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Trope was cut/disambiguated due to cleanup
Deleted line(s) 21 (click to see context) :
* ForWantOfANail: The change is that Elsa's parents don't die.
Changed line(s) 40 (click to see context) from:
* WhatIf: "What if the king and queen had returned safely?"
to:
* WhatIf: "What if the king and queen had returned safely?"safely and didn't die?"
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None
Changed line(s) 29,30 (click to see context) from:
** A few lines from the film are redone in different contexts. For example, in chapter 1 one of Elsa and Anna's conversations mirrors their equally awkward conversation from the film:
-->'''Anna''': "You're not … mad, are you? I mean angry, obviously you're not crazy, at least I don't think so. I guess I wouldn't know … wait, what?"
-->'''Anna''': "You're not … mad, are you? I mean angry, obviously you're not crazy, at least I don't think so. I guess I wouldn't know … wait, what?"
to:
** A few lines from the film are redone in different contexts. For example, in chapter Chapter 1 one of Elsa and Anna's conversations mirrors their equally awkward conversation from the film:
-->'''Anna''': "You're --->'''Anna:''' You're not … mad, are you? I mean angry, obviously you're not crazy, at least I don't think so. I guess I wouldn't know … wait, what?"what?
Changed line(s) 40 (click to see context) from:
* WhatIf: "What if the king and queen had returned safely?"
to:
* WhatIf: "What if the king and queen had returned safely?"safely?"
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These examples of Surprisingly Realistic Outcome seem to violate at least one of these rules, which disqualifies them: No character reactions (characters get angry, don't forgive, don't change their personality instantly, etc.); Too fantastical (depends on the properties of magic, powers, sci-fi tech, monsters, etc.); Not surprising (a character was warned about the outcome, it's used to provide Karma or An Aesop, or it simply follows normal conventions for this genre or medium); Plot happens (the example only describes an event, but not why audiences would expect a different, unrealistic outcome); Not an outcome (a character just explains why something wouldn't work as expected); More of a Deconstruction (the event has major, lasting effects on the plot, make something more realistic, but not completely realistic, or a parody/fanwork applies realistic consequences to the events of a different work); or fits better under a different trope. See the trope's definition for more details. If you believe a removal was a mistake, please bring it up in the cleanup thread
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* SurprisinglyRealisticOutcome:
** The main premise of Anna and Elsa's parents being alive doesn't make things better for the sisters. It means that Elsa is forced to conceal her powers from her sister for a longer period of time and feeling trapped inside the castle walls to the point where she falls into depression and attempts to commit suicide.
** Idun and Agdar both know that Elsa cannot get married or have children because of her powers being dangerous and know that Anna will have to continue the line of succession. Elsa isn't happy with Anna being treated as "a womb", though.
** Anna is confused about ArrangedMarriage because of her ThinksLikeARomanceNovel mindset and ultimately scares a few suitors away, one of them actually turning her down because he's afraid of her going through with the marriage and then realizing later that it was a mistake.
** Anna and her husband, Joachim, don't instantly fall in love or go through the FourthDateMarriage deal. It takes plenty of meetings, conversations, time spent together bonding before they can at least admit to ''liking'' each other. Even after getting married, it still takes time before the couple can really be in love with one another.
** Anna is furious with her parents for [[LockedOutOfTheLoop keeping her from knowing about Elsa's powers]], especially since it got to the point where Elsa attempted to commit suicide. By the end of the story, she still hasn't forgiven either of them for their lies or the "Conceal, don't feel" rule. But she still holds onto the hope that she'll be able to forgive them in the future.
** The main premise of Anna and Elsa's parents being alive doesn't make things better for the sisters. It means that Elsa is forced to conceal her powers from her sister for a longer period of time and feeling trapped inside the castle walls to the point where she falls into depression and attempts to commit suicide.
** Idun and Agdar both know that Elsa cannot get married or have children because of her powers being dangerous and know that Anna will have to continue the line of succession. Elsa isn't happy with Anna being treated as "a womb", though.
** Anna is confused about ArrangedMarriage because of her ThinksLikeARomanceNovel mindset and ultimately scares a few suitors away, one of them actually turning her down because he's afraid of her going through with the marriage and then realizing later that it was a mistake.
** Anna and her husband, Joachim, don't instantly fall in love or go through the FourthDateMarriage deal. It takes plenty of meetings, conversations, time spent together bonding before they can at least admit to ''liking'' each other. Even after getting married, it still takes time before the couple can really be in love with one another.
** Anna is furious with her parents for [[LockedOutOfTheLoop keeping her from knowing about Elsa's powers]], especially since it got to the point where Elsa attempted to commit suicide. By the end of the story, she still hasn't forgiven either of them for their lies or the "Conceal, don't feel" rule. But she still holds onto the hope that she'll be able to forgive them in the future.
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* RealityEnsues:
to:
* RealityEnsues: TheStoic: Joachim barely reacts to his wife's antics, such as when she accidentally spills wine on him.
* SuicideWatch: Elsa is on suicide watch for the entirety of the second chapter. Someone is almost always in the room with her.
* SurprisinglyRealisticOutcome:
* SuicideWatch: Elsa is on suicide watch for the entirety of the second chapter. Someone is almost always in the room with her.
* SurprisinglyRealisticOutcome:
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* TheStoic: Joachim barely reacts to his wife's antics, such as when she accidentally spills wine on him.
* SuicideWatch: Elsa is on suicide watch for the entirety of the second chapter. Someone is almost always in the room with her.
* SuicideWatch: Elsa is on suicide watch for the entirety of the second chapter. Someone is almost always in the room with her.
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Changed line(s) 38 (click to see context) from:
** Related to the above, Anna is confused about ArrangedMarriage because of her ThinksLikeARomanceNovel mindset and ultimately scares a few suitors away, one of them actually turning her down because he's afraid of her going through with the marriage and then realizing later that it was a mistake.
to:
** Related to the above, Anna is confused about ArrangedMarriage because of her ThinksLikeARomanceNovel mindset and ultimately scares a few suitors away, one of them actually turning her down because he's afraid of her going through with the marriage and then realizing later that it was a mistake.
