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Spawned a sequel ([[InNameOnly kind of]]), 1944's ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horror film. It's also notable as the directorial debut of Creator/RobertWise.
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Spawned a sequel ([[InNameOnly kind of]]), 1944's of]]) in 1944, ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horror film. It's also notable as the directorial debut of Creator/RobertWise.
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Spawned a sequel ([[InNameOnly kind of]]), ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horror film.
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Spawned a sequel ([[InNameOnly kind of]]), 1944's ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horror film.
film. It's also notable as the directorial debut of Creator/RobertWise.
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[[caption-width-right:300:[[RussianReversal In this movie, pussy eats you!]]]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/catpeople1982_7.jpg]]
[[caption-width-right:300: 1982 remake]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/catpeople1982_7.jpg]]
[[caption-width-right:300: 1982 remake]]
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/rose,w_cat_people1942.jpg]]
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/catpeople1982_7.jpg]]
[[caption-width-right:300: 1982 remake]]
[[caption-width-right:300: 1982 remake]]
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[[caption-width-right:300:[[RussianReversal In this movie, pussy eats you!'']]]]
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[[caption-width-right:300:[[RussianReversal In this movie, pussy eats you!'']]]]
you!]]]]
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If something's a spoiler, it should be spoiler-tagged.
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* NothingIsScarier: One of the most famous examples is the "Lewton Bus" scene, in which Alice is shown looking over her shoulder, walking faster and faster as the camera zooms in on her terrified face, before we are startled by a hiss. Spoiler: It's actually the hydraulic brakes on a passing bus. This scene is still terrifying over 70 years later!
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* NothingIsScarier: One of the most famous examples is the "Lewton Bus" scene, in which Alice is shown looking over her shoulder, walking faster and faster as the camera zooms in on her terrified face, before we are startled by a hiss. Spoiler: It's [[spoiler:It's actually the hydraulic brakes on a passing bus.bus]]. This scene is still terrifying over 70 years later!
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[[caption-width-right:300:[[RussianReversal In this movie, pussy eats you!'']]
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[[caption-width-right:300:[[RussianReversal In this movie, pussy eats you!'']]
you!'']]]]
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Incredibly Lame Pun is Not A Trope and Sink Hole. Don't use it as a trope, please. Don't pothole it. Consider helping with de-wicking. There are other associated tropes listed on Pun.
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[[caption-width-right:300:[[RussianReversal In this movie,]] ''[[IncrediblyLamePun pussy eats you!]]'']]
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[[caption-width-right:300:[[RussianReversal In this movie,]] ''[[IncrediblyLamePun movie, pussy eats you!]]'']]
you!'']]
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* HollywoodHistory: Irena's tale involves one King John of Serbia who freed Serbia from "the Mamelukes". Well, there was a "King"--or rather an "Emperor"--John, but he fought the Hungarians during the Ottoman invasion and a subsequent Hungarian War of Succession in an effort to carve out his own Serbian kingdom--not the Mamelukes, who were Egyptians of Circassian origin and never actually fought Serbs. He also didn't rule very long--ultimately his rule wound up letting the Turks conquer most of Serbia...
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* HollywoodHistory: Irena's tale involves one King John of Serbia who freed Serbia from "the Mamelukes". Well, there was a "King"--or rather an "Emperor"--John, but he fought the Hungarians during the Ottoman invasion and a subsequent Hungarian War of Succession in an effort to carve out his own Serbian kingdom--not the Mamelukes, who Mamelukes (who were Egyptians of Circassian origin and never actually fought Serbs.Serbs). He also didn't rule very long--ultimately his rule wound up letting the Turks conquer most of Serbia...
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* HollywoodHistory: Irena's tale involves one King John of Serbia who freed Serbia from "the Mamelukes". Well, there was a "King"--or rather an "Emperor"--John, but he fought the Hungarians during the Ottoman invasion and a subsequent Hungarian War of Succession in an effort to carve out his own Serbian kingdom--not the Mamelukes, who were Egyptian. He also didn't rule very long--ultimately his rule wound up letting the Turks conquer most of Serbia...
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* HollywoodHistory: Irena's tale involves one King John of Serbia who freed Serbia from "the Mamelukes". Well, there was a "King"--or rather an "Emperor"--John, but he fought the Hungarians during the Ottoman invasion and a subsequent Hungarian War of Succession in an effort to carve out his own Serbian kingdom--not the Mamelukes, who were Egyptian.Egyptians of Circassian origin and never actually fought Serbs. He also didn't rule very long--ultimately his rule wound up letting the Turks conquer most of Serbia...
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* ColorCodedEyes: Irena has green eyes, which is significant because she is a werepanther. Her brother, however, also a werepanther, has violet eyes. The title song (by David Bowie) begins, "See these eyes so green..."
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* GreenEyes: Irena has green eyes and is a werepanther. Her brother, however, also a werepanther, has violet eyes. The title song (by David Bowie) begins, "See these eyes so green..."
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* MsFanservice: Anf how! There are 5 speaking roles for women in the film, only Femalé gets to keep her clothes on.
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* MsFanservice: Anf And how! There are 5 speaking roles for women in the film, only Femalé gets to keep her clothes on.
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* MsFanservice: There are 5 speaking roles for women in the film, only Femalé gets to keep her clothes on.
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* MsFanservice: Anf how! There are 5 speaking roles for women in the film, only Femalé gets to keep her clothes on.
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* MsFanservice: There are 5 speaking roles for women, only Femalé gets to keep her clothes on for the whole film.
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* MsFanservice: There are 5 speaking roles for women, women in the film, only Femalé Femalé gets to keep her clothes on for the whole film.on.
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* MsFanservice: There are 5 speaking roles for women, only Femalé gets to keep her clothes on for the whole film.
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Stub about to be cutlisted.
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See CatFolk for feline humanoids. See ''WebAnimation/CatPerson'' for a series of Internet shorts.
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See CatFolk for feline humanoids. See ''WebAnimation/CatPerson'' for a series of Internet shorts.
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* IWantMyBelovedToBeHappy: When Dr. Judd says that Oliver can either divorce Irena (and leave her with the stigma involved) or institutionalize her and be obligated to take care of her forever without the possibility of divorce, Alice immediately says that the latter would be the right thing to do, even though it would mean she wouldn't get to marry Oliver.
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* LackOfEmpathy: Oliver is guilty of this with Irena.
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* LackOfEmpathy: Though Oliver is guilty respects Irena's requests for a lack of this with Irena.intimacy, he can't wrap his mind around why she insists until the truth becomes apparent at the end of the film. Somewhat justified in that most people ''would'' think their spouse was a little nuts for believing they'd turn into a deadly animal if they were so much as kissed.
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* {{Yandere}}: Averted; though a jealous Ilena follows Alice twice in a sinister manner and even looks ready to [[NightSwimEqualsDeath kill her while she's taking a swim]], [[spoiler:not to mention apparently appearing to Alice and Oliver as a panther ready to kill them both]] she only scares her.
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->Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depressions in the world consciousness.
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->Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depressions in the world consciousness.
-->-- ''The Anatomy of Atavism - Dr. Louis Judd''
-->-- ''The Anatomy of Atavism - Dr. Louis Judd''
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Irena is a Serbian woman living in America who believes that if she is ever kissed by a man, she will transform into a deadly panther due to a family curse brought on by medieval dabbling in witchcraft. Her American co-workers try to persuade her otherwise, including a man who wants to marry her. [[spoiler: Turns out, she's right and they're wrong.]]
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Irena is a Serbian woman living in America who believes that if she is ever kissed by a man, she will transform into a deadly panther due to a family curse brought on by medieval dabbling in witchcraft. Her American co-workers try to persuade her otherwise, including a man who wants to marry her. [[spoiler: Turns out, she's right and they're wrong.]]
wrong.
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** References to Creator/DanteAlighieri and Beatrice are sprinkled in the film, reflecting Schrader's view that Oliver's obsession with Irena stems from his "Beatrice complex."
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** References to Creator/DanteAlighieri and Beatrice are sprinkled in the film, reflecting Schrader's view that Oliver's obsession with Irena stems from his "Beatrice complex."[[TheDulcineaEffect Beatrice complex]]."
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*SinisterMinister: It's downplayed, but Paul works at a (colorfully painted) local church. It's not totally clear whether this is meant to counteract his werecat impulses or enable them; there's evidence for both.
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* TheLoinsSleepTonight: Paul picks up a blonde in a cemetery, takes her to bed, and can't get it up. He breaks down in tears, crying that he was always afraid "it" would happen again; she comforts him that she knows how to take care of guys like him, and will make it better. And then "it" turns out to be, not failing to get it up, but turning into a black leopard and eating her.
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* TheLoinsSleepTonight: Paul picks up a blonde in a cemetery, takes her to bed, and can't get it up. He breaks down in tears, crying says mournfully that he was always afraid prayed that "it" would wouldn't happen again; she comforts him that she knows how to take care of guys like him, and will make it better. And then "it" turns out to be, not failing to get it up, but turning into a black leopard and eating her.
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* SexyCatPerson: Both versions heavily play on the stereotypical association of cats with female sexuality.
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** References to Creator/{{Dante}} and Beatrice are sprinkled in the film, reflecting Schrader's view that Oliver's obsession with Irena stems from his "Beatrice complex."
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** References to Creator/{{Dante}} Creator/DanteAlighieri and Beatrice are sprinkled in the film, reflecting Schrader's view that Oliver's obsession with Irena stems from his "Beatrice complex."
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* ShoutOut: Sharp-eyed viewers will note that Oliver has a book by Creator/YukioMishima on his nightstand. This is also a meta bit of {{Foreshadowing}} as Schrader would make a [[Film/MishimaALifeInFourChapters film about Mishima]] a few years later.
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* ShoutOut: Sharp-eyed ShoutOut:
**References to Creator/{{Dante}} and Beatrice are sprinkled in the film, reflecting Schrader's view that Oliver's obsession with Irena stems from his "Beatrice complex."
**Sharp-eyed viewers will note that Oliver has a book by Creator/YukioMishima on his nightstand. This is also a meta bit of {{Foreshadowing}} as Schrader would make a [[Film/MishimaALifeInFourChapters film about Mishima]] a few years later.
**References to Creator/{{Dante}} and Beatrice are sprinkled in the film, reflecting Schrader's view that Oliver's obsession with Irena stems from his "Beatrice complex."
**Sharp-eyed viewers will note that Oliver has a book by Creator/YukioMishima on his nightstand. This is also a meta bit of {{Foreshadowing}} as Schrader would make a [[Film/MishimaALifeInFourChapters film about Mishima]] a few years later.
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* TheBigEasy: The film's setting is moved to New Orleans, and Schraeder makes the most of the atmosphere of the city and the surrounding bayou.
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* TheBigEasy: The film's setting is moved to New Orleans, and Schraeder Schrader makes the most of the atmosphere of the city and the surrounding bayou.
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* HumanSacrifice: In this version, Paul and Irene are cat people because their ancestors sacrificed their children to leopards. "The souls of the children grew inside the leopards until they became human," Paul explains in an expository DreamSequence.
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* HumanSacrifice: In this version, Paul and Irene Irena are cat people because their ancestors sacrificed their children to leopards. "The souls of the children grew inside the leopards until they became human," Paul explains in an expository DreamSequence.
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* PsychicLink: Paul and Irene seem to have a mild one; she can sense when he's distressed and eventually recognizes him in cat form.
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* PsychicLink: Paul and Irene Irena seem to have a mild one; she can sense when he's distressed and eventually recognizes him in cat form.form.
*ShoutOut: Sharp-eyed viewers will note that Oliver has a book by Creator/YukioMishima on his nightstand. This is also a meta bit of {{Foreshadowing}} as Schrader would make a [[Film/MishimaALifeInFourChapters film about Mishima]] a few years later.
*ShoutOut: Sharp-eyed viewers will note that Oliver has a book by Creator/YukioMishima on his nightstand. This is also a meta bit of {{Foreshadowing}} as Schrader would make a [[Film/MishimaALifeInFourChapters film about Mishima]] a few years later.
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There was also a 1982 remake by Creator/PaulSchrader starring Creator/MalcolmMcDowell and Creator/NastassjaKinski; it was more of what would later be called a "reimagining" than a straight remake, as it made Irena the protagonist rather than Oliver, introduced a new male co-lead in the form of her brother Paul, and changed the cat people's origins from medieval witchcraft to prehistoric HumanSacrifice. It was also a great deal [[BloodierAndGorier bloodier]] and more [[HotterAndSexier salacious]] than the original, and generally preferred to show what the original merely suggested. It's also notable for the soundtrack, a collaboration between Gorgio Moroder and Music/DavidBowie.
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There was also a 1982 remake by Creator/PaulSchrader starring Creator/MalcolmMcDowell and Creator/NastassjaKinski; it was more of what would later be called a "reimagining" than a straight remake, as it made Irena the protagonist rather than Oliver, introduced a new male co-lead in the form of her brother Paul, and changed the cat people's origins from medieval witchcraft to prehistoric HumanSacrifice. It was also a great deal [[BloodierAndGorier bloodier]] and more [[HotterAndSexier salacious]] than the original, and generally preferred to show what the original merely suggested. It's also notable for the soundtrack, a collaboration between Gorgio Moroder Music/GiorgioMoroder and Music/DavidBowie.
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*AscendedExtra: The character of Paul is derived from the panther at the zoo who fascinates Irena. As in the original, Oliver and Irena first meet while she's sketching him. But in the original the panther seems to be nothing more than an ordinary animal, while here he's her brother and another cat person.
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Added tropes and made the summary more of a summary and less of a review.
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Irena is a Serbian woman living in America who believes that if she is ever kissed by a man, she will transform into a deadly panther. Her American co-workers try to persuade her otherwise, including a man who wants to marry her. [[spoiler: Turns out, she's right and they're wrong.]] Despite some wooden acting, a low budget and rather primitive special effects, Cat People remains an effectively spooky (if not quite scary) film to this day, largely because of director Jacques Tourneur's use of visual and psychological suggestion to encourage the audience to imagine what might be lurking in the shadows.
Spawned a sequel ([[InNameOnly kind of]]), ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horror film. That said, it's well made and worth seeing in its own right, despite the ExecutiveMeddling.
There was also a 1982 remake by Creator/PaulSchrader starring Creator/MalcolmMcDowell and Creator/NastassjaKinski; it was a great deal [[BloodierAndGorier bloodier]] and more [[HotterAndSexier salacious]] than the original, expanded the original's sketchy backstory into a proper origin story for the cat people, and generally preferred to show what the original merely suggested. It's also very... very... ''slooooow'' and it has Music/DavidBowie belt out a title track.
Spawned a sequel ([[InNameOnly kind of]]), ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horror film. That said, it's well made and worth seeing in its own right, despite the ExecutiveMeddling.
There was also a 1982 remake by Creator/PaulSchrader starring Creator/MalcolmMcDowell and Creator/NastassjaKinski; it was a great deal [[BloodierAndGorier bloodier]] and more [[HotterAndSexier salacious]] than the original, expanded the original's sketchy backstory into a proper origin story for the cat people, and generally preferred to show what the original merely suggested. It's also very... very... ''slooooow'' and it has Music/DavidBowie belt out a title track.
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Irena is a Serbian woman living in America who believes that if she is ever kissed by a man, she will transform into a deadly panther.panther due to a family curse brought on by medieval dabbling in witchcraft. Her American co-workers try to persuade her otherwise, including a man who wants to marry her. [[spoiler: Turns out, she's right and they're wrong.]] Despite some wooden acting, a low budget and rather primitive special effects, Cat People remains an effectively spooky (if not quite scary) film to this day, largely because of director Jacques Tourneur's use of visual and psychological suggestion to encourage the audience to imagine what might be lurking in the shadows.
]]
Spawned a sequel ([[InNameOnly kind of]]), ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horrorfilm. That said, it's well made and worth seeing in its own right, despite the ExecutiveMeddling.
film.
There was also a 1982 remake by Creator/PaulSchrader starring Creator/MalcolmMcDowell and Creator/NastassjaKinski; it was more of what would later be called a "reimagining" than a straight remake, as it made Irena the protagonist rather than Oliver, introduced a new male co-lead in the form of her brother Paul, and changed the cat people's origins from medieval witchcraft to prehistoric HumanSacrifice. It was also a great deal [[BloodierAndGorier bloodier]] and more [[HotterAndSexier salacious]] than the original,expanded the original's sketchy backstory into a proper origin story for the cat people, and generally preferred to show what the original merely suggested. It's also very... very... ''slooooow'' notable for the soundtrack, a collaboration between Gorgio Moroder and it has Music/DavidBowie belt out a title track.Music/DavidBowie.
Spawned a sequel ([[InNameOnly kind of]]), ''The Curse of the Cat People'', which follows two of the characters from the first film and (apparently) a third one who had seemed to be dead at its end; it didn't really deal with the "cat people" angle at all, and dropped the "dangerous sexuality" theme in favour of exploring the importance of childhood imagination. It's not even in the same genre as the original, being more of a drama about family life than a horror
There was also a 1982 remake by Creator/PaulSchrader starring Creator/MalcolmMcDowell and Creator/NastassjaKinski; it was more of what would later be called a "reimagining" than a straight remake, as it made Irena the protagonist rather than Oliver, introduced a new male co-lead in the form of her brother Paul, and changed the cat people's origins from medieval witchcraft to prehistoric HumanSacrifice. It was also a great deal [[BloodierAndGorier bloodier]] and more [[HotterAndSexier salacious]] than the original,
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* BrotherSisterIncest: Paul suggests this to Irena as a way of solving the "we turn into deadly panthers after we have sex with normal people" problem.
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*AnArmAndALeg: Caged in panther form, Paul rips the arm off one of his keepers. Realistically, the man dies of blood loss.
*TheBigEasy: The film's setting is moved to New Orleans, and Schraeder makes the most of the atmosphere of the city and the surrounding bayou.
* BrotherSisterIncest:Paul suggests The remake offers this to Irena as a way of solving the "we turn into deadly panthers after we solution to a piece of FridgeLogic from the original: if the werecats kill everyone they have sex with, how did they keep their lineage going for all these generations? Only by doing it with normal people" problem.each other. Paul wants to keep this tradition up with Irena, much to her horror.
*TheBigEasy: The film's setting is moved to New Orleans, and Schraeder makes the most of the atmosphere of the city and the surrounding bayou.
* BrotherSisterIncest:
*DistantPrologue: The film opens in what appears to be a Neolithic village, where the locals offer up a young woman as a sacrifice to the leopards.
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* TheLoinsSleepTonight: Early in the movie, Paul picks up a blonde in a cemetery, takes her to bed, and can't get it up. He breaks down in tears, crying that he was always afraid "it" would happen again; she comforts him that she knows how to take care of guys like him, and will make it better. And then "it" turns out to be, not failing to get it up, but turning into a black leopard and eating her.
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*HumanSacrifice: In this version, Paul and Irene are cat people because their ancestors sacrificed their children to leopards. "The souls of the children grew inside the leopards until they became human," Paul explains in an expository DreamSequence.
* TheLoinsSleepTonight:Early in the movie, Paul picks up a blonde in a cemetery, takes her to bed, and can't get it up. He breaks down in tears, crying that he was always afraid "it" would happen again; she comforts him that she knows how to take care of guys like him, and will make it better. And then "it" turns out to be, not failing to get it up, but turning into a black leopard and eating her.
* TheLoinsSleepTonight:
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* PervertedSniffing: Paul does this to his estranged sister Irena. However, they are, of course werecats and it's a part of their animalistic bonding ritual. Paul wants Irena to be his mate.
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* PervertedSniffing: Paul does this to his estranged sister Irena. However, they are, of course course, werecats and it's a part of their animalistic bonding ritual. Paul wants Irena to be his mate.mate.
*ThePowerOfLove: [[spoiler:Irena's love for Oliver overpowers her instinct to kill him, even when she's in panther form]].
*PsychicLink: Paul and Irene seem to have a mild one; she can sense when he's distressed and eventually recognizes him in cat form.
*SingleMomStripper: The prostitute whom Paul attacks early in the film is late for an appointment because she had to find a babysitter.
*ThePowerOfLove: [[spoiler:Irena's love for Oliver overpowers her instinct to kill him, even when she's in panther form]].
*PsychicLink: Paul and Irene seem to have a mild one; she can sense when he's distressed and eventually recognizes him in cat form.
*SingleMomStripper: The prostitute whom Paul attacks early in the film is late for an appointment because she had to find a babysitter.
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Classic 1942 horror film produced by Creator/ValLewton concerning Irena, a Serbian woman living in America who believes that if she is ever kissed by a man, she will transform into a deadly panther. Her American co-workers try to persuade her otherwise, including a man who wants to marry her. [[spoiler: Turns out, she's right and they're wrong.]] Despite some wooden acting, a low budget and rather primitive special effects, Cat People remains an effectively spooky (if not quite scary) film to this day, largely because of director Jacques Tourneur's use of visual and psychological suggestion to encourage the audience to imagine what might be lurking in the shadows.
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Classic 1942 horror film produced by Creator/ValLewton concerning Irena, Creator/ValLewton, directed by Creator/JacquesTourneur.
Irena is a Serbian woman living in America who believes that if she is ever kissed by a man, she will transform into a deadly panther. Her American co-workers try to persuade her otherwise, including a man who wants to marry her. [[spoiler: Turns out, she's right and they're wrong.]] Despite some wooden acting, a low budget and rather primitive special effects, Cat People remains an effectively spooky (if not quite scary) film to this day, largely because of director Jacques Tourneur's use of visual and psychological suggestion to encourage the audience to imagine what might be lurking in the shadows.
Irena is a Serbian woman living in America who believes that if she is ever kissed by a man, she will transform into a deadly panther. Her American co-workers try to persuade her otherwise, including a man who wants to marry her. [[spoiler: Turns out, she's right and they're wrong.]] Despite some wooden acting, a low budget and rather primitive special effects, Cat People remains an effectively spooky (if not quite scary) film to this day, largely because of director Jacques Tourneur's use of visual and psychological suggestion to encourage the audience to imagine what might be lurking in the shadows.