Superman #429: Superman kicks the bucket again. Sure to be a collectors' item with stupid fans who actually think that DC Comics is going to kill off a character worth billions of dollars.Oh no! The poor Ill Girl with cancer is being menaced by the Serial Killer! No one has survived his attacks yet, and it's going to break her fiancé's heart, and after he finally got up the courage to propose to her! This is when the audience turn to the writer and say, "Like You Would Really Do It". The audience don't buy the suspense or anguish that the character is being menaced with. They know the Sorting Algorithm of Mortality has this particular character dead last (pun intended) in terms of who's gonna die, and so they just count the seconds before the door is smashed open and The Cavalry charges in, or the bad guy goes "You're Not Worth Killing", or if the character should actually appear dead, for the (failed) Fake Kill Scare to be revealed. This reaction extends not just to the stunningly innocent, but to any hero or character with thick Plot Armour in a setting where things Could Have Been Messy. Even the Heroic Sacrifice, capable of felling the mightiest of heroes, falls short of really killing them. Mind, some authors really aren't bluffing and will go through with killing this character, permanently, and since the vast majority don't, it comes as quite a shock when they do. Generally, actually offing a traditionally "safe" character requires a shift in tone for lighter series, but reinforces the Anyone Can Die tone of more cynical works. Of course, taking it too far can create a Moral Event Horizon for the author in the eyes of their fanbase, or it can cause them to stop caring about any of the characters because they'll probably all end up dead anyway. It's always worth remembering that in any kind of collaborative work, such as a comic book or long-running TV series, even if one author really does sincerely mean to kill off Captain Astonishoid for really reals this time, it's usually only a matter of time until another writer comes along and brings him back. The notorious phenomenon of Comic Book Death is more due to this problem than to individual authors regretting their previous decisions. When actually killed, leads to speculation that He's Just Hiding. See also Narm. Often overlaps with a Disney Death. If it involves whether a hero will win or lose a battle, it's Boring Invincible Hero. If the story attempts to convince you that the main character is killed off even though they obviously can't be or the story would end, see Our Hero Is Dead. If this applies to lesser good characters who might otherwise be killed off, it's Boring Immortal Hero. The Good Guys Always Win is the most common cause. Contrast Eight Deadly Words: here it is not lack of care for the characters as much as certainty that they will make it out okay. No examples, please. We'd be here all day. So spend the rest of the day on other pages.