) with Diana unexpectedly running into her old supporting character Cathy Perkins after decades, revisiting the bouquet shop they used to run, and fending off the old villain trio of THEM!.
to:
* ''ComicBook/PinkLemonade'' is a LighterAndSofter [[AlternativeComics Alt-Comic]] done InTheStyleOf UsefulNotes/TheSilverAgeOfComicBooks MediaNotes/TheSilverAgeOfComicBooks (as well as referencing UsefulNotes/TheDarkAgeOfComicBooks MediaNotes/TheDarkAgeOfComicBooks via the character of ex-NinetiesAntiHero Ron Radical).
* ''ComicBook/WonderWomanBlackAndGold'': "Whatever Happened to Cathy Perkins?" is a throwback to the[[UsefulNotes/TheBronzeAgeOfComicBooks [[MediaNotes/TheBronzeAgeOfComicBooks Bronze Age]] Mod era of ''ComicBook/{{Wonder Woman|1942}}'' (1968-73) with Diana unexpectedly running into her old supporting character Cathy Perkins after decades, revisiting the bouquet shop they used to run, and fending off the old villain trio of THEM!.
* ''ComicBook/WonderWomanBlackAndGold'': "Whatever Happened to Cathy Perkins?" is a throwback to the
Changed line(s) 243 (click to see context) from:
* ''Podcast/RedPandaAdventures'' -- UsefulNotes/TheGoldenAgeOfComicBooks
to:
* ''Podcast/RedPandaAdventures'' -- UsefulNotes/TheGoldenAgeOfComicBooksMediaNotes/TheGoldenAgeOfComicBooks
Changed line(s) 278 (click to see context) from:
* The ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fan animation [[https://www.youtube.com/watch?v=CFVoJQz4a_4 "Apple Thief."]] While it has the same animation style and character design as the series it's based on, is filled with ''WesternAnimation/LooneyTunes'' and ''WesternAnimation/TomAndJerry''-style gags straight from UsefulNotes/TheGoldenAgeOfAnimation.
to:
* The ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fan animation [[https://www.youtube.com/watch?v=CFVoJQz4a_4 "Apple Thief."]] While it has the same animation style and character design as the series it's based on, is filled with ''WesternAnimation/LooneyTunes'' and ''WesternAnimation/TomAndJerry''-style gags straight from UsefulNotes/TheGoldenAgeOfAnimation.MediaNotes/TheGoldenAgeOfAnimation.
Changed line(s) 305 (click to see context) from:
* In ''WesternAnimation/{{Animaniacs}}'': The Warner Brothers ([[InsistentTerminology and the Warner Sister]]) can be taken as a throwback to UsefulNotes/TheGoldenAgeOfAnimation and other comedies of the time like those of the Creator/MarxBrothers, especially considering that their backstory is that they were created in the Thirties. Also they stole many, many jokes from them.
to:
* In ''WesternAnimation/{{Animaniacs}}'': The Warner Brothers ([[InsistentTerminology and the Warner Sister]]) can be taken as a throwback to UsefulNotes/TheGoldenAgeOfAnimation MediaNotes/TheGoldenAgeOfAnimation and other comedies of the time like those of the Creator/MarxBrothers, especially considering that their backstory is that they were created in the Thirties. Also they stole many, many jokes from them.
Changed line(s) 308 (click to see context) from:
* ''WesternAnimation/TheRenAndStimpyShow'' was like a tortured, horrifying version of [[UsefulNotes/TheGoldenAgeOfAnimation Golden Age cartoons]], complete with animation style and specific gags copied from ''WesternAnimation/TexAveryMGMCartoons'' (and ''Looney Tunes'' to a lesser extent).
to:
* ''WesternAnimation/TheRenAndStimpyShow'' was like a tortured, horrifying version of [[UsefulNotes/TheGoldenAgeOfAnimation [[MediaNotes/TheGoldenAgeOfAnimation Golden Age cartoons]], complete with animation style and specific gags copied from ''WesternAnimation/TexAveryMGMCartoons'' (and ''Looney Tunes'' to a lesser extent).
Is there an issue? Send a MessageReason:
RGU is not a magical girl killer.
Changed line(s) 41 (click to see context) from:
* ''Anime/PrettyCure'' was this to the MagicalGirlWarrior genre after ''Anime/RevolutionaryGirlUtena'' took most of its tropes apart. With added PostModernism and ''Manga/DragonBall''-styled fighting sequences to have it stand out even then. While later seasons were more colorful and brighter, the art style [[Anime/FutariWaPrettyCure from the first season]] [[Anime/FutariWaPrettyCureSplashStar to the third]] resembled more of a {{Retraux}} 80s or 90s shonen anime like their big hit in that era, ''Anime/DragonBallZ'', with later seasons looking like a modernized colorful version of ''Manga/SailorMoon'' style afterwards.
to:
* ''Anime/PrettyCure'' was this to the MagicalGirlWarrior genre after ''Anime/RevolutionaryGirlUtena'' took most of its tropes apart. With genre, with added PostModernism and ''Manga/DragonBall''-styled fighting sequences to have it stand out even then. While later seasons were more colorful and brighter, the art style [[Anime/FutariWaPrettyCure from the first season]] [[Anime/FutariWaPrettyCureSplashStar to the third]] resembled more of a {{Retraux}} 80s or 90s shonen anime like their big hit in that era, ''Anime/DragonBallZ'', with later seasons looking like a modernized colorful version of ''Manga/SailorMoon'' style afterwards.
Is there an issue? Send a MessageReason:
None
Changed line(s) 222 (click to see context) from:
* Psycho-Frame, 9 Dead, Tracheotomy, and Snuffed on Sight are all throwbacks to mid-2000s brutal deathcore, with sounds reminiscent of early Music/SuicideSilence, Music/{{Whitechapel}}, I Declare War, and Impending Doom.
to:
* Psycho-Frame, 9 Dead, Tracheotomy, and Snuffed on Sight are all throwbacks to mid-2000s brutal deathcore, with sounds reminiscent of early Music/SuicideSilence, Music/{{Whitechapel}}, Music/WhitechapelBand, I Declare War, and Impending Doom.
Is there an issue? Send a MessageReason:
None
Changed line(s) 196 (click to see context) from:
* Music/{{Eminem}}'s single "Berzerk" is a throwback to old '90s rap -- primarily the Music/BeastieBoys, even using a rock-based sample, as the Boys were known to do (though the influences range from Music/PublicEnemy to Music/{{NWA}}).
to:
* Music/{{Eminem}}'s single "Berzerk" is a throwback to old '90s rap -- primarily the Music/BeastieBoys, even using a rock-based sample, as the Boys were known to do (though the influences range from Music/PublicEnemy to Music/{{NWA}}).
Changed line(s) 201 (click to see context) from:
* The music video for "Sabotage" by the Music/BeastieBoys is a throwback homage to '70s television show intros, including spinning scenery shots, people jumping over the hood of cars and cheesy mustaches.
to:
* The music video for "Sabotage" by the Music/BeastieBoys is a throwback homage to '70s television show intros, including spinning scenery shots, people jumping over the hood of cars and cheesy mustaches.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''Literature/TheExpanse'' has been described by its authors as a tribute and a renewal of old school SpaceOpera.
Is there an issue? Send a MessageReason:
Added example(s)
* ''Anime/BangBraveBangBravern'' is, similar to ''Anime/MartianSuccessorNadesico'', both a love letter and an AffectionateParody of old SuperRobot shows, this time from TheNineties, most obviously the ''Anime/BraveSeries'', with a human teaming up with a HotBlooded living HumongousMecha (only now with ''much'' more added HomoeroticSubtext).
Changed line(s) 50 (click to see context) from:
[[folder:Automobiles]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 291 (click to see context) from:
* Creator/MollyMoon makes Website/TikTok [[https://www.tiktok.com/@mollymoonn2 shorts]] that parody 1990s InteractiveMovie games, with the [[StylisticSuck jank]] and [[UncannyValley awkwardness]] being PlayedForLaughs and a bit of [[PlayedForHorror horror]].
to:
* Creator/MollyMoon makes Website/TikTok Platform/TikTok [[https://www.tiktok.com/@mollymoonn2 shorts]] that parody 1990s InteractiveMovie games, with the [[StylisticSuck jank]] and [[UncannyValley awkwardness]] being PlayedForLaughs and a bit of [[PlayedForHorror horror]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 174 (click to see context) from:
* Singers such as Duffy and the late Music/AmyWinehouse thrived on an "old-fashioned" sound.
to:
* Singers such as Duffy Music/{{Duffy}} and the late Music/AmyWinehouse thrived on an "old-fashioned" sound.
Changed line(s) 188 (click to see context) from:
* The Neo-Soul genre was a throwback to smooth '70s soul.
to:
* The Neo-Soul NeoSoul genre was a throwback to smooth '70s soul.
Changed line(s) 194,195 (click to see context) from:
* Music/{{Eminem}}:
** Eminem's single "Berzerk" is a throwback to old '90s rap -- primarily the Music/BeastieBoys, even using a rock-based sample, as the Boys were known to do (though the influences range from Music/PublicEnemy to Music/{{NWA}}).
** Eminem's single "Berzerk" is a throwback to old '90s rap -- primarily the Music/BeastieBoys, even using a rock-based sample, as the Boys were known to do (though the influences range from Music/PublicEnemy to Music/{{NWA}}).
to:
* Music/{{Eminem}}:
** Eminem'sMusic/{{Eminem}}'s single "Berzerk" is a throwback to old '90s rap -- primarily the Music/BeastieBoys, even using a rock-based sample, as the Boys were known to do (though the influences range from Music/PublicEnemy to Music/{{NWA}}).
** Eminem's
Changed line(s) 197 (click to see context) from:
* The [[http://youtu.be/t66oD-Y1GhA?t=1h18m20s "Confiteor"]] in J.S. Bach's ''Mass in B Minor'' was written to evoke Gregorian Chant, which was already ancient by Bach's time, and late into the movement a Gregorian Chant-style cantus firmus appears, accentuated above the rest of the voices.
to:
* The [[http://youtu.be/t66oD-Y1GhA?t=1h18m20s "Confiteor"]] in [[Music/JohannSebastianBach J.S. Bach's Bach]]'s ''Mass in B Minor'' was written to evoke Gregorian Chant, which was already ancient by Bach's time, and late into the movement a Gregorian Chant-style cantus firmus appears, accentuated above the rest of the voices.
Changed line(s) 205 (click to see context) from:
* Meghan Trainor's style (mostly on her debut album ''Title'') is very reminiscent of '50s {{doowop}}, with hints of '60s Creator/{{Motown}} thrown in.
to:
* Meghan Trainor's Music/MeghanTrainor's style (mostly on her debut album ''Title'') is very reminiscent of '50s {{doowop}}, with hints of '60s Creator/{{Motown}} thrown in.
Is there an issue? Send a MessageReason:
None
Changed line(s) 218 (click to see context) from:
* Wristmeetrazor, [=SeeYouSpaceCowboy=], and .gif from god are throwbacks to the type of mathcore and mathgrind that was popular on [=MySpace=] and a mainstay of VFW and Elks Lodge shows in the early 2000s, inviting comparisons to acts like Norma Jean, The Bled, The Number Twelve Looks Like You, Fear Before the March of Flames, and The Fall of Troy. Furthermore, [=SeeYouSpaceCowboy's=] ''The Correlation Between Entrance and Exit Wounds'' wound up being a different type of throwback to very early melodic metalcore ala 7 Angels 7 Plagues, Poison the Well, and mid-era Zao, and [[WordOfGod Connie Sgarbossa confirmed]] that that was a deliberate choice.
to:
* Wristmeetrazor, [=SeeYouSpaceCowboy=], and .gif from god are throwbacks to the type of mathcore and mathgrind that was popular on [=MySpace=] and a mainstay of VFW and Elks Lodge shows in the early 2000s, inviting comparisons to acts like Norma Jean, The Bled, The Number Twelve Looks Like You, Fear Before the March of Flames, and The Fall of Troy.Music/TheFallOfTroy. Furthermore, [=SeeYouSpaceCowboy's=] ''The Correlation Between Entrance and Exit Wounds'' wound up being a different type of throwback to very early melodic metalcore ala 7 Angels 7 Plagues, Poison the Well, and mid-era Zao, and [[WordOfGod Connie Sgarbossa confirmed]] that that was a deliberate choice.
Is there an issue? Send a MessageReason:
None
Changed line(s) 302 (click to see context) from:
* ''WesternAnimation/TheVentureBrothers'' does a bit of this and a bit of parody with 1960s action shows like ''WesternAnimation/JonnyQuest'' and such, plus a hefty dose of increased badass. Instead of plots about random monsters, we get genuine nightmare fuel about a dead twin-brother still living inside his twin and eventually building a robot body for itself.
to:
* ''WesternAnimation/TheVentureBrothers'' ''WesternAnimation/TheVentureBros'' does a bit of this and a bit of parody with 1960s action shows like ''WesternAnimation/JonnyQuest'' and such, plus a hefty dose of increased badass. Instead of plots about random monsters, we get genuine nightmare fuel about a dead twin-brother still living inside his twin and eventually building a robot body for itself.
Is there an issue? Send a MessageReason:
None
Changed line(s) 221 (click to see context) from:
* Tactosa, 9 Dead, Tracheotomy, and Snuffed on Sight are all throwbacks to mid-2000s brutal deathcore, with sounds reminiscent of early Music/SuicideSilence, Music/{{Whitechapel}}, I Declare War, and Impending Doom.
to:
* Tactosa, Psycho-Frame, 9 Dead, Tracheotomy, and Snuffed on Sight are all throwbacks to mid-2000s brutal deathcore, with sounds reminiscent of early Music/SuicideSilence, Music/{{Whitechapel}}, I Declare War, and Impending Doom.
Is there an issue? Send a MessageReason:
None
* Creator/MollyMoon makes Website/TikTok [[https://www.tiktok.com/@mollymoonn2 shorts]] that parody 1990s InteractiveMovie games, with the [[StylisticSuck jank]] and [[UncannyValley awkwardness]] being PlayedForLaughs and a bit of [[PlayedForHorror horror]].
Changed line(s) 298 (click to see context) from:
[[folder:Western Animation]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 157,158 (click to see context) from:
* The girl group Music/MeetMe@TheAltar have released several pop punk rock songs that sound too similar to PopPunk from The2000s.
to:
* The girl group Music/MeetMe@TheAltar Meet Me at the Altar have released several pop punk rock songs that sound too similar to PopPunk from The2000s.
The2000s.
Changed line(s) 230 (click to see context) from:
* "Planet of the Bass" by DJ Crazy Times is an AffectionateParody of European Dance Pop of TheNineties.
to:
* "Planet of the Bass" "Music/PlanetOfTheBass" by DJ Crazy Times is an AffectionateParody of European Dance Pop of TheNineties.TheNineties.
* Music/MariahCarey's "All I Want for Christmas is You" is a throwback to the pop music of TheFifties and TheSixties, particularly Music/PhilSpector's compositions, and (by extension) the [[ChristmasSongs Christmas standards]] that were mostly recorded during that time. It turned out to be a good enough pastiche that some fans have mistaken it for an actual '60s pop song that Carey later CoveredUp.
* Music/MariahCarey's "All I Want for Christmas is You" is a throwback to the pop music of TheFifties and TheSixties, particularly Music/PhilSpector's compositions, and (by extension) the [[ChristmasSongs Christmas standards]] that were mostly recorded during that time. It turned out to be a good enough pastiche that some fans have mistaken it for an actual '60s pop song that Carey later CoveredUp.
Is there an issue? Send a MessageReason:
None
Changed line(s) 309 (click to see context) from:
* Rob Zombie described ''The Haunted World of El Superbeasto'' as an attempt to make an R rated version of classic ''Looney Tunes''.
to:
* Rob Zombie described ''The Haunted World of El Superbeasto'' ''WesternAnimation/TheHauntedWorldOfElSuperbeasto'' as an attempt to make an R rated version of classic ''Looney Tunes''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 84 (click to see context) from:
* ''ComicBook/ImmortalHulk'' is heavily inspired by Atomic Age horror comics, as well as the earliest portrayal of the Hulk by Creator/StanLee and Creator/JackKirby, but with a contemporary spin.
to:
* ''ComicBook/ImmortalHulk'' is heavily inspired by Atomic Age horror comics, as well such as the earliest portrayal of the Hulk by Creator/StanLee and Creator/JackKirby, but with a contemporary spin.spin. It's SpiritualSuccessor by the same author, ''ComicBook/TheImmortalThor'', does the same with HeroicFantasy comics of the same era and after, homaging Thor's earlier appearances under writers like Kirby. Meanwhile, [[ComicBook/TheIncredibleHulk2023 the Hulk run]] that succeeded ''Immortal Hulk'' continued the horror comic throwback by moving on to paying tribute to 70s and 80s era GothicHorror comics like ''ComicBook/ManThing'' or ''ComicBook/TheTombOfDracula''.
Added DiffLines:
* ''ComicBook/AgeOfTheSentry'': A very AffectionateParody of Silver Age superhero comics, particularly Franchise/{{Superman}} stories of that period.
Is there an issue? Send a MessageReason:
None
Changed line(s) 112 (click to see context) from:
* ''Literature/SheepsClothing'' deliberately hearkens back to the darker, Creator/BramStoker style vampires as a deliberate rejection of the romantic ''Literature/{{Twilight}}''-style vampires.
to:
* ''Literature/SheepsClothing'' deliberately hearkens back to the darker, Creator/BramStoker style vampires as a deliberate rejection of the romantic ''Literature/{{Twilight}}''-style ''Franchise/{{Twilight}}''-style vampires.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** In a more specific example, the heroes of the 20s and 30s such as the Cloak of Night and the Five Deadly Fists are homages to old pulp stories, such as Radio/TheShadow.
Is there an issue? Send a MessageReason:
None
Changed line(s) 79 (click to see context) from:
* ''ComicBook/SinCity' takes its cues from FilmNoir books and films, as well as {{Exploitation Film}}s, despite being a comic book series. It was eventually made into a [[TheMovie movie]] where the homages were perhaps more apparent.
to:
* ''ComicBook/SinCity' ''ComicBook/SinCity'' takes its cues from FilmNoir books and films, as well as {{Exploitation Film}}s, despite being a comic book series. It was eventually made into a [[TheMovie movie]] where the homages were perhaps more apparent.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''Atlanta in Calydon'' by Creator/AlgernonCharlesSwinburne was written in the style of the tragic plays of ancient Greece.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''WesternAnimation/TheLoudHouse'' is a modernized take on the SliceOfLife sitcoms, cartoons, and especially comic strips of the late 20th century, such as ''Series/FullHouse'', ''WesternAnimation/{{Doug}}'', and ''ComicStrip/FoxTrot'' respectively.