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** The overall framing narrative for the collection also counts. Somehow, eleven different people just so happen to each have a personal experience with crime, with seven of them (Dr. Pender, Joyce, Miss Marple, Colonel Bantry, Mrs. Bantry, Dr. Lloyd, and Sir Henry) having witnessed a murder in particular. It's understandable with Sir Henry, as he was a Commissioner of Scotland Yard for some time, but the other six don't have much of an excuse. The odds of seven people having intimate knowledge of gruesome murders are astronomical--the odds of those people being in a room together are even higher.
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* GoodIsNotNice: Miss Marple is definitely a crusader for justice and something of a GrannyClassic, but she also has a severe streak. In "A Christmas Tragedy," she immediately realizes that Mr. Sanders plans to kill his young wife; she isn't able to stop him from doing so, but she ''does'' prove he did it. She then proudly declares that Sanders was hanged and expresses utter contempt for "modern humanitarian scruples" against capital punishment.
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* FaceDeathWithDignity: In "The Four Suspects," Dr. Rosen singlehandedly takes on the Schwartze Hand, a fictional German terrorist organization. He succeeds in disbanding and permanently destabilizing it, but knows full well that its remaining members will get revenge on him with murder. When Rosen visits Sir Henry Clithering to make arrangements for temporary safety in England, he is completely at peace with what will happen to him--his death is a question of when, not if--and reassures Clithering that he does not blame anyone for his fate.
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* BigSisterInstinct: A villainous version occurs in [[spoiler: "The Companion." Amy Durrant travels to England under an assumed identity and becomes the companion to the wealthy Mary Barton--her own cousin--to kill her and take her identity. Her motivation? She's the eldest of nine children--not only are they poor, but her youngest siblings need expensive medical care for debilitating illnesses. When Mary turned down a desperate plea for help because of a family quarrel, Amy decided that murder was the only way to save her family.]]


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** A [[InvertedTrope inversion]] occurs in "Death by Drowning": [[spoiler: the murderer, Mrs. Bartlett, kills Rose Emmott because she's fallen in love with Rose's long-term boyfriend Joe herself. Realizing that Joe was prepared to marry Rose, she took it upon herself to eliminate her competition.]]


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* LoveMakesYouEvil: The murderers in [[spoiler: "The Idol House of Astarte," "The Herb of Death," and "Death by Drowning"]] are all driven to kill because of their desperate love.
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* DatingWhatDaddyHates: In "The Thumb Mark of St. Peter," Miss Marple remarks that when her niece Mabel started courting George Pritchard, everyone in the family (including Miss Marple herself) told her that it was a bad match and they wouldn't get along, which only increased Mabel's determination to woo him.
** In "Death by Drowning," the murder victim, Rose Emmott, was in pseudo-relationship with local NiceGuy Joe Ellis, but had an affair with a visiting architect Rex Sandford. Rose's father makes it very clear that he despises Sandford and blames him completely for the murder.
* DisabilityAsAnExcuseForJerkassery: Colonel Bantry describes Mary Pritchard, the murdered woman in "The Blue Geranium," as one of these--a "semi-invalid" who had some kind of chronic illness and decided to make everyone else's lives miserable while using it as a shield. She fires maids, treats her husband like dirt, and is generally horrible, then claims to "feel faint" or demands special attention whenever someone calls her out on her childish actions.
* TheDogWasTheMastermind: In "Death by Drowning," there are three main suspects in Rose Emmott's death: her longtime suitor Joe Ellis who was hopelessly in love with her; Rex Sandford, a visiting architect who was the father of her unborn child; and Mr. Emmott, who might have become enraged at his daughter's having a baby out of wedlock. [[spoiler: The ''real'' killer is...none of these men. It's Joe Ellis's landlady, Mrs. Bartlett, who fell in love with Joe herself and was driven to murderous rage at the thought of "losing" him to the adulterous Rose.]]
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** In "The Herb of Death," Mrs. Bantry originally tells her story in a single sentence, insisting that there's nothing more to it. As the group asks questions and discovers the secrets of the people in the household, however, they (and, to some extent, Mrs. Bantry herself) realizes that the tale is far more complicated and interesting than she originally said.


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* HaveAGayOldTime: In "The Herb of Death," Mrs. Bantry calls Adelaide Carpenter, one of the suspects, a "pussy woman." She explains that she means "a big soft white purry person," but the constant use of the word "pussy" might raise eyebrows for twenty-first century readers ("What about the pussy woman?" "I don't like pussies").
** In "The Idol House of Astarte," Diana Ashley happily suggests that the members of a household have "a wild orgy," using the original definition of the term as a set of ancient rituals to a pagan deity.


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* JerkWithAHeartOfGold: In "The Thumb Mark of St. Peter," Mabel Denman is described this way--she's whiny, self-centered, and prone to fits of hysteria, but fundamentally a kind, good person. It's best exemplified when she outright refuses to allow her Geoffrey to commit his father to an insane asylum, insisting that he receive at-home care instead.
** In "The Blue Geranium," Colonel Bantry describes his friend George Pritchard this way--obstinate and stubborn, but generally a decent man who's stuck with an extremely nasty woman for a wife (which in turn brings out his worst qualities).


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* LaughingMad: At the end of "The Thumb Mark of St. Peter," [[spoiler: the elderly Mr. Denman begins to cackle hysterically when Miss Marple correctly names him as his son's murderer.]]


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** The central conceit of [[spoiler: "The Affair at the Bungalow"--a talented actress disguising herself as her own maid to frame a male victim for a crime--is later used to more heroic effect in Christie's "The Actress."]]


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** In "The Idol House of Astarte," Miss Marple determines the murderer [[spoiler: because he was dressed as a brigand chief for a costume party. Having seen such costumes before, she realized that he was the only person who could have stabbed the victim then immediately hidden the weapon on his person, as most brigand chief outfits have knives and daggers around the waist.]]

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** It's ultimately revealed that [[spoiler: Mary Barton, the true murder victim of "The Companion," is also one. Amy Durrant, her murderer, is the eldest of a family of nine siblings; the family is extremely poor, and the youngest children need expensive medical treatment. Amy wrote Mary (who was not only wealthy but her only living relative) begging for help, but Mary refused because she had quarreled with Amy's father years earlier and couldn't get over it. Had she simply shared some of her fortune with her cousins, she would have lived.]]



* ContrivedCoincidence: In a few instances, the narrator of each tale only learns the truth because of some remarkable coincidence that seems highly implausible. In "The Idol House of Astarte" and "The Herb of Death," both Dr. Pender and Mrs. Bantry receives letters out of the blue from the killers in question confessing their role in their respective murders (Mrs. Bantry in particular lampshades the unlikely nature of this); in "The Companion," Dr. Lloyd just so happens to show up in Australia when the murderer is there; and in "The Blood-Stained Pavement," Joyce is visiting another randomly-selected seaside town when [[spoiler: the murderous couple from the previous year shows up to pull off their scheme again.]]

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* ContrivedCoincidence: In a few instances, the narrator of each tale only learns the truth because of some remarkable coincidence that seems highly implausible. In "The Idol House of Astarte" and "The Herb of Death," both Dr. Pender and Mrs. Bantry receives letters out of the blue from the killers in question confessing their role in their respective murders (Mrs. Bantry in particular lampshades the unlikely nature of this); in "The Companion," Dr. Lloyd gets off a boat in Australia and just so happens to show up in Australia when immediately run into the murderer is there; walking nearby; and in "The Blood-Stained Pavement," Joyce is visiting another randomly-selected seaside town when [[spoiler: the murderous couple from the previous year shows up to pull off their scheme again.]]


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* DyingClue: In "The Thumb Mark of St. Peter," Geoffrey Denman has a few seconds of lucidity as he's dying and shouts out what the servants think is "Pile of carp, pile of carp." [[spoiler: He was actually saying "pilocarpine," a known antidote for atropine poisoning--his father had slipped atropine sulfate into his drinking glass, and Geoffrey was desperately trying to say the name of the cure.]]


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** A similar situation occurs in "The Thumb-Mark of St. Peter." Miss Marple specifically mentions [[spoiler: Mr. Denman's nursemaid saying that her patient's eyes are the only thing physically wrong with him.]] This apparently unimportant detail [[spoiler: makes her realize that Mr. Denman murdered his son using his atropine-sulfate eye drops as a poison, as he was the only person in the house who had access to them.]]
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* SoBeautifulItsACurse: Diana Ashley from "The Idol House of Astarte". [[spoiler:Her beauty becomes part of the motive for the murderer's unpremeditated crime of passion.]]
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* ThatRemindsMeOfAStory: Miss Marple's M.O. Every case in the collection reminds her of a previous incident in her life, and she is able to determine the truth by making connections between the two. It's [[LampshadeHanging lampshaded]] by Sir Henry, who comments on her ability to draw "village parallels" no matter what she's hearing. Miss Marple herself explains that "human nature is very much the same everywhere," and so she's able to predict what people will do by recalling comparable situations from St. Mary Mead's history.

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* ThatRemindsMeOfAStory: [[ThatRemindsMeOfASong That Reminds Me of a Story]]: Miss Marple's M.O. Every case in the collection reminds her of a previous incident in her life, and she is able to determine the truth by making connections between the two. It's [[LampshadeHanging lampshaded]] by Sir Henry, who comments on her ability to draw "village parallels" no matter what she's hearing. Miss Marple herself explains that "human nature is very much the same everywhere," and so she's able to predict what people will do by recalling comparable situations from St. Mary Mead's history.

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** In "The Herb of Death," Dr. Lloyd is surprised to hear that the victim in the case died of digitalis poisoning after eating ducks stuffed with foxgloves leaves instead of sage, remarking that he's never heard of that kind of mistake having fatal results. [[spoiler: It turns out that it ''didn't''--the murderer arranged for everyone to get food poisoning from eating the foxglove, then secretly gave the victim an extra dose of digitalis, correctly suspecting that everyone would simply chalk her death up to a particularly bad reaction.]]



* BunnyEarsLawyer: Yes, Jane Helier is somewhat shallow and not exactly the best conversationalist--but she ''is'' an incredibly talented actress. [[spoiler: We get evidence of this in "The Affair at the Bungalow," when she successfully tricks everyone but Miss Marple with her story about a crime that supposedly happened to her--she's actually ''planning'' to commit the crime and was [[TrialBalloonQuestion testing it out.]] It's notable that even Sir Henry Clithering, the former Commissioner of Scotland Yard, doesn't even realize that Jane is acting.]]



** The case in "The Blood-Stained Pavement" might not be as contrived as previously thought:[[spoiler: TheBluebeard has pulled off this scheme several times already (maybe even as many as a dozen). There's only so many seaside towns with the right combination of geography and isolation to pull off his signature scheme (remember, he gets caught because he uses the ''exact same method every time''), and by necessity he needs to keep well away from areas he's already used. It's not entirely contrived that someone else who goes to the same kind of places for innocent reasons would run across him sooner or later.]] It being Joyce who does so, however, might still qualify as this trope.

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** The case in "The Blood-Stained Pavement" might not be as contrived as previously thought:[[spoiler: thought: [[spoiler: TheBluebeard has pulled off this scheme several times already (maybe even as many as a dozen). There's only so many seaside towns with the right combination of geography and isolation to pull off his signature scheme (remember, he gets caught because he uses the ''exact same method every time''), and by necessity he needs to keep well away from areas he's already used. It's not entirely contrived that someone else who goes to the same kind of places for innocent reasons would run across him sooner or later.]] It being Joyce who does so, however, might still qualify as this trope.



* HiddenDepths: "The Affair at the Bungalow" reveals that [[spoiler: Jane Helier isn't as dumb as she previously seemed to be; she was smart enough to devise a complex plan, and tell it to the group as something that had already happened to see if anyone else could figure it out. Miss Marple is the only one who does, and Jane, unlike many other would-be killers in Christie, is smart enough to decide against going through with her scheme.]]

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* HiddenDepths: "The Affair at the Bungalow" reveals that [[spoiler: Jane Helier isn't as dumb as she previously seemed to be; she was smart enough to devise a complex plan, and tell it to the group as something that had already happened to see if anyone else could figure it out. Miss Marple is the only one who does, and Jane, unlike many other would-be killers criminals in Christie, is smart enough to decide against going through with her scheme.]]



* ImplacableMan: Weaponized by the killer in [[spoiler: "The Companion." Amy Durrant is the titular companion to the wealthy Mary Barton, but knows that since nearly every middle-aged English woman traveling abroad looks alike to the casual observer, she quickly murders Miss Barton and claims that ''she'' was the employer and the real Mary ''her'' companion. The trick works because no one else at the hotel where they're staying has known them long enough to think otherwise.]]

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** This is also [[spoiler: Jane Helier's motivation in "The Affair at the Bungalow"--she's out for revenge against the woman who stole her first husband away, and plans to expose her by organizing a complicated plot that would reveal the second woman's adultery to the world and thus ruin her reputation.]]
* ImplacableMan: Weaponized by the killer in [[spoiler: "The Companion." Amy Durrant is the titular companion to the wealthy Mary Barton, but knows that since nearly every middle-aged English woman traveling abroad looks alike to the casual observer, so she quickly murders Miss Barton and claims that ''she'' was the employer and the real Mary ''her'' companion. The trick works because no one else at the hotel where they're staying has known them long enough to think otherwise.]]



** In "The Four Suspects," Miss Marple notes that [[spoiler: the word "Honesty" in a letter from a mysterious person is capitalized, pointing that out to Mrs. Bantry. The two women then realize that ''all'' of the capitalized words in the letter, including Honesty, is a specific breed of dahlia, with their initial letters spelling "DEATH" as a secret message.]]

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** In "The Four Suspects," Miss Marple notes that [[spoiler: the word "Honesty" in a letter from a mysterious person is capitalized, pointing that out to Mrs. Bantry. The two women then realize that ''all'' of the capitalized words in the letter, including Honesty, is a are specific breed breeds of dahlia, with their initial letters spelling "DEATH" as a secret message.]]


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* ThatRemindsMeOfAStory: Miss Marple's M.O. Every case in the collection reminds her of a previous incident in her life, and she is able to determine the truth by making connections between the two. It's [[LampshadeHanging lampshaded]] by Sir Henry, who comments on her ability to draw "village parallels" no matter what she's hearing. Miss Marple herself explains that "human nature is very much the same everywhere," and so she's able to predict what people will do by recalling comparable situations from St. Mary Mead's history.
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* TheLawOfConservationOfDetail: In "Motive v. Opportunity", Mr. Petherick specifically mentions a seemingly-trivial detail that initially appears to have no relevance to the story: [[spoiler:the fact that, when Mr. Clode's new will was written, the housemaid took the pen from a different drawer to the one it was normally kept in]]. Nobody (except Miss Marple, obviously) picks up on this. [[spoiler:The pen was a duplicate filled with disappearing ink. The housemaid was in on the plan, and had agreed to make sure she brought him this pen if he decided to change his will. It was kept in a different drawer so it wouldn't be mixed up with the real one.]]
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** The case in "The Blood-Stained Pavement" might not be as contrived as previously thought:[[spoiler: TheBluebeard has pulled off this scheme several times already (maybe even as many as a dozen); it's the insurance companies that become suspicious, even if he must use a different company every time. There's only so many seaside towns with the right combination of geography and isolation to pull off his signature scheme (remember, he gets caught because he uses the ''exact same method every time''), and by necessity he needs to keep well away from areas he's already used. It's not entirely contrived that someone else who goes to the same kind of places for innocent reasons would run across him sooner or later.]] It being Joyce who does so, however, might still qualify as this trope.

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** The case in "The Blood-Stained Pavement" might not be as contrived as previously thought:[[spoiler: TheBluebeard has pulled off this scheme several times already (maybe even as many as a dozen); it's the insurance companies that become suspicious, even if he must use a different company every time.dozen). There's only so many seaside towns with the right combination of geography and isolation to pull off his signature scheme (remember, he gets caught because he uses the ''exact same method every time''), and by necessity he needs to keep well away from areas he's already used. It's not entirely contrived that someone else who goes to the same kind of places for innocent reasons would run across him sooner or later.]] It being Joyce who does so, however, might still qualify as this trope.
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** Also in "The Affair at the Bungalow", Jane Helier mentions that at the time of the incident, she was playing the lead in W Somerset Maughm's play "Smith", and Dolly Bantry mentions "You're reviving it this autumn, aren't you?". [[spoiler: This foreshadows that Jane's scheme is not only connected with that play, as her costume is needed for the plan, but is yet to actually happen. [[GeniusBonus Someone familiar with the play would know]] that the lead character - which Jane would obviously be playing - is a domestic servant, hinting that Jane herself would play the fake Jane Helier's maid.]]

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** Also in "The Affair at the Bungalow", Jane Helier mentions that at the time of the incident, she was playing the lead in W Somerset Maughm's Maugham's play "Smith", and Dolly Bantry mentions "You're reviving it this autumn, aren't you?". [[spoiler: This foreshadows that Jane's scheme is not only connected with that play, as her costume is needed for the plan, but is yet to actually happen. [[GeniusBonus Someone familiar with the play would know]] that the lead character - which Jane would obviously be playing - is a domestic servant, hinting that Jane herself would play the fake Jane Helier's maid.]]

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** Also in "The Affair at the Bungalow", Jane Helier mentions that at the time of the incident, she was playing the lead in W Somerset Maughm's play "Smith", and Dolly Bantry mentions "You're reviving it this autumn, aren't you?". [[spoiler: This foreshadows that Jane's scheme is not only connected with that play, as her costume is needed for the plan, but is yet to actually happen. [[GeniusBonus Someone familiar with the play would know]] that the lead character - which Jane would obviously be playing - is a domestic servant, hinting that Jane herself would play the fake Jane Helier's maid.]]



* HiddenDepths: "The Affair at the Bungalow" reveals that [[spoiler: Jane Helier isn't as dumb as she previously seemed to be; she was smart enough to devise a complex plan and tell it to the group as something that had already happened to see if Miss Marple could figure it out.]]

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* HiddenDepths: "The Affair at the Bungalow" reveals that [[spoiler: Jane Helier isn't as dumb as she previously seemed to be; she was smart enough to devise a complex plan plan, and tell it to the group as something that had already happened to see if Miss Marple anyone else could figure it out.out. Miss Marple is the only one who does, and Jane, unlike many other would-be killers in Christie, is smart enough to decide against going through with her scheme.]]
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** In "Motive V. Opportunity," it's mentioned in passing that Grace Clode marries a chemist after moving in with her uncle Simon. [[spoiler: He was probably the person who provided the disappearing ink to the younger Clodes to prevent Simon from disinheriting them, as it was composed of water, starch, and iodine, all things that he had in his possession.]]

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** In "Motive V. Opportunity," it's mentioned in passing that Grace Clode marries a chemist after moving in with her uncle Simon. [[spoiler: He was probably the person who provided the fountain pen full of disappearing ink to the younger Clodes to prevent Simon from disinheriting them, the younger Clodes, as it was composed of water, starch, and iodine, all things that he had in his possession.possession. He's also the person who reveals the scheme to Petherick at the end, implying it was his idea in the first place.]]
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** The case in "The Blood-Stained Pavement" might not be as contrived as previously thought:[[spoiler: TheBluebeard has pulled off this scheme several times already (maybe even as many as a dozen); it's the insurance companies that become suspicious, even if he must use a different company every time. There's only so many seaside towns with the right combination of geography and isolation to pull off his signature scheme (remember, he gets caught because he uses the ''exact same method every time''), and by necessity he needs to keep well away from areas he's already used. It's not entirely contrived that someone else who goes to the same kind of places for innocent reasons would run across him sooner or later.]] It being Joyce who does so, however, might still qualify as this trope.
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* ChekhovsSkill: Mrs. Bantry's knowledge of flowers, which is established early in the second half of the short story collection, comes in handy in "The Four Suspects," as it allows her to [[spoiler: notice the capitalized names of dahlia varieties in a letter and expose the secret message therein.]]
** In "Motive V. Opportunity," it's mentioned in passing that Grace Clode marries a chemist after moving in with her uncle Simon. [[spoiler: He was probably the person who provided the disappearing ink to the younger Clodes to prevent Simon from disinheriting them, as it was composed of water, starch, and iodine, all things that he had in his possession.]]


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* LockedRoomMystery: A variant occurs in "Motive v. Opportunity." Simon Clode writes a new will that leaves only small sums to his nieces and nephew, instead giving the majority of his vast wealth to the PhonyPsychic Eurydice Spragg. Mr. Petherick prepares the will, seals it in an envelope, then goes about the rest of his visit to the Clode estate and, upon returning to his office, locks it in a safe. Two months later, when Simon dies, he opens the sealed envelope...and the will is gone, replaced with a sheet of blank paper. As the title implies, Christie plays with the trope: the Clode children had a ''motive'' for making the swap, but had no ''opportunity'' to do so, as they were within full view of Mr. Petherick the entire time, whereas both Eurydice Spragg and her husband were alone with the will for at least five minutes each and thus had the necessary opportunity, but no motive--why would they disinherit themselves? [[spoiler: It turns out that the will was actually written with disappearing ink, so no substitution was ever made in the first place--the writing simply faded after a few days.]]
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* TwoGirlsToATeam: The original Tuesday Night Club consists of four men (Raymond West, Sir Henry Clithering, Mr. Petherick, and Dr. Pender) and two women (Joyce Lemprière and Miss Marple). The trope is then [[AvertedTrope averted]] with the house party that features in the second group of stories--that group is a GenderEqualEnsemble of three men (Sir Henry Clithering, Colonel Arthur Bantry, and Dr. Lloyd) and three women (Miss Marple, Mrs. Dolly Bantry, and Jane Helier).

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* AgentScully: Surprisingly [[DeconstructedTrope deconstructed]] with Mr. Petherick, the lawyer who features in the first six stories. His role in the PartyOfRepresentatives is "the logical one," and he is quick to focus on hard facts instead of succumbing to superstition, as "The Idol House of Astarte" proves. But his own story, "Murder v. Opportunity," centers on the question of spirit mediums and psychic phenomena, which he refuses to discount outright as most Scullys do. Mr. Petherick explains that, as a "believer in evidence," he is willing to admit that there are some supernatural incidents that cannot be easily discounted based on the proof presented, and furthermore says that there are certain paranormal experts who he trusts immensely. He ultimately takes on a kind of agnostic role--"I am neither a believer nor an unbeliever"--and explains that since the evidence cannot fully confirm or fully deny the existence of the supernatural, he is willing to explore it as a possible explanation when it seems logically sound.



** Mrs. Bantry in general is constantly described as flower-obsessed; when stories aren't being told, she's either reading garden catalogues or planning her latest border. [[spoiler: As might be expected, this knowledge lets her help Miss Marple solve the mystery in "The Four Suspects.")

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** Mrs. Bantry in general is constantly described as flower-obsessed; when stories aren't being told, she's either reading garden catalogues or planning her latest border. [[spoiler: As might be expected, this knowledge lets her help Miss Marple solve the mystery in "The Four Suspects.")"]])


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** At the end of "Motive v. Opportunity," Phillip Garrod lunches with Mr. Petherick and casually brings up a friend of his who recently had some trouble with a wealthy relative's estate almost being taken from the rightful heirs. Mr. Petherick immediately realizes that Phillip is talking about his wife and her siblings, but the other man is clearly trying to avoid naming names ("Of course my friend is not known to you, Petherick") and so doesn't push the matter.


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* PhonyPsychic: Mrs. Eurydice Spragg, in "Motive v. Opportunity," is one of these--she claims to be a spirit medium who can contact the dead, and puts the elderly Simon Clode in contact with his deceased granddaughter Christobel. Since Clode was completely devastated by her death, he is easily manipulated by Mrs. Spragg's tricks. Mr. Petherick, Clode's family, and even an expert on psychic phenomena all realize that Eurydice is a fraud trying to con the elderly man out of his massive wealth, but Simon won't hear it.
* ProtagonistCenteredMorality: In "Motive v. Opportunity," [[spoiler: Simon Clode's family conspires to prevent him from leaving his massive estate to a PhonyPsychic named Eurydice Spragg who has wormed her way into his life through trickery. This is most definitely illegal--Mr. Petherick remarks that "there was no question of insanity," which means Clode's will could not be contested in court--but since Mrs. Spragg is clearly the villain in the story, we cheer for the subterfuge.]]

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* AssholeVictim: Mary Pritchard, the murder victim of "The Blue Geranium," is a petulant hypochondriac who throws tantrums and fusses over every trivial incident that comes up, all the while accusing her husband George of hating her and claiming that nothing he does is right. Mrs. Bantry outright remarks that if George had gotten fed up one day and killed her, "if there were any women on the jury, he would have been promptly acquitted."
* BaitAndSwitch: In "The Companion," Dr. Lloyd begins his story by talking about a sensuous Spanish dancer who he was certain would lead an exciting, eventful life. The rest of the group thinks that the tale will be about her, but he sheepishly explains that he was wrong--the dancer ended up having a happily mundane life, while the ''real'' mystery centers on two middle-aged English women who at first appeared completely boring.



* DramaQueen: Mary Pritchard, the victim of "The Blue Geranium," is described as such. Colonel Bantry remarks that she ''did'' have a legitimate illness of some kind, but deliberately claimed it was much worse than it actually was and used it as an excuse to treat everyone around her horribly.
** Miss Marple's niece Mabel in "The Thumb Mark of St. Peter" is a nicer version. Her aunt describes her as "silly," and the kind of person who frequently becomes hysterical and kicks up a fuss instead of communicating clearly. Unlike Mary, though, Mabel is fundamentally a decent person whose fits don't really hurt anyone.



** Mrs. Bantry in general is constantly described as flower-obsessed; when stories aren't being told, she's either reading garden catalogues or planning her latest border. [[spoiler: As might be expected, this knowledge lets her help Miss Marple solve the mystery in "The Four Suspects.")



** Joyce Lemprière, the artist, boasts that not only does her history of world travel and ability to literally draw the world help her, but she also has the [[WomenAreWiser innate advantages of being a woman]] at her disposal;

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** Joyce Lemprière, the artist, boasts that not only does her history of world travel and ability to literally draw the world sensibility as a painter help her, but she also has the [[WomenAreWiser innate advantages of being a woman]] at her disposal;


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* WeightWoe: In "The Tuesday Night Club," Miss Clark, the companion to murder victim Mrs. Jones, is "alarmed at her increasing stoutness" and goes on a health course called "banting" (historically the first recorded instance of a low-carbohydrate diet) to try to lose weight. [[spoiler: The murderer, Mr. Jones, uses this to his advantage by concealing the poison which kills his wife in the "hundreds and thousands" sprinkled on top of the trifle the three had for dessert. Since Miss Clark was on a diet, she didn't have any trifle and so didn't become ill.]]
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* AccidentallyAccurate: In "The Companion," [[spoiler: Mrs. Bantry gets the names of the two women involved mixed up, becomes frustrated, and wonders aloud "Why on Earth should the wealthy employer murder the poor companion?", saying it's much more likely to be the other way around. It turns out that she's completely correct in that suspicion--the killer really ''was'' the poor companion, who assumed the identity of the wealthy employer after the crime.]]


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* ContrivedCoincidence: In a few instances, the narrator of each tale only learns the truth because of some remarkable coincidence that seems highly implausible. In "The Idol House of Astarte" and "The Herb of Death," both Dr. Pender and Mrs. Bantry receives letters out of the blue from the killers in question confessing their role in their respective murders (Mrs. Bantry in particular lampshades the unlikely nature of this); in "The Companion," Dr. Lloyd just so happens to show up in Australia when the murderer is there; and in "The Blood-Stained Pavement," Joyce is visiting another randomly-selected seaside town when [[spoiler: the murderous couple from the previous year shows up to pull off their scheme again.]]


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* ImplacableMan: Weaponized by the killer in [[spoiler: "The Companion." Amy Durrant is the titular companion to the wealthy Mary Barton, but knows that since nearly every middle-aged English woman traveling abroad looks alike to the casual observer, she quickly murders Miss Barton and claims that ''she'' was the employer and the real Mary ''her'' companion. The trick works because no one else at the hotel where they're staying has known them long enough to think otherwise.]]


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* PartyOfRepresentatives: The FramingDevice of the first six stories kicks off when each member of Miss Marple's household party claims that their particular skillset is best suited for solving mysteries. In addition, each person comes from a different profession and has a different insight into human nature. It's [[LampshadeHanging lampshaded]] by Joyce when she remarks "It seems to me that we are a pretty representative gathering."
** Raymond West, the author, says that his insight into psychology and imagination makes him able to perceive the world differently;
** Mr. Petherick, the lawyer, insists that his profession's ability to closely examine facts and use unbiased logic is the best choice;
** Joyce Lemprière, the artist, boasts that not only does her history of world travel and ability to literally draw the world help her, but she also has the [[WomenAreWiser innate advantages of being a woman]] at her disposal;
** Sir Henry Clithering, the retired Scotland Yard Commissioner, is a police officer who has the most experience actually dealing with crime (although he is too humble to make such a claim in front of the others);
** Dr. Pender, the clergyman, remarks that as a priest, he witnesses the true depths of people's character and knows [[HumansAreBastards just how bad]] they can be;
** Miss Marple, the spinster, seems to be the odd woman out, but her long life and time observing people in St. Mary Mead has given her unparalleled insight into the human mind. Naturally, she is the one who solves every single mystery given.


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** The central conceit of "The Thumbmark of St. Peter"--an innocent person's reputation slowly being poisoned by gossip--is also featured in "The Lernaean Hydra."


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** In "The Four Suspects," Miss Marple notes that [[spoiler: the word "Honesty" in a letter from a mysterious person is capitalized, pointing that out to Mrs. Bantry. The two women then realize that ''all'' of the capitalized words in the letter, including Honesty, is a specific breed of dahlia, with their initial letters spelling "DEATH" as a secret message.]]
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* WritingIndentationClue: In "The Tuesday Night Club", very shortly before his well-off wife dies, Mr. Jones writes a letter; the rather suspicious phrases "entirely dependent on my wife... when she is dead... hundreds and thousands" are picked up from the blotting-paper. He explains, however, that he was writing a reply to his brother who had asked for money; whilst he would have money after his wife was dead, he had none currently, and that hundreds and thousands of people were in the same boat. [[spoiler:He's lying, but the "hundreds and thousands" do not refer to money, but to the dessert topping,[[note]]"sprinkles" or "jimmies" to you Yanks[[/note]] which was his means of poisoning his wife.]]

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* WritingIndentationClue: In "The Tuesday Night Club", very shortly before his well-off wife dies, Mr. Jones writes a letter; the rather suspicious phrases "entirely dependent on my wife... when she is dead... hundreds and thousands" are picked up from the blotting-paper. He explains, however, that he was writing a reply to his brother who had asked for money; whilst he would have money after his wife was dead, he had none currently, and that hundreds and thousands of people were in the same boat. [[spoiler:He's [[spoiler:He is lying, but the "hundreds and thousands" do not refer to money, but to the dessert topping,[[note]]"sprinkles" or "jimmies" to you Yanks[[/note]] which was his means of poisoning his wife.]]
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* WifeHusbandry: The desire of [[spoiler:Sir Ambrose from "The Herb of Death". He's a [[TheYandere Yandere]] in love with his younger ward Sylvia, whom he murders to stop her from marrying someone else, after realising that opposing the match openly would be pointless.]]

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* WifeHusbandry: The desire of [[spoiler:Sir Ambrose from "The Herb of Death". He's He is a [[TheYandere Yandere]] in love with his younger ward Sylvia, whom he Sylvia. He murders Sylvia to stop her from marrying someone else, after realising that opposing the match openly would be pointless.]]
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* ObviouslyEvil: Mr. Kelvin in "Ingots of Gold" is presented as an unpleasant and suspicious character. [[spoiler:He's actually been made a scapegoat in an elaborate plot.]]

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* ObviouslyEvil: Mr. Kelvin in "Ingots of Gold" is presented as an unpleasant and suspicious character. [[spoiler:He's [[spoiler:He has actually been made a scapegoat in an elaborate plot.]]
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** In "The Companion", Miss Barton seems like an obvious suspect for an earlier suspicious drowning leaves a suicide note and herself is presumed drowned; her body is not found. In fact, she [[spoiler:had been using a fake identity when she killed the real Miss Barton and stole ''her'' identity; the faked suicide allowed her to return to her own identity.]]

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** In "The Companion", Miss Barton seems like an obvious suspect for an earlier suspicious drowning drowning. She then leaves a suicide note and herself is presumed drowned; her body is not found. In fact, she [[spoiler:had been using a fake identity when she killed the real Miss Barton and stole ''her'' identity; the faked suicide allowed her to return to her own identity.]]
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* LineOfSightName: Played with at the beginning of "The Tuesday Night Club"; Joyce tries to think of a proper name for their spontaneously-made club, so she simply asks "What day of the week is it?" While it isn't stated that there's a calendar in her line of sight, it seems likely.
* LostWillAndTestament: In "Motive vs. Opportunity", Simon's will had been recently rewritten to leave all his money to a PhonyPsychic, instead of his family. However, when the envelope that should have contained the will is opened, all it contains is a piece of blank paper. [[spoiler: Then it's subverted, as the will is still right where it was, but was written with an ink solution that vanishes, leaving no trace.]]

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* LineOfSightName: Played with at the beginning of "The Tuesday Night Club"; Joyce tries to think of a proper name for their spontaneously-made club, so she simply asks "What day of the week is it?" While it isn't stated that there's there is a calendar in her line of sight, it seems likely.
* LostWillAndTestament: In "Motive vs. Opportunity", Simon's will had been recently rewritten to leave all his money to a PhonyPsychic, instead of his family. However, when the envelope that should have contained the will is opened, all it contains is a piece of blank paper. [[spoiler: Then it's it is subverted, as the will is still right where it was, but was written with an ink solution that vanishes, leaving no trace.]]
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* {{Foreshadowing}}: Jane Helier's initial attempt to conceal the fact that she herself is the subject of her story, "The Affair at the Bungalow", foreshadows [[spoiler:her concealment of the fact that she herself is the mastermind of the crime she's describing - though it is just a plan and has not yet been committed.]]

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* {{Foreshadowing}}: Jane Helier's initial attempt to conceal the fact that she herself is the subject of her story, "The Affair at the Bungalow", foreshadows [[spoiler:her concealment of the fact that she herself is the mastermind of the crime she's which she is describing - though it is just a plan and has not yet been committed.]]
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* NotSoFakeWeapon: In "The Herb of Death", Sir Henry mentions a case where someone was shot with an antique pistol that had been hanging on the wall, and they had to work out who had opportunity to tamper with the weapon, and who brought the conversation round to where someone would do this, because the person who actually fired it was entirely innocent.

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* NotSoFakeWeapon: NotSoFakePropWeapon: In "The Herb of Death", Sir Henry mentions a case where someone was shot with an antique pistol that had been hanging on the wall, and they had to work out who had opportunity to tamper with the weapon, and who brought the conversation round to where someone would do this, because the person who actually fired it was entirely innocent.
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* HiddenDepths: "The Affair at the Bungalow" reveals that [[spoiler: Jane Helier isn't as dumb as she previously seemed to be; she was smart enough to devise a complex plan and tell it to the group as something that had already happened to see if Miss Marple could figure it out.]]
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''The Thirteen Problems'', also known as ''The Tuesday Club Murders'', is a mystery short story collection by Creator/AgathaChristie, featuring the first canonical appearance of Literature/MissMarple. Although ''The Thirteen Problems'' was published as a collection in 1932 - the year after the first Marple novel ''Literature/MurderAtTheVicarage'' - the individual short stories had been published separately beforehand in magazines between 1927 and 1931.

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''The Thirteen Problems'', also known as ''The Tuesday Club Murders'', is a mystery short story collection by Creator/AgathaChristie, featuring the first canonical appearance of Literature/MissMarple. Although ''The Thirteen Problems'' was published as a collection in 1932 - the a year after the first Marple novel ''Literature/MurderAtTheVicarage'' - the individual short stories had been published separately beforehand in magazines between 1927 and 1931.

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