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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/paris_when_it_sizzles.jpg]]
A 1964 romantic comedy film directed by Richard Quine and reuniting its stars Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''.
Holden plays Richard Benson, a screenwriter who's been living it up in GayParee and now finds himself facing a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn), to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
A 1964 romantic comedy film directed by Richard Quine and reuniting its stars Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''.
Holden plays Richard Benson, a screenwriter who's been living it up in GayParee and now finds himself facing a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn), to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
A 1964 American romantic comedy film directed by Richard Quine and reuniting
Holden plays
Richard
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* MarySue: In universe. Likewise, "Gabby" is obviously one of these for Gabrielle.
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* ActorAllusion: There are lots of references to Hepburn and Holden's previous movies. Richard's initial idea for the ending of the movie is exactly the same as ''Film/BreakfastAtTiffanys'', right down to the cat. William Holden's casting as an alcoholic is unusually on-the-nose for this trope.
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Holden plays Richard Benson, a screenwriter who's been living it up in GayParee and now finds himself up against against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn), to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
Holden plays Richard Benson, a screenwriter who's been living it up in GayParee and now finds himself up against against facing a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn), to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn), to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
Holden plays Richard Benson, a screenwriter who's been living it up in GayParee and now finds himself up against against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn), to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) (Hepburn), to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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A 1964 romantic comedy film directed by Richard Quine and reuniting its stars Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
A 1964 romantic comedy film directed by Richard Quine and reuniting its stars Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''.
Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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* TitledAfterTheSong: Paraphrased from a line in Music/ColePorter's "I Love Paris":
-->I love Paris in the springtime\\
I love Paris in the fall\\
I love Paris in the winter when it drizzles\\
''I love Paris in the summer when it sizzles''
-->I love Paris in the springtime\\
I love Paris in the fall\\
I love Paris in the winter when it drizzles\\
''I love Paris in the summer when it sizzles''
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* FantasticRankSystem: Throughout ''The Girl who Stole the Eiffel Tower'', Tony Curtis' character is put in his place by being told that if this were a film, he'd be a bit-player called "Second Police Officer". At the end, he is promoted to "First Police Officer", which in the film is an actual rank and causes everyone who'd previously mocked him to start treating him with respect.
to:
* FantasticRankSystem: Throughout ''The Girl who Who Stole the Eiffel Tower'', Tony Curtis' character is put in his place by being told that if this were a film, he'd be a bit-player called "Second Police Officer". At the end, he is promoted to "First Police Officer", which in the film is an actual rank and causes everyone who'd previously mocked him to start treating him with respect.
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* GenreShift: In-universe; when Gabrielle takes over writing the film, it swiftly changes from a spy drama to a vampire horror, to a western, to a sports movie, to a war movie. At which point, Richard steps in, pointing out that she's drunk and should really go to bed.
to:
* GenreShift: In-universe; when Gabrielle takes over writing ''The Girl Who Stole the film, Eiffel Tower'', it swiftly changes from a spy drama to a vampire horror, to a western, to a sports movie, to a war movie. At which point, Richard steps in, pointing out that she's drunk and should really go to bed.
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* MartyStu: In universe. "Rick" in ''The Girl who Stole the Eiffel Tower'' is blatantly an idealized version of Richard.
to:
* MartyStu: In universe. "Rick" in ''The Girl who Who Stole the Eiffel Tower'' is blatantly an idealized version of Richard.
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* GenreShift: When Gabrielle takes over writing the film, it swiftly changes from a spy drama to a vampire horror, to a western, to a sports movie, to a war movie. At which point, Richard steps in, pointing out that she's drunk and should really go to bed.
to:
* ForeignRemake: Adapted from the 1952 French comedy ''La fête à Henriette''.
* GenreShift:When In-universe; when Gabrielle takes over writing the film, it swiftly changes from a spy drama to a vampire horror, to a western, to a sports movie, to a war movie. At which point, Richard steps in, pointing out that she's drunk and should really go to bed.
* GenreShift:
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A 1964 romantic comedy film directed by Richard Quine and reuniting it’s stars Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
A 1964 romantic comedy film directed by Richard Quine and reuniting it’s its stars Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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A 1964 romantic comedy film directed by Richard Quine, reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
A 1964 romantic comedy film directed by Richard Quine, Quine and reuniting it’s stars Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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1964 romantic comedy film reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
A 1964 romantic comedy film directed by Richard Quine, reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.of.
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1964 romantic comedy film reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''[[Film/Sabrina1954 Sabrina]]''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
!Tropes in ''Paris When it Sizzles'':
!Tropes in ''Paris When it Sizzles'':
to:
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/paris_when_it_sizzles.jpg]]
1964 romantic comedy film reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from''[[Film/Sabrina1954 Sabrina]]''.''Film/{{Sabrina|1954}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
!Tropesof.
----
!!Tropes in''Paris When it Sizzles'':this film include:
1964 romantic comedy film reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from
!Tropes
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!!Tropes in
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* TakeThat: There are plenty of jabs at "new wave" cinema, starting with Gabrielle's description of a film called ''The Scrabble Game Will Not Take Place'', and carried through Tony Curtis' recurring cameo as a new wave actor playing a cop.
* {{Troperiffic}}: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the way too.
* {{Troperiffic}}: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the way too.
to:
* TakeThat: There are plenty of jabs at "new wave" UsefulNotes/FrenchNewWave cinema, starting with Gabrielle's description of a film called ''The Scrabble Game Will Not Take Place'', and carried through Tony Curtis' recurring cameo as a new wave actor playing a cop.
* {{Troperiffic}}: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the waytoo.too.
----
* {{Troperiffic}}: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the way
----
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Apparently this doesn't belong here. No, I don't understand it either.
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* GenreSavvy: Both played straight and deconstructed. Years of writing screenplays have left Richard seeing everything in terms of movie tropes.
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* DeconReconSwitch: While the inner film is a deconstruction of the elements of a romantic comedy (along with a bunch of other genres), the outer film plays them straight, albeit heavily lampshaded.
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* StrictlyFormula: This is Richard's approach to writing a script, and the whole film is basically an illustrated discussion of this trope.
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* CreatorThumbprint: In universe, it's mentioned that Richard's screenplays always include a gratuitous BathtubScene. And ''The Girl Who Stole the Eiffel Tower'' is no exception.
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* SexyDiscretionShot: Discussed and parodied. When Richard writes a scene that ends with the male and female leads on a bed, and a dissolve out, Gabrielle accuses him of using this. Richard responds that it's merely to show time passing and what the characters get up to in that time isn't important -- they might just as well be playing Parcheesi. Dissolve back in to show them doing exactly that.
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* CreditsGag: The inner film has credits in which all the technical jobs are credited to "Little person". The actual film also has a credit for Audrey Hepburn's wardrobe ''and perfume''.
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* SealedWithAKiss: One of the [[DiscussedTrope tropes discussed]] in the frame story, which ultimately ends by using and lampshading it.
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1964 romantic comedy film reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
1964 romantic comedy film reuniting Creator/AudreyHepburn and Creator/WilliamHolden, a decade on from ''Film/{{Sabrina}}''.''[[Film/Sabrina1954 Sabrina]]''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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* CreatorKiller: In universe. In the inner film, Rick plots to steal the negatives and only working print of a film, and demand payment for their return. What he doesn't know is the film in question is an utter dud that the studio head is convinced will be this and ruin him.
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* TheLawOfConservationOfDetail: In the inner film, there's a sudden lingering shot of Gabby's lipstick. Inevitably, it turns out to be important later.
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1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, Creator/WilliamHolden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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None
Changed line(s) 1,2 (click to see context) from:
1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. Which he hasn't even started. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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* RidiculousProcrastinator: Richard's deadline to deliver a script is only two days away and he hasn't even started it.
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1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist himm, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
to:
1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist himm, him, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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None
Added DiffLines:
* FantasticRankSystem: Throughout ''The Girl who Stole the Eiffel Tower'', Tony Curtis' character is put in his place by being told that if this were a film, he'd be a bit-player called "Second Police Officer". At the end, he is promoted to "First Police Officer", which in the film is an actual rank and causes everyone who'd previously mocked him to start treating him with respect.
* GenreSavvy: Both played straight and deconstructed. Years of writing screenplays have left Richard seeing everything in terms of movie tropes.
* GenreSavvy: Both played straight and deconstructed. Years of writing screenplays have left Richard seeing everything in terms of movie tropes.
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None
Changed line(s) 1,2 (click to see context) from:
1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist himm, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together every movie cliche you can think of.
to:
1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist himm, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together and sending up every movie cliche you can think of.
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* OnlyALighter: In ''The Girl Who Stole the Eiffel Tower'', Gabby pulls a gun on Rick, who responds by making a great show of pulling and twirling what is implied to be a gun, too, but turns out to be an ordinary lighter. Whereupon Gabby reveals that her "gun" is actually a lighter too, and they light each other's cigarettes.
to:
* OnlyALighter: In ''The Girl Who Stole the Eiffel Tower'', Gabby pulls a gun on Rick, who responds by making a great show of pulling and twirling what is implied to be a gun, gun too, but turns out to be an ordinary lighter. Whereupon Gabby reveals that her "gun" is actually a lighter too, and they light each other's cigarettes.
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* GenreShift: When Gabrielle takes over writing the film, it swiftly changes from a spy drama to a vampire horror, to a western, to a sports movie, to a war movie. At which point, Richard steps in, pointing out that she's drunk and should really go to bed.
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None
* MarySue: In universe. Likewise, "Gabby" is obviously one of these for Gabrielle.
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* SpecialEffectsFailure: In the vampire sequence, there is no effort put into making the bats realistic.
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* OnlyALighter: In ''The Girl Who Stole the Eiffel Tower'', Gabby pulls a gun on Rick, who responds by making a great show of pulling and twirling what is implied to be a gun, too, but turns out to be an ordinary lighter. Whereupon Gabby reveals that her "gun" is actually a lighter too, and they light each other's cigarettes.
* SpecialEffectsFailure: In universe. In the vampire sequence, there is no effort put into making the bats realistic.
* SpecialEffectsFailure: In universe. In the vampire sequence, there is no effort put into making the bats realistic.
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* TakeThat: There are plenty of jabs at "new wave" cinema, starting with Gabrielle's description of a film called ''The Scrabble Game Will Not Take Place'', and carried through Tony Curtis' recurring cameo as a new wave actor playing a cop.
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None
Added line(s) 8 (click to see context) :
* ComicallyMissingThePoint: Gabrielle's mother thought it was unhealthy for Gabrielle to have a thing for Dracula. Not because he's a vampire, but because "he's old enough to be your father".
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* LeaningOnTheFourthWall: Richard explains what a dissolve is, and what it's used for, immediately before one happens.
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* NonIndicativeTitle: ''The Girl Who Stole the Eiffel Tower'' does not involve a girl stealing the Eiffel Tower. Instead, it's the title of a film (''in'' the film-within-the-film) which, we are told, does not involve a girl stealing the Eiffel Tower.
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* SpecialEffectsFailure: In the vampire sequence, there is no effort put into making the bats realistic.
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* Troperiffic: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the way too.
to:
* Troperiffic: {{Troperiffic}}: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the way too.
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None
Added DiffLines:
1964 romantic comedy film reuniting Creator/AudreyHepburn and William Holden, a decade on from ''Film/{{Sabrina}}''. Holden plays Richard Benson, a screenwriter up against a deadline to complete a script for ''The Girl Who Stole the Eiffel Tower''. He hires an agency typist, Gabrielle Simpson (Hepburn) to assist himm, and over 48 hours they hash out a script and fall in love. As they do so, we see the film they write together, which is a ludicrous romp throwing together every movie cliche you can think of.
!Tropes in ''Paris When it Sizzles'':
* EiffelTowerEffect: The very first image we see of Paris is the Eiffel Tower. Lampshaded and discussed in short order.
* MartyStu: In universe. "Rick" in ''The Girl who Stole the Eiffel Tower'' is blatantly an idealized version of Richard.
* ObviousStuntDouble: In the rooftop chase scene, Hepburn / Gabby's stunt double is pretty good, but the change back to the real Hepburn is (deliberately) very obvious.
* StylisticSuck: The entire film-within-the-film is built on this.
* Troperiffic: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the way too.
!Tropes in ''Paris When it Sizzles'':
* EiffelTowerEffect: The very first image we see of Paris is the Eiffel Tower. Lampshaded and discussed in short order.
* MartyStu: In universe. "Rick" in ''The Girl who Stole the Eiffel Tower'' is blatantly an idealized version of Richard.
* ObviousStuntDouble: In the rooftop chase scene, Hepburn / Gabby's stunt double is pretty good, but the change back to the real Hepburn is (deliberately) very obvious.
* StylisticSuck: The entire film-within-the-film is built on this.
* Troperiffic: The film-within-the-film takes every movie trope they could think of and runs with it. Some others are discussed along the way too.