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Changed line(s) 7 (click to see context) from:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agatha Christie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes."). The kicker though is when Mervyn points out a plot hole.
to:
* The entire entirety of the flashback scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agatha Christie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes."). The kicker though is when Mervyn points out a plot hole.
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Changed line(s) 7 (click to see context) from:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agitha Christie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes."). The kicker though is when Mervyn points out a plot hole.
to:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agitha Agatha Christie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes."). The kicker though is when Mervyn points out a plot hole.
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Changed line(s) 7 (click to see context) from:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agitha Cristie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes."). The kicker though is when Mervyn points out a plot hole.
to:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agitha Cristie Christie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes."). The kicker though is when Mervyn points out a plot hole.
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Changed line(s) 7,8 (click to see context) from:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agitha Cristie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes.").
to:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agitha Cristie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes."). \n The kicker though is when Mervyn points out a plot hole.
-->'''Mervyn''': How does he get the gun?
-->'''Köpernick''': He's a cop!
-->'''Woolf''': Uh, police are not armed in England.
-->'''Köpernick''': What? How do they kill the bad guys?
-->'''Mervyn''': They don't. They ask them to stop in the name of the law.
-->'''Mervyn''': How does he get the gun?
-->'''Köpernick''': He's a cop!
-->'''Woolf''': Uh, police are not armed in England.
-->'''Köpernick''': What? How do they kill the bad guys?
-->'''Mervyn''': They don't. They ask them to stop in the name of the law.
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Added DiffLines:
* The entire scene of Köpernick describing his version of the climax of his version of The Mousetrap. To put it simply, it has more in common with a cop action flick than an Agitha Cristie adaptation (with some lampshading by Köpernick, who assumes ViewersAreMorons as "the audience only ever remembers the last 20 minutes.").
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Changed line(s) 2,3 (click to see context) from:
* Tight before being killed, Leo tries to escape out a prop door that leads to a brick wall.
* Right after a flashback scene ends, Mervyn complains about how lazy and unnecessary flashbacks are to a movie.
* Right after a flashback scene ends, Mervyn complains about how lazy and unnecessary flashbacks are to a movie.
to:
* Tight Right before being killed, Leo tries to escape out a prop door that leads to a brick wall.
*Right after After a flashback scene ends, Mervyn complains about how lazy and unnecessary flashbacks are to a movie.
*
Changed line(s) 5 (click to see context) from:
* A ghost or dream hallucination of the victim asks Stoppard if the victim was anyone he knew.
to:
* A ghost or dream hallucination of the victim asks Stoppard if the victim was anyone he knew.
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Added DiffLines:
* Leo gets a voiceover mocking the nature of a WhoMurderedTheAsshole whodunit setup right before he gets murdered himself after being the biggest asshole in the room.
* Tight before being killed, Leo tries to escape out a prop door that leads to a brick wall.
* Right after a flashback scene ends, Mervyn complains about how lazy and unnecessary flashbacks are to a movie.
* Stalker uses FoodAsBribe methods to get information on her new boss from another cop, and asks the name of the former Mrs. Stoppard. The other cop takes another cookie and then replies that her name was "Mrs. Stoppard."
* A ghost or dream hallucination of the victim asks Stoppard if the victim was anyone he knew.
* Stalker breaks down a door seconds before she would have gotten the key.
* After Attenborough admits that the play isn’t that good, the theater owner makes an annoyed glare at him [[SkewedPriorities even though the suspects are all being held at gunpoint at that point.]]
* Tight before being killed, Leo tries to escape out a prop door that leads to a brick wall.
* Right after a flashback scene ends, Mervyn complains about how lazy and unnecessary flashbacks are to a movie.
* Stalker uses FoodAsBribe methods to get information on her new boss from another cop, and asks the name of the former Mrs. Stoppard. The other cop takes another cookie and then replies that her name was "Mrs. Stoppard."
* A ghost or dream hallucination of the victim asks Stoppard if the victim was anyone he knew.
* Stalker breaks down a door seconds before she would have gotten the key.
* After Attenborough admits that the play isn’t that good, the theater owner makes an annoyed glare at him [[SkewedPriorities even though the suspects are all being held at gunpoint at that point.]]
