While I still prefer "Ocarina of Time" to this game, I'm not gonna beat you to a pulp; I agree with much of what you've said. "Majora's Mask" was great.

I never thought I'd hear the word 'whimsical' associated with the apocalypse. Otherwise, I agree, it's a fairly unique and well-made addition to the Zelda franchise.

I do have one negative thing to say about it: wasn't this the game that introduced that goddamn Tingle?

I know it sounds weird, but the game has a lot of charm to deserve the "whimsical", Tingle or not.

While I generally agree with your opinion on this game's overall quality (it's my favorite Lo Z game), I wouldn't exactly call this game, "whimsical." Whimsical brings to mind "happiness, lightheartedness and joy," and the general tone of the game's story is a tad too dark for that in my opinion.

"Whimsical" may mean a different meaning to both of us as I see that word as associated with charming, unique, and something altogether different, but wonderfully engaging. Which MM was to me.

This game and Thw Wind Waker were N Intendo's biggest risks on its beloved franchise. But both of them are awesome. I still can't see why the company abandoned that cause in favor of the atrocious and unoriginal Twilight Princess, sadly.

^ Ah yes, that above post is a classic Fan Dumb example. Twilight Princess fans bash Wind Waker, and thus you feel the need to be no better and bash Twilight Princess for not living up to your view on Wind Waker.

Wind Waker was awesome, but SO WAS TWILIGHT PRINCESS. The whole goddamned SERIES is awesome. DEAL WITH IT.

It's not Fan Dumb, it's that Nintendo is rarely intimidated by detractors who bash its most daring works; they developed Majora's Mask, The Wind Waker and Four Swords Adventures, in a row, despite the skepticism of fans who were awaiting for a game like Ocarina (and not caring for whether that game would take or not the series in the most unique direction possible). Same happended with Retro Studios, who made three excellent Metroid games regardless of the traditional fans' opposition. Point two: I know that none of the Zelda games are terribly different from each other, and I'm not interested on awaiting for another Zelda II: The Adventure of Link, but each title contributed with gameplay ideas and mechanics to keep the main experience fresh (traveling to the future, time-based systems, sailing, multiplayer mode, mask-induced shapeshifting, GCN-GBA connection, linking two games, side-scrolling mode, Dark World, and so on). Just tell me what offered Twilight Princess in that sense. Shapeshifting into a wolf? The idea was based on those of Majora's Mask. Twilight Realm? Simpsons and A Link to the Past did it already. Learning new Skills? Zelda II and The Minish Cap did it first. The only possible innovation coming from the game (and this only applies to the Wii version) was the control scheme, but it was tacked-on because it's actually a GCN game whose means of gameplay were based in the traditional controls of a past-gen console. I repeat, I'm not just bitching about the game. Nintendo tried different things with previous Zelda titles, but fans are unpleasable, began to beg, beg and beg for a mature and adult title (clearly they skipped MM), a "non-experimental" and "non-odball" title, and Nintendo had no choice to make TP. A coward act.

Oh sorry. Typo. I meant "...had no choice but to make TP. A coward act".

Whatever. I say it's just a bad case of Its The Same Now It Sucks, and it's getting tiring. I love Majora's Mask, but feeling the need to put other games down in order to elevate Majora's Mask is an easy way to turn someone off of it.

And while TP didn't offer much new gameplay-wise; storywise IMHO it was one of the best, and it gave us Midna, one of the most developed NP Cs in the series bar none.

I played this game before Ocarina of Time, and I have to say that, even though I like Oo T's longer gameplay, I love the game overall better. Like you said, it had people. It was a game that had many creepy elements, not to be confused with scary elements, which it also had an abundance of. It was also the most touching game in the series. Sure, you might be near tears when Link leaves Kokiri forest and Saria behind in Ocarina of Time, or feel stunned by Ralph's selfless gesture to kill his own ancestor to make things right in Oracle of Ages, but no game makes you cry in either fear, sadness, or happiness as Majora's Mask.

It lacked in gameplay (even the Minish Cap had five temples to Majora's four), and the timed days were annoying, but it made up for it with characters and story. And admittedly, the whole timing thing was sort of the point of the game, and it really wouldn't have been the same without it.

You're not alone. I felt that Majora's Mask gigantic encompassing world where you could observe characters and see what they're really like, on top of the fact that Majora itself.. well freaked me out. And it was a breath of fresh air as opposed to "Find sword, kill Ganon(dorf), save princess.) would have been.