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* OurWereBeastsAreDifferent: Construction and inhabitation of a papier mache-headed dragon costume under [[ThereAreNoCoincidences deliberately beneficial circumstances]] instills in its thirteen-year-old operators a love of violence, consummation of which briefly imbues both them and the costume with the attributes of an actual dragon.
to:
* OurWereBeastsAreDifferent: Construction and inhabitation habitation of a papier mache-headed dragon costume under [[ThereAreNoCoincidences deliberately beneficial circumstances]] instills instils in its thirteen-year-old operators a love of violence, consummation pursuit of which briefly imbues both them and the costume with the attributes of an actual dragon.
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Dewicked trope
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* AdultFear: [[InvokedTrope Invoked]] by Mrs Morgan following Fliss's nightmare. "There's nothing worse than being woken in the middle of the night by a scream."
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A 1994 novel by Creator/RobertSwindells. As the small town of Elsworth nears its thousandth anniversary of the martyrdom of resident Saint Ceridwen, Mr Hepworth tasks Year Eight to stage a re-enactment of the Saint’s banishment of the Elsworth Worm, and subsequent martyrdom by vikings. As the class arranges a cast of villagers and vikings, with Fliss Morgan in the role of Ceridwen, David “Trot” Trotter, Lisa Watmaugh, Ellie May Sutherland and Gary Bazzard begin work on a costume replica of the legendary dragon. The ease of its construction amazes all involved. While Fliss reflects uneasily on the fatalistic appearance of this, the Worm’s builders thrill at the remarkable ease with which they inhabit and operate it. Their shared thrall spurs them to acts of mounting hooliganism. The thrill is so intoxicating that their strangely shared view through only two eyeholes hardly seems to matter...
to:
As the small town of Elsworth nears its thousandth anniversary of the martyrdom of resident Saint Ceridwen, Mr Hepworth tasks Year Eight to stage a re-enactment of the
The ease of its construction amazes all involved. While Fliss reflects uneasily on the fatalistic appearance of this, the
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* AdultFear: [[InvokedTrope Invoked]] by Mrs Morgan following Fliss’s nightmare. “There’s nothing worse than being woken in the middle of the night by a scream.”
to:
Changed line(s) 12 (click to see context) from:
* ContinuityReboot: Possibly. While the story revisits the main cast of ''Literature/Room13'', the class is referred to as Year Eight rather than Second Year, and no obvious mention is made of the previous book’s vampiric adventure.
to:
* ContinuityReboot: Possibly. While the story revisits the main cast of ''Literature/Room13'', the class is referred to as Year Eight rather than Second Year, and no obvious mention is made of the previous book’s book's vampiric adventure.
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* DoesThisRemindYouOfAnything: Ellie May specifically compares her Worm-induced hooliganism to Ronnie’s alcoholism.
to:
* DoesThisRemindYouOfAnything: Ellie May specifically compares her Worm-induced hooliganism to Ronnie’s Ronnie's alcoholism.
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* FaceDeathWithDignity: [[InvokedTrope Invoked]] by Year Eight’s decision to depict Ceridwen’s martyrdom in serene silence.
to:
* FaceDeathWithDignity: [[InvokedTrope Invoked]] by Year Eight’s Eight's decision to depict Ceridwen’s Ceridwen's martyrdom in serene silence.
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* GrammarNazi: Mrs Evans chides Trot for saying “ta” as opposed to “thank you.”
to:
* GrammarNazi: Mrs Evans chides Trot for saying “ta” "ta" as opposed to “thank "thank you.”"
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** This may also be the case with [[spoiler: Fliss protectively throwing herself into the Worm’s path, whereupon its loses its hold on the costume and operators]].
* HomeBase: The Worm operators meet in Trot’s parents’ garage.
* AFeteWorseThanDeath: At the eventual town festival, following the start of Year Eight’s re-enactment, [[spoiler: a suddenly very real dragon goes on a brief, potentially lethal rampage]].
* HomeBase: The Worm operators meet in Trot’s parents’ garage.
* AFeteWorseThanDeath: At the eventual town festival, following the start of Year Eight’s re-enactment, [[spoiler: a suddenly very real dragon goes on a brief, potentially lethal rampage]].
to:
** This may also be the case with [[spoiler: Fliss protectively throwing herself into the Worm’s Worm's path, whereupon its it loses its hold on the costume and operators]].
* HomeBase: The Worm operators meet inTrot’s parents’ Trot's parents' garage.
* AFeteWorseThanDeath: At the eventual town festival, following the start of YearEight’s Eight's re-enactment, [[spoiler: a suddenly very real dragon goes on a brief, potentially lethal rampage]].
* HomeBase: The Worm operators meet in
* AFeteWorseThanDeath: At the eventual town festival, following the start of Year
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* NotTooDeadToSaveTheDay: On the Worm’s furious emergence from the marquee, [[spoiler: Fliss finds herself compelled by a strange urge to distract it from its intended victims. This is implied to be instilled by the spirit of Ceridwen]].
to:
* NotTooDeadToSaveTheDay: On the Worm’s Worm's furious emergence from the marquee, [[spoiler: Fliss finds herself compelled by a strange urge to distract it from its intended victims. This is implied to be instilled by the spirit of Ceridwen]].
Changed line(s) 32 (click to see context) from:
** Mr Hepworth can be a bit strict, but has a sense of humour, and lends a kindly ear to Fliss’s worries.
to:
** Mr Hepworth can be a bit strict, but has a sense of humour, and lends a kindly ear to Fliss’s Fliss's worries.
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* RedEyesTakeWarning: Invoked by a pair of car reflectors which serve as the Worm’s eyes.
to:
* RedEyesTakeWarning: Invoked by a pair of car reflectors which serve as the Worm’s Worm's eyes.
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* ThereAreNoCoincidences: The ease of the Worm’s construction, which includes acquisition of car reflectors for eyes and a green cinema curtain for a body, seems ominously deliberate.
to:
* ThereAreNoCoincidences: The ease of the Worm’s Worm's construction, which includes acquisition of car reflectors for eyes and a green cinema curtain for a body, seems ominously deliberate.
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* YourMindMakesItReal: The crafters and operators of the Worm are rather taken aback by the ease and effectiveness of their efforts. When rampaging in it, all four operators see through its eyes, and leave giant saurian footprints.
to:
* YourMindMakesItReal: The crafters and operators of the Worm are rather taken aback by the ease and effectiveness of their efforts. When rampaging in it, all four operators see through its eyes, and leave giant saurian footprints.footprints.
----
----
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* GrammarPolice: Mrs Evans chides Trot for saying “ta” as opposed to “thank you.”
to:
* GrammarPolice: GrammarNazi: Mrs Evans chides Trot for saying “ta” as opposed to “thank you.”
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None
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* HolyBurnsEvil: The faith of Saint Ceridwen rendered the Worm docile, whereupon it retreated to the fen.
to:
* HolyBurnsEvil: HolyBurnsEvil:
** The faith of Saint Ceridwen rendered the Worm docile, whereupon it retreated to the fen.
** The faith of Saint Ceridwen rendered the Worm docile, whereupon it retreated to the fen.
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* ReasonableAuthorityFigure: Mr Hepworth can be a bit strict, but has a sense of humour, and lends a kindly ear to Fliss’s worries.
to:
* ReasonableAuthorityFigure: ReasonableAuthorityFigure:
** Mr Hepworth can be a bit strict, but has a sense of humour, and lends a kindly ear to Fliss’s worries.
** Mr Hepworth can be a bit strict, but has a sense of humour, and lends a kindly ear to Fliss’s worries.
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* RegularlyScheduledEvil: A thousand years following the banishment of the Worm, it awaits opportunity to rampage once more via the corrupted minds and possessed bodies of several adolescents.
to:
* RegularlyScheduledEvil: RegularlyScheduledEvil:
** A thousand years following the banishment of the Worm, it awaits opportunity to rampage once more via the corrupted minds and possessed bodies of several adolescents.
** A thousand years following the banishment of the Worm, it awaits opportunity to rampage once more via the corrupted minds and possessed bodies of several adolescents.
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None
Changed line(s) 35 (click to see context) from:
* ShoutOut: The terrorising of a medieval village by a serpentine dragon recalls ''Literature/TheLambtonWorm'', while its banishment by the faith of a latterly martyred hero somewhat evokes ''Literature/{{Beowulf}}''.
to:
* ShoutOut: ShoutOut:
** The terrorising of a medieval village by a serpentine dragon recalls ''Literature/TheLambtonWorm'', while its banishment by the faith of a latterly martyred hero somewhat evokes ''Literature/{{Beowulf}}''.
** The terrorising of a medieval village by a serpentine dragon recalls ''Literature/TheLambtonWorm'', while its banishment by the faith of a latterly martyred hero somewhat evokes ''Literature/{{Beowulf}}''.
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None
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* ContinuityReboot: Possibly. While the story revisits the main cast of Literature/Room13, the class is referred to as Year Eight rather than Second Year, and no obvious mention is made of the previous book’s vampiric adventure.
to:
* ContinuityReboot: Possibly. While the story revisits the main cast of Literature/Room13, ''Literature/Room13'', the class is referred to as Year Eight rather than Second Year, and no obvious mention is made of the previous book’s vampiric adventure.
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* FaceDeathWithDignity: [[invokedTrope Invoked]] by Year Eight’s decision to depict Ceridwen’s martyrdom in serene silence.
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* FaceDeathWithDignity: [[invokedTrope [[InvokedTrope Invoked]] by Year Eight’s decision to depict Ceridwen’s martyrdom in serene silence.
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None
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A 1994 novel by Creator/RobertSwindells. As the small town of Elsworth nears its thousandth anniversary of the martyrdom of resident Saint Ceridwen, Mr Hepworth tasks Year Eight to stage a re-enactment of the Saint’s banishment of the Elsworth Worm, and subsequent martyrdom by invading Danes. As the class arranges a cast of villagers and vikings, with Fliss Morgan in the role of Ceridwen, David “Trot” Trotter, Lisa Watmaugh, Ellie May Sutherland and Gary Bazzard begin work on a costume replica of the legendary dragon. The ease of its construction amazes all involved. While Fliss reflects uneasily on the fatalistic appearance of this, the Worm’s builders thrill at the remarkable ease with which they inhabit and operate it. Their shared thrall spurs them to acts of mounting hooliganism. The thrill is so intoxicating that their strangely shared view through only two eyeholes hardly seems to matter...
to:
A 1994 novel by Creator/RobertSwindells. As the small town of Elsworth nears its thousandth anniversary of the martyrdom of resident Saint Ceridwen, Mr Hepworth tasks Year Eight to stage a re-enactment of the Saint’s banishment of the Elsworth Worm, and subsequent martyrdom by invading Danes.vikings. As the class arranges a cast of villagers and vikings, with Fliss Morgan in the role of Ceridwen, David “Trot” Trotter, Lisa Watmaugh, Ellie May Sutherland and Gary Bazzard begin work on a costume replica of the legendary dragon. The ease of its construction amazes all involved. While Fliss reflects uneasily on the fatalistic appearance of this, the Worm’s builders thrill at the remarkable ease with which they inhabit and operate it. Their shared thrall spurs them to acts of mounting hooliganism. The thrill is so intoxicating that their strangely shared view through only two eyeholes hardly seems to matter...
Is there an issue? Send a MessageReason:
None
Changed line(s) 35,36 (click to see context) from:
* ShoutOut: The terrorising of a medieval village by a serpentine dragon recalls Literature/TheLambtonWorm, while its banishment by the faith of a latterly martyred hero somewhat evokes Literature/{{Beowulf}}.
** The mounting aggression of several adolescents, roused by a bestial emblem (albeit here, a genuinely supernatural one) recalls Literature/LordOfTheFlies.
** The mounting aggression of several adolescents, roused by a bestial emblem (albeit here, a genuinely supernatural one) recalls Literature/LordOfTheFlies.
to:
* ShoutOut: The terrorising of a medieval village by a serpentine dragon recalls Literature/TheLambtonWorm, ''Literature/TheLambtonWorm'', while its banishment by the faith of a latterly martyred hero somewhat evokes Literature/{{Beowulf}}.
''Literature/{{Beowulf}}''.
** The mounting aggression of several adolescents, roused by a bestial emblem (albeit here, a genuinely supernatural one) recallsLiterature/LordOfTheFlies.''Literature/LordOfTheFlies''.
** The mounting aggression of several adolescents, roused by a bestial emblem (albeit here, a genuinely supernatural one) recalls
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None
Added DiffLines:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/screenshot_2020_02_07_at_222106.png]]
A 1994 novel by Creator/RobertSwindells. As the small town of Elsworth nears its thousandth anniversary of the martyrdom of resident Saint Ceridwen, Mr Hepworth tasks Year Eight to stage a re-enactment of the Saint’s banishment of the Elsworth Worm, and subsequent martyrdom by invading Danes. As the class arranges a cast of villagers and vikings, with Fliss Morgan in the role of Ceridwen, David “Trot” Trotter, Lisa Watmaugh, Ellie May Sutherland and Gary Bazzard begin work on a costume replica of the legendary dragon. The ease of its construction amazes all involved. While Fliss reflects uneasily on the fatalistic appearance of this, the Worm’s builders thrill at the remarkable ease with which they inhabit and operate it. Their shared thrall spurs them to acts of mounting hooliganism. The thrill is so intoxicating that their strangely shared view through only two eyeholes hardly seems to matter...
*AdultFear: [[InvokedTrope Invoked]] by Mrs Morgan following Fliss’s nightmare. “There’s nothing worse than being woken in the middle of the night by a scream.”
*BadPeopleAbuseAnimals: Under the malign influence of the Worm, its operators burn to death several kept pigeons.
*BreathWeapon: The Worm breathes fire.
*BuriedAlive: The night before the festival, Fliss has a [[NightmareFuel brutally realistic]] such dream.
*CardboardBoxHome: Homeless drunk Ronnie Milhouse sleeps in the park balistrand, with newspapers for bedsheets.
*ContinuityReboot: Possibly. While the story revisits the main cast of Literature/Room13, the class is referred to as Year Eight rather than Second Year, and no obvious mention is made of the previous book’s vampiric adventure.
*TheCuckooLanderWasRight: Local drunk Ronnie Millhouse, prone to hallucination, suddenly sees, instead of small pink lizards, a gigantic green one...
*DragonsAreDemonic: This particular dragon gradually retains corporeality by [[DemonicPossession stirring hatred]] in those who inhabit its papier mache likeness.
*DoesThisRemindYouOfAnything: Ellie May specifically compares her Worm-induced hooliganism to Ronnie’s alcoholism.
*EvilFeelsGood: The thrill of building the Worm is followed by exhilaration at the remarkable ease in piloting it, and then an exultancy in using it to terrorise and destroy.
*FaceDeathWithDignity: [[invokedTrope Invoked]] by Year Eight’s decision to depict Ceridwen’s martyrdom in serene silence.
*FunHatingConfiscatingAdult: Park-keeper Percy Waterhouse fervently rebukes any pubescent user of the swings or roundabout.
*GrammarPolice: Mrs Evans chides Trot for saying “ta” as opposed to “thank you.”
*GoThroughMe: On the final day of the festival, [[spoiler: Fliss throws herself at the Worm, which frustrates its target range]].
*HatePlague: The operators of the Worm find themselves irresistibly drawn to acts of vandalism, hooliganism and animal cruelty.
*HolyBurnsEvil: The faith of Saint Ceridwen rendered the Worm docile, whereupon it retreated to the fen.
** This may also be the case with [[spoiler: Fliss protectively throwing herself into the Worm’s path, whereupon its loses its hold on the costume and operators]].
*HomeBase: The Worm operators meet in Trot’s parents’ garage.
*AFeteWorseThanDeath: At the eventual town festival, following the start of Year Eight’s re-enactment, [[spoiler: a suddenly very real dragon goes on a brief, potentially lethal rampage]].
*{{Legend}}: While the martyrdom of Ceridwen is (in the story) historically accepted, the Worm is thought to be legend.
*MyGodWhatHaveIDone: Once the thrill of a nightly rampage wears off, Ellie May sadly reflects on the senseless cruelty of trampling the parkkeeper's prize tulips.
*NotTooDeadToSaveTheDay: On the Worm’s furious emergence from the marquee, [[spoiler: Fliss finds herself compelled by a strange urge to distract it from its intended victims. This is implied to be instilled by the spirit of Ceridwen]].
*OurWereBeastsAreDifferent: Construction and inhabitation of a papier mache-headed dragon costume under [[ThereAreNoCoincidences deliberately beneficial circumstances]] instills in its thirteen-year-old operators a love of violence, consummation of which briefly imbues both them and the costume with the attributes of an actual dragon.
*ReasonableAuthorityFigure: Mr Hepworth can be a bit strict, but has a sense of humour, and lends a kindly ear to Fliss’s worries.
** The Reverend Toby East calmly chastises an act of hooliganism by citing the potential fatalities.
*RedEyesTakeWarning: Invoked by a pair of car reflectors which serve as the Worm’s eyes.
*RegularlyScheduledEvil: A thousand years following the banishment of the Worm, it awaits opportunity to rampage once more via the corrupted minds and possessed bodies of several adolescents.
** [[InvertedTrope Inverted]] with [[spoiler: a sudden instinctive resolve of Fliss, implied to have been instilled by the spirit of Ceridwen, to confront the beast]].
*ShoutOut: The terrorising of a medieval village by a serpentine dragon recalls Literature/TheLambtonWorm, while its banishment by the faith of a latterly martyred hero somewhat evokes Literature/{{Beowulf}}.
** The mounting aggression of several adolescents, roused by a bestial emblem (albeit here, a genuinely supernatural one) recalls Literature/LordOfTheFlies.
*TankGoodness: Ultimately [[SubvertedTrope subverted]]. On the last day of the festival, several soldiers in charge of a displayed armoured personnel carrier [[spoiler: attempt to ram the rampaging Worm]]. The narration notes this to be a good idea, but [[spoiler: two terrified civilians drive off with it]].
*ThereAreNoCoincidences: The ease of the Worm’s construction, which includes acquisition of car reflectors for eyes and a green cinema curtain for a body, seems ominously deliberate.
*WeUsedToBeFriends: Lisa, in thrall to the spell of the Worm, and angered by report of her sudden tendency to bullying, coldly renounces her friendship with Fliss. [[spoiler: They all make up eventually.]]
*YourMindMakesItReal: The crafters and operators of the Worm are rather taken aback by the ease and effectiveness of their efforts. When rampaging in it, all four operators see through its eyes, and leave giant saurian footprints.
A 1994 novel by Creator/RobertSwindells. As the small town of Elsworth nears its thousandth anniversary of the martyrdom of resident Saint Ceridwen, Mr Hepworth tasks Year Eight to stage a re-enactment of the Saint’s banishment of the Elsworth Worm, and subsequent martyrdom by invading Danes. As the class arranges a cast of villagers and vikings, with Fliss Morgan in the role of Ceridwen, David “Trot” Trotter, Lisa Watmaugh, Ellie May Sutherland and Gary Bazzard begin work on a costume replica of the legendary dragon. The ease of its construction amazes all involved. While Fliss reflects uneasily on the fatalistic appearance of this, the Worm’s builders thrill at the remarkable ease with which they inhabit and operate it. Their shared thrall spurs them to acts of mounting hooliganism. The thrill is so intoxicating that their strangely shared view through only two eyeholes hardly seems to matter...
*AdultFear: [[InvokedTrope Invoked]] by Mrs Morgan following Fliss’s nightmare. “There’s nothing worse than being woken in the middle of the night by a scream.”
*BadPeopleAbuseAnimals: Under the malign influence of the Worm, its operators burn to death several kept pigeons.
*BreathWeapon: The Worm breathes fire.
*BuriedAlive: The night before the festival, Fliss has a [[NightmareFuel brutally realistic]] such dream.
*CardboardBoxHome: Homeless drunk Ronnie Milhouse sleeps in the park balistrand, with newspapers for bedsheets.
*ContinuityReboot: Possibly. While the story revisits the main cast of Literature/Room13, the class is referred to as Year Eight rather than Second Year, and no obvious mention is made of the previous book’s vampiric adventure.
*TheCuckooLanderWasRight: Local drunk Ronnie Millhouse, prone to hallucination, suddenly sees, instead of small pink lizards, a gigantic green one...
*DragonsAreDemonic: This particular dragon gradually retains corporeality by [[DemonicPossession stirring hatred]] in those who inhabit its papier mache likeness.
*DoesThisRemindYouOfAnything: Ellie May specifically compares her Worm-induced hooliganism to Ronnie’s alcoholism.
*EvilFeelsGood: The thrill of building the Worm is followed by exhilaration at the remarkable ease in piloting it, and then an exultancy in using it to terrorise and destroy.
*FaceDeathWithDignity: [[invokedTrope Invoked]] by Year Eight’s decision to depict Ceridwen’s martyrdom in serene silence.
*FunHatingConfiscatingAdult: Park-keeper Percy Waterhouse fervently rebukes any pubescent user of the swings or roundabout.
*GrammarPolice: Mrs Evans chides Trot for saying “ta” as opposed to “thank you.”
*GoThroughMe: On the final day of the festival, [[spoiler: Fliss throws herself at the Worm, which frustrates its target range]].
*HatePlague: The operators of the Worm find themselves irresistibly drawn to acts of vandalism, hooliganism and animal cruelty.
*HolyBurnsEvil: The faith of Saint Ceridwen rendered the Worm docile, whereupon it retreated to the fen.
** This may also be the case with [[spoiler: Fliss protectively throwing herself into the Worm’s path, whereupon its loses its hold on the costume and operators]].
*HomeBase: The Worm operators meet in Trot’s parents’ garage.
*AFeteWorseThanDeath: At the eventual town festival, following the start of Year Eight’s re-enactment, [[spoiler: a suddenly very real dragon goes on a brief, potentially lethal rampage]].
*{{Legend}}: While the martyrdom of Ceridwen is (in the story) historically accepted, the Worm is thought to be legend.
*MyGodWhatHaveIDone: Once the thrill of a nightly rampage wears off, Ellie May sadly reflects on the senseless cruelty of trampling the parkkeeper's prize tulips.
*NotTooDeadToSaveTheDay: On the Worm’s furious emergence from the marquee, [[spoiler: Fliss finds herself compelled by a strange urge to distract it from its intended victims. This is implied to be instilled by the spirit of Ceridwen]].
*OurWereBeastsAreDifferent: Construction and inhabitation of a papier mache-headed dragon costume under [[ThereAreNoCoincidences deliberately beneficial circumstances]] instills in its thirteen-year-old operators a love of violence, consummation of which briefly imbues both them and the costume with the attributes of an actual dragon.
*ReasonableAuthorityFigure: Mr Hepworth can be a bit strict, but has a sense of humour, and lends a kindly ear to Fliss’s worries.
** The Reverend Toby East calmly chastises an act of hooliganism by citing the potential fatalities.
*RedEyesTakeWarning: Invoked by a pair of car reflectors which serve as the Worm’s eyes.
*RegularlyScheduledEvil: A thousand years following the banishment of the Worm, it awaits opportunity to rampage once more via the corrupted minds and possessed bodies of several adolescents.
** [[InvertedTrope Inverted]] with [[spoiler: a sudden instinctive resolve of Fliss, implied to have been instilled by the spirit of Ceridwen, to confront the beast]].
*ShoutOut: The terrorising of a medieval village by a serpentine dragon recalls Literature/TheLambtonWorm, while its banishment by the faith of a latterly martyred hero somewhat evokes Literature/{{Beowulf}}.
** The mounting aggression of several adolescents, roused by a bestial emblem (albeit here, a genuinely supernatural one) recalls Literature/LordOfTheFlies.
*TankGoodness: Ultimately [[SubvertedTrope subverted]]. On the last day of the festival, several soldiers in charge of a displayed armoured personnel carrier [[spoiler: attempt to ram the rampaging Worm]]. The narration notes this to be a good idea, but [[spoiler: two terrified civilians drive off with it]].
*ThereAreNoCoincidences: The ease of the Worm’s construction, which includes acquisition of car reflectors for eyes and a green cinema curtain for a body, seems ominously deliberate.
*WeUsedToBeFriends: Lisa, in thrall to the spell of the Worm, and angered by report of her sudden tendency to bullying, coldly renounces her friendship with Fliss. [[spoiler: They all make up eventually.]]
*YourMindMakesItReal: The crafters and operators of the Worm are rather taken aback by the ease and effectiveness of their efforts. When rampaging in it, all four operators see through its eyes, and leave giant saurian footprints.