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* {{Irony}}: Like Catarina of ''Hamefura'' fame, Pride believes that regardless of what she will do, the game will proceed as planned and she will face her death after a decade. Given her actions, however, the harm that she might receive '''is not''' probably because of her game counterpart's actions or that YouCantFightFate, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom. It helps that the characters who have beef towards the original Pride like Stale, Arthur, and Gilbert are already on her side and the likelihood of them betraying her is none.
to:
* {{Irony}}: Like Catarina of ''Hamefura'' fame, Pride believes that regardless of what she will do, the game will proceed as planned and she will face her death after a decade. Given her actions, however, the harm that she might receive '''is not''' probably because of her game counterpart's actions or that YouCantFightFate, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom. It helps that the characters who have beef towards the original Pride like Stale, Arthur, and Gilbert are already on her side and the likelihood of them betraying her is none.zero.
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* GodSaveUsFromTheQueen: The society in the game is reigned by a Queen, and the first daughter from the Royal Family that develops magic is automatically chosen as the Crown Princess. So this gave the original Pride more ways to torment people and to get away scot-free with anything until the ending of the game.
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* GodSaveUsFromTheQueen: The society in the game is reigned by a Queen, and the first daughter from the Royal Family that develops magic is automatically chosen as the Crown Princess. So this gave the original Pride more ways to torment people and to get away scot-free with anything until the ending of the game. In this series, Pride will definitely end up as TheHighQueen.
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Changed line(s) 27 (click to see context) from:
* {{Irony}}: Like Catarina of ''Hamefura'' fame, Pride believes that regardless of what she will do, the game will proceed as planned and she will face her death after a decade. Given her actions, however, the harm that she might receive ''is not'' probably because of her game counterpart's actions, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.
to:
* {{Irony}}: Like Catarina of ''Hamefura'' fame, Pride believes that regardless of what she will do, the game will proceed as planned and she will face her death after a decade. Given her actions, however, the harm that she might receive ''is not'' '''is not''' probably because of her game counterpart's actions, actions or that YouCantFightFate, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.kingdom. It helps that the characters who have beef towards the original Pride like Stale, Arthur, and Gilbert are already on her side and the likelihood of them betraying her is none.
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Changed line(s) 24 (click to see context) from:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duke and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even before and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending. Given her actions, however, the harm that she might receive is not probably because of her game counterpart's actions, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.
to:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duke and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even before and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending. Given her actions, however, the harm that she might receive is not probably because of her game counterpart's actions, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.
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* {{Irony}}: Like Catarina of ''Hamefura'' fame, Pride believes that regardless of what she will do, the game will proceed as planned and she will face her death after a decade. Given her actions, however, the harm that she might receive ''is not'' probably because of her game counterpart's actions, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duchess and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even before and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending. Given her actions, however, the harm that she might receive is not probably because of her game counterpart's actions, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.
to:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duchess duke and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even before and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending. Given her actions, however, the harm that she might receive is not probably because of her game counterpart's actions, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duchess and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even before and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
to:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duchess and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even before and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending. Given her actions, however, the harm that she might receive is not probably because of her game counterpart's actions, but most likely the typical violence surrounded by her rule and probably instigated by people who are not up to good for her and for her kingdom.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duchess and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
to:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duchess and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even before and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
to:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. It also helps that unlike Catarina, who is a daughter of a duchess and probably become a Queen-Consort if her marriage proceeds as planned, Pride is slated to succeed her mother as the Queen-Regnant and thus can't afford to make mistakes even and most especially after she becomes the queen. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
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** The original Pride's [[SpeakIllOfTheDead callousness over Arthur's father's death]] causes Arthur in the game to become a knight commander like Rodrick so he can take revenge against Pride for letting him die for her own amusement. In the story proper, the current [[RoyalsWhoActuallyDoSomething Pride saving his father and the trainees through her actions and quick wit]] as well as her showing faith in Arthur's abilities causes Arthur to vow to become a loyal knight for ''her'' sake instead.
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** The original Pride's [[SpeakIllOfTheDead callousness over the Knight-Commander who happens to be Arthur's father's death]] father]] causes Arthur him in the game to become a knight commander like Rodrick his father so he can take revenge against Pride for letting him die for her own amusement. In the story proper, the current [[RoyalsWhoActuallyDoSomething Pride saving his father and the trainees through her actions and quick wit]] wit]], defending her actions to the Knight-Commander, as well as her showing faith in Arthur's abilities causes Arthur the younger Beresford to vow to become a loyal knight for ''her'' sake instead.
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''The Most Heretical Last Boss Queen: From Villainess to Savior'' (''悲劇の元凶となる最強外道ラスボス女王は民の為に尽くします。'', ''Higeki no Genkyō to naru Saikyō Gedō Last Boss Joō wa Min no tame ni Tsukushimasu''), is a WebSerialNovel written by Tenichi. It was first released on the Shosetsuka ni Narou website on April 19, 2018, later being published by Ichijinsha as a series of LightNovels illustrated by Suzunosuke starting on June 4, 2019 with 6 volumes published as of November 2, 2022. The first manga adaptation by Bunko Matsuura was released by Ichijinsha's shoujo magazine ''Zero-Sum Online'' from October 24, 2020 until its cancellation (due to the poor health of the artist) on January 31, 2022. However, a second manga adaptation, illustrated by Akiko Kawano, started on June 28, 2023 in Ichijinsha's ''Monthly Comic Zero Sum'' magazine, which continues from where the previous manga left off. An anthology manga is also being serialized as well. An anime adaptation by OLM started airing in July 7, 2023, and can be watched internationally on Creator/SentaiFilmworks through its HIDIVE platform.
to:
''The Most Heretical Last Boss Queen: From Villainess to Savior'' (''悲劇の元凶となる最強外道ラスボス女王は民の為に尽くします。'', ''Higeki no Genkyō to naru Saikyō Gedō Last Boss Joō wa Min no tame ni Tsukushimasu''), is a WebSerialNovel written by Tenichi. It was first released on the Shosetsuka ni Narou website on April 19, 2018, later being published by Ichijinsha as a series of LightNovels illustrated by Suzunosuke starting on June 4, 2019 with 6 volumes published as of November 2, 2022. The first manga adaptation by Bunko Matsuura was released by Ichijinsha's shoujo magazine ''Zero-Sum Online'' from October 24, 2020 until its cancellation (due to the poor health of the artist) on January 31, 2022. However, a second manga adaptation, illustrated by Akiko Kawano, started on June 28, 2023 in Ichijinsha's ''Monthly Comic Zero Sum'' magazine, which continues from where the previous manga left off. An anthology manga is also being serialized as well. An anime adaptation by OLM Creator/{{OLM|Incorporated}} started airing in July 7, 2023, and can be watched internationally on Creator/SentaiFilmworks through its HIDIVE platform.
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* BalancedHarem: There's a two-tier format, with Stale and Arthur as equal love interests for Pride. Other men also develop feelings for Pride and get their share of ShipTease with her.
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* AdaptedOut: [[spoiler:Stella, Gilbert and Marianne's newborn daughter, doesn't appear in the anime adaptation. Because of this, Pride, Stayle, Arthur, and Tiara's conversation on the way home before they met an injured Val again is changed from them talking about the name they gave their daughter, to a conversation regarding the Queensguard instead.]]
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* ReleasingFromThePromise: The first thing Pride does after reincarnating upon meeting Stale for the first time is to steal the key from the magical handcuffs from her father, and to set him free before the contract with her so he can meet his mother again. However, Stale refuses because that would put his mother in danger, and even if it wasn't, another child would be chosen instead.
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* ReleasingFromThePromise: The first thing Pride does after reincarnating upon meeting Stale for the first time is to steal the key from for the magical handcuffs from her father, and to set him free before the contract with her so he can meet his mother again. However, Stale refuses because that would put his mother in danger, and even if it wasn't, another child would be chosen instead.
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None
Changed line(s) 22 (click to see context) from:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for enjoyment, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
to:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for enjoyment, her own twisted joy, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like child's play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for enjoyment, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy like a child's play. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
to:
* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for enjoyment, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy seem like a child's play.play in comparison. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
''The Most Heretical Last Boss Queen: From Villainess to Savior'' (''悲劇の元凶となる最強外道ラスボス女王は民の為に尽くします。'', ''Higeki no Genkyō to naru Saikyō Gedō Last Boss Joō wa Min no tame ni Tsukushimasu''), is a LightNovel written by Tenichi on April 19, 2018. It was first released in the Shosetsuka ni Narou website and was later acquired by Ichijinsha and illustrated by Suzunosuke starting on June 4, 2019 with 6 volumes published as of November 2, 2022. A first manga adaptation by Bunko Matsuura was released by Ichijinsha's shoujo magazine Zero-Sum Online from October 24, 2020 until its cancellation (due to the poor health of the artist) on January 31, 2022. However, a new manga serialization, illustated by Akiko Kawano, started on June 28, 2023 on Ichijinsha's Monthly Comic Zero Sum which continues from where the previous manga left off. An anthology manga is also being serialized as well. An anime adaptation by OLM started airing in July 7, 2023, and can be watched internationally on Creator/SentaiFilmworks through its HIDIVE platform.
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''The Most Heretical Last Boss Queen: From Villainess to Savior'' (''悲劇の元凶となる最強外道ラスボス女王は民の為に尽くします。'', ''Higeki no Genkyō to naru Saikyō Gedō Last Boss Joō wa Min no tame ni Tsukushimasu''), is a LightNovel WebSerialNovel written by Tenichi on April 19, 2018. Tenichi. It was first released in on the Shosetsuka ni Narou website and was on April 19, 2018, later acquired being published by Ichijinsha and as a series of LightNovels illustrated by Suzunosuke starting on June 4, 2019 with 6 volumes published as of November 2, 2022. A The first manga adaptation by Bunko Matsuura was released by Ichijinsha's shoujo magazine Zero-Sum Online ''Zero-Sum Online'' from October 24, 2020 until its cancellation (due to the poor health of the artist) on January 31, 2022. However, a new second manga serialization, illustated adaptation, illustrated by Akiko Kawano, started on June 28, 2023 on in Ichijinsha's Monthly ''Monthly Comic Zero Sum Sum'' magazine, which continues from where the previous manga left off. An anthology manga is also being serialized as well. An anime adaptation by OLM started airing in July 7, 2023, and can be watched internationally on Creator/SentaiFilmworks through its HIDIVE platform.
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* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for enjoyment, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy like a child's play. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evit self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
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* GenreDeconstruction: The story can be seen as a GenreDeconstruction to RebornAsVillainessStory genre. The story takes a DarkerAndEdgier route to depict the villainess, Pride Royal Ivy, as a serious FinalBoss in the Otome game she is originated from. Unlike many other villainess in other similar works, the original Pride Royal Ivy is depicted as a truly horrid, formidable and irredeemable sadist who loves to torment, manipulate and enslave the protagonists for enjoyment, something which makes [[Literature/MyNextLifeAsAVillainessAllRoutesLeadToDoom Catarina Claes]]' villainy like a child's play. It causes her reincarnated version (the protagonist) to fill with more guilt and distress, so much that she tries to take the matters on her own hands. Nonetheless, despite her own efforts and success, Pride still has nightmares of becoming her evit evil self and assumes that the world [[YouCantFightFate is forcing her to her game counterpart's bad ending]], causing more risks in her way to fight fate. As a result, fearing that she will inadvertently fall into the same tyrant in the game, Pride purposefully improves the abilities her family and friends via averting their future downside, so that they will [[MercyKillArrangement kill her more easily if she became evil]] and live on in a true happy ending.
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** [[ThingsGetReal The ambush]] that resulted in the deaths of several recruit Knights and Commander Roderick that Game Pride foresaw happening but did nothing to prevent. The current Pride learnt of what was about to happen and had Stale teleport in spare supplies to the pinned down Knights [[RoyalsWhoActuallyDoSomething before departing for the battlefield herself to wipe out the remaining terrorists and save them from the landslide]].
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** [[ThingsGetReal The ambush]] that resulted in the deaths of several recruit Knights and Commander Roderick that Game Pride foresaw happening but did nothing to prevent. The current Pride learnt of what was about to happen and had Stale teleport in spare supplies to the pinned down Knights [[RoyalsWhoActuallyDoSomething before departing for the battlefield herself to wipe out the remaining terrorists and save them from the landslide]].landslide]].
** Gilbert "Gil" Butler attempting to create a SuperRegistrationAct in order to find someone with the HealingHands Ability in order to save his terminally-ill fiancée. In the Game, the Act was signed; but it went into practice on the same day Marianne died. Here, the current Pride [[CanonCharacterAllAlong after realizing who exactly Gilbert was from the original game]] leaps into action [[spoiler:and brings in Arthur Beresford; who has the HealingHands ability Gil was desperately searching for]] and has Marianne healed, the two of them declare to be officially wed at a later date.
** Gilbert "Gil" Butler attempting to create a SuperRegistrationAct in order to find someone with the HealingHands Ability in order to save his terminally-ill fiancée. In the Game, the Act was signed; but it went into practice on the same day Marianne died. Here, the current Pride [[CanonCharacterAllAlong after realizing who exactly Gilbert was from the original game]] leaps into action [[spoiler:and brings in Arthur Beresford; who has the HealingHands ability Gil was desperately searching for]] and has Marianne healed, the two of them declare to be officially wed at a later date.
