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* NeverMyFault: When the Nome King blames her for allowing Dorothy to escape [[{{Hypocrite}} while ignoring his own sadism in prolonging their suffering by trapping them in a guessing game that they eventually manage to solve rather than do it in one go like she suggested because he found it more amusing]], she counters by blaming him for not giving her a real army, despite she is just as guilty of keeping Dorothy and the others around for her own amusement rather than finishing them off then and there.



* SoftSpokenSadist: In her first form she's played by Sophie Ward, who has a voice like bunny rabbits floating on clouds of marshmallows. In her true form, she's more raspy sounding.

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* SoftSpokenSadist: In her first form she's played by Sophie Ward, who has a voice like bunny rabbits floating on clouds of marshmallows. In her true form, she's more raspy sounding.sounding and she begins to constantly shouting for the rest of the film till she's caged.



* AdaptationalBadass: In the original story, while he was always a threat, a large portion of his initial danger came from his girdle, being a normal humanoid otherwise, whose threat came from his cunning to get power rather than his inherent powers. In this iteration, he's essentially an [[RockMonster earth elemental]] able to traverse through any part of the world like any of his kin who towers over everyone and is in fact large enough to swallow them whole. This is on top of having the Ruby Slippers that make him essentially a RealityWarper able to turn others into objects or conjure objects like a cage out of nothing.

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* AdaptationalBadass: In the original story, while he was always a threat, a large portion of his initial danger came from his girdle, being a normal humanoid otherwise, whose threat came from his cunning to get back power rather than his the inherent powers. powers that he lost in his debut. In this iteration, he's essentially an [[RockMonster colossal earth elemental]] able to traverse through any part of the world like any of his kin who towers over everyone and is in fact large enough to swallow them whole. This is on top of having the Ruby Slippers that make him essentially a RealityWarper able to turn others into objects or conjure objects like a cage out of nothing.



* BishonenLine: While it's implied that the OneWingedAngel he takes at the end is his actual true form, the Nome King starts off as a vaguely humanoid face when first introduced to Dorothy and co, before shifting to a humanoid form attached to the wall. Whenever the heroes manage to fail the game, the Nome King gradually gets unstuck to his wall, going from a StopMotion clay figure to a live-action actor in rock-king makeup to finally, a gray-skinned human-like being with Dorothy's potential failure, leading to him becoming in his words, human.

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* BishonenLine: While it's implied that the OneWingedAngel he takes at the end is his actual true form, the Nome King starts off as a vaguely humanoid face when first introduced to Dorothy and co, before shifting to a humanoid form attached to the wall. Whenever the heroes manage to fail the game, the Nome King gradually gets unstuck to his wall, going from a StopMotion clay figure with realistic eyes with blue irises than craved imprint of eyes to a live-action actor in rock-king makeup to finally, a gray-skinned human-like being with Dorothy's potential failure, leading to him becoming in his words, human.



* AFormYouAreComfortableWith: It's heavily implied the monstrous, gigantic form he takes at the end is his true form. So he changes his form into something more gentle in order for the heroes to be less cautious around him. When in the midst of his breakdown, he loses all pretenses to showcase his true form.

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* AFormYouAreComfortableWith: It's heavily implied the monstrous, gigantic form he takes at the end is his true form. So he changes his form into something more gentle in order for the heroes to be less cautious around him. When in the midst of amid his breakdown, he loses all pretenses to showcase his true form.



* HumanityEnsues: Every time he turns somebody from Oz into an ornament he becomes more and more humanlike -- if Dorothy had turned into an ornament he would've been human completely. ''Why'' he just doesn't use the Ruby Slippers to turn himself human is a mystery. Though it's heavily implied [[ClapYourHandsIfYouBelieve to be tied with the memories of Oz by his own words that activate the transformation- the fewer people who remember Oz, the more human he becomes]].

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* HumanityEnsues: Every time he turns somebody from Oz into an ornament he becomes more and more humanlike -- if Dorothy had turned into an ornament he would've been human completely. ''Why'' he just doesn't use the Ruby Slippers to turn himself human is a mystery. Though it's It's heavily implied [[ClapYourHandsIfYouBelieve to be tied with the memories of Oz by his own words that activate the transformation- the fewer people who remember Oz, the more human he becomes]]. becomes]].
* IcyBlueEyes: After Gump fails his test, the Nome King undergoes his [[BishonenLine magical-based transformation into a gradually human form]] by his craved indent of eyes replaced by realistic eyes with blue irises, which give him more expressions while simultaneously making him more uncanny due to how wide they are. This feature is retained in his succeeding forms and even his OneWingedAngel where it's implied he's reduced to one eye- desperately attempting to keep his fleeting human traits.



* RiddleForTheAges: Considering how badly he wanted to become human, one can only imagine why he didn't just use the Ruby Slippers--one of the most powerful magical objects in the Land of Oz and Nonestica in general -- to make it happen. Perhaps such a thing was simply beyond the slippers' capabilities and needed specific rituals t do it.

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* RiddleForTheAges: Considering how badly he wanted to become human, one can only imagine why he didn't just use the Ruby Slippers--one of the most powerful magical objects in the Land of Oz and Nonestica in general -- to make it happen. Perhaps such a thing was simply beyond the slippers' capabilities and needed specific rituals t to do it.



* SatanicArchetype: Not immediately obvious as his RockMonster form invokes [[GrandpaGod the typical iconography of a bearded and benign godly king]] but it's more subtle through his actions. He lives underneath the earth with [[TheLegionsOfHell his demonic Nomes]], he threatens the heroes by tossing them into his furnace which is covered in flames and takes on a pleasing form to trick others [[DealWithTheDevil into accepting a deal that is rigged in his favor]], tries to tempt Dorothy from saving her friends. When bested, his environment takes on a hellish tone with flames and he takes on his true devilish form.

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* SatanicArchetype: Not immediately obvious as his RockMonster form invokes [[GrandpaGod the typical iconography of a bearded and benign godly king]] but it's more subtle through his actions. He lives underneath the earth with [[TheLegionsOfHell his demonic Nomes]], he threatens the heroes by tossing them into his furnace which is covered in flames flames, and takes on a pleasing form to trick others [[DealWithTheDevil into accepting a deal that is rigged in his favor]], tries to tempt Dorothy from saving her friends. When bested, his environment takes on a hellish tone with flames and he takes on his true devilish form.
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* AdaptationalVillainy: In the original books, he resented "upstairs people" mining all the jewels from the earth but never acted on it -- in fact, he was indifferent to Oz until Queen Ozma stole his magic belt, which at that point made it very personal for him. Here he wreaks untold havoc on Oz once he gets the Ruby Slippers for the most flimsy of reasons -- he wants the emeralds used to build the Emerald City back, even though he has plenty of jewels already and the people he takes his revenge on had nothing to do with it. Additionally, his turning the Ozians into ornaments is merely removing an outside party that interfered with a deal he made before seeing Ozma and it doesn’t have the same insidious ulterior motives turning human [[spoiler: without the weakness to eggs]] at the expense of their freedom.

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* AdaptationalVillainy: In the original books, he resented "upstairs people" mining all the jewels from the earth but never acted on it -- in fact, he was indifferent to Oz until Queen Ozma stole his magic belt, which at that point made it very personal for him. Here he wreaks untold havoc on Oz once he gets the Ruby Slippers for the most flimsy of reasons -- he wants the emeralds used to build the Emerald City back, even though he has plenty of jewels already and the people he takes his revenge on had nothing to do with it. Additionally, his turning the Ozians into ornaments is in the books was merely removing an outside party that interfered with a deal he he'd made before seeing Ozma and it doesn’t didn’t have the same insidious ulterior motives motive of turning him human [[spoiler: without [[spoiler:without the weakness to eggs]] at the expense of their the Ozians' freedom.
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* FauxAffablyEvil: She initially seems pleasant but it's gradually revealed how hollow it is when she's a monster that takes the heads of other women in a show of vanity and insecurity towards her original head and her attitude becomes increasingly villainous with each head she takes.

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* FauxAffablyEvil: She initially seems pleasant pleasant, but it's gradually revealed how hollow it is when she's a monster that takes the heads of other women in a show of vanity and insecurity towards her original head head, and her attitude becomes increasingly villainous with each head she takes.



* ItsAllAboutMe: Only cares about her own power and comfort, not caring about how she's selflessly stealing the heads of other women to add to her collection.

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* ItsAllAboutMe: Only cares about her own power and comfort, not caring about how she's selflessly selfishly stealing the heads of other women to add to her collection.



* TheQuietOne: She doesn't talk much, [[NothingIsScarier It adds to her menace]]. At least with her first two heads which are [[ColdHam are more composed in behavior]]. Averted with her true head, which is very bombastic and hammy.
* SoftSpokenSadist: In her first form she's played by Sophie Ward who has a voice like bunny rabbits floating on clouds of marshmallows. In her true form, she's more raspy sounding.

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* TheQuietOne: She doesn't talk much, [[NothingIsScarier It adds to her menace]]. At least with her first two heads heads, which are [[ColdHam are more composed in behavior]]. Averted with her true head, which is very bombastic and hammy.
* SoftSpokenSadist: In her first form she's played by Sophie Ward Ward, who has a voice like bunny rabbits floating on clouds of marshmallows. In her true form, she's more raspy sounding.



* AmbiguousSituation: It's unknown if he was Worley as Aunt Em said that he didn't survived the burning clinic.

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* AmbiguousSituation: It's unknown if he was Worley Worley, as Aunt Em said that he didn't survived survive the burning clinic.



* BaitTheDog: After he turns the Scarecrow into an ornament, he comforts her and offers to have the others play a game to win him back. He then withholds information and threatens them by throwing them into his fiery furnace if they don’t play his rigged game. He then proceeds to [[KickTheDog guilt-trip Dorothy by showing her the ruby slippers she lost and telling her it's her fault that the Nome King was able to do all of it]]. While he does offer to return her home prior to her fully entering the room, [[JerkWithAHeartOfJerk it's more to rid himself of a person who can stop him than out of altruism]] and his talk with Mombi shows he never cared for her as he viewed her as a sacrifice to make him fully human. And once she does succeed, he drops all pretenses and tries to eat them- showing he never intended to uphold his end of the bargain.

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* BaitTheDog: After he turns the Scarecrow into an ornament, he comforts her and offers to have the others play a game to win him back. He then withholds information and threatens them by throwing them into his fiery furnace if they don’t play his rigged game. He then proceeds to [[KickTheDog guilt-trip Dorothy by showing her the ruby slippers she lost and telling her it's her fault that the Nome King was able to do all of it]]. While he does offer to return her home prior to her fully entering the room, [[JerkWithAHeartOfJerk it's more to rid himself of a person who can stop him than out of altruism]] altruism]], and his talk with Mombi shows he never cared for her her, as he viewed her as a sacrifice to make him fully human. And once she does succeed, he drops all pretenses and tries to eat them- showing he never intended to uphold his end of the bargain.



* ColdHam: While he’s usually more bombastic and demanding with either Mombi or his minions, he elects to speak in a more courteous, mellow, and low key tone with Dorothy and friends with grandiose undertones. Which makes his insidious actions in dissonant contrast all the more unnerving and his later descent into raving fury all the more stark in comparison.

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* ColdHam: While he’s usually more bombastic and demanding with either Mombi or his minions, he elects to speak in a more courteous, mellow, and low key low-key tone with Dorothy and friends with grandiose undertones. Which This makes his insidious actions in dissonant contrast all the more unnerving and his later descent into raving fury all the more stark in comparison.



* ContrastingSequelAntagonist: The Wicked Witch of the West may be a cultural icon, but he is the true BigBad of the Oz books and his role in the film definitely shows. Also unlike the Witch who is [[LaughablyEvil both genuinely terrifying but is so over the top she's comedic in her own way]] and is always threatening Dorothy, he is a genuinely serious villain who's very civil with Dorothy and offers to send her home, but only for reasons that benefit him. He was even able to get his hands on the ruby slippers, something that even the witch herself was unable to succeed at.

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* ContrastingSequelAntagonist: The Wicked Witch of the West may be a cultural icon, but he is the true BigBad of the Oz books and his role in the film definitely shows. Also unlike the Witch Witch, who is [[LaughablyEvil both genuinely terrifying but is so over the top she's comedic in her own way]] and is always threatening Dorothy, he is a genuinely serious villain who's very civil with Dorothy and offers to send her home, but only for reasons that benefit him. He was even able to get his hands on the ruby slippers, something that even the witch herself was unable to succeed at.



* EvilIsBigger: In his implied true form, he is so large that his hand is able to grab Grump's sofa body and later Jack, with both being small in comparison. In the form he takes [[AFormYouAreComfortableWith to appear more approachable]], while not as massive, is still taller than the heroes.

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* EvilIsBigger: In his implied true form, he is so large that his hand is able to grab Grump's sofa body and later Jack, Jack's, with both being small in comparison. In the form he takes [[AFormYouAreComfortableWith to appear more approachable]], while not as massive, he is still taller than the heroes.



* FauxAffablyEvil: Is quite courteous, even giving Dorothy and company limestone pie to eat and melted silver to drink. When Mombi arrives, however, he reveals his sadistic nature, admitting to her he only gave Dorothy a chance because it's more fun to watch. He soon blatantly proves he never had any intention of actually going through with the bargain if Dorothy won. The movie's novelization also insinuates most of his sympathetic act was just to toy with her while she was down.

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* FauxAffablyEvil: Is quite courteous, even giving Dorothy and company limestone pie to eat and melted silver to drink. When Mombi arrives, however, he reveals his sadistic nature, admitting to her he only gave Dorothy a chance because it's more fun to watch. He soon blatantly proves he never had any intention of actually going through with the bargain if Dorothy won. The movie's novelization also insinuates most of his sympathetic act was acts were just to toy with her while she was down.



* LargeHam: What makes this iteration of the Nome King so unnerving is that he usually averts this by speaking in a dissonantly even and mellow tone, only raising his voice when threatening Dorothy and friends with a fiery furnace or when Mombi brings up the possibility of Ozma escaping. When he’s outwitted, he starts to shouting and bellow his lines, which is made more terrifying as he’s in a colossal golem form capable of eating them alive.

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* LargeHam: What makes this iteration of the Nome King so unnerving is that he usually averts this by speaking in a dissonantly even and mellow tone, only raising his voice when threatening Dorothy and friends with a fiery furnace or when Mombi brings up the possibility of Ozma escaping. When he’s outwitted, he starts to shouting shout and bellow his lines, which is made more terrifying as he’s in a colossal golem form capable of eating them alive.
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*TheDreaded: Princess Mombi seemed scared of him. Kneeling before him and trying to run away. When he finds Ozma escaped.
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* AxCrazy: He becomes this during his nightmarish [[VillainousBreakdown descent into utter rage]], deciding to devour them while laughing insanely as he does so.
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* AdaptationalBadass: In the original story, while he was always a threat, a large portion of his initial danger came from his girdle, being a normal humanoid otherwise. In this iteration, he's essentially an [[RockMonster earth elemental]] able to traverse through any part of the world like any of his kin who towers over everyone and is in fact large enough to swallow them whole. This is on top of having the Ruby Slippers that make him essentially a RealityWarper able to turn others into objects or conjure objects like a cage out of nothing.

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* AdaptationalBadass: In the original story, while he was always a threat, a large portion of his initial danger came from his girdle, being a normal humanoid otherwise.otherwise, whose threat came from his cunning to get power rather than his inherent powers. In this iteration, he's essentially an [[RockMonster earth elemental]] able to traverse through any part of the world like any of his kin who towers over everyone and is in fact large enough to swallow them whole. This is on top of having the Ruby Slippers that make him essentially a RealityWarper able to turn others into objects or conjure objects like a cage out of nothing.



** Played straight with Mombi. In spite of allowing her to rule the ruins of Oz while she keeps her head collection in exchange for keeping Ozma captive, he immediately orders her to prostrate to him and even tells her to go even lower when she's already touching the floor out of amusement. When she brings up some caution about Dorothy, he demises it and when Dorothy does manage to make a fool of him, he immediately blames Mombi for his carelessness and imprisons her.

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** Played straight with Mombi. In spite of allowing her to rule the ruins of Oz while she keeps her head collection in exchange for keeping Ozma captive, he immediately orders her to prostrate to him and even tells her to go even lower when she's already touching the floor out of amusement. When she brings up some caution about Dorothy, he demises dismisses it and as nothing to be concerned about, but when Dorothy does manage to make a fool of him, he immediately blames Mombi for his carelessness and imprisons her.
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* CompositeCharacter: Takes over some aspects of Ozma's role from ''Literature/TheMarvelousLandOfOz'' such as building the Gump and her role as Jack's ParentalSubstitute.


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* DemotedToExtra: Thanks to being trapped in a mirror, she's much less prominent than her counterpart in the books the film is based on.
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* AllThereInTheManual: Her backstory is explained in further detail in the movie's novelization -- she was sold to Mombi by her father, King Pastoria, in return for a potion that gave eternal life, but he killed himself out of horror when he realized what he'd done. This makes the film version of King Pastoria a CompositeCharacter of his book counterpart with the King of Ev from the books.

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* AllThereInTheManual: Her backstory is explained in further detail in the movie's novelization -- she was sold to Mombi by her father, King Pastoria, in return for a potion that gave eternal life, but he killed himself out of horror when he realized what he'd done. This makes the film version of King Pastoria a CompositeCharacter of his book counterpart the books' King Pastoria (Ozma's father who was deposed by the Wizard; the Wizard then hid Ozma with Mombi) and the King of Ev from (who sold his wife and children to the books.Nome King for immortality and then killed himself).
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* AmbiguousSituation: It's not clear in the movie whether "Princess" is an affectation or she actually has royal blood, and if so from what kingdom. Whereas Princess Langwidere was definitely a real princess, being the King of Ev's niece. Her backstory with Ozma, implies she was a witch that rose to power via the Nome King and her title of Princess is that of vanity and a desire to remain young.

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* AmbiguousSituation: It's not clear in the movie whether "Princess" is an affectation or she actually has royal blood, and if so from what kingdom. Whereas Princess Langwidere was definitely a real princess, being the King of Ev's niece. Her backstory with Ozma, Ozma implies she was a witch that rose to power via the Nome King and her title of Princess is that out of vanity and a desire to remain young.

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* GutturalGrowler: She's played by Jean Marsh who has a naturally deep voice but she lowers it for the role.



* SoftSpokenSadist: In her first form she's played by Sophie Ward who has a voice like bunny rabbits floating on clouds of marshmallows. In her true form, as noted above, she's a GutturalGrowler.

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* SoftSpokenSadist: In her first form she's played by Sophie Ward who has a voice like bunny rabbits floating on clouds of marshmallows. In her true form, as noted above, she's a GutturalGrowler.more raspy sounding.

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* AdaptationalVillainy: In the original books, he resented "upstairs people" mining all the jewels from the earth but never acted on it -- in fact, he was indifferent to Oz until Queen Ozma stole his magic belt, which at that point made it very personal for him. Here he wreaks untold havoc on Oz once he gets the Ruby Slippers for the most flimsy of reasons -- he wants the emeralds used to build the Emerald City back, even though he has plenty of jewels already and the people he takes his revenge on had nothing to do with it.

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* AdaptationalVillainy: In the original books, he resented "upstairs people" mining all the jewels from the earth but never acted on it -- in fact, he was indifferent to Oz until Queen Ozma stole his magic belt, which at that point made it very personal for him. Here he wreaks untold havoc on Oz once he gets the Ruby Slippers for the most flimsy of reasons -- he wants the emeralds used to build the Emerald City back, even though he has plenty of jewels already and the people he takes his revenge on had nothing to do with it. Additionally, his turning the Ozians into ornaments is merely removing an outside party that interfered with a deal he made before seeing Ozma and it doesn’t have the same insidious ulterior motives turning human [[spoiler: without the weakness to eggs]] at the expense of their freedom.



* ColdHam: While he’s usually more bombastic and demanding with either Mombi or his minions, he elects to speak in a more courteous, mellow, and low key tone with Dorothy and friends with grandiose undertones. Which makes his insidious actions in dissonant contrast all the more unnerving and his later descent into raving fury all the more stark in comparison.



* LargeHam: The Nome King tends to do this from time to time, especially when he is angry.

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* LargeHam: The What makes this iteration of the Nome King tends to do so unnerving is that he usually averts this from time to time, especially by speaking in a dissonantly even and mellow tone, only raising his voice when threatening Dorothy and friends with a fiery furnace or when Mombi brings up the possibility of Ozma escaping. When he’s outwitted, he starts to shouting and bellow his lines, which is angry.made more terrifying as he’s in a colossal golem form capable of eating them alive.
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* BigBad: He's the conqueror and EvilOverlord of Oz and in command of all the forces that oppose Dorothy throughout the film.


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* EvilSoundsDeep: His voice literally sounds like boulders scraping together in his true form. When he assumes AFormYouAreComfortableWith, it starts to sound more human, but he still speaks in a stentorian baritone.


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* NearVillainVictory: [[spoiler:He would have won if Dorothy hadn't gotten lucky with a random guess in his final game]].
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** A deleted scene would've rectified this with one of police officers arresting Nurse Wilson serving as Tik-Tok's analouge.
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[[folder:Tik Tok]]
!!Tik Tok

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[[folder:Tik Tok]]
!!Tik Tok
[[folder:Tik-Tok]]
!!Tik-Tok
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* ContrastingSequelMainCharacter: To Toto. Like Toto, Billina is Dorothy's pet from Kansas, but unlike Toto, Billina [[TalkingAnimal gains the ability to speak]] after entering Oz. [[spoiler:She also chooses to stay in Oz whereas Toto prefers his home in Kansas.]]


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* ContrastingSequelMainCharacter: To the Tin Man. The Tin Man is a normal man who replaced his body with a tin one after a witch cursed his axe while Tik-Tok is a bona fide robot from the very start. The Tin Man in the original movie was worried about [[CyberneticsEatYourSoul his loss of humanity due to his metal parts]] unlike Tik-Tok, who occasionally brags about his mechanical, non-living nature.


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* WeaksauceWeakness: As a clockwork robot, Tik-Tok needs to be wound up in order to think, move, and talk. [[spoiler:That said, Tik-Tok is able to exploit this weakness for a WoundedGazelleGambit to trick the Nome King into believing that he needs help, when then allows Dorothy to enter the ornament room earlier than expected.]]


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* ContrastingSequelMainCharacter: To the Scarecrow as both of them are humanoids made out of plant material. The Scarecrow wasn't educated, but he was StreetSmart despite his insecurity about his intelligence. On the other hand, Jack is a klutz who heavily relies on Dorothy and Tik-Tok doing the thinking for him.


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* ContrastingSequelMainCharacter: He replaces the Cowardly Lion as the giant Oz animal companion. However, the Lion is a rather mundane take on a magical animal while the Gump is [[OurZombiesAreDifferent a zombie that can combine with other objects]].
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* NiceGuy: While any friend of Dorothy's is generally guaranteed to be nice, Jack's kindness stands out the most in the group, especially when compared to Tik-Tok's stoicism, the Gump's pessimism and Billina's sassiness.

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* NiceGuy: While any friend of Dorothy's is generally guaranteed to be nice, Jack's kindness stands out the most in the group, especially when compared to Tik-Tok's stoicism, the Gump's pessimism and Billina's sassiness. A notable moment is when he puts his jacket over the sleeping Dorothy to keep her warm.

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* AndIMustScream: A few of the women whose heads she stole recognize Ozma and denounce Mombi's crimes during the celebration at the end. As the novelization explains, this isn't common knowledge; they know this because the heads were still ''alive'' and could hear Mombi's thoughts while she wore them.



* VillainousPrincess: An implied self-proclaimed one that steals the heads of young women out of shame of her original head, a desire to appear beautiful, and as a twisted hobby to collect heads to wear depending on her mood. She's also much older than a typical princess in her true form.

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* VillainousPrincess: An implied self-proclaimed one that steals the heads of young women out of shame of her original head, a desire to appear beautiful, and as a twisted hobby to collect heads to wear depending on her mood. She's also much older than a typical fairy-tale princess in her true form.


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* WickedStepmother: To Ozma, who she kept as a slave. In one early draft of the film, Pastoria sold his daughter to Mombi and later took his life out of regret over it.

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Elaborating on tropes


* VillainousPrincess: An implied self-proclaimed one that steals the heads of young women out of shame of her original head, a desire to appear beautiful, and as a twisted hobby to collect heads to wear depending on her mood. She's also much older than a typical princess in her true form.



* VillainousPrincess: An implied self-proclaimed one that steals the heads of young women out of shame of her original head, a desire to appear beautiful, and as a twisted hobby to collect heads to wear depending on her mood. She's also much older than a typical princess in her true form.

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* VainSorceress: Mombi steals the heads of beautiful women to wear as she pleases. It's implied to stem from some insecurity, as her original head is the only one not shown off in a display case, instead being shoved behind a mirrored cabinet door among her magical items in a messy arrangement.



* VainSorceress: Mombi steals the heads of beautiful women to wear as she pleases. It's implied to stem from some insecurity, as her original head is the only one not shown off in a display case, instead being shoved behind a mirrored cabinet door among her magical items in a messy arrangement.

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* ContrastingSequelAntagonist: She fills in the same role as the Wicked Witch of the West from the 1939 film. But what she differs is that unlike the Wicked Witch who is the over the top main villian of the piece, Mombi still a major threat, is not the main villian and is second in command to the Gnome King and is calm and collective. Also unlike the Witch where she dies, Mombi gets arrested for her actions.



* AFormYouAreComfortableWith: It's heavily implied the monstrous, gigantic form he takes at the end is his true form. So he changes his form into something more gentle in order for the heroes to be less cautious around him. When in the midst of his breakdown, he loses all pretenses to showcase his true form.

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* AFormYouAreComfortableWith: AmbiguousSituation: It's heavily implied unknown if he was Worley as Aunt Em said that he didn't survived the monstrous, gigantic form he takes at the end is his true form. So he changes his form into something more gentle in order for the heroes to be less cautious around him. When in the midst of his breakdown, he loses all pretenses to showcase his true form.burning clinic.


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* AFormYouAreComfortableWith: It's heavily implied the monstrous, gigantic form he takes at the end is his true form. So he changes his form into something more gentle in order for the heroes to be less cautious around him. When in the midst of his breakdown, he loses all pretenses to showcase his true form.

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elaborating on tropes


* AFormYouAreComfortableWith: It's heavily implied the form he takes at the end is his true form. So he changes his form into something more gentle in order for the heroes to be less cautious around him. When in the midst of his breakdown, he loses all pretenses to showcase his true form.

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* AFormYouAreComfortableWith: It's heavily implied the monstrous, gigantic form he takes at the end is his true form. So he changes his form into something more gentle in order for the heroes to be less cautious around him. When in the midst of his breakdown, he loses all pretenses to showcase his true form.


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* EvilIsBigger: In his implied true form, he is so large that his hand is able to grab Grump's sofa body and later Jack, with both being small in comparison. In the form he takes [[AFormYouAreComfortableWith to appear more approachable]], while not as massive, is still taller than the heroes.

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elaborating on tropes


* DidYouActuallyBelieve: [[spoiler: He makes perfectly clear right from the beginning he had no intention of following through with his bargain if Dorothy found the Scarecrow. In fact, he undergoes a VillainousBreakdown when this is the case.]]

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* DidYouActuallyBelieve: [[spoiler: He makes perfectly clear right from the beginning he had no intention of following through with his bargain if Dorothy found the Scarecrow. In fact, he He undergoes a VillainousBreakdown when this is the case.]]



* DissonantSerenity: What makes the Nome King especially menacing is how eerily calm and pleasant he is in junction with the darker intentions of his plan.

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* DissonantSerenity: What makes the Nome King especially menacing is how eerily calm and pleasant he is in junction with the darker intentions of his plan. This stops during his VillainousBreakdown, which leads him to be an overtly terrifying and infuriated monster making the contrast all the more jarring.
* EvilBrit: He has a prominent British accent to go with his regal personality and his evil isn't immediately apparent but gradually becomes more obvious with his mind games and attempts to kill the heroes rather than honor his deal.



* GracefulLoser: Clearly still had time to kill Jack and Billina before he died, but gently set them down instead.

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* GracefulLoser: Clearly still Still had time to kill Jack and Billina before he died, but gently set them down instead.



* JerkassHasAPoint: He wasn't wrong to say to Dorothy that she didn't ask what would happen if they couldn't solve his riddles correctly after the Gump becomes an oranament.

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* JerkassHasAPoint: He wasn't wrong to say to Dorothy that she didn't ask what would happen if they couldn't solve his riddles correctly after the Gump becomes an oranament.ornament.



* ManipulativeBastard: While he initially seems pleasant to Dorothy, he gradually reveals he's tricking the heroes into a rigged game in his favor and takes delight in showing his ruby slippers in order to guilt Dorothy into leaving while pinning the blame on her.

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* ManipulativeBastard: While he initially seems pleasant to Dorothy, he gradually reveals he's tricking the heroes into a rigged game in his favor and takes delight in showing his ruby slippers in order to guilt Dorothy into leaving while pinning the blame on her.



* PsychopathicManchild: It's subtle given he acted as a warped parental figure to Dorothy but he forces others to play the games that are only fair to him, throws a tantrum when they start to win, and [[SoreLoser settles for eating them in order to get some victory]].
* RealityWarper: He is able to turn the populace of Oz to stone, have victims of his games turn to ornaments in order to [[BishonenLine gradually become human]], and conjures a cage to trap Mombi [[spoiler: because he's wearing the Ruby Slippers that Dorothy accidentally dropped]].

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* PsychopathicManchild: It's subtle given he acted as a warped parental figure to Dorothy but he forces others to play the games that are only fair to him, throws a tantrum when they start to win, and [[SoreLoser settles for eating them in order to get some victory]].
* RealityWarper: He is able to can turn the populace of Oz to stone, have victims of his games turn to ornaments in order to [[BishonenLine gradually become human]], and conjures conjure a cage to trap Mombi [[spoiler: because he's wearing the Ruby Slippers that Dorothy accidentally dropped]].



* SatanicArchetype: Not immediately obvious as his RockMonster form invokes [[GrandpaGod the typical iconography of a bearded and benign godly king]] but it's more subtle through his actions. He lives underneath the earth with [[TheLegionsOfHell his demonic Nomes]], he threatens the heroes by tossing them into his furnace which is covered in flames, and takes on a pleasing form to trick others [[DealWithTheDevil into accepting a deal that is rigged in his favor]], tries to tempt Dorothy from saving her friends. When bested, his environment takes on a hellish tone with flames and he himself takes on his true devilish form.

to:

* SatanicArchetype: Not immediately obvious as his RockMonster form invokes [[GrandpaGod the typical iconography of a bearded and benign godly king]] but it's more subtle through his actions. He lives underneath the earth with [[TheLegionsOfHell his demonic Nomes]], he threatens the heroes by tossing them into his furnace which is covered in flames, flames and takes on a pleasing form to trick others [[DealWithTheDevil into accepting a deal that is rigged in his favor]], tries to tempt Dorothy from saving her friends. When bested, his environment takes on a hellish tone with flames and he himself takes on his true devilish form.



-->'''Nome King''': I'm tired of games... I'm tired of all YOU!

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-->'''Nome King''': I'm tired of games... I'm tired of all of YOU!



* TooDumbToLive: As cunning as he is, the fact he never bothered to move Jack away from his mouth--or, better yet, ''close his mouth''--the moment he heard Bellina clucking definitely makes him this.

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* TooDumbToLive: As cunning as he is, the fact he never bothered to move Jack away from his mouth--or, better yet, ''close his mouth''--the moment he heard Bellina clucking definitely makes him this.



* VillainBall: Grabs this at the climax when he tricks Dorothy and her friends into an elaborate game to turn them into ornaments one by one. This naturally gives Dorothy not only the chance but the conditions to free everyone he's imprisoned.

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* VillainBall: Grabs this at the climax when he tricks Dorothy and her friends into an elaborate game to turn them into ornaments one by one. This naturally gives Dorothy not only the chance but also the conditions to free everyone he's imprisoned.



* YouHaveFailedMe: After Dorothy makes a correct guess, the Nome King becomes enraged at Mombi for failing to keep the girl under lock and key. Before heading off to confront Dorothy and friends, he imprisons Mombi in a cage and promises to deal with her next.

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* YouHaveFailedMe: After Dorothy makes a correct guess, the Nome King becomes enraged at Mombi for failing to keep the girl under lock and key. Before heading off to confront Dorothy and her friends, he imprisons Mombi in a cage and promises to deal with her next.



* AdaptationalBadass: In the books, the Wheelers are only wannabe villains who try to intimidate people but, as the protagonists realize, aren't actually capable of hurting them because their limbs are wheels, and become dejected when their bluster is seen through. In the film, although they don't manage to hurt Dorothy, it's not for lack of trying, and it's implied that they're actually dangerous.

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* AdaptationalBadass: In the books, the Wheelers are only wannabe villains who try to intimidate people but, as the protagonists realize, aren't actually capable of hurting them because their limbs are wheels, and become dejected when their bluster is seen through. In the film, although they don't manage to hurt Dorothy, it's not for lack of trying, and it's implied that they're actually dangerous.



* HeelFaceTurn: Following [[spoiler: the Nome King's demise and Mombi's arrest]], the Wheelers [[spoiler: are good]]. During the parade that precedes what would've been [[spoiler: Dorothy's coronation as the queen of Oz]], four of them (including the leader) can be seen on the sidelines amongst all the other spectators in Emerald City. As Dorothy passes by them alongside the Scarecrow, Tin Man and Cowardly Lion, one Wheeler even ''waves'' at her.

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* HeelFaceTurn: Following [[spoiler: the Nome King's demise and Mombi's arrest]], the Wheelers [[spoiler: are good]]. During the parade that precedes what would've been [[spoiler: Dorothy's coronation as the queen of Oz]], four of them (including the leader) can be seen on the sidelines amongst all the other spectators in Emerald City. As Dorothy passes by them alongside the Scarecrow, Tin Man Man, and Cowardly Lion, one Wheeler even ''waves'' at her.



* MeaningfulEcho: The squeaking noise produce by their wheels is the same noise that can be heard from the wheels of the carts and gurneys being pushed by the orderlies, the real world counterparts.

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* MeaningfulEcho: The squeaking noise produce produced by their wheels is the same noise that can be heard from the wheels of the carts and gurneys being pushed by the orderlies, the real world real-world counterparts.



* PaperTiger: They're intimidating an a threat to the defenseless Dorothy but are useless against Tik-Tok despite outnumbering him. WordOfGod even mentions that their wheels prevent them from being capable of actually doing much, since they don't have hands.

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* PaperTiger: They're intimidating an and a threat to the defenseless Dorothy but are useless against Tik-Tok despite outnumbering him. WordOfGod even mentions that their wheels prevent them from being capable of actually doing much, much since they don't have hands.



The princess of Oz.

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The princess true Princess of Oz.



* ImprobableInfantSurvival: Assuming she was the mysterious girl that seemingly drowned at the start, she turns out to be just fine.

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* ImprobableInfantSurvival: Assuming she was the mysterious girl that who seemingly drowned at the start, she turns out to be just fine.



* TheTrickster: Like her book counterpart, she originally constructed Jack Pumpkinhead as a means of giving Mombi a fright.
* TurnTheOtherCheek: Once her place on the throne is restored, she announces to everyone that she forgives Mombi for enslaving her, deciding that being robbed of her powers and imprisoned by the Nome King is apparently punishment enough.

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* TheTrickster: Like her book counterpart, she originally constructed Jack Pumpkinhead as a means of giving Mombi a fright.
frightening Mombi.
* TurnTheOtherCheek: Once her place on the throne is restored, she announces to everyone that she forgives Mombi for enslaving her, deciding that being robbed of her powers and imprisoned by the Nome King is apparently punishment enough.



* MinorInjuryOverreaction: Well, maybe. His broken leg allegedly keeps him from doing more work around the farm, despite Aunt Em's insistence the leg has mended already. It's never said which of them is telling the truth. In the climax, he's walking just fine, and the novelization at least implies that concern for Dorothy's safety brought him out of his BSOD mindset.

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* MinorInjuryOverreaction: Well, maybe. His broken leg allegedly keeps him from doing more work around the farm, despite Aunt Em's insistence the leg has been mended already. It's never said which of them is telling the truth. In the climax, he's walking just fine, and the novelization at least implies that concern for Dorothy's safety brought him out of his BSOD mindset.

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Truer Than The Text has to be in comparison to another work that adapted the same original work.


* InNameOnly: Played with. In terms of appearance, she looks nothing like the old hag that Mombi is portrayed in the books. However, she takes more after Princess Langwidere, which is much [[TruerToTheText more accurate to the book's portrayal]].

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* InNameOnly: Played with. In terms of appearance, she looks nothing like the old hag that Mombi is portrayed as in the books. However, she takes more after her in personality than Princess Langwidere, which is much [[TruerToTheText more accurate to the book's portrayal]]. Langwidere.

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None


* AllThereInTheManual: Her backstory is explained in further detail in the movie's novelization -- she was sold to Mombi by her father, King Pastoria, in return for a potion that gave eternal life, but he killed himself out of horror when he realized what he'd done.

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* AllThereInTheManual: Her backstory is explained in further detail in the movie's novelization -- she was sold to Mombi by her father, King Pastoria, in return for a potion that gave eternal life, but he killed himself out of horror when he realized what he'd done. This makes the film version of King Pastoria a CompositeCharacter of his book counterpart with the King of Ev from the books.
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None

Added DiffLines:

* JerkassHasAPoint: He wasn't wrong to say to Dorothy that she didn't ask what would happen if they couldn't solve his riddles correctly after the Gump becomes an oranament.


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* LargeHam: The Nome King tends to do this from time to time, especially when he is angry.

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Elaborating on tropes


** It's heavily implied this is what occurs to the head collection. Their heads are removed from their bodies and their unique consciousness is [[/TheAssimilator suppressed with the heads becoming an extension of Mombi's will]].

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** It's heavily implied this is what occurs to the head collection. Their heads are removed from their bodies and their unique consciousness is [[/TheAssimilator [[TheAssimilator suppressed with the heads becoming an extension of Mombi's will]].



* KnightOfCerebus: The film had already been DarkerAndEdgier with the corrupt mental rehabilitation center and the threatening Wheelers, but it's with Mombi's appearance and true nature as a head-stealing monster that intends to steal Dorothy's head, that the story takes on a much more terrifying turn for the remainder of the story until the Nome King's defeat.

to:

* KnightOfCerebus: The film had already been DarkerAndEdgier with the corrupt mental rehabilitation center and the threatening Wheelers, Wheelers who quickly become a joke once their intimidation falters in the face of Tik-Tok, but it's with Mombi's appearance and true nature as a head-stealing monster that intends to steal Dorothy's head, that the story takes on a much more terrifying turn for the remainder of the story until the Nome King's defeat.



* VainSorceress: Mombi steals the heads of beautiful women to wear as she pleases. It's implied to stem from some insecurity, as her original head is the only one not shown off in a display case, instead being shoved behind a mirrored cabinet door among her magical items in a messy arrangement.



* VainSorceress: Mombi steals the heads of beautiful women to wear as she pleases. It's implied to stem from some insecurity, as her original head is the only one not shown off in a display case, instead being shoved behind a mirrored cabinet door among her magical items in a messy arrangement.
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Elaborating on tropes

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* BadBoss: Downplayed. He was particularly demanding of his Nome scout to find out what landed on their mountain and earlier said scout was very hesitant to tell him of Billina's existence, fearing his potential anger- [[spoiler: in spite of their justified fear of chicken eggs that are lethally poison to their kind]]. He's never shown making threats to that scout.
** Played straight with Mombi. In spite of allowing her to rule the ruins of Oz while she keeps her head collection in exchange for keeping Ozma captive, he immediately orders her to prostrate to him and even tells her to go even lower when she's already touching the floor out of amusement. When she brings up some caution about Dorothy, he demises it and when Dorothy does manage to make a fool of him, he immediately blames Mombi for his carelessness and imprisons her.

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