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* TheVamp: Has some tendencies toward this, and certainly looks the part in the film, right down to the Theda Bara haircut.

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* TheVamp: Has some tendencies toward this, and certainly looks the part in the film, right down to the Theda Bara Creator/ThedaBara haircut.

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Bishonen is Definition-Only fan-speak term used only for Japanese/East-Asian media. No examples allowed. Per TRS. Moving In Universe acknowledgements/relevance to Pretty Boy.


* {{Bishonen}}: Leda Fox-Cotton describes him as being beautiful yet still masculine. Topaz says that in her younger days she would have been unable to resist him for a minute. Ivy Stebbings has her eye on him. Even Cassandra admits that while she doesn't return his affection, she can't help but admire his good looks.


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* PrettyBoy: Leda Fox-Cotton describes him as being beautiful yet still masculine. Topaz says that in her younger days she would have been unable to resist him for a minute. Ivy Stebbings has her eye on him. Even Cassandra admits that while she doesn't return his affection, she can't help but admire his good looks.

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Merged tropes


* ChristmasCake: At the advanced age of ''almost thirty,'' Topaz worries that her best years are behind her.


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* OldMaid: At the advanced age of ''almost thirty,'' Topaz worries that her best years are behind her.
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* EccentricArtist: In his own way, Mortmain is just as eccentric as his second wife, despite initially seeming like the more normal one of the two. Particularly in the third act of the book, where his sporadic moods and his collecting seemingly random objects - such as a haddock-bone from supper, a willow-pattern plate and a telephone directory, despite the Mortmains having no telephone - are observed and discussed by Cassandra and Thomas.

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* EccentricArtist: In his own way, Mortmain is just as eccentric as his second wife, despite initially seeming like the more normal one of the two. Particularly in the third act of the book, where his sporadic moods and his collecting seemingly random objects - such as a haddock-bone from supper, fishbone, a willow-pattern plate and a telephone directory, despite directory (despite the Mortmains having no telephone telephone) - are observed and discussed by Cassandra and Thomas.
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* TheNarrator: Everything in the book is from her point of view. [[spoiler: Ultimately though she [[MarryForLove marries for love]]. ]]

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* TheNarrator: Everything in the book is from her point of view. [[spoiler: Ultimately though she [[MarryForLove marries for love]]. ]]



* GoldDigger: A somewhat justified example, depending from the point of view.

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* GoldDigger: A somewhat justified example, depending from the point of view. [[spoiler: Ultimately though she ends up marrying for love.]].
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* TheNarrator: Everything in the book is from her point of view.

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* TheNarrator: Everything in the book is from her point of view. [[spoiler: Ultimately though she [[MarryForLove marries for love]]. ]]
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* EccentricArtist: In his own way, Mortmain is just as eccentric as his second wife, despite initially seeming like the more normal one of the two. Particularly in the third act of the book, where his sporadic moods and his collecting seemingly random objects, such as a haddock-bone from supper, a willow-pattern plate and a telephone directory, despite the Mortmains having no telephone, are observed and discussed by Cassandra and Thomas.

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* EccentricArtist: In his own way, Mortmain is just as eccentric as his second wife, despite initially seeming like the more normal one of the two. Particularly in the third act of the book, where his sporadic moods and his collecting seemingly random objects, objects - such as a haddock-bone from supper, a willow-pattern plate and a telephone directory, despite the Mortmains having no telephone, telephone - are observed and discussed by Cassandra and Thomas.
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--> She came in talking solidly, and solidly is a very good word to describe it; it made me think of a wall of talk. Fortunately she speaks beautifully - just as Simon does - and she doesn't in the least mind being interrupted.

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--> '''Cassandra:''' She came in talking solidly, and solidly is a very good word to describe it; it made me think of a wall of talk. Fortunately she speaks beautifully - just as Simon does - and she doesn't in the least mind being interrupted.
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fixed very small typo that created incorrect link


* BelligerantSexualTension. It comes across as genuine dislike to Cassandra [[spoiler: but it turns out to be love. Like Rose, Neil hides his true feelings after she gets engaged to his brother by working himself up into disliking her.]]

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* BelligerantSexualTension.BelligerentSexualTension. It comes across as genuine dislike to Cassandra [[spoiler: but it turns out to be love. Like Rose, Neil hides his true feelings after she gets engaged to his brother by working himself up into disliking her.]]
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* BirdOfFeather: With Cassandra. She even lamphades this:

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* BirdOfFeather: BirdsOfAFeather: With Cassandra.Cassandra. They share much the same interests in poetry and books. She even lamphades this:

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* GreenEyedMonster: Downplayed. She dislikes herself for feeling jealous that her husband finds Mrs Cotton such good company but can't help it.



* BirdsOfFeather: With Cassandra. She even lamphades this:

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* BirdsOfFeather: BirdOfFeather: With Cassandra. She even lamphades this:


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* NiceGuy: He is very tactful about lending the Mortmains food and money, and doesn't ever say anything bad about anyone, [[spoiler: not even after Rose runs away with his brother.]]


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* BelligerantSexualTension. It comes across as genuine dislike to Cassandra [[spoiler: but it turns out to be love. Like Rose, Neil hides his true feelings after she gets engaged to his brother by working himself up into disliking her.]]
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* EccentricArtist: In his own way, Mortmain is just as eccentric as his second wife, despite initially seeming like the more normal one of the two. Particularly in the third act of the book, where his sporadic moods and his collecting seemingly random objects, such as a haddock-bone from supper, a willow-pattern plate and a telephone directory, despite the Mortmains having no telephone.

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* EccentricArtist: In his own way, Mortmain is just as eccentric as his second wife, despite initially seeming like the more normal one of the two. Particularly in the third act of the book, where his sporadic moods and his collecting seemingly random objects, such as a haddock-bone from supper, a willow-pattern plate and a telephone directory, despite the Mortmains having no telephone.telephone, are observed and discussed by Cassandra and Thomas.
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* TheAlcoholic: He's not actually but Miss Marcy brings up the possibility in part 1 and there later appears to be some kind of a rumour in the village that he's a drunk.
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* AdaptationalDyejob: A golden-haired Grecian god in the novel, he has dark hair in the film...but you'd have to be a ''very'' ardent fan of blonds to complain about young Creator/HenryCavill.
* {{Bishonen}}: Leda Fox-Cotton describes him as being beautiful yet still masculine. Topaz says that in her younger days she would have been unable to resist him for a minute. Ivy Stebbings has her eye on him. Even Cassandra admits that while she doesn't return his affection, she can't help up admire his good looks.

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* AdaptationalDyejob: A golden-haired Grecian god in the novel, he has dark hair in the film...but you'd have to be a ''very'' ardent fan of blonds to complain about find fault with a young Creator/HenryCavill.
* {{Bishonen}}: Leda Fox-Cotton describes him as being beautiful yet still masculine. Topaz says that in her younger days she would have been unable to resist him for a minute. Ivy Stebbings has her eye on him. Even Cassandra admits that while she doesn't return his affection, she can't help up but admire his good looks.



* IWantMyBelovedToBeHappy: He is the one that reunites Rose with [[spoiler:Neil]] by informing the latter that Rose loves him. Too bad that it did not result in Cassandra getting her love.

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* IWantMyBelovedToBeHappy: He is the one that reunites Rose with [[spoiler:Neil]] by informing the latter that Rose loves him. Too bad him, solely that it did not result in Cassandra getting her love.will be free to [[spoiler:pursue Simon]]--even if it means that Stephen will have to see the woman he loves with another man.



* StrictlyProfessionalRelationship: With Topaz, though Cassandra worries it might be otherwise, particularly when his efforts to reintroduce Topaz to the art world makes Topaz consider leaving Mortmain.


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* StrictlyProfessionalRelationship: With Topaz, though Cassandra worries it might be otherwise, particularly when his efforts to reintroduce Topaz to the art world makes make Topaz consider leaving Mortmain.

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* RedheadInGreen: Is well aware of this trope. In one scene she orders a creme de menthe, a drink she hates, because of the green drink's contrast with her hair. However green is generally Cassandra's colour; Rose herself wears pink to the dance at Scoatney Hall.

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* RedheadInGreen: Is well aware of this trope. In one scene she orders a creme de menthe, a drink she hates, because of the green drink's contrast with her hair. However She also makes a very dramatic appearance wearing a green dress that renders both the Cotton brothers speechless. However, green is generally Cassandra's colour; Rose herself wears pink to the dance at Scoatney Hall.

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* EccentricArtist: In his own way, Mortmain is just as eccentric as his second wife, despite initially seeming like the more normal one of the two. Particularly in the third act of the book, where his sporadic moods and his collecting seemingly random objects, such as a haddock-bone from supper, a willow-pattern plate and a telephone directory, despite the Mortmains having no telephone.



* IntelligenceEqualsIsolation: Cassandra's mother bought her and Rose up to believe that he was a genius and "geniuses mustn't be hurried." In the present day the family have become used to him sending most of his time alone and leave him to it. Cassandra eventually decides to break this habit of avoiding him and concocts her ZanyScheme with Thomas to get him back to work.

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* IntelligenceEqualsIsolation: Cassandra's mother bought her and Rose up to believe that he was a genius and "geniuses mustn't be hurried." In the present day the family have become used to him sending spending most of his time alone and leave him to it. Cassandra eventually decides to break this habit of avoiding him and concocts her ZanyScheme with Thomas to get him back to work.
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* {{Intelligence=Isolation}}: Cassandra's mother bought her and Rose up to believe that he was a genius and "geniuses mustn't be hurried." In the present day the family have become used to him sending most of his time alone and leave him to it. Cassandra eventually decides to break this habit of avoiding him and concocts her ZanyScheme with Thomas to get him back to work.

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* {{Intelligence=Isolation}}: IntelligenceEqualsIsolation: Cassandra's mother bought her and Rose up to believe that he was a genius and "geniuses mustn't be hurried." In the present day the family have become used to him sending most of his time alone and leave him to it. Cassandra eventually decides to break this habit of avoiding him and concocts her ZanyScheme with Thomas to get him back to work.

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