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Changed line(s) 414 (click to see context) from:
--> "'''There is a voice calling for me\\
to:
--> "'''There is a a''' voice calling for me\\
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* Music/{{Opeth}}: "[[Music/DeliveranceAndDamnation Master's Apprentices]]" has its verses begin each line with "there is a..."
--> "'''There is a voice calling for me\\
'''There is a''' light coming down on me\\
'''There is a''' doubt that is clearing\\
'''There is a''' day that is dawning\\
'''There is a''' wound that is healing\\
'''There is a''' season waiting for me\\
'''There is a''' road that is turning\\
'''There is a''' fire still burning\\
[...]\\
'''There is a''' peace I am searching\\
'''There is a''' freedom I'm depending on\\
'''There is a''' pain that's never ending\\
'''There is a''' rain falling only on me\\
'''There is a''' dream I am living\\
'''There is a''' life I am dreaming of\\
'''There is a''' death I'm awaiting\\
'''There is a''' home I am deserting"
--> "'''There is a voice calling for me\\
'''There is a''' light coming down on me\\
'''There is a''' doubt that is clearing\\
'''There is a''' day that is dawning\\
'''There is a''' wound that is healing\\
'''There is a''' season waiting for me\\
'''There is a''' road that is turning\\
'''There is a''' fire still burning\\
[...]\\
'''There is a''' peace I am searching\\
'''There is a''' freedom I'm depending on\\
'''There is a''' pain that's never ending\\
'''There is a''' rain falling only on me\\
'''There is a''' dream I am living\\
'''There is a''' life I am dreaming of\\
'''There is a''' death I'm awaiting\\
'''There is a''' home I am deserting"
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* Music/JHope: The chorus of "On the Street", though one line breaks it up slightly.
--> "'''Every time I''' walk\\
'''Every time I''' run\\
'''Every time I''' move\\
As always, for us\\
'''Every time I''' look\\
'''Every time I''' love\\
'''Every time I''' hope\\
As always, for us (On the street, I'm still)"
--> "'''Every time I''' walk\\
'''Every time I''' run\\
'''Every time I''' move\\
As always, for us\\
'''Every time I''' look\\
'''Every time I''' love\\
'''Every time I''' hope\\
As always, for us (On the street, I'm still)"
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Changed line(s) 281,287 (click to see context) from:
--> "I wanna be a rap star\\
I wanna be the top\\
I wanna be a rockstar\\
I want it all mine\\
I wanna be rich\\
I wanna be the king\\
I wanna go win\\
I wanna be the top\\
I wanna be a rockstar\\
I want it all mine\\
I wanna be rich\\
I wanna be the king\\
I wanna go win\\
to:
--> "I "''I wanna be be''' a rap star\\
I '''I wanna be be''' the top\\
I '''I wanna be be''' a rockstar\\
I want '''I want''' it all mine\\
I '''I wanna be be''' rich\\
I '''I wanna be be''' the king\\
I wanna '''I wanna''' go win\\
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Changed line(s) 362 (click to see context) from:
* MelinaKB: In "I've Had Enough", each stanza's starting verse parallels the one adjacent to them via the first words; except for the bridge. The two opening stanzas--as well as the one immediately after the chorus--begin with "So you + verb [...]" as a way to mock the abusive partner's hypocrisy. A pair of stanzas starts with "Closed for [...]". Another stanza has four verses opening with "You're/Your/You". The chorus dials it up, with its two (different) stanzas starting with "Here's to the 'no's", and then has each following verse open with "To the + noun". The "Here's to [...]" sentence gets repeated in the closing stanza.
to:
* MelinaKB: Music/MelinaKB: In "I've Had Enough", each stanza's starting verse parallels the one adjacent to them via the first words; except for the bridge. The two opening stanzas--as well as the one immediately after the chorus--begin with "So you + verb [...]" as a way to mock the abusive partner's hypocrisy. A pair of stanzas starts with "Closed for [...]". Another stanza has four verses opening with "You're/Your/You". The chorus dials it up, with its two (different) stanzas starting with "Here's to the 'no's", and then has each following verse open with "To the + noun". The "Here's to [...]" sentence gets repeated in the closing stanza.
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* MelinaKB: In "I've Had Enough", each stanza's starting verse parallels the one adjacent to them via the first words; except for the bridge. The two opening stanzas--as well as the one immediately after the chorus--begin with "So you + verb [...]" as a way to mock the abusive partner's hypocrisy. A pair of stanzas starts with "Closed for [...]". Another stanza has four verses opening with "You're/Your/You". The chorus dials it up, with its two (different) stanzas starting with "Here's to the 'no's", and then has each following verse open with "To the + noun". The "Here's to [...]" sentence gets repeated in the closing stanza.
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[[folder:Puppet Shows]]
* ''Series/FraggleRock'': In [[Recap/FraggleRockS1E18TheMinstrels "The Minstrels"]], Cantus tells Red that she and her friends have been chosen to sing a medley, and that she will be the leader, if each and every one of them finds his own song. They each manage to do this... except Red, who, after hearing Cantus' magic pipe play the songs her friends have found, is sure her song is in the pipe as well. Cantus refuses to let Red play it, then uses the phrase "that's where you're" at the beginning of two phrases in a row, after telling Red that a song must never be played to be heard.
-->'''Red:''' But everybody's song must be in that pipe!\\
'''Cantus:''' That's where you're right... and that's where you're wrong.
[[/folder]]
* ''Series/FraggleRock'': In [[Recap/FraggleRockS1E18TheMinstrels "The Minstrels"]], Cantus tells Red that she and her friends have been chosen to sing a medley, and that she will be the leader, if each and every one of them finds his own song. They each manage to do this... except Red, who, after hearing Cantus' magic pipe play the songs her friends have found, is sure her song is in the pipe as well. Cantus refuses to let Red play it, then uses the phrase "that's where you're" at the beginning of two phrases in a row, after telling Red that a song must never be played to be heard.
-->'''Red:''' But everybody's song must be in that pipe!\\
'''Cantus:''' That's where you're right... and that's where you're wrong.
[[/folder]]
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Changed line(s) 17,18 (click to see context) from:
Compare with GroundhogDayLoop where each day is the same and could start the same way consecutively. Overlaps with RepeatedForEmphasis since this trope also involves repetition as an essential element. The first use of an anaphora can be traced back to religious texts and thus is OlderThanFeudalism. Mind you, [[LoopedLyrics repeating the exact same full sentence]] [[MadnessMantra multiple times]] doesn't count as an anaphora.
to:
OneLinerNameOneLiner examples may also be this, if it deviates from the basic form enough. Compare with GroundhogDayLoop where each day is the same and could start the same way consecutively. Overlaps with RepeatedForEmphasis since this trope also involves repetition as an essential element. The first use of an anaphora can be traced back to religious texts and thus is OlderThanFeudalism. Mind you, [[LoopedLyrics repeating the exact same full sentence]] [[MadnessMantra multiple times]] doesn't count as an anaphora.
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* In the refrain for "No Matter What" (written for and played in the Creator/FourKidsEntertainment dub of ''Anime/YuGiOh'' and subsequently included in the "Music to Duel By" CD)
-->'''No matter what''', let the duel begin\\
'''No matter what''', may the best man win\\
'''No matter what''', we're in this together\\
'''No matter what''', we'll be friends forever\\
'''No matter what'''
-->'''No matter what''', let the duel begin\\
'''No matter what''', may the best man win\\
'''No matter what''', we're in this together\\
'''No matter what''', we'll be friends forever\\
'''No matter what'''
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Changed line(s) 603 (click to see context) from:
* "WesternAnimation/BatmanTheAnimatedSeries":
to:
* "WesternAnimation/BatmanTheAnimatedSeries":WesternAnimation/BatmanTheAnimatedSeries:
