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Fixed accidental repetition of “shall” in Cool Sword entry.
Changed line(s) 33 (click to see context) from:
->''"An enchanted sword, forged in my stardust with a core straight from my being that resembles asteria. Every clash of this cosmic blade shall shall make the stars sing and galaxies weep with its resonance, and yet it possesses magic so powerful that the cosmos itself shall wrap around and shield its bearer."''
to:
->''"An enchanted sword, forged in my stardust with a core straight from my being that resembles asteria. Every clash of this cosmic blade shall shall make the stars sing and galaxies weep with its resonance, and yet it possesses magic so powerful that the cosmos itself shall wrap around and shield its bearer."''
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Changed line(s) 36 (click to see context) from:
* EstablishingCharacterMoment: David the Incredible in ''Revolution''. In “Ignition” while training with Oreius, he laments his inability to dive into danger and save the metaphorical Princess. Later, in “Dagger Attack” and “Zero Escape,” he dives into danger to rescue a de-powered Lilliandil.
to:
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* NudeNatureDance: the opening of ''Remembrance'' has this, courtesy of Lucy organizing a Dryad bonfire ritual-to-orgy for David’s supposed benefit.
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Added DiffLines:
* BattleInTheCenterOfTheMind: the climax of [[spoiler:''The Gentle and the Cordial'']] takes place in David’s mind as he remembers and processes the Tragedy.
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Added DiffLines:
* KlingonPromotion: [[spoiler:Arthur]] in ''Star-Crossed'', who [[spoiler:successfully kills David]] by slitting [[spoiler:his]] throat with [[spoiler:Autumn’s bullseye arrow]]. This works in almost every variant of that time, judging by [[spoiler:David’s]] repeated attempts to rectify it…key word “almost,” thanks to ''I’ll Keep It Safe''.
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Changed line(s) 144 (click to see context) from:
*** Paolo Buonvino - “The Conclave Procession” - plays as Mara partially reveals her body-horror Dark Spider form while threatening Goddess Lilith and her Narnia.
to:
*** Paolo Buonvino - “The Conclave Procession” - plays as Mara partially reveals her body-horror BodyHorror Dark Spider form while threatening Goddess Lilith and her Narnia.
Changed line(s) 148 (click to see context) from:
*** Alice Kristiansen - “Star Song” - plays when Lilliandil is left to pick up the pieces of a hurt David and a concerned Peter after Lilith snapped at David for everything that took place in the Revelation Timeline thus far- which would be a “What the Hell, Hero?” if most of it wasn’t gaslighting on Lilith’s part.
to:
*** Alice Kristiansen - “Star Song” - plays when Lilliandil is left to pick up the pieces of a hurt David and a concerned Peter after Lilith snapped at David for everything that took place in the Revelation Timeline thus far- which would be a “What the Hell, Hero?” WhatTheHellHero if most of it wasn’t gaslighting on Lilith’s part.
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Added DiffLines:
* WhamLine: The ending line of ''Retribution'': [[spoiler:”Sanya just lost her Pevensies.”]]
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* MaliciousMisnaming: Multiple times throughout ''Revolution'', David explains that he refuses to give the BigBad Mara the basic courtesy of getting her name right, instead calling her the Operator as a deliberate in-universe ShoutOut to “Marble Hornets” [[spoiler:and as an explanation of how her abilities work.]]
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Changed line(s) 32 (click to see context) from:
** ->''"An enchanted sword, forged in my stardust with a core straight from my being that resembles asteria. Every clash of this cosmic blade shall shall make the stars sing and galaxies weep with its resonance, and yet it possesses magic so powerful that the cosmos itself shall wrap around and shield its bearer."''
to:
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* CoolSword: Starsong, given to David the Incredible by Lilliandil.
** ->''"An enchanted sword, forged in my stardust with a core straight from my being that resembles asteria. Every clash of this cosmic blade shall shall make the stars sing and galaxies weep with its resonance, and yet it possesses magic so powerful that the cosmos itself shall wrap around and shield its bearer."''
-->-- '''Lilliandil''', ''Revolution Part 1: Inferno''
** ->''"An enchanted sword, forged in my stardust with a core straight from my being that resembles asteria. Every clash of this cosmic blade shall shall make the stars sing and galaxies weep with its resonance, and yet it possesses magic so powerful that the cosmos itself shall wrap around and shield its bearer."''
-->-- '''Lilliandil''', ''Revolution Part 1: Inferno''
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Changed line(s) 120 (click to see context) from:
*** Jim White & Aimee Mann - “Static on the Radio” - plays as David the Incredible wakes up and starts his day one Narnian winter morning, twenty-eight days after Lilith temporary left him behind.
to:
*** Jim White & Aimee Mann - “Static on the Radio” - plays as David the Incredible wakes up and starts his day one Narnian winter morning, twenty-eight days after Lilith temporary temporarily left him behind.
Changed line(s) 124 (click to see context) from:
*** Jack Wall - “Inferno” - plays David, Oreius, and Lilliandil fight Dovah.
to:
*** Jack Wall - “Inferno” - plays when David, Oreius, and Lilliandil fight Dovah.
Changed line(s) 138 (click to see context) from:
*** AMIMEA - “Parting Ways” - plays as Lilith takes a breather during the Ball while David and Lilliandil are partaking in their DanceOfRomance, and Lilith mourns to Oreius about missing Peter.
to:
*** AMIMEA - “Parting Ways” - plays as Lilith takes a breather during the Ball while David and Lilliandil are partaking in their DanceOfRomance, and Lilith mourns to Oreius about missing Peter.Alia.
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added Once More With Clarity
Added DiffLines:
* OnceMoreWithClarity: The scene in ''Revolution Part 1: Inferno'' when Mara summons Dovah after she learns of David curing the Narnians is played again later in ''The Other Side'' with a much more terrifying context: [[spoiler:Mara’s sister Mare is held captive the whole time and watched Mara kill and burn her friend Leah the Records Keeper.]]
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Changed line(s) 147,151 (click to see context) from:
*** Streaming Music Studios - “Rosalina in the Observatory 3” - plays when
*** Hayley Westenra - “Dark Waltz” - plays when
*** Kazuma Jinnouchi - “Never Forget (Midnight Version)” - plays when
*** Madeon - “Mania” - plays when
*** Lily James - “A Dream is a Wish Your Heart Makes” - plays when
*** Hayley Westenra - “Dark Waltz” - plays when
*** Kazuma Jinnouchi - “Never Forget (Midnight Version)” - plays when
*** Madeon - “Mania” - plays when
*** Lily James - “A Dream is a Wish Your Heart Makes” - plays when
to:
*** Streaming Music Studios - “Rosalina in the Observatory 3” - plays when
when Lilliandil transforms into [[spoiler:Rosalina]] and dances with David in a DanceOfRomance [[spoiler:at the Comet Observatory]].
*** Hayley Westenra - “Dark Waltz” - playswhen
when Lilliandil, reverted to her previous form after their first dance [[spoiler:in the Comet Observatory]], dances with David again.
*** Kazuma Jinnouchi - “Never Forget (Midnight Version)” - playswhen
as the [[spoiler:now all-powerful]] Lilliandil tearfully declares the depth of her love for David, before the two have astral sex and [[spoiler:become the all-powerful Zenith being that creates a perfect universe for them both]].
*** Madeon - “Mania” - playswhen
during the credits.
*** Lily James - “A Dream is a Wish Your Heart Makes” - playswhen in the deleted scene “Here Comes a Candle to Light You to Bed” as Lilliandil sings it as a lullaby to soothe the sobbing David to sleep.
*** Hayley Westenra - “Dark Waltz” - plays
*** Kazuma Jinnouchi - “Never Forget (Midnight Version)” - plays
*** Madeon - “Mania” - plays
*** Lily James - “A Dream is a Wish Your Heart Makes” - plays
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Changed line(s) 137,141 (click to see context) from:
*** AMIMEA - “Parting Ways” - plays when
*** Ludovico Einaudi - “Experience” - plays when
*** Paolo Buonvino - “The Conclave Procession” - plays when
*** Hans Zimmer - “Stopwatch” - plays when
*** Harold Faltermeyer - “You’re Where You Belong / Give ‘Em Hell” - plays when
*** Ludovico Einaudi - “Experience” - plays when
*** Paolo Buonvino - “The Conclave Procession” - plays when
*** Hans Zimmer - “Stopwatch” - plays when
*** Harold Faltermeyer - “You’re Where You Belong / Give ‘Em Hell” - plays when
to:
*** AMIMEA - “Parting Ways” - plays when
as Lilith takes a breather during the Ball while David and Lilliandil are partaking in their DanceOfRomance, and Lilith mourns to Oreius about missing Peter.
*** Ludovico Einaudi - “Experience” - playswhen
as “Guilty Party” opens, when alliances and Court members and loved ones alike all begin to feast together the morning after the Ball.
*** Paolo Buonvino - “The Conclave Procession” - playswhen
as Mara partially reveals her body-horror Dark Spider form while threatening Goddess Lilith and her Narnia.
*** Hans Zimmer - “Stopwatch” - playswhen
as Lilith and David train via swordfight before the Battle of Shatterlight.
*** Harold Faltermeyer - “You’re Where You Belong / Give ‘Em Hell” - playswhen as the Battle of Shatterlight starts- from David’s tentative nerves all the way through David, Lilith, and Lilliandil charging up their power to strike the Rebels’ base in the Ettinsmoor Mountains.
*** Ludovico Einaudi - “Experience” - plays
*** Paolo Buonvino - “The Conclave Procession” - plays
*** Hans Zimmer - “Stopwatch” - plays
*** Harold Faltermeyer - “You’re Where You Belong / Give ‘Em Hell” - plays
Changed line(s) 143,145 (click to see context) from:
*** Alice Kristiansen - “Star Song” - plays when
*** Nmesh - “Accept Heartache” - plays when
*** Madeon - “Borealis” - plays when
*** Nmesh - “Accept Heartache” - plays when
*** Madeon - “Borealis” - plays when
to:
*** Alice Kristiansen - “Star Song” - plays when
when Lilliandil is left to pick up the pieces of a hurt David and a concerned Peter after Lilith snapped at David for everything that took place in the Revelation Timeline thus far- which would be a “What the Hell, Hero?” if most of it wasn’t gaslighting on Lilith’s part.
*** Nmesh - “Accept Heartache” - playswhen
as Lilith, Peter, Tyon, and Alia explore the apple orchard- and Lilith reveals that she’s secretly harbored guilt for the entire duration of Revolution Part 2 for [[spoiler:what she did with David during “The World Away From Everything”]].
*** Madeon - “Borealis” - playswhen during the credits. It also features in the previous chapter as the lullaby David sings to the newborn Star children Asteria and Madeon.
*** Nmesh - “Accept Heartache” - plays
*** Madeon - “Borealis” - plays
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Changed line(s) 134 (click to see context) from:
*** John Murphy - “In the House, In a Heartbeat” - plays when
to:
*** John Murphy - “In the House, In a Heartbeat” - plays when during the credits.
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Changed line(s) 132 (click to see context) from:
*** Martin O’Donnell & Michael Salvatori - “Never Forget” - plays when
to:
*** Martin O’Donnell & Michael Salvatori - “Never Forget” - plays when as David and Lilliandil are cuddling in their chambers one rainy night, before she creates a blanket for him out of stardust.
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Changed line(s) 127,129 (click to see context) from:
*** Getter & nothing,nowhere. - “All Is Lost” - plays when
*** Dave Porter - “Crawl Space” - plays when
*** Klergy & Mindy Jones - “Will You Follow Me Into the Dark” - plays when
*** Dave Porter - “Crawl Space” - plays when
*** Klergy & Mindy Jones - “Will You Follow Me Into the Dark” - plays when
to:
*** Getter & nothing,nowhere. - “All Is Lost” - plays when
as [[spoiler:Earth]] David’s chosen song to [[spoiler:mourn]] Lilith after he gets a phone call from Chrissy telling him that Lilith [[spoiler:got into a car crash and did not survive]].
*** Dave Porter - “Crawl Space” - playswhen
when Scarred Lilith enters and subsequently freaks out David with her amount of, and his lack of, Narnian knowledge…and then she proceeds to [[spoiler:extract another David’s memories and then ''burn his corpse'']].
*** Klergy & Mindy Jones - “Will You Follow Me Into the Dark” - playswhen as [[spoiler:the Scarred/Earth combo]] Lilith sits with David watching “Into the Spider-Verse” and has flashes of what Scarred Lilith saw after her car crash- which Earth Lilith was physically unconscious/[[spoiler:dead]] for.
*** Dave Porter - “Crawl Space” - plays
*** Klergy & Mindy Jones - “Will You Follow Me Into the Dark” - plays
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added Virtual Soundtrack for Revolution Part 1
Changed line(s) 119,125 (click to see context) from:
*** Jim White & Aimee Mann - “Static on the Radio” - plays when
*** Jack Wall - “Cordis Die” - plays when
*** Ben Folds - “Still” - plays when
*** Jack Wall - “Hero’s Theme” - plays when
*** Jack Wall - “Inferno” - plays when
*** Paolo Buonvino - “Lorenzo the Magnificent” - plays when
*** Amanda Cook - “House on a Hill” - plays when
*** Jack Wall - “Cordis Die” - plays when
*** Ben Folds - “Still” - plays when
*** Jack Wall - “Hero’s Theme” - plays when
*** Jack Wall - “Inferno” - plays when
*** Paolo Buonvino - “Lorenzo the Magnificent” - plays when
*** Amanda Cook - “House on a Hill” - plays when
to:
*** Jim White & Aimee Mann - “Static on the Radio” - plays when
as David the Incredible wakes up and starts his day one Narnian winter morning, twenty-eight days after Lilith temporary left him behind.
*** Jack Wall - “Cordis Die” - playswhen
during Dovah the dragon’s destructive arrival at Cair Paravel.
*** Ben Folds - “Still” - playswhen
as David sets out alone the night before his fated fight with Dovah and Mara, desperate yet dejected at any prospect of him saving Narnia.
*** Jack Wall - “Hero’s Theme” - playswhen
when David, Oreius, and Lilliandil see Dovah arrive at the Fields of Beruna and prepare to make a last stand.
*** Jack Wall - “Inferno” - playswhen
David, Oreius, and Lilliandil fight Dovah.
*** Paolo Buonvino - “Lorenzo the Magnificent” - playswhen
when David is Knighted the Dragon-Slayer and Hero of Narnia by Oreius in front of a packed Cair Throne Room- and a beaming Lilliandil.
*** Amanda Cook - “House on a Hill” -plays when plays during the credits.
*** Jack Wall - “Cordis Die” - plays
*** Ben Folds - “Still” - plays
*** Jack Wall - “Hero’s Theme” - plays
*** Jack Wall - “Inferno” - plays
*** Paolo Buonvino - “Lorenzo the Magnificent” - plays
*** Amanda Cook - “House on a Hill” -
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added Revelation Virtual Soundtrack - will continue each book, as well as recaps
Changed line(s) 114,117 (click to see context) from:
*** Linkin Park - “The Requiem” - plays when
*** Post Malone & Swae Lee - “Sunflower” - plays when
*** Danny Elfman - “Finale - The Kingdom” - plays when
*** Regina Spektor - “The Call” - plays when
*** Post Malone & Swae Lee - “Sunflower” - plays when
*** Danny Elfman - “Finale - The Kingdom” - plays when
*** Regina Spektor - “The Call” - plays when
to:
*** Linkin Park - “The Requiem” - plays when
as [[spoiler:the newly-ascended Goddess]] Lilith and David have sex in order to birth [[spoiler:Autumn]].
*** Post Malone & Swae Lee - “Sunflower” - playswhen
on the radio as Lilith and her friends are driving through a tree-lined road at night [[spoiler:moments before they get into a car accident, which ends up being how Lilith got into Narnia]].
*** Danny Elfman - “Finale - The Kingdom” - playswhen
as David’s chosen song before he leaves the house in order to [[spoiler:commit suicide by willingly getting run over by a car, which ends up being how David got into Narnia]].
*** Regina Spektor - “The Call” - playswhen as [[spoiler:Goddess]] Lilith says a temporary goodbye to David the Incredible [[spoiler:before leaving on her own Aphrodite-given mission to save the multiverse- leaving David alone to run her Narnia]].
*** Post Malone & Swae Lee - “Sunflower” - plays
*** Danny Elfman - “Finale - The Kingdom” - plays
*** Regina Spektor - “The Call” - plays
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Changed line(s) 109,112 (click to see context) from:
*** Kazuma Jinnouchi - “Halo Canticles” - plays when
*** Harry Gregson-Williams - “A Narnia Lullaby” - plays when
*** Oh Wonder - “Landslide” - plays when
*** drkmnd & No Spirit - “Ripples” - plays when
*** Harry Gregson-Williams - “A Narnia Lullaby” - plays when
*** Oh Wonder - “Landslide” - plays when
*** drkmnd & No Spirit - “Ripples” - plays when
to:
*** Kazuma Jinnouchi - “Halo Canticles” - plays when
when Lucy and David cuddle together in “Stoked Fires” before Lucy comforts him as he slips into sadness.
*** Harry Gregson-Williams - “A Narnia Lullaby” - playswhen
when Jadis re-emerges in Narnia due to some of her Loyals, and declares Narnia will be hers again.
*** Oh Wonder - “Landslide” - playswhen
due to David mentally picking it to play for Lucy in his mind while they’re together in her created Frozen Forest.
*** drkmnd & No Spirit - “Ripples” - playswhen as David’s pick for slow dancing with Lucy in their Frozen Forest.
*** Harry Gregson-Williams - “A Narnia Lullaby” - plays
*** Oh Wonder - “Landslide” - plays
*** drkmnd & No Spirit - “Ripples” - plays
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Changed line(s) 106,107 (click to see context) from:
*** Secession Studios - “The Untold” - plays when
*** Connie Francis - “Who’s Sorry Now” - plays when
*** Connie Francis - “Who’s Sorry Now” - plays when
to:
*** Secession Studios - “The Untold” - plays when
as Lilith comes face to face with Arthur [[spoiler:literally over David’s dead body]].
*** Connie Francis - “Who’s Sorry Now” - playswhen during the credits.
*** Connie Francis - “Who’s Sorry Now” - plays
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Changed line(s) 100,104 (click to see context) from:
*** Kazuma Jinnouchi - “Atonement” - plays when
*** Keigo Hoashi - “A Beautiful Song” - plays when
*** Neil Davidge - “Green and Blue” - plays when . This also works as .
*** Hans Zimmer - “Goodbye My Son” - plays when
*** Junkie XL - “An Eternal Reoccurrence of Change” - plays when
*** Keigo Hoashi - “A Beautiful Song” - plays when
*** Neil Davidge - “Green and Blue” - plays when . This also works as .
*** Hans Zimmer - “Goodbye My Son” - plays when
*** Junkie XL - “An Eternal Reoccurrence of Change” - plays when
to:
*** Kazuma Jinnouchi - “Atonement” - plays when
as the story opens during Dawn’s dream of Mara beckoning her to come to the woods.
*** Keigo Hoashi - “A Beautiful Song” - playswhen
when the heroes fight the Demoness in the Cair Southern Tower.
*** Neil Davidge - “Green and Blue” - playswhen . when Lucy comforts David alone (with a bit of MarshmallowHell) after the latter confessed to killing [[spoiler:Arthur]] in ''Resurgence''. This also works as .
as a MeaningfulEcho - marking the second time in the series it’s played during David sharing total vulnerability with one of his wives, the first being with Susan in ''The Gentle and the Cordial'' after she explains that the Narnians have started calling him David the Hopeful. Considering Lucy [[spoiler:was responsible for the Narnians calling him Hopeful]], this could be seen as David and Lucy’s theme.
*** Hans Zimmer - “Goodbye My Son” - playswhen
when David and [[spoiler:a very pregnant]] Lucy enter their Ball to awe and applause.
*** Junkie XL - “An Eternal Reoccurrence of Change” - playswhen as David gives his story-ending monologue to the crowd of gathered Narnians, assuring them of the stability of their new rule.
*** Keigo Hoashi - “A Beautiful Song” - plays
*** Neil Davidge - “Green and Blue” - plays
*** Hans Zimmer - “Goodbye My Son” - plays
*** Junkie XL - “An Eternal Reoccurrence of Change” - plays
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Changed line(s) 95 (click to see context) from:
*** Hans Zimmer - “Gom Jabbar” - plays when
to:
*** Hans Zimmer - “Gom Jabbar” - plays when Leah the Enchanting hears the stars for the first time, as they beg her not to kill David before she has a series of visions of the horrors set to unfold.
Changed line(s) 97,98 (click to see context) from:
*** Hans Zimmer & Junkie XL - “Beautiful Lie” - plays when
*** Sleeping At Last - “I’ll Keep You Safe” - plays when
*** Sleeping At Last - “I’ll Keep You Safe” - plays when
to:
*** Hans Zimmer & Junkie XL - “Beautiful Lie” - plays when
as David, Leah, and Dawn see Matt for the first time before their showdown.
*** Sleeping At Last - “I’ll Keep You Safe” - playswhen as the story ends: David, Leah, and Dawn triumphed over [[spoiler:Caty and Matt]], and all seems well until Dawn is spoken to from an unknown voice.
*** Sleeping At Last - “I’ll Keep You Safe” - plays
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Changed line(s) 90,94 (click to see context) from:
*** Troye Sivan - “The Fault in Our Stars” - plays when
*** Hans Zimmer - “Into the Red” - plays when
*** Sleeping At Last - “Saturn” - plays when
*** HALIENE - “Oceans & Galaxies (Acoustic)” - plays when
*** Oh Wonder - “Don’t You Worry” - plays when
*** Hans Zimmer - “Into the Red” - plays when
*** Sleeping At Last - “Saturn” - plays when
*** HALIENE - “Oceans & Galaxies (Acoustic)” - plays when
*** Oh Wonder - “Don’t You Worry” - plays when
to:
*** Sleeping At Last - “Saturn” - plays
*** HALIENE - “Oceans & Galaxies (Acoustic)” - plays
*** Oh Wonder - “Don’t You Worry” - plays
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Changed line(s) 2 (click to see context) from:
%% Administrivia/ZeroContextExamples have been commented out. Please do not uncomment without explaining how they fit the trope.
to:
%% Administrivia/ZeroContextExamples have been commented out. Please do not uncomment without explaining how they fit the trope. Gotcha sirs
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moved page from FanFic.Narnia-VerseSeries
Changed line(s) 4 (click to see context) from:
->''"Narnia doesn’t need us to be more than we are, it needs ''humanity''."''
to:
->''"Narnia doesn’t doesn't need us to be more than we are, it needs ''humanity''."''
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How To Alphabetize Things - Ignore articles at the beginnings of titles
Deleted line(s) 13 (click to see context) :
* AFamilyAffair: King David the Cordial in ''The Gentle and the Cordial'' when he has sex with Lucy while married to Susan. Granted, it’s so Lucy can [[spoiler:perform IntimateHealing on a broken and suicidal David,]] but still.
Added DiffLines:
* AFamilyAffair: King David the Cordial in ''The Gentle and the Cordial'' when he has sex with Lucy while married to Susan. Granted, it’s so Lucy can [[spoiler:perform IntimateHealing on a broken and suicidal David,]] but still.
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commented out Zero Context Examples
%%
%% Administrivia/ZeroContextExamples have been commented out. Please do not uncomment without explaining how they fit the trope.
%%
%% Administrivia/ZeroContextExamples have been commented out. Please do not uncomment without explaining how they fit the trope.
%%
Changed line(s) 6,11 (click to see context) from:
————
!! The ''Narnia-Verse'' Series contains examples of:
* AbusiveParents: David’s father Matt is singlehandedly responsible for a large part of David’s DarkAndTroubledPast, abusing him verbally, mentally, and emotionally. ''Revelation'' shows via flashback that this is also how David [[spoiler:inadvertently arrives in Narnia, since Earth David tries to die by willingly standing in front of a moving car, and is transported to Narnia at the last second.]]
!! The ''Narnia-Verse'' Series contains examples of:
* AbusiveParents: David’s father Matt is singlehandedly responsible for a large part of David’s DarkAndTroubledPast, abusing him verbally, mentally, and emotionally. ''Revelation'' shows via flashback that this is also how David [[spoiler:inadvertently arrives in Narnia, since Earth David tries to die by willingly standing in front of a moving car, and is transported to Narnia at the last second.]]
to:
!! The
!!The ''Narnia-Verse'' Series contains examples of:
* AbusiveParents:
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Changed line(s) 22,24 (click to see context) from:
* AttemptedRape: More than once in the Divinity series, including David (under control of Aphrodite) to Sanya in ''Divinity'', and Aurora to Evangeline in ''The Dinner of the Divine''.
to:
Changed line(s) 26,30 (click to see context) from:
* BigBreastPride: Lucy throughout the series, usually because her assets are a result of magical BreastExpansion.
* BlondeBrunetteRedhead: the Revelation Timeline: Lilliandil (blonde), Andreea (brunette), and Lilith (auburn/redhead).
to:
*
%%* BlondeBrunetteRedhead: the Revelation Timeline: Lilliandil (blonde), Andreea (brunette), and Lilith
Changed line(s) 32,36 (click to see context) from:
* CelebrityParadox
Played with in ''Star-Blessed II'' where Lilliandil, in her second form resembling Lily James as Cinderella, mentions that David makes her feel like Cinderella, and that she sees him as her Prince Charming, whom she later magically makes David resemble for a DanceOfRomance.
to:
Deleted line(s) 38 (click to see context) :
Deleted line(s) 40 (click to see context) :
Changed line(s) 42,44 (click to see context) from:
* ColdBloodedTorture: Mara to David in ''Retribution'' where the Demoness steals his magic and Originator identity while he’s strapped down naked with a freshly-slashed-open stomach. Later, she creates a [[spoiler:miniaturized black hole in his chest and forces the magically-immobilized Pevensies and Leah to watch him slowly die.]]
to:
Deleted line(s) 46 (click to see context) :
Changed line(s) 48,52 (click to see context) from:
* ExactWords: “No more of that…of anything like that.”
** First used from Lilith to David in ''Revelation'' after David’s flashback of just how he got into Narnia (and subsequent breakdown).
** Later, this quote returns in ''Revolution Part 2: Infection'', this time from David to Lilith after ''she'' has a breakdown due to her outbursts of anger and blame the night before.
to:
Changed line(s) 54,60 (click to see context) from:
* ForcedOrgasm
** Lucy in ''Retribution'' so David can give her heirs to secure their union’s standing in Narnia.
** Lilith in ''Revelation'' after ascending to Goddesshood and learning she can bring some form of [[spoiler:Autumn]] to her and David.
* GiantPoofySleeves: Countess Andreea gets these in her new GorgeousGarmentGeneration TransformationSequence due to Lilliandil making her a Princess of the Stars in ''Star-Blessed II''.
to:
%%** Lucy in ''Retribution'' so David can give her heirs to secure their union’s standing in Narnia.
*
%%* GiantPoofySleeves: Countess Andreea gets these in her new GorgeousGarmentGeneration TransformationSequence due to Lilliandil making her a Princess of the Stars in ''Star-Blessed
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* MagicKiss: Lilith to David the Cordial in ''The Last Time'' after they [[spoiler:save Autumn from the Giant]]. It restores his memories while also giving him the memories of his alternate self up through ''Into the Narnia-Verse''. This results in David not only knowing who Lilith is, but also knowing what would have happened if Lilith never intervened.
* MagicWand: In ''Star-Blessed II'', Lilliandil gives herself [[spoiler:Rosalina]]’s magic wand before transforming into [[spoiler:Rosalina]] herself. Later, when Lilliandil discovers her ability to create Fractals, her Fractal [[spoiler:Rosalina]] can be seen wielding the same, albeit a duplicate, magic wand.
* MarshmallowHell: Most every one of David’s love interests does this to him at some point.
** Lucy to David many times, particularly in ''Retribution'' after everyone discusses him [[spoiler:murdering Arthur]] in ''Resurgence''.
** Lilith to David and later Lilliandil to David in ''Revolution Part 2: Infection''.
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* MagicWand: In ''Star-Blessed II'', Lilliandil gives herself
*
%%* MarshmallowHell: Most every one of David’s love interests does this to him at some point.
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* MotiveRant: Aphrodite Lucy in ''Remembrance'' where Aphrodite reveals her desire to rule Narnia and the universe beyond since bonding with Lucy.
* MsFanservice: Lucy in the Multiverse Timeline- she shows off any chance she can for David- no matter who else is with her.
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*
%%* MsFanservice: Lucy in the Multiverse Timeline- she shows off any chance she can for David- no matter who else is with
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* {{Tagline}}
Every new book release tends to have at least one, but the most prominent one is ''Revolution''’s “Adapt or Die” tagline, which later became merch on Redbubble directly from thecallofnarnia.
* TakeOverTheWorld
** Mara the Demoness in ''Retribution''.
** Aphrodite Lucy in ''Remembrance''.
** Mara throughout the series. She even succeeds once David the Incredible leaves his Narnia for Lilith’s, starting “Revelation.”
* TaughtByTelevision: David the Incredible throughout ''Revolution'':
** His “Marble Hornets” references help solve the arson and cure the town from Mara (temporarily).
**
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* TakeOverTheWorld
**
%%* TakeOverTheWorld:
%%** Mara the Demoness in ''Retribution''.
* TaughtByTelevision: David the Incredible throughout
**
**
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* TheHighKing
to:
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* TheStarsAreGoingOut: Played literally in ''The Gentle and the Cordial'' when the stars literally go out during Lucy and Susan’s dual ascension.
* TimeTravel
to:
*
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** Lilith and David [[spoiler:saving]] Autumn in ''The Last Time''.
* TooGoodForThisSinfulEarth: Autumn [[spoiler:dying to a Giant]] in ''The Gentle and the Cordial''. Subverted in ''The Last Time'' when Lilith and David [[spoiler:rescue Autumn from the Giant]].
* TooGoodForThisSinfulEarth: Autumn [[spoiler:dying to a Giant]] in ''The Gentle and the Cordial''. Subverted in ''The Last Time'' when Lilith and David [[spoiler:rescue Autumn from the Giant]].
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*
%%* TooGoodForThisSinfulEarth: Autumn [[spoiler:dying to a Giant]] in ''The Gentle and the Cordial''. Subverted in ''The Last Time'' when Lilith and David [[spoiler:rescue Autumn from the
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* TragicKeepsake: Autumn’s bullseye arrow becomes this, especially in ''Star-Crossed'' when it [[spoiler:ends up being used by Arthur as a weapon, killing David the Cordial and bringing on the Dark Age, which also leads to David going back in time.]] It also leads to the Vita Timeline after ''Star-Crossed'' during ''I’ll Keep It Safe'' when it fuses with Vita.
* VainSorceress
** Mara throughout the series.
** Aphrodite Lucy in ''Remembrance''.
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* VainSorceress
**
%%* VainSorceress:
%%** Mara throughout the series.
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