Quotes: Mighty Whitey

"One of the ancient ploys of the film industry is to make a film about non-white people and find a way, however convoluted, to tell it from the point of view of a white character."
Roger Ebert, on Zhang Yimou's Flowers of War

"If you need any confirmation of how cool the Samurai warriors of Japan were, look no further than the film The Last Samurai. These people managed to survive and kick ass even with Tom Cruise in their midst. It'd be like running a marathon while dragging a dead cow behind you."

"Here's Star Trek's message: We have a great respect for the cultures of Native Americans, and we show this by saying that they were backwards, languageless cavemen until they were touched by white men from outer space. You're welcome!"
SFDebris on Star Trek: Voyager, "Tattoo"

"The Cotton Club was kind of a dividing point between white and black Harlem. The mobsters used it for their bootlegging, they hired black entertainers while only dealing with white clientèle. The Cotton Club was supposed to be a majority black starring cast and was going to be a gangland musical...The story focuses on a coronet player (Richard Gere) who saves the life of a mobster and is hired to work for him as a reward. Gere has to escort the mobster’s girl (played by Diane Lane) whom he falls in love with. Oh and there is something to do with Gregory Hines…somewhere."
Miles Antwiler on The Cotton Club (1984)

"Discover the Na'Vi, a strong and noble race of blue Indians, fully in tune with nature... who are somehow helpless without THE WHITE MAN. Hrm, actually kind of offensive when you think about it."

Jake: I'm one of you. And I have the right to speak!
Mike: Especially since I'm already better at being one of you than all of you are!

"It's not just a wish to be absolved of the crimes whites have committed against people of color; it's not just a wish to join the side of moral justice in battle. It's a wish to lead people of color from the inside rather than from the (oppressive, white) outside."