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* Licks and solos in the pentatonic scale, with heavy use of "blue notes" (the flattened third, fifth and seventh of the associated major scale)[[note]] Formally speaking blue notes are anywhere in between the natural note and the flat, but are usually simplified into accidentals when written down and situations where microtonality isn't feasible. [[/note]]
to:
* Licks and solos in the pentatonic scale, with heavy use of "blue notes" (the flattened third, fifth and seventh of the associated major scale)[[note]] Formally speaking blue notes are anywhere in between the natural note and the flat, but are usually simplified into accidentals when written down and in situations where microtonality isn't feasible. [[/note]]
Changed line(s) 20 (click to see context) from:
* Licks and solos in the pentatonic scale, with heavy use of "blue notes" (the flattened third, fifth and seventh of the associated major scale)[[note]] Strictly speaking blue notes are anywhere in between the natural note and the flat, but are usually simplified into accidentals when written down. [[/note]]
to:
* Licks and solos in the pentatonic scale, with heavy use of "blue notes" (the flattened third, fifth and seventh of the associated major scale)[[note]] Strictly Formally speaking blue notes are anywhere in between the natural note and the flat, but are usually simplified into accidentals when written down.down and situations where microtonality isn't feasible. [[/note]]
Changed line(s) 52,53 (click to see context) from:
** ''Music/MoaninInTheMoonlight'' (1959)
** ''Music/TheHowlinWolfAlbum'' (1969)
** ''Music/TheHowlinWolfAlbum'' (1969)
to:
** ''Music/MoaninInTheMoonlight'' (1959)
1959 - ''Music/MoaninInTheMoonlight''
**''Music/TheHowlinWolfAlbum'' (1969)1969 - ''Music/TheHowlinWolfAlbum''
**
Changed line(s) 61 (click to see context) from:
** ''[[Music/RobertJohnsonTheCompleteRecordings The Complete Recordings]]'' (1990)
to:
** ''[[Music/RobertJohnsonTheCompleteRecordings The Complete Recordings]]'' (1990)1990 - ''Music/RobertJohnsonTheCompleteRecordings''
Changed line(s) 74 (click to see context) from:
** ''Music/GiveItUp'' (1972)
to:
** ''Music/GiveItUp'' (1972)1972 - ''Music/GiveItUp''
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** ''Music/TheAnthology19471972'' (2000).
to:
** ''Music/TheAnthology19471972'' (2000).2000 - ''Music/TheAnthology19471972''
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** ''Music/{{Spillane}}'' (1987)
to:
** ''Music/{{Spillane}}'' (1987) 1987 - ''Music/{{Spillane}}''
Added DiffLines:
* Music/JamesBloodUlmer (along with {{jazz}}, {{funk}} and AvantGardeMusic)
Added DiffLines:
* Music/OVWright
Added DiffLines:
** ''Music/SadDaysLonelyNights''
Added DiffLines:
* Music/JuniorKimbrough (a notable blues musician "rediscovered" in the 90s for being apart of the [[https://en.m.wikipedia.org/wiki/Hill_country_blues North Mississippi hill country blues]] tradition)
Changed line(s) 20 (click to see context) from:
* Licks and solos in the pentatonic scale, with heavy use of "blue notes" (the flattened third, fifth and seventh of the associated major scale)
to:
* Licks and solos in the pentatonic scale, with heavy use of "blue notes" (the flattened third, fifth and seventh of the associated major scale)scale)[[note]] Strictly speaking blue notes are anywhere in between the natural note and the flat, but are usually simplified into accidentals when written down. [[/note]]
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The most important development in the genre was the appearance of electrified blues in TheFifties, with its stronghold in Chicago. Electric blues, as represented by Music/MuddyWaters, Howlin' Wolf, Willie Dixon and others, was one of the first genres to adopt electric guitars and the classic guitar-bass-drums lineup, paving the way for the future appearance of RockAndRoll. {{Jazz}} is another genre which developed out of the blues. In fact, most popular music as we know it today -- from {{Soul}} and {{Funk}} to HeavyMetal and HipHop -- ultimately derives from the blues. As Willie Dixon put it, "The blues is the roots, the rest is the fruits."
to:
The most important development in the genre was the appearance of electrified blues in TheFifties, with its stronghold in Chicago. Electric blues, as represented by Music/MuddyWaters, Howlin' Wolf, Willie Dixon and others, was one of the first genres to adopt electric guitars and the classic guitar-bass-drums lineup, paving the way for the future appearance of RockAndRoll. {{Jazz}} is another genre which developed out of the blues. In fact, most popular music as we know it today -- from {{Soul}} and {{Funk}} to HeavyMetal and HipHop {{Rap}} -- ultimately derives from the blues. As Willie Dixon put it, "The blues is the roots, the rest is the fruits."
Changed line(s) 25,26 (click to see context) from:
The most important development in the genre was the appearance of electrified blues in TheFifties, with its stronghold in Chicago. Electric blues, as represented by Music/MuddyWaters, Howlin' Wolf, Willie Dixon and others, was one of the first genres to adopt electric guitars and the classic guitar-bass-drums lineup, paving the way for the future appearance of RockAndRoll. {{Jazz}} is another genre which developed out of the blues. In fact, most popular music as we know it today -- from {{Soul}} and {{Funk}} to HeavyMetal -- ultimately derives from the blues. As Willie Dixon put it, "The blues is the roots, the rest is the fruits."
to:
The most important development in the genre was the appearance of electrified blues in TheFifties, with its stronghold in Chicago. Electric blues, as represented by Music/MuddyWaters, Howlin' Wolf, Willie Dixon and others, was one of the first genres to adopt electric guitars and the classic guitar-bass-drums lineup, paving the way for the future appearance of RockAndRoll. {{Jazz}} is another genre which developed out of the blues. In fact, most popular music as we know it today -- from {{Soul}} and {{Funk}} to HeavyMetal and HipHop -- ultimately derives from the blues. As Willie Dixon put it, "The blues is the roots, the rest is the fruits."
Added DiffLines:
* Music/LongJohnBaldry
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->''The blues is a low-down, aching chill; if you ain't never had 'em, honey, I hope you never will.''
-->--'''Son House'''
-->--'''Son House'''
to:
-->--'''Son
-->-- '''Son House'''
Changed line(s) 25,26 (click to see context) from:
The most important development in the genre was the appearance of electrified blues in TheFifties, with its stronghold in Chicago. Electric blues, as represented by Music/MuddyWaters, Howlin' Wolf, Willie Dixon and others, was one of the first genres to adopt electric guitars and the classic guitar-bass-drums lineup, paving the way for the future appearance of RockAndRoll. {{Jazz}} is another genre which developed out of the blues. In fact, most popular music as we know it today -- from {{Soul}} and {{Funk}} to HeavyMetal -- ultimately derives from the blues, the exception being ElectronicMusic. As Willie Dixon put it, "The blues is the roots, the rest is the fruits."
to:
The most important development in the genre was the appearance of electrified blues in TheFifties, with its stronghold in Chicago. Electric blues, as represented by Music/MuddyWaters, Howlin' Wolf, Willie Dixon and others, was one of the first genres to adopt electric guitars and the classic guitar-bass-drums lineup, paving the way for the future appearance of RockAndRoll. {{Jazz}} is another genre which developed out of the blues. In fact, most popular music as we know it today -- from {{Soul}} and {{Funk}} to HeavyMetal -- ultimately derives from the blues, the exception being ElectronicMusic.blues. As Willie Dixon put it, "The blues is the roots, the rest is the fruits."
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