These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
YMMV: The Twelve Kingdoms
Base Breaker: Either Shoukei and Suzu are the best examples of Character Development in the whole series, alongside Youko, or they're so whiny (Suzu) and/or entitled (Shoukei) that their change came in too late for them to actually become sympathetic.
Ensemble Darkhorse: Shushou doesn't appear all that much but she is very well-loved in the fandom for her snark, badassery, intelligence and hyper-competence all while being a little girl. She also gets bonus points for trying to set the still not wiser Shoukei in her place.
Les Yay: Rangyoku seemed pretty interested in Youko disguised as "Youshi", even after she learned that "he" is a "she"...
Risai has quite a bit in the novels, with fellow Gyousou-loyal judge Kaei.
Love It or Hate It: There aren't too many people who are neutral about this series, due mainly to Youko's whiny attitude for the first five episodes (and first third or so of the novel). Regarding the anime, the general rule given to newcomers seems to be... watch the first seven episodes; if you don't hate the series at that point, you're going to like the rest of it.
Strawman Has a Point: Shoukou has a point when he points out that the system where kingdoms' rulers are decided by a kirin is silly, especially since the kirin's choices are NOT infallible and most rulers eventually wind up hurting their kingdom.
JustifiedAppeal to Force: Without a kirin's direct demonstration of the monarch's receiving the Mandate Of Heaven (or without the latter's literal Contractual Immortality), victories such as Youko's re-subordination of her own illegally-dispatched royal army, and subsequent 'major alterations' to her previously corrupt court would have been all but impossible due to human nature, especially as regards politics. Bottom line: if she hadn't been made a God-Empress, possessing the fealty of even supernatural beings, Youko wouldn't have been able to escape being a Puppet Queen. Strawman conveniently forgot to mention that failure to live up to the divine responsibility necessarily results in fatal judgment, or that a strong-willed, good, absolute monarch can cleanse a land of corruption/evil approximately infinity times faster than democracy. Eventually, Youko herself explains to her court, and even Keiki, what she has decided the real problem is: an entire culture encouraging terror at the prospect of challenging, but especially speaking out against, wrongdoing by superiors. Kei doesn't get better until she forces it to do so.
Shoukei throwing stones at the Wa executioners, just like the son of the old peasant woman. Quite the turning point in her Character Development.
Asano's death in Shoukei's arms, and when Youko, Shoukei, and Suzu mourn together for him. Especially when you consider that Asano really did die for nothing, and he knew it.
What Measure Is a Non-Badass?: Face it, fandom. If Youko had not been "a coward", "a pushover", and a "zero whiner and unsympathetic lead", she would have not grown into the physically/mentally strong yet still kind and sensitive Action Girl we love. It's repulsive to see people whine and complain about how Youko starts out as a total moron, refusing to see that she was raised in a very exigent household (specially thanks to her very demanding father) as well as subjected to lots of pressure, so it's very understandable to see her stumble and be terrified at first. Dissing and badmouthing the flawed and insecure Youko from the beginning is NOT the best way to praise how she develops through the series.
Similarly, a good part of the fandom accuses Suzu of being a wangsty and whiny Scrappy — without taking in consideration that this is a product of her extremly harsh life in the Twelve Kingdoms, including 100 years of abuse coming from her mistress. It's a miracle that Suzu isn't even whinier, and not to mention her share of Character Development is about her stopping to be whiny and self-pitying, and learning that she can take control of her own life.