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* The soundtrack of ''Blade Runner'' by Music/{{Vangelis}} is nothing short of a milestone in both the CyberPunk science fiction subgenre and ElectronicMusic in general. Especially "Main Title", "Love Theme", "Blade Runner Blues", "Tears in the Rain" and "End Titles".

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* The soundtrack of ''Blade Runner'' by Music/{{Vangelis}} is nothing short of a milestone in both the CyberPunk science fiction subgenre and ElectronicMusic in general. Especially "Main Title", "Love Theme", "Blade Runner Blues", "Tears in the Rain" and "End Titles".



* A [[SugarWiki/HeartwarmingMoments beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die from his wounds.]] It is the only moment where Zimmer and Wallfisch used a Vangelis track.

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* A [[SugarWiki/HeartwarmingMoments beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die from his wounds.]] It is the only moment where Zimmer and Wallfisch used a Vangelis track.
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* In the original score we have the ominous [[https://www.youtube.com/watch?v=-CME0YYQYT4 2049]], the sweeping [[https://www.youtube.com/watch?v=EGxyGcZ5jsY Mesa]], and the thunderously climactic [[https://www.youtube.com/watch?v=NujlXgBmUoU Sea Wall]].

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* In the original score we have the ominous [[https://www.youtube.com/watch?v=-CME0YYQYT4 2049]], the sweeping [[https://www.youtube.com/watch?v=EGxyGcZ5jsY com/watch?v=zzTiaVq9RN0 Mesa]], and the thunderously climactic [[https://www.youtube.com/watch?v=NujlXgBmUoU Sea Wall]].
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* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke both thematic continuity and nostalgia of the original.

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* [[WhatCouldHaveBeen The film was to be scored scored]] by Jóhann Jóhannsson]], Music/JohannJohannsson, but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke both thematic continuity and nostalgia of the original.
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* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke both thematic continuity and nostalgia of the original (and likely intended to use them in the film).

to:

* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke both thematic continuity and nostalgia of the original (and likely intended to use them in the film).original.
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* A [[HeartwarmingMoment beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die from his wounds.]] It is the only moment where Zimmer and Wallfisch used a Vangelis track.

to:

* A [[HeartwarmingMoment [[SugarWiki/HeartwarmingMoments beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die from his wounds.]] It is the only moment where Zimmer and Wallfisch used a Vangelis track.
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Don't use the m.youtube.com domain name for links, and don't link the playlist. These examples are also incorrectly indented.


** In the original score we have the ominous [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=-CME0YYQYT4 2049]], the sweeping [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=EGxyGcZ5jsY Mesa]], and the thunderously climactic [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=NujlXgBmUoU Sea Wall]].
** On the [[NightmareFuel creepy]] side of things, there's the oppressive [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=EGxyGcZ5jsY Flight to LAPD]] and the ghostly [[LeitMotif theme]] for [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=z_JgOlGq6i4 Wallace]].

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** * In the original score we have the ominous [[https://m.[[https://www.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=-CME0YYQYT4 com/watch?v=-CME0YYQYT4 2049]], the sweeping [[https://m.[[https://www.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=EGxyGcZ5jsY com/watch?v=EGxyGcZ5jsY Mesa]], and the thunderously climactic [[https://m.[[https://www.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=NujlXgBmUoU com/watch?v=NujlXgBmUoU Sea Wall]].
** * On the [[NightmareFuel creepy]] side of things, there's the oppressive [[https://m.[[https://www.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=EGxyGcZ5jsY com/watch?v=EGxyGcZ5jsY Flight to LAPD]] and the ghostly [[LeitMotif theme]] for [[https://m.[[https://www.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=z_JgOlGq6i4 com/watch?v=z_JgOlGq6i4 Wallace]].
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Just a few tracks worth mentioning.

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** In the original score we have the ominous [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=-CME0YYQYT4 2049]], the sweeping [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=EGxyGcZ5jsY Mesa]], and the thunderously climactic [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=NujlXgBmUoU Sea Wall]].
** On the [[NightmareFuel creepy]] side of things, there's the oppressive [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=EGxyGcZ5jsY Flight to LAPD]] and the ghostly [[LeitMotif theme]] for [[https://m.youtube.com/watch?list=PLh4Eme5gACZEnmG1SuTElZQ-XJoUiBdmb&v=z_JgOlGq6i4 Wallace]].
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None



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* Then there's the torch song "One More Kiss, Dear", whose lyrics encapsulate the plot.
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* The soundtrack of ''2049'' by Music/HansZimmer and Benjamin Wallfisch is generally agreed to be pretty good, capturing the spirit of the original while being able to go off and do its own thing.
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* The soundtrack of ''Blade Runner'' by Music/{{Vangelis}} is nothing short of a milestone in both the CyberPunk science fiction subgenre and ElectronicMusic in general. Especially "Main Title", "Love Theme", "Blade Runner Blues" and "End Titles".

to:

* The soundtrack of ''Blade Runner'' by Music/{{Vangelis}} is nothing short of a milestone in both the CyberPunk science fiction subgenre and ElectronicMusic in general. Especially "Main Title", "Love Theme", "Blade Runner Blues" Blues", "Tears in the Rain" and "End Titles".
Is there an issue? Send a MessageReason:
None


* A [[HeartwarmingMoment beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die.]] It is the only moment where Zimmer and Wallfisch used a Vangelis track.

to:

* A [[HeartwarmingMoment beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die.die from his wounds.]] It is the only moment where Zimmer and Wallfisch used a Vangelis track.
Is there an issue? Send a MessageReason:
None


* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke nostalgia of the original (and likely intended to use them in the film).

to:

* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke both thematic continuity and nostalgia of the original (and likely intended to use them in the film).
Is there an issue? Send a MessageReason:
None


* The soundtrack by Music/HansZimmer and Benjamin Wallfisch is generally agreed to be pretty good, capturing the spirit of the original while being able to go off and do its own thing.

to:

* The soundtrack of ''2049'' by Music/HansZimmer and Benjamin Wallfisch is generally agreed to be pretty good, capturing the spirit of the original while being able to go off and do its own thing.
Is there an issue? Send a MessageReason:
None


* A [[HeartwarmingMoment beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die.]] The only moment where Zimmer and Wallfisch used a Vangelis track.

to:

* A [[HeartwarmingMoment beautiful]] and [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoiler:K brings Deckard to his daughter and looks like he's about to die.]] The It is the only moment where Zimmer and Wallfisch used a Vangelis track.
Is there an issue? Send a MessageReason:
None


* A beautiful and tear-jerking reprise of "Tears in the Rain" when [[spoilers:K looks like he's about to die.]] The only moment when Zimmer and Wallfisch used a Vangelis track.

to:

* A beautiful [[HeartwarmingMoment beautiful]] and tear-jerking [[TearJerker tear-jerking]] reprise of "Tears in the Rain" when [[spoilers:K [[spoiler:K brings Deckard to his daughter and looks like he's about to die.]] The only moment when where Zimmer and Wallfisch used a Vangelis track.

Added: 414

Changed: 498

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* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke nostalgia of the original (and possibly intended to use them in the film).

to:

* A beautiful and tear-jerking reprise of "Tears in the Rain" when [[spoilers:K looks like he's about to die.]] The only moment when Zimmer and Wallfisch used a Vangelis track.
* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke nostalgia of the original (and possibly likely intended to use them in the film).
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None


!!''Film/BladeRunner'' (1982)

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!!''Film/BladeRunner'' (1982)
!!''Film/BladeRunner''



!!''Film/BladeRunner2049'' (2017)

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!!''Film/BladeRunner2049'' (2017)
!!''Film/BladeRunner2049''

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Changed: 184

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to:

* The soundtrack by Music/HansZimmer and Benjamin Wallfisch is generally agreed to be pretty good, capturing the spirit of the original while being able to go off and do its own thing.
* [[WhatCouldHaveBeen The film was to be scored by Jóhann Jóhannsson]], but he left production for undisclosed reasons and his contributions were removed from the picture. As [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] [[https://www.youtube.com/watch?v=gCcx85zbxz4 and trailer]] showed, he remixed themes of Vangelis to invoke nostalgia of the original (and possibly intended to use them in the film).

Added: 280

Changed: 223

Is there an issue? Send a MessageReason:
None


* Most of the soundtrack by Music/{{Vangelis}}. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.

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!!''Film/BladeRunner'' (1982)

* Most of the The soundtrack of ''Blade Runner'' by Music/{{Vangelis}}. It Music/{{Vangelis}} is an excellent example nothing short of how to use electronica intelligently. Above all of these, however, is a milestone in both the main theme of the movie, played over the ending credits.CyberPunk science fiction subgenre and ElectronicMusic in general. Especially "Main Title", "Love Theme", "Blade Runner Blues" and "End Titles".


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!!''Film/BladeRunner2049'' (2017)

Added: 4

Changed: 10

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* Most of the soundtrack by Vangelis. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.

to:

* Most of the soundtrack by Vangelis.Music/{{Vangelis}}. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.



** In the later "normal" cuts, romantic music implies Rachael feels sorry for Deckard and protective of him. The entire meaning of the scene is completely different, even though nothing changed except the music.

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** In the later "normal" cuts, romantic music implies Rachael feels sorry for Deckard and protective of him. The entire meaning of the scene is completely different, even though nothing changed except the music.music.
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Added DiffLines:

* Most of the soundtrack by Vangelis. It is an excellent example of how to use electronica intelligently. Above all of these, however, is the main theme of the movie, played over the ending credits.
* The contrast between the various "official" versions and the famous "workprint" version of the scene where Rachael watches Deckard try to clean himself up after [[CurbStompBattle almost getting beaten to death]] is a great illustration of how music works in movies:
** In the workprint, creepy dissonant noise music highlights that Deckard is vulnerable and Rachael could easily kill him at that point if she decided it was her best chance at survival and freedom.
** In the later "normal" cuts, romantic music implies Rachael feels sorry for Deckard and protective of him. The entire meaning of the scene is completely different, even though nothing changed except the music.

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