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Changed line(s) 7 (click to see context) from:
** "The Claw" is an upbeat chiptune arrangement of Pachebel's famous Canon in D, featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
to:
** "The Claw" is an upbeat chiptune arrangement of Pachebel's Pachelbel's famous Canon in D, featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
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Generic classical titles do not go in quotes.
Changed line(s) 3 (click to see context) from:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in "Magic Xylophone", hilariously played by Bandit on Bluey's belly, which [[DiegeticSwitch turns into the musical accompaniment for the episode]].
to:
** "Rondo Rondo alla Turca" Turca by Music/WolfgangAmadeusMozart in "Magic Xylophone", hilariously played by Bandit on Bluey's belly, which [[DiegeticSwitch turns into the musical accompaniment for the episode]].
Changed line(s) 7,8 (click to see context) from:
** "The Claw" is an upbeat chiptune arrangement of Pachebel's famous "Canon in D", featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
** "Baby Race" makes use of Bach's "Prelude in C Major", complementing Chilli's experiences as a new mother and reaching an emotional culmination as baby Bluey finally takes her first steps.
** "Baby Race" makes use of Bach's "Prelude in C Major", complementing Chilli's experiences as a new mother and reaching an emotional culmination as baby Bluey finally takes her first steps.
to:
** "The Claw" is an upbeat chiptune arrangement of Pachebel's famous "Canon Canon in D", D, featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
** "Baby Race" makes use of Bach's"Prelude Prelude in C Major", Major, complementing Chilli's experiences as a new mother and reaching an emotional culmination as baby Bluey finally takes her first steps.
** "Baby Race" makes use of Bach's
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Changed line(s) 7 (click to see context) from:
** "The Claw" is an upbeat techno arrangement of Pachebel's famous "Canon in D", featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
to:
** "The Claw" is an upbeat techno chiptune arrangement of Pachebel's famous "Canon in D", featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
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Changed line(s) 3 (click to see context) from:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bluey's belly, which [[DiegeticSwitch turns into the musical accompaniment for the episode]].
to:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', "Magic Xylophone", hilariously played by Bandit on Bluey's belly, which [[DiegeticSwitch turns into the musical accompaniment for the episode]].
** "Baby Race" makes use of Bach's "Prelude in C Major", complementing Chilli's experiences as a new mother and reaching an emotional culmination as baby Bluey finally takes her first steps.
Changed line(s) 10 (click to see context) from:
** "Who Likes to Dance?", featured in the episodes "Markets" and "Grannies", a cheerful tune that's enough to make you want to get up and dance.
to:
** "Who Likes to Dance?", featured in the episodes "Markets" and "Grannies", a cheerful tune that's enough featuring some excellent guitar and harmonica work.
** The entire soundtrack from "The Creek", especially "I Know a Place", which features the vocals of Helena Czajka and Jazz D'Arcy.
** "The Gnome Song" highlights the soft, soothing vocals of Megan Washington, the voice of Calypso and is prominently featured in her debut episode.
** "Dance Mode" is another insanely catchy track, encouraging listeners tomake you want to just get up and dance.dance their worries away.
** The entire soundtrack from "The Creek", especially "I Know a Place", which features the vocals of Helena Czajka and Jazz D'Arcy.
** "The Gnome Song" highlights the soft, soothing vocals of Megan Washington, the voice of Calypso and is prominently featured in her debut episode.
** "Dance Mode" is another insanely catchy track, encouraging listeners to
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Changed line(s) 5 (click to see context) from:
** "John Ryan's Polka" in "Fairies", a rollicking Irish jig that perfectly compliments the wacky hijinks of the episode, all culminating in Bandit's hilarious fairy dance to "unfreeze" Bingo.
to:
** "A Message From the Fairies", an arrangement of "John Ryan's Polka" in "Fairies", a rollicking Irish jig that perfectly compliments the wacky hijinks of the episode, all culminating in Bandit's hilarious fairy dance to "unfreeze" Bingo.Bingo.
** "Bike" features a brilliant arrangement of the "Ode to Joy" portion of Beethoven's Ninth Symphony, which starts out as calm and soothing but soon builds up to a triumphant climax.
** "The Claw" is an upbeat techno arrangement of Pachebel's famous "Canon in D", featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
* Joff Bush's original musical compositions deserve special mention as well as his classical music arrangements. Several of the instrumental tracks were featured on the albums ''Bluey: The Album'' and ''Bluey: Dance Mode!''
** "Fruitbat" from the eponymous episode is a groovy track that plays during Bluey's dream sequence, serving as a catchy underscore to her antics as a fruit bat.
** "Who Likes to Dance?", featured in the episodes "Markets" and "Grannies", a cheerful tune that's enough to make you want to get up and dance.
** "Bike" features a brilliant arrangement of the "Ode to Joy" portion of Beethoven's Ninth Symphony, which starts out as calm and soothing but soon builds up to a triumphant climax.
** "The Claw" is an upbeat techno arrangement of Pachebel's famous "Canon in D", featured in the episode of the same name and in "The Sleepover" as Muffin makes her escape with the "chippies" from Bandit's chip stand.
* Joff Bush's original musical compositions deserve special mention as well as his classical music arrangements. Several of the instrumental tracks were featured on the albums ''Bluey: The Album'' and ''Bluey: Dance Mode!''
** "Fruitbat" from the eponymous episode is a groovy track that plays during Bluey's dream sequence, serving as a catchy underscore to her antics as a fruit bat.
** "Who Likes to Dance?", featured in the episodes "Markets" and "Grannies", a cheerful tune that's enough to make you want to get up and dance.
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Changed the instruments listed in the theme.
Changed line(s) 1 (click to see context) from:
* The theme song is not only insanely catchy, but it's a beautifully intricate piece that adds on layers of instrumentation as each character gets their chance to dance, starting with Chilli having a harmonica solo and acoustic guitar backup, Bandit getting a rocking electric guitar solo (possibly a nod to [[Music/{{Custard}} David McCormack's rock roots]]), Bingo getting a jazzy breakdown, and Bluey having a drumbeat and a faux-full orchestra for her section.
to:
* The theme song is not only insanely catchy, but it's a beautifully intricate piece that adds on layers of instrumentation as each character gets their chance to dance, starting with Chilli having a harmonica melodica solo and acoustic guitar backup, Bandit getting a rocking electric guitar solo (possibly a nod to [[Music/{{Custard}} David McCormack's rock roots]]), Bingo getting a jazzy breakdown, and Bluey having a drumbeat and a faux-full orchestra for her section.
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Changed line(s) 4 (click to see context) from:
** "Jupiter" from ''The Planets'' by Music/GustavHolst acts as a counterpoint for the many deep themes explored in 'Sleepytime'.
to:
** "Jupiter" from ''The Planets'' by Music/GustavHolst acts as a counterpoint for the many deep themes explored in 'Sleepytime'.'Sleepytime'.
** "John Ryan's Polka" in "Fairies", a rollicking Irish jig that perfectly compliments the wacky hijinks of the episode, all culminating in Bandit's hilarious fairy dance to "unfreeze" Bingo.
** "John Ryan's Polka" in "Fairies", a rollicking Irish jig that perfectly compliments the wacky hijinks of the episode, all culminating in Bandit's hilarious fairy dance to "unfreeze" Bingo.
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Replaced Bingo with Bluey in Magic Xylophone section. Small Cowboy Be Bop moment there.
Changed line(s) 3 (click to see context) from:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bingo's belly, which [[DiegeticSwitch turns into the musical accompaniment for the episode]].
to:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bingo's Bluey's belly, which [[DiegeticSwitch turns into the musical accompaniment for the episode]].
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Changed line(s) 3 (click to see context) from:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bingo's belly, which [[DiageticSwitch turns into the musical accompaniment for the episode]].
to:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bingo's belly, which [[DiageticSwitch [[DiegeticSwitch turns into the musical accompaniment for the episode]].
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Changed line(s) 3,4 (click to see context) from:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bingo's belly, and turning into the manic accompaniment for the episode, and
** "Jupiter" from ''The Planets'' by Music/GustavHolst as counterpoint for the many deep themes explored in 'Sleepytime'.
** "Jupiter" from ''The Planets'' by Music/GustavHolst as counterpoint for the many deep themes explored in 'Sleepytime'.
to:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bingo's belly, and turning which [[DiageticSwitch turns into the manic musical accompaniment for the episode, and
episode]].
** "Jupiter" from ''The Planets'' by Music/GustavHolst acts as a counterpoint for the many deep themes explored in 'Sleepytime'.
** "Jupiter" from ''The Planets'' by Music/GustavHolst acts as a counterpoint for the many deep themes explored in 'Sleepytime'.
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None
Changed line(s) 3 (click to see context) from:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played on Bingo's belly, and turning into the manic accompaniment for the episode, and
to:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played by Bandit on Bingo's belly, and turning into the manic accompaniment for the episode, and
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None
Changed line(s) 3 (click to see context) from:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played on Bingo's belly, and turning into the manic theme for the episode, and
to:
** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played on Bingo's belly, and turning into the manic theme accompaniment for the episode, and
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None
Changed line(s) 2,4 (click to see context) from:
%%* The show's frequent use of arranged versions of classical music is unmatched by other contemporary children's entertainment, including:
%%** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played on Bingo's belly, and turning into the manic theme for the episode, and
%%** "Jupiter" from ''The Planets'' by Music/GustavHolst as counterpart for the many deep themes explored in 'Sleepytime'.
%%** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone', hilariously played on Bingo's belly, and turning into the manic theme for the episode, and
%%** "Jupiter" from ''The Planets'' by Music/GustavHolst as counterpart for the many deep themes explored in 'Sleepytime'.
to:
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Changed line(s) 2,10 (click to see context) from:
%%* The show's use of (arranged versions of) classical music is remarkable, including:
%%** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone'.
%%** Piano Concerto No. 16 also by Mozart in 'Bingo'.
%%** "Jupiter" from ''The Planets'' by Music/GustavHolst in 'Sleepytime'.
%%** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
%%** Grieg's "In the Hall of the Mountain King" from Theatre/PeerGynt in 'Featherwand'.
%%** Beethoven's "Ode To Joy" in 'Bike'.
%%** "Funiculì, Funiculà" by Luigi Denza in 'Daddy Putdown'.
%%WHY are these examples awesome? This is a mountain of zero-context examples.
%%** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic Xylophone'.
%%** Piano Concerto No. 16 also by Mozart in 'Bingo'.
%%** "Jupiter" from ''The Planets'' by Music/GustavHolst in 'Sleepytime'.
%%** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
%%** Grieg's "In the Hall of the Mountain King" from Theatre/PeerGynt in 'Featherwand'.
%%** Beethoven's "Ode To Joy" in 'Bike'.
%%** "Funiculì, Funiculà" by Luigi Denza in 'Daddy Putdown'.
%%WHY are these examples awesome? This is a mountain of zero-context examples.
to:
%%* The show's frequent use of (arranged arranged versions of) of classical music is remarkable, unmatched by other contemporary children's entertainment, including:
%%** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'MagicXylophone'.
%%** Piano Concerto No. 16 also by Mozart in 'Bingo'.
Xylophone', hilariously played on Bingo's belly, and turning into the manic theme for the episode, and
%%** "Jupiter" from ''The Planets'' by Music/GustavHolstin 'Sleepytime'.
%%** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
%%** Grieg's "Inas counterpart for the Hall of the Mountain King" from Theatre/PeerGynt many deep themes explored in 'Featherwand'.
%%** Beethoven's "Ode To Joy" in 'Bike'.
%%** "Funiculì, Funiculà" by Luigi Denza in 'Daddy Putdown'.
%%WHY are these examples awesome? This is a mountain of zero-context examples.'Sleepytime'.
%%** "Rondo alla Turca" by Music/WolfgangAmadeusMozart in 'Magic
%%** Piano Concerto No. 16 also by Mozart in 'Bingo'.
%%** "Jupiter" from ''The Planets'' by Music/GustavHolst
%%** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
%%** Grieg's "In
%%** Beethoven's "Ode To Joy" in 'Bike'.
%%** "Funiculì, Funiculà" by Luigi Denza in 'Daddy Putdown'.
%%WHY are these examples awesome? This is a mountain of zero-context examples.
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While I'm at it, this markup is incorrect.
Changed line(s) 1 (click to see context) from:
* The theme song is not only insanely catchy, but it's a beautifully intricate piece that adds on layers of instrumentation as each character gets their chance to dance, starting with Chilli having a harmonica solo and acoustic guitar backup, Bandit getting a rocking electric guitar solo (possibly a nod to [[Music/{{Custard}} David [=McCormack=]'s rock roots]]), Bingo getting a jazzy breakdown, and Bluey having a drumbeat and a faux-full orchestra for her section.
to:
* The theme song is not only insanely catchy, but it's a beautifully intricate piece that adds on layers of instrumentation as each character gets their chance to dance, starting with Chilli having a harmonica solo and acoustic guitar backup, Bandit getting a rocking electric guitar solo (possibly a nod to [[Music/{{Custard}} David [=McCormack=]'s McCormack's rock roots]]), Bingo getting a jazzy breakdown, and Bluey having a drumbeat and a faux-full orchestra for her section.
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Not only are almost none of these italics correct, but this entire example tree is zero-context.
Changed line(s) 2,9 (click to see context) from:
* The show's use of (arranged versions of) classical music is remarkable, including:
** ''Rondo a la Turque'' by Music/WolfgangAmadeusMozart in 'Magic Xylophone'.
** ''Piano Concerto No. 16'' also by Mozart in 'Bingo'.
** ''Jupiter'' from ''The Planets'' by Music/GustavHolst in 'Sleepytime'.
** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
** Grieg's ''In the Hall of the Mountain King'' from Theatre/PeerGynt in 'Featherwand'.
** Beethoven's ''Ode To Joy'' in 'Bike'.
** ''Funiculì, Funiculà'' by Luigi Denza in 'Daddy Putdown'.
** ''Rondo a la Turque'' by Music/WolfgangAmadeusMozart in 'Magic Xylophone'.
** ''Piano Concerto No. 16'' also by Mozart in 'Bingo'.
** ''Jupiter'' from ''The Planets'' by Music/GustavHolst in 'Sleepytime'.
** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
** Grieg's ''In the Hall of the Mountain King'' from Theatre/PeerGynt in 'Featherwand'.
** Beethoven's ''Ode To Joy'' in 'Bike'.
** ''Funiculì, Funiculà'' by Luigi Denza in 'Daddy Putdown'.
to:
%%WHY are these examples awesome? This is a mountain of zero-context examples.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* The theme song is not only insanely catchy, but it's a beautifully intricate piece that adds on layers of instrumentation as each character gets their chance to dance, starting with Chilli having a harmonica solo and acoustic guitar backup, Bandit getting a rocking electric guitar solo (possibly a nod to [[Music/{{Custard}} David [=McCormack=]'s rock roots]]), Bingo getting a jazzy breakdown, and Bluey having a drumbeat and a faux-full orchestra for her section.
* The show's use of (arranged versions of) classical music is remarkable, including:
** ''Rondo a la Turque'' by Music/WolfgangAmadeusMozart in 'Magic Xylophone'.
** ''Piano Concerto No. 16'' also by Mozart in 'Bingo'.
** ''Jupiter'' from ''The Planets'' by Music/GustavHolst in 'Sleepytime'.
** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
** Grieg's ''In the Hall of the Mountain King'' from Theatre/PeerGynt in 'Featherwand'.
** Beethoven's ''Ode To Joy'' in 'Bike'.
** ''Funiculì, Funiculà'' by Luigi Denza in 'Daddy Putdown'.
* The show's use of (arranged versions of) classical music is remarkable, including:
** ''Rondo a la Turque'' by Music/WolfgangAmadeusMozart in 'Magic Xylophone'.
** ''Piano Concerto No. 16'' also by Mozart in 'Bingo'.
** ''Jupiter'' from ''The Planets'' by Music/GustavHolst in 'Sleepytime'.
** Music/PachelbelsCanon and Boccherini's [[StandardSnippet Minuet]] in 'Sleepover'.
** Grieg's ''In the Hall of the Mountain King'' from Theatre/PeerGynt in 'Featherwand'.
** Beethoven's ''Ode To Joy'' in 'Bike'.
** ''Funiculì, Funiculà'' by Luigi Denza in 'Daddy Putdown'.
