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* Music/JerryGoldsmith's musical score, which invented the [[http://en.wikipedia.org/wiki/Blaster_Beam Blaster Beam]] (if you saw ''Film/{{Inception}}'', you know what it is).
* Quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "[[https://www.youtube.com/watch?v=58wJRrvVgZI Klingon Battle Theme]]" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, [[https://www.youtube.com/watch?v=zI9YYe-jgHI the main theme]] to the movie became the theme song for ''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[https://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as Ligeti's "Atmospheres" played before ''Film/TwoThousandOneASpaceOdyssey''.)
* The soundtrack of ''Film/StarTrekFirstContact'', which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
* "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]" makes full use of the Blaster Beam, starting off expectant, then building until the music explodes in sync with the light in the film, punctuating the climax of the film.
* The La-La Land three-disc expansion is a must, as not only does it provide the ''complete'' score for the first time, it's chock full of alternate takes, early versions of several tracks (before Goldsmith came up with a proper theme), a few bonus outtakes, and the original soundtrack album tracks. Throw in a funky disco pop version of the main theme and "A Star Beyond Time", a version of Ilia's Theme with lyrics sung by Shaun Cassidy.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years"[[note]]Well, six minutes[[/note]] scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''. This came after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
* Quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "[[https://www.youtube.com/watch?v=58wJRrvVgZI Klingon Battle Theme]]" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, [[https://www.youtube.com/watch?v=zI9YYe-jgHI the main theme]] to the movie became the theme song for ''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[https://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as Ligeti's "Atmospheres" played before ''Film/TwoThousandOneASpaceOdyssey''.)
* The soundtrack of ''Film/StarTrekFirstContact'', which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
* "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]" makes full use of the Blaster Beam, starting off expectant, then building until the music explodes in sync with the light in the film, punctuating the climax of the film.
* The La-La Land three-disc expansion is a must, as not only does it provide the ''complete'' score for the first time, it's chock full of alternate takes, early versions of several tracks (before Goldsmith came up with a proper theme), a few bonus outtakes, and the original soundtrack album tracks. Throw in a funky disco pop version of the main theme and "A Star Beyond Time", a version of Ilia's Theme with lyrics sung by Shaun Cassidy.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years"[[note]]Well, six minutes[[/note]] scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''. This came after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
to:
* Quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "[[https://www.youtube.com/watch?v=58wJRrvVgZI Klingon Battle Theme]]" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, [[https://www.youtube.com/watch?v=zI9YYe-jgHI the main theme]] to the movie became the theme song for ''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[https://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as Ligeti's "Atmospheres" played before ''Film/TwoThousandOneASpaceOdyssey''.)
* The soundtrack of ''Film/StarTrekFirstContact'', which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
* "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]" makes full use of the Blaster Beam, starting off expectant, then building until the music explodes in sync with the light in the film, punctuating the climax of the film.
* The La-La Land three-disc expansion is a must, as not only does it provide the ''complete'' score for the first time, it's chock full of alternate takes, early versions of several tracks (before Goldsmith came up with a proper theme), a few bonus outtakes, and the original soundtrack album tracks. Throw in a funky disco pop version of the main theme and "A Star Beyond Time", a version of Ilia's Theme with lyrics sung by Shaun Cassidy.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years"[[note]]Well, six minutes[[/note]] scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''. This came after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
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Formatting an entry as "[Title], which [does X]" instead of "[Title] [does X]" is Word Cruft.
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* "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]", which makes full use of the Blaster Beam, starting off expectant, then building until the music explodes in sync with the light in the film, punctuating the climax of the film.
to:
* "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]", which Meld]]" makes full use of the Blaster Beam, starting off expectant, then building until the music explodes in sync with the light in the film, punctuating the climax of the film.
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%%* "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
%%The above example has been commented out for being zero-context. Do not uncomment it without expanding them to explain why it's awesome.
%%The above example has been commented out for being zero-context. Do not uncomment it without expanding them to explain why it's awesome.
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%%The above example has been commented out for being zero-context. Do not uncomment it without expanding them to explain why it's awesome.
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* Quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
to:
* Quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "Klingon "[[https://www.youtube.com/watch?v=58wJRrvVgZI Klingon Battle Theme" Theme]]" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, [[https://www.youtube.com/watch?v=zI9YYe-jgHI the main theme theme]] to the movie became the theme song for ''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
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* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''. This came after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
to:
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" years"[[note]]Well, six minutes[[/note]] scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''. This came after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
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A single second-level bullet is always incorrect indentation. This entry also has Word Cruft and redundancy problems (they did not yet have a theme yet??).
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* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
** This did come after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme yet. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
** This did come after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme yet. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
to:
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
**take'''. This did come came after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme yet.theme. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
**
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%%* The La-La Land three-disc expansion is a must.
%%The above examples have been commented out for being zero-context. Do not uncomment them without expanding them to explain why these tracks are awesome.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
%%The above examples have been commented out for being zero-context. Do not uncomment them without expanding them to explain why these tracks are awesome.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
to:
* The La-La Land three-disc expansion is a must, as not only does it provide the ''complete'' score for the first time, it's chock full of alternate takes, early versions of several tracks (before Goldsmith came up with a proper theme), a few bonus outtakes, and the original soundtrack album tracks. Throw in a funky disco pop version of the main theme and "A Star Beyond Time", a version of Ilia's Theme with lyrics sung by Shaun Cassidy.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a SugarWiki/MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first
** This did come after the music was rewritten, as when Goldsmith started the score, they did not yet have a definitive title theme yet. The original piece had been written with a nautical theme, and would not be completely out of place in a ''Literature/HoratioHornblower'' film, but it didn't feel like ''Star Trek''. That said, once they had their theme, they nailed it.
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* In fact, quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
to:
* In fact, quite Quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
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* "[[http://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
* The La-La Land three-disc expansion is a must.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
* The La-La Land three-disc expansion is a must.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
to:
%%The above examples have been commented out for being zero-context. Do not uncomment them without expanding them to explain why these tracks are awesome.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a
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* In fact, quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration''.
to:
* In fact, quite a few of the musical cues in this film would go on to become ''Star Trek'' staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration''.''Series/StarTrekTheNextGeneration'', was used as the closing theme for some of the TNG movies, and was also recycled as the opening theme for ''Film/StarTrekVTheFinalFrontier''.
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* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as ''Lux Aeterna'' played before ''Film/TwoThousandOneASpaceOdyssey''.)
to:
* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as ''Lux Aeterna'' Ligeti's "Atmospheres" played before ''Film/TwoThousandOneASpaceOdyssey''.)
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* Creator/JerryGoldsmith's musical score, which invented the [[http://en.wikipedia.org/wiki/Blaster_Beam Blaster Beam]] (if you saw ''Film/{{Inception}}'', you know what it is).
to:
* Creator/JerryGoldsmith's Music/JerryGoldsmith's musical score, which invented the [[http://en.wikipedia.org/wiki/Blaster_Beam Blaster Beam]] (if you saw ''Film/{{Inception}}'', you know what it is).
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* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as ''Lux Aeterna'' played before ''Film/TwoThousandAndOneASpaceOdyssey''.)
to:
* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as ''Lux Aeterna'' played before ''Film/TwoThousandAndOneASpaceOdyssey''.''Film/TwoThousandOneASpaceOdyssey''.)
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* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
to:
* The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans. In fact, it was played as an overture over a black screen before the film began (much as ''Lux Aeterna'' played before ''Film/TwoThousandAndOneASpaceOdyssey''.)
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merged in the Awesome Music entries from the YMMV page
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* Jerry Goldsmith's musical score, which invented the Blaster Beam (if you saw ''Film/{{Inception}}'', you know what it is).
** In fact, quite a few of the musical cues in this film would go on to become Star Trek staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme, several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration''.
** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
** The soundtrack of ''StarTrekFirstContact'', which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
** "[[http://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
----
** In fact, quite a few of the musical cues in this film would go on to become Star Trek staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme, several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration''.
** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
** The soundtrack of ''StarTrekFirstContact'', which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
** "[[http://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
----
to:
* Jerry Goldsmith's Creator/JerryGoldsmith's musical score, which invented the [[http://en.wikipedia.org/wiki/Blaster_Beam Blaster Beam Beam]] (if you saw ''Film/{{Inception}}'', you know what it is).
** * In fact, quite a few of the musical cues in this film would go on to become Star Trek ''Star Trek'' staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme, theme (and Worf's {{leitmotif}}), several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''Series/StarTrekTheNextGeneration''.
** * The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
** * The soundtrack of ''StarTrekFirstContact'', ''Film/StarTrekFirstContact'', which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
** * "[[http://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
----* The La-La Land three-disc expansion is a must.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
* "The Enterprise," the stunning cue that plays during the "Kirk looks at the ''Enterprise'' for a thousand years" scene, is a MomentOfAwesome for both Jerry Goldsmith and the orchestra itself--scoring sessions generally require multiple performances of a track, but they nailed it on '''the first take'''.
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** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[https://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
to:
** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[https://www.[[http://www.youtube.com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
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** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=elcgDP7Q_b8 "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
to:
** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.[[https://www.youtube.com/watch?v=elcgDP7Q_b8 com/watch?v=Mj4z2Y1y2Ak "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
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* Jerry Goldsmith's musical score, which invented the Blaster Beam (if you saw ''Film/{{Inception}}'', you know what it is.)
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* Jerry Goldsmith's musical score, which invented the Blaster Beam (if you saw ''Film/{{Inception}}'', you know what it is.)is).
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** "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
to:
** "[[https://www."[[http://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
Meld]]".
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* Jerry Goldsmith's musical score.
to:
* Jerry Goldsmith's musical score.score, which invented the Blaster Beam (if you saw ''Film/{{Inception}}'', you know what it is.)
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** "[[https://www.youtube.com/watch?v=LIIX3P6Whu4 The Meld]]".
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** The soundtrack of StarTrekFirstContact, which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
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** The soundtrack of StarTrekFirstContact, ''StarTrekFirstContact'', which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establishing shots of V'Ger can be heard.
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Changed line(s) 4 (click to see context) from:
** The soundtrack of StarTrekFirstContact, which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title--the moment that the Borg Cube appears on screen, the same harsh chord that is played over establish shots of V'Ger can be heard.
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** The soundtrack of StarTrekFirstContact, which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title--the title: the moment that the Borg Cube appears on screen, the same harsh chord that is played over establish establishing shots of V'Ger can be heard.
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** The soundtrack of StarTrekFirstContact, which Goldsmith also scored, contains what might have been either a BrickJoke, MythologyGag, or even unrealized {{Foreshadowing}} at the end of the main title--the moment that the Borg Cube appears on screen, the same harsh chord that is played over establish shots of V'Ger can be heard.
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** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=elcgDP7Q_b8&feature=related ''Ilia's Theme'']], is all but forgotten by most non-''Trek'' fans.
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** The film score received an Oscar nomination, and one of the most beautiful pieces from the film, [[http://www.youtube.com/watch?v=elcgDP7Q_b8&feature=related ''Ilia's Theme'']], com/watch?v=elcgDP7Q_b8 "Ilia's Theme"]], is all but forgotten by most non-''Trek'' fans.
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** In fact, quite a few of the musical cues in this film would go on to become Star Trek staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme, several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''StarTrekTheNextGeneration''.
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** In fact, quite a few of the musical cues in this film would go on to become Star Trek staples. The "Klingon Battle Theme" from the start would go on to become ''the'' primary Klingon theme, several of the major musical cues would be referenced again and again in later works... and oh yeah, the main theme to the movie became the theme song for ''StarTrekTheNextGeneration''.''Series/StarTrekTheNextGeneration''.
