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* ''Theatre/WesterosAnAmericanMusical'':
** Ned and Robert. To give an idea of the level at which the play amplifies it compared to the source material, "King Robert Baratheon" ends with Ned calling himself "the damn fool who loved [Robert]" and the narrator calls their relationship "The bromance that won Robert's rebellion".
** When the narrator says that she "ships it" after "First Watch", in which Jon and Sam discuss the latter's crush on Gilly, she isn't specific about whether she's talking about Sam/Gilly or Jon/Sam.
** Davos and Stannis. Contributing factors include Stannis' wife Selyse not getting any kind of mention and Shireen's body language when Davos is re-instated as Stannis' Hand being that of someone who's witnessing a surprise proposal getting accepted. The play also keeps the IntergenerationalFriendship between Davos and Shireen from ''Series/GameOfThrones'', all around making it look like Shireen HasTwoDaddies, as Stannis is her actual father.
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* Riff and Tony in ''Theatre/WestSideStory'', for much the same reasons as [[RomeoAndJuliet Mercutio and Romeo]].

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* Riff and Tony in ''Theatre/WestSideStory'', for much the same reasons as [[RomeoAndJuliet [[Theatre/RomeoAndJuliet Mercutio and Romeo]].
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* In the obscure Creator/MarvinHamlisch[=/=]Howard Ashman musical ''Smile'' there is some fairly heavy lesyay between the two female leads, Robin and Doria, most notably during the song Dressing Room and at the end when [[spoiler: Robin decides not to join Doria at the next pageant]].

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* In the obscure Creator/MarvinHamlisch[=/=]Howard Music/MarvinHamlisch[=/=]Howard Ashman musical ''Smile'' there is some fairly heavy lesyay between the two female leads, Robin and Doria, most notably during the song Dressing Room and at the end when [[spoiler: Robin decides not to join Doria at the next pageant]].
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Fixing some red links


* In the (fairly obscure) Rupert Holmes musical adaptation of TheMysteryOfEdwinDrood the main male character (Drood) is engaged to a woman named Rosa. Oh and the male lead is traditionally played by a woman (it's a weird show). And yes, in case you're wondering [[GirlOnGirlIsHot they do kiss.]]

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* In the (fairly obscure) Rupert Holmes musical adaptation of TheMysteryOfEdwinDrood ''Literature/TheMysteryOfEdwinDrood'' the main male character (Drood) is engaged to a woman named Rosa. Oh and the male lead is traditionally played by a woman (it's a weird show). And yes, in case you're wondering [[GirlOnGirlIsHot they do kiss.]]



* Theatre/TheRockyHorrorShow is loaded with this, with such moments as [[DepravedBisexual Dr. Frank N. Furter]] seducing both Janet ''and'' Brad.

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* Theatre/TheRockyHorrorShow Film/TheRockyHorrorPictureShow is loaded with this, with such moments as [[DepravedBisexual Dr. Frank N. Furter]] seducing both Janet ''and'' Brad.



** [[InUniverseExample In Universe Example]] with the Costazuela siblings, who are brothers in the female version and sisters in ''Oscar and Felix''. Because it's been so hot lately (all 3 versions take place during the summer), the Costzuelas have been sleeping naked and leaving their door open "for the breeze." Apparently there's an old couple living next door to them that see them nude together and assume that they're a same-sex couple.

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** [[InUniverseExample In Universe [[InUniverse In-Universe Example]] with the Costazuela siblings, who are brothers in the female version and sisters in ''Oscar and Felix''. Because it's been so hot lately (all 3 versions take place during the summer), the Costzuelas have been sleeping naked and leaving their door open "for the breeze." Apparently there's an old couple living next door to them that see them nude together and assume that they're a same-sex couple.
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How To Write An Example - Do Not Pothole the Trope Name


* ''Theatre/{{Cats}}'': The rather fawning descriptions that the [[LoveableSexManiac Rum Tum Tugger]] lay on [[FrozenFlower Mr Mistoffelees]] were rather... interesting. Especially when offset by the less than complimentary tone that Mistoffelees uses in Tugger's own song.

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* ''Theatre/{{Cats}}'': The rather fawning descriptions that the [[LoveableSexManiac [[LovableSexManiac Rum Tum Tugger]] lay on [[FrozenFlower Mr Mistoffelees]] were rather... interesting. Especially when offset by the less than complimentary tone that Mistoffelees uses in Tugger's own song.
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** In the West End production, Elder Price grabs Elder McKinley in excitement, and Elder McKinley leans in for a kiss.

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** In the West End production, Elder Price grabs Elder McKinley [=McKinley=] in excitement, and Elder McKinley [=McKinley=] leans in for a kiss.

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* The OBC of ''Theatre/NextToNormal'', and the tension between [[ParentalIncest Gabe and Dan]] is ridiculous. Especially in the reprise of "I Am the One", where [[spoiler: Gabe is trying to get Dan to acknowledge he's real]], with all the touching and the emotion going on.


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**In the West End production, Elder Price grabs Elder McKinley in excitement, and Elder McKinley leans in for a kiss.
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** Don Giovanni/Leporello. Especially in modern productions. Apparently, 1003 women are not enough...

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** [[Theatre/DonGiovanni Don Giovanni/Leporello. Especially in modern productions. Apparently, 1003 women are not enough...Giovanni]]/Leporello. At times, Leporello seems just a little ''too'' devoted to Don Giovanni. And then (depending on the translation), there's the line where Leporello says that Don Giovanni "took his innocence." He then turns to [[WomanScorned Elvira]] and says "You know what it's like." It doesn't take a lot of imagination to imagine what that could mean. Considering this is [[TheCasanova Don Giovanni]], taking it a [[AnythingThatMoves step]] [[DepravedBisexual further]] isn't too hard.
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* Calamity and Katie in ''Calamity Jane''. Calam defends Katie from the angry mob and describes her as pretty, and then in the next act, they're living together and singing about "A Woman's Touch".

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* Calamity and Katie in ''Calamity Jane''.''Film/CalamityJane''. Calam defends Katie from the angry mob and describes her as pretty, and then in the next act, they're living together and singing about "A Woman's Touch".
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*** In the 2016 production National Theatre production, they decided to just skip the subtext of this one and go straight to "text", with both Macheath and Tiger making highly suggestive comments to each other (to the point of basically [[{{Pun}} coming out]] and stating it), and sharing a kiss at the end of the Cannon Song. Actually, that entire production went ''heavy'' on the HoYay, with Peachum being a CampGay transvestite calling everyone "poppet" (especially the male characters) and one of the prostitutes at the brothel Mack visits being male.


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** There's also the fact that Roger effectively "breaks up" with Mark practically simultaneously as he ''officially'' breaks up with Mimi (in a song called "Goodbye Love") and it's implied that the first thing he does once he's back in New York is to go to Mark.
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* Mæja and Gedda from ''Theatre/TheFruitBasket''. Although they are referred to as friends, they seem to put their arms around each other, hold hands, and look deeply into each other’s eyes a lot. Especially noticeable in the 2012 film, where they literally look into each other’s eyes, hold hands, and sing about everyone wanting love.

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* Mæja and Gedda from ''Theatre/TheFruitBasket''. Although they are referred to as friends, they They seem to put their arms around each other, hold hands, and look deeply into each other’s eyes a lot. Especially noticeable in the 2012 film, where they literally look into each other’s eyes, hold hands, and sing about everyone wanting love.
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* Mæja and Gedda from Theatre/TheFruitBasket. Although they are referred to as friends, they seem to put their arms around each other, hold hands, and look deeply into each other’s eyes a lot. Especially noticeable in the 2012 film, where they literally look into each other’s eyes, hold hands, and sing about everyone wanting love.

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* Mæja and Gedda from Theatre/TheFruitBasket.''Theatre/TheFruitBasket''. Although they are referred to as friends, they seem to put their arms around each other, hold hands, and look deeply into each other’s eyes a lot. Especially noticeable in the 2012 film, where they literally look into each other’s eyes, hold hands, and sing about everyone wanting love.
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* Mæja and Gedda from Theatre/TheFruitBasket. Although they are referred to as friends, they seem to put their arms around each other, hold hands, and look deeply into each other’s eyes a lot. Especially noticeable in the 2012 film, where they literally look into each other’s eyes, hold hands, and sing about everyone wanting love.
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** In the female version, just before Olive (female Oscar) calls to make the dinner date, she responds to Florence's (female Felix) objections by ''putting Florence's hand on one of her breasts'' to illustrate how much in need of intimate contact with a man she is. Granted, she points out to Florence that her hand "isn't enough" and that she needs a "bigger one, with knuckles", but ''still''. Platonic friends don't usually put another platonic friend's hand on their chest of all places!

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** In the female version, just before Olive (female Oscar) calls to make the dinner date, she responds to Florence's (female Felix) objections by ''putting Florence's hand on one of her breasts'' to illustrate how much in need of intimate contact with a man she is. Granted, she points out to Florence that her hand "isn't enough" and that she needs a "bigger one, with knuckles", but ''still''. Platonic friends don't usually put another platonic friend's hand on their chest ''chest'' of all places!
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** In the female version, just before Olive (female Oscar) calls to make the dinner date, she responds to Florence's (female Felix) objections by ''putting Florence's hand on one of her breasts'' to illustrate how much in need of intimate contact with a man she is. Granted, she points out to Florence that her hand "isn't enough" and that she needs a "hairy one, with knuckles", but ''still''. Platonic friends don't usually put another platonic friend's hand on their chest of all places!

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** In the female version, just before Olive (female Oscar) calls to make the dinner date, she responds to Florence's (female Felix) objections by ''putting Florence's hand on one of her breasts'' to illustrate how much in need of intimate contact with a man she is. Granted, she points out to Florence that her hand "isn't enough" and that she needs a "hairy "bigger one, with knuckles", but ''still''. Platonic friends don't usually put another platonic friend's hand on their chest of all places!

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** Alvaro and Don Carlo di Vargas in ''La forza del destino'' start out as instant best friends, share a beautiful, lyrical duet when Alvaro is wounded in battle, and they have two more intense duets after Carlo finds out Alvaro's true identity (the man who killed his father and seduced his sister). Eventually Carlo forces him into a duel and Alvaro kills him.



*** ''Death in Venice'': Aschenbach/Tadzio is canon, althoguh nothing ever happens, but the tension! It needs more love.

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*** ''Death in Venice'': Aschenbach/Tadzio is canon, althoguh although nothing ever happens, but the tension! It needs more love.
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* Death ("Der Tod") from German musical [[https://en.wikipedia.org/wiki/Elisabeth_(musical) Elisabeth]] is in love with the title heroine, but still manages to be rather ...suggestive... with her son. As in, most productions have Death taking the guy's life with a kiss that can be anything from a small peck on the lips to something that approaches a full-out snog.
** Not to mention Death and her son's duet, [[https://www.youtube.com/watch?v=i9hFnlJIMNY Die Schatten werden länger]] (The Shadows Grow Longer). The two [[AlmostKiss Almost Kisses]] and Death practically forcing her son to dance with him don't help matters at all.

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* Death ("Der Tod") from the German musical [[https://en.wikipedia.org/wiki/Elisabeth_(musical) Elisabeth]] ''Theatre/{{Elisabeth}}'' is in love with the title titular heroine, but still manages to be rather ...suggestive... with her son.son Rudolf. As in, most productions have Death taking the guy's life with a kiss that can be anything from a small peck on the lips to something that approaches a full-out snog.
** Not to mention Death and her son's Rudolf's duet, [[https://www.youtube.com/watch?v=i9hFnlJIMNY Die Schatten werden länger]] (The Shadows Grow Longer). The two [[AlmostKiss Almost Kisses]] and Death practically forcing her son Rudolf to dance with him don't help matters at all.
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* HoYay/SpringAwakening
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* In Stephen Schwartz' ''Theatre/{{Pippin}}'', the Lead Player can be this with the titular protagonist, if he's played by a man.
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* {{Tanz der Vampire}} is a wonderful example. First, you have the Count basically seducing and turning Alfred on at the end of Act 1 (ramped up or not depending on the Alfred), then you have the two nightmare dancers being [[https://youtu.be/iCtrvAGPSEE?t=12m53s very close to each other]] and, of course, you have [[https://youtu.be/NOOB5DIgO0w?t=4m42s Wenn Liebe in dir ist]], with Herbert, the Count's son, trying to "seduce" Alfred.

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* {{Tanz der Vampire}} ''Theatre/TanzDerVampire'' is a wonderful example. First, you have the Count basically seducing and turning Alfred on at the end of Act 1 (ramped up or not depending on the Alfred), then you have the two nightmare dancers being [[https://youtu.be/iCtrvAGPSEE?t=12m53s very close to each other]] and, of course, you have [[https://youtu.be/NOOB5DIgO0w?t=4m42s Wenn Liebe in dir ist]], with Herbert, the Count's son, trying to "seduce" Alfred.
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* The most recent StephenSondheim show, ''Road Show'', is his first to feature canonically gay characters: Addison Mizner and Hollis Bessmer are lovers. On top of that, there's a generous sprinkling of barely-subtextual HoYay between Addison and his brother Wilson:

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* The most recent StephenSondheim Music/StephenSondheim show, ''Road Show'', is his first to feature canonically gay characters: Addison Mizner and Hollis Bessmer are lovers. On top of that, there's a generous sprinkling of barely-subtextual HoYay between Addison and his brother Wilson:



* Another StephenSondheim show, ''Merrily We Roll Along'', reeks of this trope with Frank/Charlie. The entire show might as well be called "Frank and Charlie break up" - especially the song "Franklin Shepard Inc." in which Charlie not only complains the whole time about Frank not paying enough attention to him, but also lists the reasons he's still "the guy [he] love[s]"

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* Another StephenSondheim Music/StephenSondheim show, ''Merrily We Roll Along'', reeks of this trope with Frank/Charlie. The entire show might as well be called "Frank and Charlie break up" - especially the song "Franklin Shepard Inc." in which Charlie not only complains the whole time about Frank not paying enough attention to him, but also lists the reasons he's still "the guy [he] love[s]"
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* Elder Price and Elder [=McKinley=] have their moments in [[TheBookOfMormon/Theatre The Book Of Mormon]].

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* Elder Price and Elder [=McKinley=] have their moments in [[TheBookOfMormon/Theatre [[Theatre/TheBookOfMormon The Book Of Mormon]].
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* Elder Price and Elder [=McKinley=] have their moments in The Book of Mormon.

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* Elder Price and Elder [=McKinley=] have their moments in [[TheBookOfMormon/Theatre The Book of Mormon.Of Mormon]].
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* [[Creator/WilliamShakespeare The Bard]] demonstrates that TheZerothLawOfTropeExamples [[HoYay/WilliamShakespeare applies even here]].

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* [[Creator/WilliamShakespeare The Bard]] demonstrates that TheZerothLawOfTropeExamples JustForFun/TheZerothLawOfTropeExamples [[HoYay/WilliamShakespeare applies even here]].
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** In the original 1965 male and 1985 female versions, after Felix/Florence points out to Oscar/Olive how annoying the latter finds them ans asks why they're still inviting them to live with them, the former flat out tells them "For Chrissakes, I'm proposing to you. What do you want, a Goddam(n) ring?"

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** In the original 1965 male and 1985 female versions, after Felix/Florence points out to Oscar/Olive how annoying the latter finds them ans and asks why they're still inviting them to live with them, the former flat out tells them "For Chrissakes, I'm proposing to you. What do you want, a Goddam(n) ring?"



** After Oscar/Olive throws Felix/Florence out and their mutual friends come in asking what's going on, Oscar tells them that he and Felix "broke up!"

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** After Oscar/Olive In both male versions, after Oscar throws Felix/Florence Felix out and their mutual poker friends come in asking what's going on, Oscar tells them that he and Felix "broke up!"

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* How has this page gone so long without any mention of ''Theatre/TheOddCouple''?

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* How has this page gone so long without any mention of ''Theatre/TheOddCouple''?''Theatre/TheOddCouple''? Just, ''how?''




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-->'''Felix:''' ''(quickly and softly)'' Ooooh, that's good. You did it good, Oscar...That was perfect.
-->'''Oscar:''' I'm beginning to get a picture of why your marriage went awry.
-->'''Felix:''' No, you did it better than Frances. She never did it that good.
-->'''Oscar:''' Yeah? Well, don't look at me like you're falling in love.



** During their final argument, Oscar/Olive tells Felix/Florence that "We're getting an annulment".

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** During their final argument, Oscar/Olive tells Felix/Florence that Felix/Florence, "We're getting an annulment".


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**[[InUniverseExample In Universe Example]] with the Costazuela siblings, who are brothers in the female version and sisters in ''Oscar and Felix''. Because it's been so hot lately (all 3 versions take place during the summer), the Costzuelas have been sleeping naked and leaving their door open "for the breeze." Apparently there's an old couple living next door to them that see them nude together and assume that they're a same-sex couple.
***In the female version one of the Costazuela brothers then asks Florence if anyone thinks her and Olive are gay since they're living together and have only female friends visit them (for Trivial Pursuit). Florence is ''very'' quick to ask why anyone would get such an idea, and hilariously wonders aloud why "when men play poker, no one thinks ''they're'' gay." For whoever doesn't know, in the original play Oscar and Felix's (all-male) friend group plays poker.
**Slight example with the Pigeon sisters in the original male version. Their apartment doesn't have A/C (this having been written in 1965 and being set in a building constructed in the 1930s) and the play takes place during a hot and humid NYC summer, so in order to stay cool at night the sisters have been sitting in front of their opened refridgerator "in Nature's own". Think about that for a second. And no, the Ho Yay value doesn't diminish because they're sisters.
**In ''Oscar and Felix'' Oscar [[LampshadeHanging hangs a lampshade on their new situation]] by repeatedly telling Felix that "we're not a couple" and that he's not going to be the "Frances (Felix's soon-to-be-ex-wife) to your Felix". It doesn't work, they later come off as stereotypically married couple-y as ever.
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*How has this page gone so long without any mention of ''Theatre/TheOddCouple''?
**First off, there's the friggin' ''title''-it should be noted that before Neil Simon penned the play, the term "odd couple" was used to describe a heterosexual couple where the woman was taller than the man.
**In the original 1965 male and 1985 female versions, Oscar/Olive gives Felix/Florence a neck and back massage. In the 2004 rewrite of the male version titled ''Oscar and Felix: A New Look at the Odd Couple'', Neil Simon tried to downplay the Ho Yay a bit by having Felix make Oscar move Felix's fingers to massage him rather than Oscar directly massaging Felix. Then we get this gem:

**In the original 1965 male and 1985 female versions, after Felix/Florence points out to Oscar/Olive how annoying the latter finds them ans asks why they're still inviting them to live with them, the former flat out tells them "For Chrissakes, I'm proposing to you. What do you want, a Goddam(n) ring?"
**Their conversations in the later parts of the play very much come off as being between an unhappy married couple in general. For instance, in all 3 versions of the play the night of their double-date Oscar/Olive comes home much later than Felix/Florence wanted him/her home to help out before their guests arrive and the latter is ''pissed'' that not only is the former late, but didn't even call them to let them know they'd be home late. The two then have an argument where Felix/Florence acts like a frustrated housewife and Oscar/Olive acts like a neglectful husband.
**In the female version, just before Olive (female Oscar) calls to make the dinner date, she responds to Florence's (female Felix) objections by ''putting Florence's hand on one of her breasts'' to illustrate how much in need of intimate contact with a man she is. Granted, she points out to Florence that her hand "isn't enough" and that she needs a "hairy one, with knuckles", but ''still''. Platonic friends don't usually put another platonic friend's hand on their chest of all places!
***Even better, the hand-on-chest scene made it into ''Oscar and Felix'' (the 2004 rewrite), rewritten to fit a man needing female contact, as well!
**During their final argument, Oscar/Olive tells Felix/Florence that "We're getting an annulment".
**After Oscar/Olive throws Felix/Florence out and their mutual friends come in asking what's going on, Oscar tells them that he and Felix "broke up!"
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* In ''The Play That Goes Wrong'', the actress playing the female lead in "The Murder at Haversham Manor" gets knocked unconscious during the first act. This forces a female stage-hand to step in and replace her. When the replacement ''also'' gets knocked out, the sound effects guy has to step in ... and enact a kiss scene with one of the male cast, who enjoys the scene rather more than expected.
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* ''Theatre/{{Lestat}}''. Unsurprisingly, given [[TheVampireChronicles the source material.]] Seriously, just listen to [[http://www.4shared.com/file/88077168/c744768d/1_11_-_Right_Before_My_Eyes.html "Right Before My Eyes"]]. Lestat and Nicki had an intense love affair in the book, and the lyrics make no attempt to disguise this.

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* ''Theatre/{{Lestat}}''. Unsurprisingly, given [[TheVampireChronicles [[Literature/TheVampireChronicles the source material.]] Seriously, just listen to [[http://www.4shared.com/file/88077168/c744768d/1_11_-_Right_Before_My_Eyes.html "Right Before My Eyes"]]. Lestat and Nicki had an intense love affair in the book, and the lyrics make no attempt to disguise this.

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