Is there an issue? Send a MessageReason:
None
Changed line(s) 13 (click to see context) from:
The other reason for the masquerade is to keep the scale small and easily digestible. Most works that employ the masquerade are entry-level genre material and having to consider the global implications would alienate audience members already venturing out of their comfort zone. ''Literature/HarryPotter'' most likely would not have been so successful if it spent a chapter on the United Nations discussing ethical policy of the harvest of dragon parts for wands.
to:
The other reason for the masquerade is to keep the scale small and easily digestible. Most works that employ the masquerade are entry-level genre material and having to consider the global implications would alienate audience members already venturing out of their comfort zone. ''Literature/HarryPotter'' most likely would not have been so successful if it spent a chapter on the United Nations discussing ethical policy of the harvest of dragon parts for wands.wands.
----
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
The masquerade is one of the biggest stretches of WillingSuspensionOfDisbelief, leading to uncomfortable questions such as "[[Literature/HarryPotter how can a corrupt, inefficient bureaucracy hide countless magical species?]]" and "[[{{Blade}} why doesn't anyone notice the dozens of murders every night?]]". Superpowered secret societies never seem to consider conquering a country, nor does the renegade vampire hunter ever consider collecting a ton of evidence and spreading it to the whole world. One begins to wonder if the masquerade is less a necessity and more a cultural anxiety disorder.
to:
The masquerade is one of the biggest stretches of WillingSuspensionOfDisbelief, leading to uncomfortable questions such as "[[Literature/HarryPotter how can a corrupt, inefficient bureaucracy hide countless magical species?]]" and "[[{{Blade}} "[[Film/{{Blade}} why doesn't anyone notice the dozens of murders every night?]]". Superpowered secret societies never seem to consider conquering a country, nor does the renegade vampire hunter ever consider collecting a ton of evidence and spreading it to the whole world. One begins to wonder if the masquerade is less a necessity and more a cultural anxiety disorder.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
The masquerade is one of the biggest stretches of WillingSuspensionOfDisbelief, leading to uncomfortable questions such as "[[HarryPotter how can a corrupt, inefficient bureaucracy hide countless magical species?]]" and "[[{{Blade}} why doesn't anyone notice the dozens of murders every night?]]". Superpowered secret societies never seem to consider conquering a country, nor does the renegade vampire hunter ever consider collecting a ton of evidence and spreading it to the whole world. One begins to wonder if the masquerade is less a necessity and more a cultural anxiety disorder.
to:
The masquerade is one of the biggest stretches of WillingSuspensionOfDisbelief, leading to uncomfortable questions such as "[[HarryPotter "[[Literature/HarryPotter how can a corrupt, inefficient bureaucracy hide countless magical species?]]" and "[[{{Blade}} why doesn't anyone notice the dozens of murders every night?]]". Superpowered secret societies never seem to consider conquering a country, nor does the renegade vampire hunter ever consider collecting a ton of evidence and spreading it to the whole world. One begins to wonder if the masquerade is less a necessity and more a cultural anxiety disorder.
Changed line(s) 13 (click to see context) from:
The other reason for the masquerade is to keep the scale small and easily digestible. Most works that employ the masquerade are entry-level genre material and having to consider the global implications would alienate audience members already venturing out of their comfort zone. ''HarryPotter'' most likely would not have been so successful if it spent a chapter on the United Nations discussing ethical policy of the harvest of dragon parts for wands.
to:
The other reason for the masquerade is to keep the scale small and easily digestible. Most works that employ the masquerade are entry-level genre material and having to consider the global implications would alienate audience members already venturing out of their comfort zone. ''HarryPotter'' ''Literature/HarryPotter'' most likely would not have been so successful if it spent a chapter on the United Nations discussing ethical policy of the harvest of dragon parts for wands.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9,10 (click to see context) from:
Stories set in a masquerade universally involve at least one normal human being pulled into it. Some might [[ChangelingStory reveal the character to not be 100% human in the first place]], but they always have a normal human backstory. Try and find a story that doesn't make said character an AudienceSurrogate of some kind. The implication is that the audience is special and important enough to be brought into an awesome new world while all the mundane, meaningless sheep surrounding them are doomed to go through life oblivious and unfulfilled. They get to feel like they have an incredible secret, giving them a much greater depth compared to people in the office talking about RealityTelevision. It is not merely enough they are exceptional (e.g. a teen superhero); they operate on rules above and beyond PunyEarthlings. This is a trope born out of the selfishness of the average person.
to:
Stories set in a masquerade universally involve at least one normal human being pulled into it. Some might [[ChangelingStory [[ChangelingFantasy reveal the character to not be 100% human in the first place]], but they always have a normal human backstory. Try and find a story that doesn't make said character an AudienceSurrogate of some kind. The implication is that the audience is special and important enough to be brought into an awesome new world while all the mundane, meaningless sheep surrounding them are doomed to go through life oblivious and unfulfilled. They get to feel like they have an incredible secret, giving them a much greater depth compared to people in the office talking about RealityTelevision. It is not merely enough they are exceptional (e.g. a teen superhero); they operate on rules above and beyond PunyEarthlings. This is a trope born out of the selfishness of the average person.
Is there an issue? Send a MessageReason:
Creating page.
Added DiffLines:
!'''Why the Masquerade Endures'''
The masquerade is one of the biggest stretches of WillingSuspensionOfDisbelief, leading to uncomfortable questions such as "[[HarryPotter how can a corrupt, inefficient bureaucracy hide countless magical species?]]" and "[[{{Blade}} why doesn't anyone notice the dozens of murders every night?]]". Superpowered secret societies never seem to consider conquering a country, nor does the renegade vampire hunter ever consider collecting a ton of evidence and spreading it to the whole world. One begins to wonder if the masquerade is less a necessity and more a cultural anxiety disorder.
There are almost as many {{Hand Wave}}s as there are protests. The hidden world is too dangerous, or the human world is too dangerous. Humans vastly outnumber the hidden species and are completely intolerant. They're monsters that would dissect anything they capture. God told them not to. Despite all of these solutions and the further problems they bring up, there is a simple [[WatsonianVersusDoylist Doylist]] answer to it all:
'''Writers use the masquerade because it makes the audience feel special.'''
Stories set in a masquerade universally involve at least one normal human being pulled into it. Some might [[ChangelingStory reveal the character to not be 100% human in the first place]], but they always have a normal human backstory. Try and find a story that doesn't make said character an AudienceSurrogate of some kind. The implication is that the audience is special and important enough to be brought into an awesome new world while all the mundane, meaningless sheep surrounding them are doomed to go through life oblivious and unfulfilled. They get to feel like they have an incredible secret, giving them a much greater depth compared to people in the office talking about RealityTelevision. It is not merely enough they are exceptional (e.g. a teen superhero); they operate on rules above and beyond PunyEarthlings. This is a trope born out of the selfishness of the average person.
(The added bonus of making said character an AudienceSurrogate is giving the special characters a reason to explain all the stuff that goes without saying for them, thus providing exposition that would otherwise be clunky and out of place.)
The other reason for the masquerade is to keep the scale small and easily digestible. Most works that employ the masquerade are entry-level genre material and having to consider the global implications would alienate audience members already venturing out of their comfort zone. ''HarryPotter'' most likely would not have been so successful if it spent a chapter on the United Nations discussing ethical policy of the harvest of dragon parts for wands.
The masquerade is one of the biggest stretches of WillingSuspensionOfDisbelief, leading to uncomfortable questions such as "[[HarryPotter how can a corrupt, inefficient bureaucracy hide countless magical species?]]" and "[[{{Blade}} why doesn't anyone notice the dozens of murders every night?]]". Superpowered secret societies never seem to consider conquering a country, nor does the renegade vampire hunter ever consider collecting a ton of evidence and spreading it to the whole world. One begins to wonder if the masquerade is less a necessity and more a cultural anxiety disorder.
There are almost as many {{Hand Wave}}s as there are protests. The hidden world is too dangerous, or the human world is too dangerous. Humans vastly outnumber the hidden species and are completely intolerant. They're monsters that would dissect anything they capture. God told them not to. Despite all of these solutions and the further problems they bring up, there is a simple [[WatsonianVersusDoylist Doylist]] answer to it all:
'''Writers use the masquerade because it makes the audience feel special.'''
Stories set in a masquerade universally involve at least one normal human being pulled into it. Some might [[ChangelingStory reveal the character to not be 100% human in the first place]], but they always have a normal human backstory. Try and find a story that doesn't make said character an AudienceSurrogate of some kind. The implication is that the audience is special and important enough to be brought into an awesome new world while all the mundane, meaningless sheep surrounding them are doomed to go through life oblivious and unfulfilled. They get to feel like they have an incredible secret, giving them a much greater depth compared to people in the office talking about RealityTelevision. It is not merely enough they are exceptional (e.g. a teen superhero); they operate on rules above and beyond PunyEarthlings. This is a trope born out of the selfishness of the average person.
(The added bonus of making said character an AudienceSurrogate is giving the special characters a reason to explain all the stuff that goes without saying for them, thus providing exposition that would otherwise be clunky and out of place.)
The other reason for the masquerade is to keep the scale small and easily digestible. Most works that employ the masquerade are entry-level genre material and having to consider the global implications would alienate audience members already venturing out of their comfort zone. ''HarryPotter'' most likely would not have been so successful if it spent a chapter on the United Nations discussing ethical policy of the harvest of dragon parts for wands.
