troperville

tools

toys

Wiki Headlines
We've switched servers and will be updating the old code over the next couple months, meaning that several things might break. Please report issues here.

main index

Narrative

Genre

Media

Topical Tropes

Other Categories

TV Tropes Org
random
Rose Tinted Narrative
"Rose tint my world. Keep me safe from my trouble and pain."

The Romantic movement of the 19th century was a style of art that stirred the emotions, like sadness, joy and nostalgia. Later, some people used that style to put things they favor in an idealized manner, even if such things were already seen as positive.

The subjects of these works could be people, places, events, ideologies or other things. Although these are only occasionally accurate to the facts, they can still make for great stories. If taken too far, on the other hand, they can make their subjects into Mary Sues or Mary Suetopias.

Note that this isn't about just trying to make something look good, or make it look exciting. It's about stirring the emotions, not just pumping the adrenaline.

May lead to The Pirates Who Don't Do Anything if part of the romanticizing requires the people to not do the evil parts of the job.

Compare The Theme Park Version, Politically Correct History, Historical Hero Upgrade, Historical Villain Upgrade.

Contrast Demonization.

Examples:

    open/close all folders 

    Anime and Manga 
  • Space Battleship Yamato does this for Imperial Japan, with the interesting workaround that it takes place in The Future where the protagonists must fight against hostile aliens, because no decent person could ever do a rose-tinted narative about the actual WWII-era Japan. Co-creator Leiji Matsumoto is admittedly heavily influenced by the 19th century Romantic writers & artists.

    Film 
  • Braveheart, portraying William Wallace and the Scots as strong earthly noble types, and the English as monsters who all have perms.
  • The Godfather has often been accused of romanticizing the Mafia (not the violent parts, but other parts of the movies).
    • Goodfellas and Casino could be deconstructions of this kind of portrayal.
    • For that matter, Godfather Part II was a pretty thorough deconstruction of the notion of Mafioso-as-hero. Vito never chose to be a gangster, but was forced into it and never wanted his sons to follow him. Michael's criminal actions cost him his family. At the end of the first movie it's possible to see Michael Corleone as a hero: by the end of the second he's merely a coglione.
  • 300. Notably, the way in which the Spartans were beatified as ultimate badasses and the Persians were vilified as subhuman monsters had some deeply racist undertones, given the current tension between the West and the Middle East.
    • Word of God is that a lot of that is in-universe propaganda, due to the Unreliable Narrator.
    • There's also the pederasty and slavery : the latter is not mentioned at all, and the Spartans mock the Athenians for their practice of pederasty, which existed in Sparta at the time as well.

    Literature 

    Theater 
  • Andrew Lloyd Webber and Tim Rice were accused of doing this with Evita. And they were bashed by certain political sectors in Argentina for not doing it enough.

    Real Life 
  • The documentary The Revolution Will Not Be Televised portrayed Hugo Chavez as a martyr during his near-ousting.

DemythtificationHollywood HistoryStock Unsolved Mysteries

random
TV Tropes by TV Tropes Foundation, LLC is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Permissions beyond the scope of this license may be available from thestaff@tvtropes.org.
Privacy Policy
11565
1