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* As partly a GovernmentProcedural about early American politics, ''Theatre/{{Hamilton}}'' has some examples from both sides of the aisle.
** "Cabinet Battle #1" establishes that Hamilton's plan of establishing a national bank for the US as a whole in order to collect all the states' Revolutionary War debts into one bundle and build a line of credit from which large investments can be made doesn't have the votes in Congress to make it happen. Hamilton's solution is to meet privately with Jefferson and Madison, representing his main ideological rivals, over dinner and being unusually quiet and laconic about it in order to appeal to Jefferson's ego and [[https://en.wikipedia.org/wiki/Compromise_of_1790 strike a deal]] where they would support the plan in exchange for letting the South [[UsefulNotes/WashingtonDC build a new capital for the US]]. Burr, a fellow New Yorker who's acting as an outside observer who can't see what went on exactly in "The Room Where It Happens", realizes from the results that it doesn't actually matter where the political capital is because the banks will still be in New York, becoming the financial capital of the country (and eventually, the world).
** When Madison, Jefferson and Burr confront Hamilton about some suspicious transactions of his, they're hoping that he will sabotage himself once they accuse him of speculating funds. Though they find out the truth is different (Hamilton's being blackmailed for an affair), Hamilton ends up writing the death sentence to his political career as a result. Jefferson takes great pleasure in spreading the Reynolds Pamphlet, which Hamilton himself wrote in order to keep the American financial system he set up free of the taint of embezzlement without considering the devastating cost to his family's reputation.
** "Cabinet Battle #1" establishes that Hamilton's plan of establishing a national bank for the US as a whole in order to collect all the states' Revolutionary War debts into one bundle and build a line of credit from which large investments can be made doesn't have the votes in Congress to make it happen. Hamilton's solution is to meet privately with Jefferson and Madison, representing his main ideological rivals, over dinner and being unusually quiet and laconic about it in order to appeal to Jefferson's ego and [[https://en.wikipedia.org/wiki/Compromise_of_1790 strike a deal]] where they would support the plan in exchange for letting the South [[UsefulNotes/WashingtonDC build a new capital for the US]]. Burr, a fellow New Yorker who's acting as an outside observer who can't see what went on exactly in "The Room Where It Happens", realizes from the results that it doesn't actually matter where the political capital is because the banks will still be in New York, becoming the financial capital of the country (and eventually, the world).
** When Madison, Jefferson and Burr confront Hamilton about some suspicious transactions of his, they're hoping that he will sabotage himself once they accuse him of speculating funds. Though they find out the truth is different (Hamilton's being blackmailed for an affair), Hamilton ends up writing the death sentence to his political career as a result. Jefferson takes great pleasure in spreading the Reynolds Pamphlet, which Hamilton himself wrote in order to keep the American financial system he set up free of the taint of embezzlement without considering the devastating cost to his family's reputation.
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* In ''Theatre/{{Hamilton}}'', when Madison, Jefferson and Burr confront Hamilton, they're hoping that he will sabotage himself once they accuse him of speculating funds. Though they find out the truth is different, Hamilton ends up writing the death sentence to his political career as a result. Jefferson takes great pleasure in spreading the Reynolds Pamphlet.
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{{Batman Gambit}}s in theatre.
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* The entire sequence of "The Deal (No Deal)" from ''Theatre/{{Chess}}''. Molokov wants the USSR to win the chess tournament. De Courcey wants American prisoners in the USSR to be released. They work together to get defected Soviet champion Anatoly to throw the match, by A) pressuring his abandoned wife Svetlana to pressure him lest they make life difficult for her and her children, as well as B) pressuring his new lover Florence to pressure him by offering her the chance to see her DisappearedDad again. They also bring in UnwittingPawn Freddie to try and persuade Anatoly to throw the match for Florence's sake, but after a crushing rejection from both of them (and a show-stopping musical number) he [[spoiler: turns on Molokov, De Courcey, and indeed ''everyone'', and tells Anatoly how and why to win.]]
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* The entire sequence of "The Deal (No Deal)" from ''Theatre/{{Chess}}''. Molokov wants the USSR to win the chess tournament. De Courcey wants American prisoners in the USSR to be released. They work together to get defected Soviet champion Anatoly to throw the match, by A) pressuring his abandoned wife Svetlana to pressure him lest they make life difficult for her and her children, as well as B) pressuring his new lover Florence to pressure him by offering her the chance to see her DisappearedDad again. They also bring in UnwittingPawn Freddie to try and persuade Anatoly to throw the match for Florence's sake, but after a crushing rejection from both of them (and a show-stopping musical number) he [[spoiler: turns [[spoiler:turns on Molokov, De Courcey, and indeed ''everyone'', and tells Anatoly how and why to win.]]
* In ''Theatre/{{Hamilton}}'', when Madison, Jefferson and Burr confront Hamilton, they're hoping that he will sabotage himself once they accuse him of speculating funds. Though they find out the truth is different, Hamilton ends up writing the death sentence to his political career as a result. Jefferson takes great pleasure in spreading the Reynolds Pamphlet.
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* In ''Theatre/{{Hamilton}}'', when Madison, Jefferson and Burr confront Hamilton, they're hoping that he will sabotage himself once they accuse him of speculating funds. Though they find out the truth is different, Hamilton ends up writing the death sentence to his political career as a result. Jefferson takes great pleasure in spreading the Reynolds Pamphlet.
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* In ''Theatre/{{Hamilton}}'', when Madison, Jefferson and Burr confront Hamilton, they're hoping that he will sabotage himself once they accuse him of speculating funds. Though they find out the truth is different, Hamilton ends up writing the death sentence to his political career as a result. Jefferson takes great pleasure in spreading the Reynolds Pamphlet.
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{{Batman Gambit}}s in theatre.
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* In the musical ''Theatre/SeventeenSeventySix'', Congress needs a unanimous vote to declare independence. Right when John Dickinson is about to tell the Congress that Pennsylvania votes nay, Benjamin Franklin gets his [[TheChessmaster Chessmaster]] on and asks that the three delegates be polled. Dickinson and Franklin cancel each other out by voting "nay" and "yea" respectively, leaving [[DecidedByOneVote everything up to Judge James Wilson]], who's spent the entire production mindlessly seconding everything Dickinson says. But as the entire question of independence ends up in his lap, when, as Franklin tells him, "every mapmaker in the world is waiting for your answer," he realizes he doesn't want to be known forever as the man who stopped American independence.
* ''Theatre/BothYourHouses'': Alan the pure and idealistic congressman is trying to kill a graft- and pork-laden appropriations bill and save taxpayers hundreds of millions. After Alan's efforts to defeat the bill in committee fail, he changes tactics. Instead of opposing the bill, he professes to support it, and winds up adding all the pork proposed to the bill, blowing it up to over $400 million dollars. The idea is to elicit a veto from the President, which works when the President does promise to veto the bill as being way too expensive. However, to Alan's horror, the increased pork winds up attracting even more support, and the bill passes the House with a veto-proof 2/3 majority.
* The entire sequence of "The Deal (No Deal)" from ''Theatre/{{Chess}}''. Molokov wants the USSR to win the chess tournament. De Courcey wants American prisoners in the USSR to be released. They work together to get defected Soviet champion Anatoly to throw the match, by A) pressuring his abandoned wife Svetlana to pressure him lest they make life difficult for her and her children, as well as B) pressuring his new lover Florence to pressure him by offering her the chance to see her DisappearedDad again. They also bring in UnwittingPawn Freddie to try and persuade Anatoly to throw the match for Florence's sake, but after a crushing rejection from both of them (and a show-stopping musical number) he [[spoiler: turns on Molokov, De Courcey, and indeed ''everyone'', and tells Anatoly how and why to win.]]
** Results vary in each version of ''Chess'', though Anatoly ends up [[spoiler: going back to the Soviet Union]] in all of them. In the London version, he [[spoiler: wins the game]]; in others, he [[spoiler: loses]].
* In its original form, and shorn of its set pieces, ''Theatre/TheNutcracker'' is a BatmanGambit by Herr Drosselmeyer, who sets up his goddaughter Clara to help him free his nephew, the Prince.
* In ''Theatre/ThePhantomOfTheOpera'', Raoul and the others pressure a fearful Christine into performing the lead role in the opera that the Phantom has written. Knowing full well that the Phantom will attend if she performs, they plan to catch him then. While this might not be what the Phantom wants precisely, he has anticipated it, and as such, is able to disguise himself and abduct Christine.
* In ''Theatre/SherlockHolmes'', Holmes risks his life to negotiate the purchase of a MacGuffin from the villains, not letting Alice know he knows it's a fake in order to manipulate her into surrendering the real MacGuffin to the Count and Sir Edward, who congratulate Holmes for pulling off this ingenious scheme.
* ''Theatre/TwelfthNight'' has two of these, both of which go entirely according to plan. First, Maria [[LoveLetterLunacy plants a fake love letter]] to Malvolio from Olivia, instructing him to do ridiculous things in order to win her heart; this only works because Maria knows Malvolio is vain and self-deluding enough to eat it up. Later, Sir Toby has a little fun by pitting two known cowards against each other in a fight and then informing each duelist of his respective opponent's berserker tendencies. [[spoiler:Incidentally, Sir Toby and Maria end up [[UnholyMatrimony eloping]] by the end of the play, which just goes to show you that this trope can be a highly effective form of romantic bonding]].
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{{Batman Gambit}}s in theatre.
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* In the musical ''Theatre/SeventeenSeventySix'', Congress needs a unanimous vote to declare independence. Right when John Dickinson is about to tell the Congress that Pennsylvania votes nay, Benjamin Franklin gets his [[TheChessmaster Chessmaster]] on and asks that the three delegates be polled. Dickinson and Franklin cancel each other out by voting "nay" and "yea" respectively, leaving [[DecidedByOneVote everything up to Judge James Wilson]], who's spent the entire production mindlessly seconding everything Dickinson says. But as the entire question of independence ends up in his lap, when, as Franklin tells him, "every mapmaker in the world is waiting for your answer," he realizes he doesn't want to be known forever as the man who stopped American independence.
* ''Theatre/BothYourHouses'': Alan the pure and idealistic congressman is trying to kill a graft- and pork-laden appropriations bill and save taxpayers hundreds of millions. After Alan's efforts to defeat the bill in committee fail, he changes tactics. Instead of opposing the bill, he professes to support it, and winds up adding all the pork proposed to the bill, blowing it up to over $400 million dollars. The idea is to elicit a veto from the President, which works when the President does promise to veto the bill as being way too expensive. However, to Alan's horror, the increased pork winds up attracting even more support, and the bill passes the House with a veto-proof 2/3 majority.
* The entire sequence of "The Deal (No Deal)" from ''Theatre/{{Chess}}''. Molokov wants the USSR to win the chess tournament. De Courcey wants American prisoners in the USSR to be released. They work together to get defected Soviet champion Anatoly to throw the match, by A) pressuring his abandoned wife Svetlana to pressure him lest they make life difficult for her and her children, as well as B) pressuring his new lover Florence to pressure him by offering her the chance to see her DisappearedDad again. They also bring in UnwittingPawn Freddie to try and persuade Anatoly to throw the match for Florence's sake, but after a crushing rejection from both of them (and a show-stopping musical number) he [[spoiler: turns on Molokov, De Courcey, and indeed ''everyone'', and tells Anatoly how and why to win.]]
** Results vary in each version of ''Chess'', though Anatoly ends up [[spoiler: going back to the Soviet Union]] in all of them. In the London version, he [[spoiler: wins the game]]; in others, he [[spoiler: loses]].
* In its original form, and shorn of its set pieces, ''Theatre/TheNutcracker'' is a BatmanGambit by Herr Drosselmeyer, who sets up his goddaughter Clara to help him free his nephew, the Prince.
* In ''Theatre/ThePhantomOfTheOpera'', Raoul and the others pressure a fearful Christine into performing the lead role in the opera that the Phantom has written. Knowing full well that the Phantom will attend if she performs, they plan to catch him then. While this might not be what the Phantom wants precisely, he has anticipated it, and as such, is able to disguise himself and abduct Christine.
* In ''Theatre/SherlockHolmes'', Holmes risks his life to negotiate the purchase of a MacGuffin from the villains, not letting Alice know he knows it's a fake in order to manipulate her into surrendering the real MacGuffin to the Count and Sir Edward, who congratulate Holmes for pulling off this ingenious scheme.
* ''Theatre/TwelfthNight'' has two of these, both of which go entirely according to plan. First, Maria [[LoveLetterLunacy plants a fake love letter]] to Malvolio from Olivia, instructing him to do ridiculous things in order to win her heart; this only works because Maria knows Malvolio is vain and self-deluding enough to eat it up. Later, Sir Toby has a little fun by pitting two known cowards against each other in a fight and then informing each duelist of his respective opponent's berserker tendencies. [[spoiler:Incidentally, Sir Toby and Maria end up [[UnholyMatrimony eloping]] by the end of the play, which just goes to show you that this trope can be a highly effective form of romantic bonding]].
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