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* RefusalOfTheCall: Past versions of the character have often be slow to act as a hero because of their disdain for western civilization, but Cannon initially acts as if he’s unwilling to help save the world from a genocidal alien invasion, just to make a rhetorical point to the other heroes. Unsurprisingly, they regard him as a but of a {{jerkass}}.

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* RefusalOfTheCall: Past versions of the character have often be been slow to act as a hero because of their disdain for western civilization, but Cannon initially acts as if he’s unwilling to help save the world from a genocidal alien invasion, just to make a rhetorical point to the other heroes. Unsurprisingly, they regard him as a but bit of a {{jerkass}}.

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* AntiVillain: Thunderbolt sees himself as an anti-villain, doing whatever is necessary to save billions of people across TheMultiverse from self-inflicted apocalypses. However, what he sees as necessary involves killing billions of others, and it’s unclear if he’ll ever achieve anything like his goal. He’s simply insane.



* AMillionIsAStatistic: In-universe, this has become Thunderbolt's attitude. He has triggered multiple planetary-level apocalypses, supposedly while seeking to perfect ways to bring peace to subsequent worlds he discovers. His attitude is that killing millions is permissible if he can save yet millions more thereby, whereas if he stops now, he ''will'' be a villain.

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* AMillionIsAStatistic: In-universe, In-setting, this has become Thunderbolt's attitude. He has triggered multiple planetary-level apocalypses, supposedly while seeking to perfect ways to bring peace to subsequent worlds he discovers. His attitude is that killing millions is permissible if he can save yet millions more thereby, whereas if he stops now, he ''will'' will just be a mass murderer, and thus a villain.


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* RefusalOfTheCall: Past versions of the character have often be slow to act as a hero because of their disdain for western civilization, but Cannon initially acts as if he’s unwilling to help save the world from a genocidal alien invasion, just to make a rhetorical point to the other heroes. Unsurprisingly, they regard him as a but of a {{jerkass}}.

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But Cannon is worried. He suspects that the aliens were fakes. After all, this whole "alien invasion to make the world come together" plot is an idea which he once considered himself, but rejected because, apart from the fact that it's unspeakably immoral, he doubts that it will do any good in the long term. Only one conclusion is possible; an alternate version of Peter Cannon, in an alternate universe, must be behind the whole thing. Meanwhile, readers who are familiar with the history of comics, and of characters inspired by the original Thunderbolt, have recognized that the there's some serious genre referencing going on here.

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But Cannon is worried. He suspects that the aliens were fakes. After all, this whole "alien invasion to make the world come together" plot is an idea which he once considered himself, but rejected because, apart from the fact that it's unspeakably immoral, he doubts that it will do any good in the long term. Only one conclusion is possible; an alternate version of Peter Cannon, in an alternate universe, AlternateUniverse, must be behind the whole thing. Meanwhile, readers who are familiar with the history of comics, and of characters inspired by the original Thunderbolt, have recognized that the there's some serious genre referencing going on here.


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* AlternateUniverse: Cannon deduces that his world is being attacked by Thunderbolt from an alternate universe. As it turns out, there’s a [[TheMultiverse multiverse]], and he gets to visit a second alternate in the course of the story.

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* {{Expy}}: Thunderbolt is both a version of the established character ''and'' an expy of ''ComicBook/{{Watchmen}}'''s Ozymandias, who was himself a CaptainErsatz of the original Thunderbolt, making him… a recursive bifurcating expy?

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* {{Expy}}: {{Expy}}:
**
Thunderbolt is both a version of the established character ''and'' an expy of ''ComicBook/{{Watchmen}}'''s Ozymandias, who was himself a CaptainErsatz of the original Thunderbolt, making him… a recursive bifurcating expy?expy?
** The other superheroes from Cannon’s world ''might'' be identified as very loose expies or CaptainErsatz figures for well-known Marvel or DC supers, but Nucleon in particular has a little in common with ''ComicBook/{{Watchmen}}'''s Doctor Manhattan. Then, when she arrives in Thunderbolt’s world, her powers shift to make her more like him — because that world’s (deceased) Nucleon was clearly more of a Manhattan expy.
** Some of the regulars in the pub on the black-and-white non-supers world share first names and a few personal characteristics with the main cast of ''ComicBook/{{Watchmen}}'', making them perhaps as near to expies as you can get in a pub on a world without superheroes.


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* NoCelebritiesWereHarmed: Doctor K, the amiable psychotherapist friend of Peter’s, bears a definite resemblance Creator/AlanMoore, creator of ''ComicBook/{{Watchmen}}''. And they’re both citizens of the British town of Northampton.
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* {{Expy}}: Thunderbolt is both a version of the established character ''and'' an expy of ''ComicBook/{{Watchmen}}''‘s Ozymandias, who was himself an expy of the original Thunderbolt, making him… a recursive bifurcating expy?

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* {{Expy}}: Thunderbolt is both a version of the established character ''and'' an expy of ''ComicBook/{{Watchmen}}''‘s ''ComicBook/{{Watchmen}}'''s Ozymandias, who was himself an expy a CaptainErsatz of the original Thunderbolt, making him… a recursive bifurcating expy?

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* ArtificialHuman: The Test is apparently the product of some kind of ongoing technological program. Unfortunately, each such product only has a lifespan of a couple of weeks or so.

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* ArtificialHuman: The Test is apparently the product of some kind of ongoing technological program. Unfortunately, each such product only has a lifespan of a couple of weeks or so.



* {{Expy}}: Thunderbolt is both a version of the established character ''and'' an expy of ''ComicBook/{{Watchmen}}''‘s Ozymandias, who was himself an expy of the original Thunderbolt, making him… a recursive bifurcating expy?



* FauxAffablyEvil: While Thunderbolt isn't so much affable as calm and insufferably smug, he maintains a facade of politeness and good humor.

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* FauxAffablyEvil: While Thunderbolt isn't so much affable as calm and insufferably smug, {{smug|Super}}, he maintains a facade of politeness and good humor.
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* AndIMustScream: Thunderbolt's version of Sabu attempted to escape from his fate as the only other inhabitant of a dead world, alongside the insane Thunderbolt himself, by suicide. Thunderbolt punished him by transforming him into a robot who cannot harm himself. It's a borderline instance of the trope, in that Sabu can speak -- but the only person he gets to talk to is Thunderbolt.

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* AndIMustScream: Thunderbolt's version of Sabu Tabu attempted to escape from his fate as the only other inhabitant of a dead world, alongside the insane Thunderbolt himself, by suicide. Thunderbolt punished him by transforming him into a robot who cannot harm himself. It's a borderline instance of the trope, in that Sabu can speak -- but the only person he gets to talk to is Thunderbolt.
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* {{Fingore}}: Thunderbolt reacts to Supreme Justice's attack by breaking his fingers one by one. This is a clear reference to [[Characters/WatchmenRorschach Rorschach's]] notorious method of extracting information from criminals, showing that, although Thunderbolt is an {{expy}} of ''ComicBook//{{Watchmen}}'''s Ozymandias, he has also acquired Rorschach's casual brutality (and Dr Manhattan's emotional detachment).

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* {{Fingore}}: Thunderbolt reacts to Supreme Justice's attack by breaking his fingers one by one. This is a clear reference to [[Characters/WatchmenRorschach Rorschach's]] notorious method of extracting information from criminals, showing that, although Thunderbolt is an {{expy}} of ''ComicBook//{{Watchmen}}'''s ''ComicBook/{{Watchmen}}'''s Ozymandias, he has also acquired Rorschach's casual brutality (and Dr Manhattan's emotional detachment).
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* TheMultiverse: It turns out that there is a multiverse with multiple Earths with different numbers and power levels of superheroes, at varying present-day dates. Thunderbolt discovered this and promptly started meddling with it; Cannon is apparently the first person to develop a means of cross-timeline travel.
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'''Warning: The story of this comic is built on a series of reveals and switches of tone; it is impossible to discuss it in any detail without giving some of these away. Hence, multiple spoilers follow, many of them unmarked.'''

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'''Warning: The story of this comic is built on a series of reveals and switches of tone; it is impossible to discuss it in any detail without giving some of these away. Hence, multiple unmarked spoilers follow, many of them unmarked.follow.'''

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* ApocalypseHow: Thunderbolt's conflict with his world's Nucleon apparently caused a Planetary Species Extinction, equivalent to a worst-case nuclear war.

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* ApocalypseHow: Thunderbolt's conflict with his world's Nucleon apparently caused a Planetary Species Extinction, equivalent to a worst-case nuclear war. Then, attempting to save humanity from its own self-destructive tendencies, Thunderbolt caused comparable apocalyptic events on multiple worlds across the {{multiverse}}, as he tested and sought to improve his techniques.


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* AMillionIsAStatistic: In-universe, this has become Thunderbolt's attitude. He has triggered multiple planetary-level apocalypses, supposedly while seeking to perfect ways to bring peace to subsequent worlds he discovers. His attitude is that killing millions is permissible if he can save yet millions more thereby, whereas if he stops now, he ''will'' be a villain.

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* ApocalypseHow: Thunderbolt's conflict with his world's Nucleon apparently caused a Planetary Species Extinction, equivalent to a worst-case nuclear war.
* ArtificialHuman: The Test is apparently the product of some kind of ongoing technological program. Unfortunately, each such product only has a lifespan of a couple of weeks or so.



* HeroicBSOD: When Cannon is transporting himself and the other heroes to Thunderbolt's world, they pass through a number of others, each of which is some kind of post-apocalyptic landscape. Surprisingly, although all of the heroes are naturally concerned by this, it is ''Supreme Justice'' who is most shocked by this, ending up in a TroubledFetalPosition. It is clear that, for all his violent tendencies, his concern for other human beings is entirely genuine.



* MediumAwareness: Baba Yaga describes the powers displayed by Cannon and Thunderbolt as "Formalism", which usually means analyzing an artwork in terms of its medium and format rather than its plot or content -- and indeed, both of them do seem to be quite GenreSavvy, at the very least. In fact, while Thunderbolt has effectively absolute power within his personal fortress, because he is a RealityWarper there, Cannon seems to be more medium-aware, transporting himself to Thunderbolt's home by placing them on six panels of the nine-panel page layout that the comic uses by default (another ComicBook/{{Watchmen}} reference), and eventually defeating Thunderbolt by manipulating aspects of the medium.

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* MediumAwareness: Baba Yaga describes the powers displayed by Cannon and Thunderbolt as "Formalism", which usually means analyzing an artwork in terms of its medium and format rather than its plot or content -- and indeed, both of them do seem to be quite GenreSavvy, at the very least. In fact, while Thunderbolt has effectively absolute power within his personal fortress, because he is a RealityWarper there, Cannon seems to be more medium-aware, transporting himself and the other five heroes to Thunderbolt's home by placing them on six panels of the nine-panel page layout that the comic uses by default (another ComicBook/{{Watchmen}} reference), and eventually defeating Thunderbolt by manipulating aspects of the medium.

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* GenreSavvy: The powers granted by the Ancient Scrolls appear to involve a degree of genre awareness and even MediumAwareness, sometimes leading to a bit of LeaningOnTheFourthWall. Thunderbolt quickly kills The Test because the latter is mocking him, which could just be vanity, but he claims it is because "This is a serious story." And later, when Cannon (accurately) accuses him of
* Jerkass: The comic is post-''ComicBook/{{Watchmen}}''-ish enough to acknowledge that merely being a hero doesn't guarantee that anyone will be a nice person.

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* GenreSavvy: The powers granted by the Ancient Scrolls appear to involve a degree of genre awareness and even MediumAwareness, sometimes leading to a bit of LeaningOnTheFourthWall. Thunderbolt quickly kills The Test because the latter is mocking him, which could just be vanity, but he claims it is because "This is a serious story." And later, when Cannon (accurately) accuses him of
of petty sadism, his response is "I have transcended ''your'' genre. It doesn't matter what I do."
* Jerkass: {{Jerkass}}: The comic is post-''ComicBook/{{Watchmen}}''-ish enough to acknowledge that merely being a hero doesn't guarantee that anyone will be a nice person.


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* MediumAwareness: Baba Yaga describes the powers displayed by Cannon and Thunderbolt as "Formalism", which usually means analyzing an artwork in terms of its medium and format rather than its plot or content -- and indeed, both of them do seem to be quite GenreSavvy, at the very least. In fact, while Thunderbolt has effectively absolute power within his personal fortress, because he is a RealityWarper there, Cannon seems to be more medium-aware, transporting himself to Thunderbolt's home by placing them on six panels of the nine-panel page layout that the comic uses by default (another ComicBook/{{Watchmen}} reference), and eventually defeating Thunderbolt by manipulating aspects of the medium.


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* NotAfraidToDie: The Test is some kind of ArtificialHuman with a lifespan of just a couple of weeks or so. (When he fails and dies, he'll be recreated, but there doesn't seem to be any continuity of consciousness involved.) Hence, as he accepts this, he has no fear of death.
* OffWithHisHead: Thunderbolt rips off Supreme Justice's head with his bare hands, as a final act of gratuitous extreme violence.


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* RealityWarper: Thunderbolt has absolute control of reality within his fortress.
-->'''Nucleon:''' Past and future and present are all part of the design. But it is ''his'' design. That is his power.

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* FaceDeathWithDignity: Cannon and Nucleon have repeatedly made it clear that Thunderbolt is an effectively unbeatable opponent, if the way he disintegrated The Test with a gesture wasn't proof enough -- and yet, the other heroes decide that there is no choice but to fight him. When Cannon tries to restrain her, Baba Yaga makes the pint clear with dignity.

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* FaceDeathWithDignity: Cannon and Nucleon have repeatedly made it clear that Thunderbolt is an effectively unbeatable opponent, if the way he disintegrated The Test with a gesture wasn't proof enough -- and yet, the other heroes decide that there is no choice but to fight him. When Cannon tries to restrain her, Baba Yaga calmly makes the pint clear with dignity.point clear:


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* GenreSavvy: The powers granted by the Ancient Scrolls appear to involve a degree of genre awareness and even MediumAwareness, sometimes leading to a bit of LeaningOnTheFourthWall. Thunderbolt quickly kills The Test because the latter is mocking him, which could just be vanity, but he claims it is because "This is a serious story." And later, when Cannon (accurately) accuses him of
* Jerkass: The comic is post-''ComicBook/{{Watchmen}}''-ish enough to acknowledge that merely being a hero doesn't guarantee that anyone will be a nice person.
** Supreme Justice is habitually violent and given to bluntly calling people out even before they provoke him enough that he throws a punch.
** The superhuman insight and perceptiveness granted by the Ancient Scrolls has evidently given both Cannon and Thunderbolt an annoying superiority complex. Ironically, it's Supreme Justice who flatly points this out behind his back:
--->'''Supreme Justice:''' Your master's a ''prick'', Tabu.\\
'''Tabu:''' He is not my master. He is my friend. But your assessment of his character is not inaccurate.
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* TwentyMinutesIntoTheFuture: The general concept is invoked by the text introducing Cannon's world; "It's 35 minutes into the future. Relations between nations spiral ever downward..."


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* EyeScream: When Pyrophorus attacks Thunderbolt, the latter reacts by creating a swarm of vicious insects inside the former's {{powered armor}}, at least one of which promptly burrows into his eye.
* FaceDeathWithDignity: Cannon and Nucleon have repeatedly made it clear that Thunderbolt is an effectively unbeatable opponent, if the way he disintegrated The Test with a gesture wasn't proof enough -- and yet, the other heroes decide that there is no choice but to fight him. When Cannon tries to restrain her, Baba Yaga makes the pint clear with dignity.
-->'''Baba Yaga:''' What can we do but be ''heroes''?


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* {{Fingore}}: Thunderbolt reacts to Supreme Justice's attack by breaking his fingers one by one. This is a clear reference to [[Characters/WatchmenRorschach Rorschach's]] notorious method of extracting information from criminals, showing that, although Thunderbolt is an {{expy}} of ''ComicBook//{{Watchmen}}'''s Ozymandias, he has also acquired Rorschach's casual brutality (and Dr Manhattan's emotional detachment).
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Added DiffLines:

* AndIMustScream: Thunderbolt's version of Sabu attempted to escape from his fate as the only other inhabitant of a dead world, alongside the insane Thunderbolt himself, by suicide. Thunderbolt punished him by transforming him into a robot who cannot harm himself. It's a borderline instance of the trope, in that Sabu can speak -- but the only person he gets to talk to is Thunderbolt.
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* ContainmentClothing: Nucleon, a superhero with nuclear powers, usually wears something reselbling a HazmatSuit, but sheds it to unleash her powers. Presumably, she suffers from low-level PowerIncontinence, and hence sheds enough radiation to make long-term exposure dangerous.

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* ContainmentClothing: Nucleon, a superhero with nuclear powers, usually wears something reselbling resembling a HazmatSuit, but sheds it to unleash her powers. Presumably, she suffers from low-level PowerIncontinence, and hence sheds emits enough radiation to make long-term exposure dangerous.dangerous for normal humans.

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* ContainmentClothing: Nucleon, a superhero with nuclear powers, usually wears something reselbling a HazmatSuit, but sheds it to unleash her powers. Presumably, she suffers from low-level PowerIncontinence, and hence sheds enough radiation to make long-term exposure dangerous.



-->''See, Tabu... the dangers of unrelenting deconstruction.''

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-->''See, -->'''Cannon:''' See, Tabu... the dangers of unrelenting deconstruction.''


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* PoweredArmor: Pyrophorus is an insect-themed armored superhero.
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* NiceGuy: Cannon comes to realize that Peter, his non-powered counterpart, is very simply a ''good person'', with friends he values and a willingness to do the right thing on a small, personal scale simply because it's right -- something that Cannon has lost, let alone Thunderbolt.

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* Main/DeconstructorFleet: The comic deconstructs a bunch of superhero tropes, such as CaptainPatriotic (in the form of Supreme Justice) or the NinetiesAntiHero (in the form of The Test), in passing while on its way to deconstruct deconstruction.

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* Main/DeconstructorFleet: DeconstructorFleet: The comic deconstructs a bunch of superhero tropes, such as CaptainPatriotic (in the form of Supreme Justice) or the NinetiesAntiHero (in the form of The Test), in passing while on its way to deconstruct deconstruction.


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* OutsideContextProblem: In a story concerned with levels of reality, significant problems more or less by definition come from out of context:
** When the (fake) aliens arrive on the black-and-white, superhero-free, quasi-realistic world, the threat understandably reduces even government agents to screaming, uncomprehending panic.
** Cannon ultimately defeats Thunderbolt by moving outside his context, showing that his power comes from a narrow if effective understanding of reality.
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* FauxAffablyEvil: While Thunderbolt isn't so much affable as calm and insufferably smug, he maintains a facade of politeness and good humor.
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* CurbStompBattle: Happens at least twice:
** Once Cannon has brought his enhanced perceptions to bear to define a tactical plan, the fight between the superheroes and the aliens is quite straightforward for the former. (They just have to identify and take down the enemy leaders.)
** The superheroes simply have no chance against Thunderbolt, who is functionally a god on his home territory.
** The only fight that has the appearance of being equal (though it happens off-screen) is the final confrontation between Cannon and Thunderbolt -- and even that may be mostly a matter of Cannon letting things play out as they must. By then, he has identified that Thunderbolt has too limited an understanding of the situation.
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* {{Deconstruction}}: The comic deconstructs both ''ComicBook/{{Watchmen}}'', albeit ultimately respectfully; Gillen appears to feel that the problem is the repetitive habits displayed by comics which are too heavily influenced by the older comic.

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* {{Deconstruction}}: The comic deconstructs both ''ComicBook/{{Watchmen}}'', albeit ultimately respectfully; Gillen appears to feel that the problem is the repetitive habits displayed by comics which are too heavily influenced by the older comic.
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* AdaptationalSexuality: Cannon is revealed to be in an on-and-off gay relationship with Tabu -- not something seen in earlier versions of the characters.

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The 2019 incarnation of ''ComicBook/PeterCannonThunderbolt'', a five-issue miniseries written by Creator/KieronGillen with art by Caspar Wijngaard and published by Creator/DynamiteEntertainment, is both an homage to and a comprehensive deconstruction of the classic comics series ''ComicBook/{{Watchmen}}'' -- or rather, perhaps, of its legacy in the world of comics at large. It's also a functioning superhero comic in its own right, if rather an offbeat one.

to:

The 2019 incarnation of ''ComicBook/PeterCannonThunderbolt'', a five-issue miniseries written by Creator/KieronGillen with art by Caspar Wijngaard and published by Creator/DynamiteEntertainment, is both an homage to and a comprehensive deconstruction {{Deconstruction}} of the classic comics series ''ComicBook/{{Watchmen}}'' -- or rather, perhaps, of its legacy in the world of comics at large. It's also a functioning superhero comic in its own right, if rather an offbeat one.



!!Tropes Appearing (and often Deconstructed) in this miniseries include:

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!!Tropes Appearing (and often Deconstructed) in this miniseries include:include:
* CaptainGeographic: Supreme Justice is the "walking magical embodiment" of the USA -- basically, Captain America with a magical back-story and a less charming personality.
* {{Deconstruction}}: The comic deconstructs both ''ComicBook/{{Watchmen}}'', albeit ultimately respectfully; Gillen appears to feel that the problem is the repetitive habits displayed by comics which are too heavily influenced by the older comic.
-->''See, Tabu... the dangers of unrelenting deconstruction.''
* Main/DeconstructorFleet: The comic deconstructs a bunch of superhero tropes, such as CaptainPatriotic (in the form of Supreme Justice) or the NinetiesAntiHero (in the form of The Test), in passing while on its way to deconstruct deconstruction.
* JerkassHasAPoint: Supreme Justice is something of a thug, given to thinking with his fists, but he makes an effective point when he tells Cannon that the problem with being the smartest guy in the room is that there's always another room.
----
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Cannon knows that he's up against a far more powerful, perhaps omnipotent, version of himself, but his counterpart has already shown a lethal willingness to kill millions, and must be stopped. Fortunately, he can at least work out a way to travel to that other universe. So he and the heroes he works with set out to engage with the problem. It doesn't go well, and a fleeing Cannon ends up in another universe, where there are no superheroes and no apparent way to hold off the fake aliens who follow after him. But there is at least another Peter Cannon...

to:

Cannon knows that he's up against a far more powerful, perhaps omnipotent, version of himself, who is probably already watching him, but his counterpart has already shown a lethal willingness to kill millions, and must be stopped. Fortunately, he can at least work out a way to travel to that other universe. So he and the heroes he works with set out to engage with the problem. It doesn't go well, and a fleeing Cannon ends up in another ''another'' universe, where there are no superheroes and no apparent way to hold off the fake aliens who follow after him. But there is at least another Peter Cannon...
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The 2019 incarnation of ''ComicBook/PeterCannonThunderbolt'', a five-issue miniseries written by Creator/KieronGillen with art by Caspar Wijngaard and published by Dynamite Entertainment, is both an homage to and a comprehensive deconstruction of the classic comics series ''ComicBook/{{Watchmen}}'' -- or rather, perhaps, of its legacy in the world of comics at large. It's also a functioning superhero comic in its own right, if rather an offbeat one.

to:

The 2019 incarnation of ''ComicBook/PeterCannonThunderbolt'', a five-issue miniseries written by Creator/KieronGillen with art by Caspar Wijngaard and published by Dynamite Entertainment, Creator/DynamiteEntertainment, is both an homage to and a comprehensive deconstruction of the classic comics series ''ComicBook/{{Watchmen}}'' -- or rather, perhaps, of its legacy in the world of comics at large. It's also a functioning superhero comic in its own right, if rather an offbeat one.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/petercannonthunderbolt2019.jpg]]

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The 2019 incarnation of ''ComicBook/PeterCannonThunderbolt'', written by Creator/KieronGillen with art by Caspar Wijngaard and published by Dynamite Entertainment, is both an homage to and a comprehensive deconstruction of the classic comics series ''ComicBook/{{Watchmen}}'' -- or rather, perhaps, of its legacy in the world of comics at large. It's also a functioning superhero comic in its own right, if rather an offbeat one.

to:

The 2019 incarnation of ''ComicBook/PeterCannonThunderbolt'', a five-issue miniseries written by Creator/KieronGillen with art by Caspar Wijngaard and published by Dynamite Entertainment, is both an homage to and a comprehensive deconstruction of the classic comics series ''ComicBook/{{Watchmen}}'' -- or rather, perhaps, of its legacy in the world of comics at large. It's also a functioning superhero comic in its own right, if rather an offbeat one.



The story starts with a version of Peter Cannon who should be quite familiar to those who know the character; one of a small but significant number of superheroes in his world, a supreme martial arts expert who gains advanced mystical insights by consulting a collection of "Ancient Scrolls", living with his friend Tabu. His world comes under overwhelming attack by mysterious squid-like aliens, and Cannon is asked for help by other heroes. Despite an initial show of reluctance, explained by his disdain for western civilization (a characteristic drawn from the original '60s version of the character), Cannon consults the Ancient Scrolls, and comes up with an effective strategy that wipes out the aliens. The world, which had been teetering on the verge of nuclear war, comes together in a spirit of cooperation.

to:

The story starts with a version of Peter Cannon who should be quite familiar to those who know the character; one of a small but significant number of superheroes in his world, a supreme martial arts expert who gains advanced mystical insights by consulting a collection of "Ancient Scrolls", living with his friend Tabu. His world comes under overwhelming attack by mysterious squid-like aliens, and Cannon is asked for help by other heroes. Despite an initial show of reluctance, explained by his disdain for western civilization (a characteristic drawn from the original '60s version of the character), Cannon consults the Ancient Scrolls, and comes up with an effective strategy that wipes out the aliens. The world, which had been teetering on the verge of nuclear war, comes together in a spirit of cooperation.cooperation.

But Cannon is worried. He suspects that the aliens were fakes. After all, this whole "alien invasion to make the world come together" plot is an idea which he once considered himself, but rejected because, apart from the fact that it's unspeakably immoral, he doubts that it will do any good in the long term. Only one conclusion is possible; an alternate version of Peter Cannon, in an alternate universe, must be behind the whole thing. Meanwhile, readers who are familiar with the history of comics, and of characters inspired by the original Thunderbolt, have recognized that the there's some serious genre referencing going on here.

That's okay. It's all part of the plan.

Cannon knows that he's up against a far more powerful, perhaps omnipotent, version of himself, but his counterpart has already shown a lethal willingness to kill millions, and must be stopped. Fortunately, he can at least work out a way to travel to that other universe. So he and the heroes he works with set out to engage with the problem. It doesn't go well, and a fleeing Cannon ends up in another universe, where there are no superheroes and no apparent way to hold off the fake aliens who follow after him. But there is at least another Peter Cannon...

One obvious problem when talking about this series is that three characters share the same name, and two of them also share the same alias. The convention followed by the comic is to refer to the first-appearing character as "Cannon", the second-appearing as "Thunderbolt", and the third as "Peter". This convention is also followed here.

!!Tropes Appearing (and often Deconstructed) in this miniseries include:
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Added DiffLines:

The 2019 incarnation of ''ComicBook/PeterCannonThunderbolt'', written by Creator/KieronGillen with art by Caspar Wijngaard and published by Dynamite Entertainment, is both an homage to and a comprehensive deconstruction of the classic comics series ''ComicBook/{{Watchmen}}'' -- or rather, perhaps, of its legacy in the world of comics at large. It's also a functioning superhero comic in its own right, if rather an offbeat one.

'''Warning: The story of this comic is built on a series of reveals and switches of tone; it is impossible to discuss it in any detail without giving some of these away. Hence, multiple spoilers follow, many of them unmarked.'''

The story starts with a version of Peter Cannon who should be quite familiar to those who know the character; one of a small but significant number of superheroes in his world, a supreme martial arts expert who gains advanced mystical insights by consulting a collection of "Ancient Scrolls", living with his friend Tabu. His world comes under overwhelming attack by mysterious squid-like aliens, and Cannon is asked for help by other heroes. Despite an initial show of reluctance, explained by his disdain for western civilization (a characteristic drawn from the original '60s version of the character), Cannon consults the Ancient Scrolls, and comes up with an effective strategy that wipes out the aliens. The world, which had been teetering on the verge of nuclear war, comes together in a spirit of cooperation.

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