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* In The UK, the Ed Case Refix of Music/{{Gorillaz}}‘ Clint Eastwood featuring Sweetie Irie is far more well known than the original featuring Del The Funky Homosapien, mostly due to how popular the genre of the remix was in the UK at the time of its release.

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* In The UK, the Ed Case Refix of Music/{{Gorillaz}}‘ Clint Eastwood Music/{{Gorillaz}}’ “Clint Eastwood” featuring Sweetie Irie is far more well known than the original featuring Del The Funky Homosapien, mostly due to how popular the genre of the remix was in the UK at the time of its release.
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* In The UK, the Ed Case Refix of Music/{{Gorillaz}} ‘ Clint Eastwood featuring Sweetie Irie is far more well known than the original featuring Del The Funky Homosapien, mostly due to how popular the genre of the remix was in the UK at the time of its release.

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* In The UK, the Ed Case Refix of Music/{{Gorillaz}} ‘ Music/{{Gorillaz}}‘ Clint Eastwood featuring Sweetie Irie is far more well known than the original featuring Del The Funky Homosapien, mostly due to how popular the genre of the remix was in the UK at the time of its release.
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* In The UK, the Ed Case Refix of * Music/Gorillaz’ Clint Eastwood featuring Sweetie Irie is far more well known than the original featuring Del The Funky Homosapien, mostly due to how popular the genre of the remix was in the UK at the time of its release.

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* In The UK, the Ed Case Refix of * Music/Gorillaz’ Music/{{Gorillaz}} ‘ Clint Eastwood featuring Sweetie Irie is far more well known than the original featuring Del The Funky Homosapien, mostly due to how popular the genre of the remix was in the UK at the time of its release.
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* In The UK, the Ed Case Refix of * Music/Gorillaz’ Clint Eastwood featuring Sweetie Irie is far more well known than the original featuring Del The Funky Homosapien, mostly due to how popular the genre of the remix was in the UK at the time of its release.

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* Music/YeahYeahYeahs’ “Heads will Roll” was the second single to their third album “It’s Blitz”. A catchy dance-rock composition, it would later be remixed by Canadian DJ A-Trak which was notably used on Film/ProjectX. Then, the remix ''itself'' was remixed by Soundcloud artist J-VHC, which saw his creation used on a [[https://www.youtube.com/watch?v=pf5R2ke7ogI meme of a Brazilian dancing dog which went viral]]. Today, most people would either express shock over learning there is an original version of the song, or even glee of finally hearing the unremixed version.



* "Sing it Back" by British electro band Moloko was originally a percussion-heavy techno single combined with sultry vocals from singer Róisín Murphy. However, the version most familiar to the public was the remix made by German DJ Bela Dlugosch, which replaced the percussions with a catchy disco-inspired Ibiza house beat. As a result, it became the band's Main/SignatureSong, was a critical and commercial success (Hitting number one on the UK Singles Chart, and charting highly in Europe, North America, and Australasia), and has been hailed as one of the best dance songs ever composed.

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* "Sing it Back" by British electro band Moloko was originally a percussion-heavy techno single combined with sultry vocals from singer Róisín Murphy. However, the version most familiar to the public was the remix made by German DJ Bela Dlugosch, which replaced the percussions with a catchy disco-inspired Ibiza house Main/HouseMusic beat. As a result, it became the band's Main/SignatureSong, was a critical and commercial success (Hitting number one on the UK Singles Chart, and charting highly in Europe, North America, and Australasia), and has been hailed as one of the best dance songs ever composed.
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* "Sing it Back" by British electro band Moloko was originally a percussion-heavy techno single combined with sultry vocals from singer Róisín Murphy. However, the version most familiar to the public was the remix made by German DJ Bela Dlugosch, which replaced the percussions with a catchy disco-inspired Ibiza house beat. As a result, it became the band's Main/SignatureSong, was a critical and commercial success (Hitting number one on the UK Singles Chart, and charting highly in Europe, North America, and Australasia), and has been hailed as one of the best dance songs ever composed.
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* The best-known version of Music/NewOrder's "Bizarre Love Triangle" is the Shep Pettibone remix, which has been the basis for all live performances of it since 1998.

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* The best-known version of Music/NewOrder's "Bizarre Love Triangle" is the Shep Pettibone remix, which has been the basis for all live performances of it since 1998. (the Stephen Hague remix from ''[[GreatestHitsAlbum The Best of New Order]]'' also gets more airplay than the original)



* Music/TheBlackEyedPeas released "Let's Get Retarded" around the time they were transitioning into a pop act, and accompanied it with a radio-friendly remix, "Let's Get It Started", which in addition to changing sensitive lyrics also slightly polished the song's production. ValuesDissonance undoubtedly applies today, but even at the time of release "Let's Get It Started" was probably one of the few [[{{Bowdlerise}} Bowdlerised]] versions of a song that is more well-liked than the uncensored original.

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* Music/TheBlackEyedPeas released "Let's Get Retarded" around the time they were transitioning into a pop act, and accompanied it with a radio-friendly remix, "Let's Get It Started", which in addition to changing sensitive lyrics also slightly polished the song's production. ValuesDissonance undoubtedly applies today, but even at the time of release "Let's Get It Started" was probably one of the few [[{{Bowdlerise}} Bowdlerised]] {{Bowdlerise}}d versions of a song that is more well-liked than the uncensored original.



* BTS' "Mic Drop" was eclipsed by the Steve Aoki remix, mostly due to the fact that the music video uses the remix and not the original song.

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* BTS' Music/{{BTS}}' "Mic Drop" was eclipsed by the Steve Aoki remix, mostly due to the fact that the music video uses the remix and not the original song.

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* The original version of "JustForFun/{{Caramelldansen|Vid}}" is actually a midtempo Eurodance song. The version that is a {{meme|tic mutation}} is the much faster [=SpeedyCake=] remix

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* The original version of "JustForFun/{{Caramelldansen|Vid}}" is actually a midtempo Eurodance song. The version that is a {{meme|tic mutation}} is the much faster [=SpeedyCake=] remixremix.
* The 2015 Felix Jaehn remix of OMI's "Cheerleader" is vastly more well-known than the 2012 original.
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* The Living Tombstone's remix of the Odyssey song "Discord" has overtaken the original to the point that it has over five times more views on Website/YouTube than the latter, and to the point that [[CoveredUp many firmly believe that Tombstone's version is the original, and Odyssey's version is the remix]], even though it's clearly Odyssey who sings in both versions.

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* The Living Tombstone's Music/TheLivingTombstone's remix of the Odyssey song "Discord" has overtaken the original to the point that it has over five times more views on Website/YouTube than the latter, and to the point that [[CoveredUp many firmly believe that Tombstone's version is the original, and Odyssey's version is the remix]], even though it's clearly Odyssey who sings in both versions.

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* Music/ShaniaTwain's "From This Moment On" was originally a duet with Bryan White, but was turned into a solo song for the pop remix due to White not being very well-known. Due to the crossover appeal of the solo version, the Bryan White version has largely been pushed aside except for the occasional country music station.

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* Music/ShaniaTwain's "From This Moment On" was originally a duet with Bryan White, but was turned into a solo song for the pop remix due to White not being very well-known.well-known outside of country. Due to the crossover appeal of the solo version, the Bryan White version has largely been pushed aside except for the occasional country music station.


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* Music/EricChurch's "Kill a Word" was originally a solo song with Rhiannon Giddens singing backing vocals. However, the remix had her sing most of the second verse by herself, and this is the version that became more familiar to listeners.
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* The best-known version of UK singer Duke's "So In Love With You", which was an international club hit in the late '90s, is the [[https://youtu.be/L_wM6lHdnog house remix]] by Full Intention. Few if any people remember the pop-disco [[https://youtu.be/sGbVyOnHUpw original version]].

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* The best-known version of UK Newcastle-born singer Duke's "So In Love With You", which was an international club hit in the late '90s, is the [[https://youtu.be/L_wM6lHdnog house remix]] by Full Intention. Few if any people remember the pop-disco [[https://youtu.be/sGbVyOnHUpw original version]].
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* The best-known version of UK singer Duke's "So In Love With You", which was an international club hit in the late '90s, is the [[https://youtu.be/L_wM6lHdnog house remix]] by Full Intention. Few if any people remember [[https://youtu.be/sGbVyOnHUpw the original]], which was a pop-disco tune.

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* The best-known version of UK singer Duke's "So In Love With You", which was an international club hit in the late '90s, is the [[https://youtu.be/L_wM6lHdnog house remix]] by Full Intention. Few if any people remember the pop-disco [[https://youtu.be/sGbVyOnHUpw the original]], which was a pop-disco tune.original version]].
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None


* The best-known version of UK singer Duke's "So In Love With You", which was an international club hit in the late '90s, is the house remix by Full Intention. Few if any people remember the original, which was a pop-disco tune.

to:

* The best-known version of UK singer Duke's "So In Love With You", which was an international club hit in the late '90s, is the [[https://youtu.be/L_wM6lHdnog house remix remix]] by Full Intention. Few if any people remember [[https://youtu.be/sGbVyOnHUpw the original, original]], which was a pop-disco tune.
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None

Added DiffLines:

* The best-known version of UK singer Duke's "So In Love With You", which was an international club hit in the late '90s, is the house remix by Full Intention. Few if any people remember the original, which was a pop-disco tune.
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* Music/EricBAndRakim's "Paid in Full" is well-liked in its original form, but Music/{{Coldcut}}'s "Seven Minutes of Madness" remix is probably the best known version of the song as it became a dance hit overseas, and its sample-heavy style was influential for a wide range of genres.

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* Music/EricBAndRakim's "Paid in Full" is well-liked in its original form, but Music/{{Coldcut}}'s Coldcut's "Seven Minutes of Madness" remix is probably the best known version of the song as it became a dance hit overseas, and its sample-heavy style was influential for a wide range of genres.
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Added DiffLines:

* Music/EricBAndRakim's "Paid in Full" is well-liked in its original form, but Music/{{Coldcut}}'s "Seven Minutes of Madness" remix is probably the best known version of the song as it became a dance hit overseas, and its sample-heavy style was influential for a wide range of genres.
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* "Call on Me" by Eric Prydz is a convoluted example. The song was originally a bootleg track created by Together, a duo consisting of DJ Falcon and Thomas Bangalter (yes, [[Music/DaftPunk that one]]). Eric Prydz' version was a cleaned-up and more pop-friendly remix of the track, which became a big hit in 2004. Eric Prydz however was credited as the sole artist behind the track once it began to receive radio play, which obscures the song's origin as a remix and makes this a rare case of an EDM song being CoveredUp.
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* Although Music/VeraLynn's 1939 recording of "We'll Meet Again", backed by a solo electric organ, was hugely successful at the time, it has since been eclipsed by the orchestral remake produced for the 1942 film of the same name, which was used at the end of ''Film/DrStrangelove''.

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* Although Music/VeraLynn's 1939 recording of "We'll Meet Again", backed by a solo electric organ, was hugely successful at the time, it has since been eclipsed by the two orchestral remake remakes: one produced for the 1942 film of the same name, and another made for a 1955 Vera Lynn album which was later used at the end of ''Film/DrStrangelove''.
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* Although Music/VeraLynn's 1939 recording of "We'll Meet Again", backed by a solo electric organ, was hugely successful at the time, it has since been eclipsed by the orchestral remake produced for the 1942 film of the same name.

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* Although Music/VeraLynn's 1939 recording of "We'll Meet Again", backed by a solo electric organ, was hugely successful at the time, it has since been eclipsed by the orchestral remake produced for the 1942 film of the same name.name, which was used at the end of ''Film/DrStrangelove''.
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Cleaning up Deader Than Disco wicks.


* The Vengaboys' "Kiss (When The Sun Don't Shine)" originally met with mixed to negative reception, with the bubblegum dance genre being DeaderThanDisco [[AmericansHateTingle in most countries]] by the time of its release, whereas the InNameOnly Airscape remix was far more popular, particularly among the EDM/trance community.

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* The Vengaboys' "Kiss (When The Sun Don't Shine)" originally met with mixed to negative reception, with the bubblegum dance genre being DeaderThanDisco CondemnedByHistory [[AmericansHateTingle in most countries]] by the time of its release, whereas the InNameOnly Airscape remix was far more popular, particularly among the EDM/trance community.
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Where? Without any context, I don't think that's true.


* The Motiv-8 remix of Dubstar's "Stars" was more popular than the slow original version.
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* Exposé's first version of their SignatureSong "Point of No Return", recorded with the [[ThePeteBest "Mk. 1" lineup]] of Alejandra Lorenzo, Sandra Tola Harvey, and Laurie Miller, never caught on as a pop hit despite topping the Billboard Hot Dance Club Play chart, and was pushed off the public radar by the 1987 re-recording sung by Jeanette Jurado, which peaked at #5 on the Hot 100 alongside "Come Go with Me".
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* The Living Tombstone's remix of the Odyssey song "Discord" has overtaken the original to the point that it has over five times more views on Website/YouTube than the latter.

to:

* The Living Tombstone's remix of the Odyssey song "Discord" has overtaken the original to the point that it has over five times more views on Website/YouTube than the latter.latter, and to the point that [[CoveredUp many firmly believe that Tombstone's version is the original, and Odyssey's version is the remix]], even though it's clearly Odyssey who sings in both versions.
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None


* Music/InformationSociety's [[KeepCirculatingTheTapes rare first release]] of their debut single "Running", also included on their similarly hard-to-find debut album ''Creatures of Influence'', was rushed out by Wide Angle Records with embarassingly bad vocals by [[ThePeteBest Murat Konar]]. It was quickly pulled from stores and remixed by freestyle producer Joey Gardner into the definitive version featured on their 1988 SelfTitledAlbum, with re-recorded vocals and a revamped chorus. The 2008 rerelease of ''Creatures'' uses the instrumental of the original, but the vocals of the remix.

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* Music/InformationSociety's [[KeepCirculatingTheTapes rare first release]] of their debut single [[BreakthroughHit breakthrough single]] "Running", also included on their similarly hard-to-find debut album LP ''Creatures of Influence'', was rushed out by Wide Angle Records with embarassingly bad vocals by [[ThePeteBest Murat Konar]]. It was quickly pulled from stores and remixed by freestyle producer Joey Gardner into the definitive version featured on their 1988 SelfTitledAlbum, with re-recorded vocals and a revamped chorus. The 2008 rerelease of ''Creatures'' uses the instrumental of the original, but the vocals of the remix.
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* Music/HunterHayes' "Everybody's Got Somebody but Me" was originally a solo outing. However, he rereleased his debut album with a version that had Music/JasonMraz on guest vocals, and this was the version that became a single.
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* Music/InformationSociety's [[KeepCirculatingTheTapes rare first release]] of their debut single "Running", also included on their similarly hard-to-find debut album ''Creatures of Influence'', was rushed out by Wide Angle Records with embarassingly bad vocals by [[ThePeteBest Murat Konar]]. It was quickly pulled from stores and remixed by freestyle producer Joey Gardner into the definitive version featured on their 1988 SelfTitledAlbum, with new vocals by now-lead singer Kurt Harland. The 2008 rerelease of ''Creatures'' uses the instrumental of the original, but the vocals of the remix.

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* Music/InformationSociety's [[KeepCirculatingTheTapes rare first release]] of their debut single "Running", also included on their similarly hard-to-find debut album ''Creatures of Influence'', was rushed out by Wide Angle Records with embarassingly bad vocals by [[ThePeteBest Murat Konar]]. It was quickly pulled from stores and remixed by freestyle producer Joey Gardner into the definitive version featured on their 1988 SelfTitledAlbum, with new re-recorded vocals by now-lead singer Kurt Harland.and a revamped chorus. The 2008 rerelease of ''Creatures'' uses the instrumental of the original, but the vocals of the remix.
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* Music/InformationSociety's [[KeepCirculatingTheTapes rare first release]] of their debut single "Running", also included on their similarly hard-to-find debut album ''Creatures of Influence'', was rushed out by Wide Angle Records with embarassingly bad vocals by [[ThePeteBest Murat Konar]]. It was quickly pulled from stores and remixed by freestyle producer Joey Gardner into the definitive version featured on their 1988 SelfTitledAlbum, with new vocals by now-lead singer Kurt Harland.

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* Music/InformationSociety's [[KeepCirculatingTheTapes rare first release]] of their debut single "Running", also included on their similarly hard-to-find debut album ''Creatures of Influence'', was rushed out by Wide Angle Records with embarassingly bad vocals by [[ThePeteBest Murat Konar]]. It was quickly pulled from stores and remixed by freestyle producer Joey Gardner into the definitive version featured on their 1988 SelfTitledAlbum, with new vocals by now-lead singer Kurt Harland. The 2008 rerelease of ''Creatures'' uses the instrumental of the original, but the vocals of the remix.
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None

Added DiffLines:

* Music/InformationSociety's [[KeepCirculatingTheTapes rare first release]] of their debut single "Running", also included on their similarly hard-to-find debut album ''Creatures of Influence'', was rushed out by Wide Angle Records with embarassingly bad vocals by [[ThePeteBest Murat Konar]]. It was quickly pulled from stores and remixed by freestyle producer Joey Gardner into the definitive version featured on their 1988 SelfTitledAlbum, with new vocals by now-lead singer Kurt Harland.
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The original phrasing of this implies that Kygo passed away


* Kygo's [[PosthumousCollaboration posthumous remix]] of Music/WhitneyHouston's cover version of "Higher Love"(originally a Japan-only bonus track on ''I'm Your Baby Tonight'') became a worldwide smash hit in 2019, [[DeadArtistsAreBetter seven years after her death]]. In some countries, it even surpassed the Steve Winwood original, also making it a minor case of CoveredUp.

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* Kygo's [[PosthumousCollaboration posthumous remix]] remix of Music/WhitneyHouston's cover version of "Higher Love"(originally Love" (originally a Japan-only bonus track on ''I'm Your Baby Tonight'') became a worldwide smash hit in 2019, [[DeadArtistsAreBetter [[PosthumousCollaboration seven years after her death]]. In some countries, it even surpassed the Steve Winwood original, also making it a minor case of CoveredUp.
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* The Music/PetShopBoys' original version of "West End Girls", [[https://www.youtube.com/watch?v=vXRqGfF64zQ produced by Bobby Orlando in 1984]], was only a minor club hit that year and is all but unknown to the mainstream. [[https://youtu.be/p3j2NYZ8FKs The 1985 Stephen Hague-produced re-recording]], which is slower and has slightly different lyrics, was a #1 international pop hit, and is the version featured on their ''Please'' album. Ditto "One More Chance", which was first released as a [[BSide double A-side]] with "West End Girls" before being reworked into the much better-known version that kicks off ''Actually''.

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* The Music/PetShopBoys' original version of "West End Girls", [[https://www.youtube.com/watch?v=vXRqGfF64zQ produced by Bobby Orlando in 1984]], was only a minor club hit that year and is all but unknown to the mainstream. [[https://youtu.be/p3j2NYZ8FKs The 1985 Stephen Hague-produced re-recording]], which is slower and has slightly different lyrics, was a #1 international pop hit, and is the version featured on their ''Please'' album. Ditto "One More Chance", which was first released as a [[BSide double A-side]] with "West End Girls" before being reworked by Julian Mendelsohn into the much better-known version that kicks off ''Actually''.

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