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* In ''VideoGame/{{Undertale}}'', as "Megalovania" begins, you can hear the downbeats descending in the opening riff: D, C, B♮, B♭. These of course form the bass when it drops.
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* In ''WesternAnimation/TheTransformersTheMovie'', "Death of Optimus Prime" has a descending [[PlayingTheHeartStrings strings]] cadence when Optimus's vitals {{flatline}} and [[DeathIsGray his colors fade to gray]].
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* Music/{{AURORA}}'s "It Happened Quiet" uses Em-D-C6-Bm in the first half of the chorus, while the second half subverts this trope with G-Bm/F♯-Em-[=Am6=]/C-D7.
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* Music/{{AURORA}}'s Music/{{AURORA|Singer}}'s "It Happened Quiet" uses Em-D-C6-Bm in the first half of the chorus, while the second half subverts this trope with G-Bm/F♯-Em-[=Am6=]/C-D7.
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* The {{Eurobeat}} song "Remember Me" by Clara Moroni as Leslie Parrish uses the standard Andalusian cadence (i-VII-VI-V) during the intro and synthesizer riff, and VI-v-iv7-V during the prechorus.
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* "Who Am I?" and "One Day More" from ''Theatre/LesMiserables'' both have major diatonic descending bass lines.
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* "Who Am I?" I?", "I Dreamed A Dream", and "One Day More" from ''Theatre/LesMiserables'' both have all share a common major diatonic descending bass lines.line.
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* "Who Am I?" and "One Day More" from ''Theatre/LesMiserables'' both have major diatonic descending bass lines.
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* The A-section of "Sacrifices" from ''VideoGame/ActRaiser'' has a falling bass line on the D minor diatonic scale.
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No, tonot [[{{Pun}} an instrument dropped out a 10-story window]]. That would just be "[[NotTheFallThatKillsYou crashing bass]]".
This also [[JustForFun/IThoughtItMeant nothing]] to do with [[{{Dubstep}} "dropping the bass"]].
This also [[JustForFun/IThoughtItMeant nothing]] to do with [[{{Dubstep}} "dropping the bass"]].
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No, tonot it's not [[{{Pun}} an instrument dropped out a 10-story window]]. That would just be "[[NotTheFallThatKillsYou crashing bass]]".
This also has [[JustForFun/IThoughtItMeant nothing]] to do with [[{{Dubstep}} "dropping the bass"]].
This also has [[JustForFun/IThoughtItMeant nothing]] to do with [[{{Dubstep}} "dropping the bass"]].
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* The opening theme of ''VideoGame/{{Mother|1}}'', "Mother Earth", only uses four steps of the chromatic sequence faithfully, but it's still using the technique for its poignance.
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* The opening theme of ''VideoGame/{{Mother|1}}'', ''VideoGame/EarthBoundBeginnings'', "Mother Earth", only uses four steps of the chromatic sequence faithfully, but it's still using the technique for its poignance.
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Changed line(s) 83 (click to see context) from:
* The intro of Beethoven's ''Moonlight Sonata'' has i, v6, VI, ♭[=II6=], V7, i4, [=Vsus4=], iv°7.
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* The intro of Beethoven's ''Moonlight Sonata'' has i, v6, VI, ♭[=II6=], V7, i4, [=Vsus4=], iv°7.♯vii°4.
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* The intro of Beethoven's ''Moonlight Sonata'' has i, v6, VI, ♭[=II4=], V7, i4, [=Vsus4=], iv°7.
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* The intro of Beethoven's ''Moonlight Sonata'' has i, v6, VI, ♭[=II4=], ♭[=II6=], V7, i4, [=Vsus4=], iv°7.
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* The intro of Beethoven's ''Moonlight Sonata'' has i, v6, VI, ♭[=II4=], V7, i4, [=Vsus4=], iv°7.
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* "[[https://youtu.be/kG6O4N3wxf8 Chim Chim Cher-ee]]" from ''Film/MaryPoppins''.
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* The A-section of the Bridge Zone theme from ''VideoGame/SonicTheHedgehog18Bit'' uses the full diatonic scale progression in F major.
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Changed line(s) 56 (click to see context) from:
* The A-section of the Bridge Zone theme from ''VideoGame/SonicTheHedgehog8Bit'' uses the full diatonic scale progression in F major.
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* The A-section of the Bridge Zone theme from ''VideoGame/SonicTheHedgehog8Bit'' ''VideoGame/SonicTheHedgehog18Bit'' uses the full diatonic scale progression in F major.
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* The A-section of the Bridge Zone theme from ''VideoGame/SonicTheHedgehog8Bit'' uses the full diatonic scale progression in F major.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, G->D4->Dm4->E, then switches to the diatonic scale for C6->G4->E7/4/2->[=Cmaj7=] before resolving to D as usual.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, G->D4->Dm4->E, G->D6->[=Dm6=]->E, then switches to the diatonic scale for C6->G4->E7/4/2->[=Cmaj7=] before resolving to D as usual.
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Changed line(s) 135 (click to see context) from:
* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, then switches to the diatonic scale for C6->G4->E7/4/2->[=Cmaj7=] before resolving to D as usual.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, G->D4->Dm4->E, then switches to the diatonic scale for C6->G4->E7/4/2->[=Cmaj7=] before resolving to D as usual.
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Changed line(s) 135 (click to see context) from:
* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, then switches to the diatonic scale for C4->G6->E7/4/2->[=Cmaj7=] before resolving to D as usual.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, then switches to the diatonic scale for C4->G6->E7/4/2->[=Cmaj7=] C6->G4->E7/4/2->[=Cmaj7=] before resolving to D as usual.
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Changed line(s) 135 (click to see context) from:
* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, then switches to the diatonic scale for C4->G6->E7/6/2->[=Cmaj7=] before resolving to D as usual.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, then switches to the diatonic scale for C4->G6->E7/6/2->[=Cmaj7=] C4->G6->E7/4/2->[=Cmaj7=] before resolving to D as usual.
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Changed line(s) 135 (click to see context) from:
* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, then drops down to C (root position) followed by Am/E->Em->[=Cmaj7=] before resolving to D as usual.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme'' uses the chromatic scale in G major for its first four chords, then drops down switches to C (root position) followed by Am/E->Em->[=Cmaj7=] the diatonic scale for C4->G6->E7/6/2->[=Cmaj7=] before resolving to D as usual.
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Changed line(s) 135 (click to see context) from:
* The chorus of "[[https://youtu.be/ZnCzOCuZXj8 Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme''.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8 be/ZnCzOCuZXj8?t= Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme''.Extreme'' uses the chromatic scale in G major for its first four chords, then drops down to C (root position) followed by Am/E->Em->[=Cmaj7=] before resolving to D as usual.
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* The chorus of "[[https://youtu.be/ZnCzOCuZXj8 Graduation]]" from ''VideoGame/DanceDanceRevolution Extreme''.
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* In ''VideoGame/OriAndTheBlindForest'', the main melody of the Sunken Glades/Hollow Grove theme incorporates the Andalusian cadence, but the piece's home mode is Phrygian rather than Aeolian.
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* The first bridge section of Deborah Cox's "I Never Knew" descends the A♭ major scale to C, with all of the chords in root position.
