There was a large crystal ball with a crack in it, an astrolabe with several bits missing, a rather scuffed octogram on the floor, and a stuffed alligator hanging from the ceiling. A stuffed alligator is absolutely standard equipment in any properly-run magical establishment. This one looked as though it hadn't enjoyed it much.
The workshop of a wizard, alchemist, or apothecary is never complete without a stuffed crocodile or alligator hanging from the ceiling. What it's actually for is anybody's guess
The visual image may be inspired by early museums, "cabinet of curiosities" — see this picture◊
- "The Alchemist at Work", a 17th-century painting by David Teniers the Elder.
- "The Return of the Sorcerer" (1931) by Clark Ashton Smith:
There were tables strewn with archaic instruments of doubtful use, with astrological charts, with skulls and alembics and crystals, with censers such as are used in the Catholic Church, and volumes bound in worm-eaten leather with verdigris-mottled clasps. In one corner stood the skeleton of a large ape; in another, a human skeleton; and overhead a stuffed crocodile was suspended.
- "Shadows on the Rock" (1931) by Willa Cather features one, in the apothecary shop owned by protagonist Cecile's father. It's a hand-me-down from Auclair's grandfather, and he keeps it purely as decoration (being a surprisingly forward-thinking apothecary for 1697).
- Merlyn's cottage in The Once and Future King (1938):
There was a real corkindrill hanging from the rafters, very life-like and horrible with glass eyes and scaly tail stretched out behind it. When its master came into the room it winked one eye in salutation, although it was stuffed.
- Miss Price's workroom in Bedknob and Broomstick (1943) by Mary Norton.
Gradually, the children discovered other treasures: a chart on which the signs of the zodiac were nicely touched up by Miss Price in water color; a sheep's skull; a chocolate box full of dried mice; herbs in bunches; a pot of growing hemlock and one of witch's bane; a small stuffed alligator, which hung by two wires from the ceiling.
"What are alligators used for, Miss Price?" asked Paul.
Again Miss Price's long training in truthfulness overcame her longing to impress. "Nothing much," she said. "They're out of date now. I like to have it there for the look of it."
- Lord Portico's study in Neverwhere (1996):
The stuffed crocodile hanging from the ceiling; the leather-bound books, an astrolabe, convex and concave mirrors, odd scientific instruments
- Frequently mentioned, and Lampshaded as a occupational necessity, in the Discworld series. Every proper wizard has a stuffed alligator hanging from the ceiling of his laboratory, even if there aren't any alligators naturally in the area. No one, especially the wizards, is sure why.
- The Light Fantastic (1986):
Like all wizards' workshops, the place looked as though a taxidermist had dropped his stock in a foundry and then had a fight with a maddened glassblower, braining a passing crocodile in the process (it hung from the rafters and smelt strongly of camphor).
- Cutwell's workshop in Mort (1987).
- The dog wizard Tibbeth's shop in Stranger at the Wedding (1994) by Barbara Hambly:
A mummified crocodile hung from the low rafters overhead.
- The trope is played with, in that it is a common wizard's prop in-universe, and its use is eventually explained - it's hanging until it is entirely mummified, at which point it will be cut to pieces for use in potions and replaced by a fresh one.
- An early edition of The Steerswoman (1989) by Rosemary Kirstein shows, on the cover, a scene set in a wizard's sanctum. You can tell it's a wizard's sanctum because of the stuffed crocodile hanging from the roof — an interesting case of trope-as-shorthand, since the wizards' sanctum in the book itself is entirely bereft of taxidermied reptiles.
- Mentioned in Book 1 of The Bartimaeus Trilogy (2003) in the description of the magician Arthur Underwood's study. The djinni Bartimaeus notes that this is a good indication that Underwood is a second rate poser, trying to hide his incompetence behind impressive-looking knickknacks that impress the Muggles but don't have any use, whereas the truly powerful magicians favor a sleek, modern look.
- In One Good Knight (2006), from the Tales of the Five Hundred Kingdoms series by Mercedes Lackey, one character comments that the Tradition requires Acadian Sophants (cross between a wizard and an adviser) to have a stuffed crocodile hanging from their rafters. When he tried to get rid of his, there was an even bigger one hanging from his ceiling the next day, looking smug.
- In The Wise Man's Fear, Caudicus, who purports to be a healer, has one in his tower. When the main character asks what it's for, Caudicus admits that he has no idea.
- According to Diana Wynne Jones's The Tough Guide to Fantasyland, alligators in Fantasyland are:
"now to be found only in a mummified state hanging from the rafters of a Wizardís workroom. If the Alligator is present, it is a sure sign that the Wizard is friendly."
- Call of Cthulhu campaign The Fungi from Yuggoth (1984), adventure "The Thing in the Well". Dr. Cornwallis has a stuffed alligator hanging by wires from the ceiling of his alchemical laboratory.
- The Voodoo Lady in The Curse of Monkey Island (1997) has a stuffed alligator whose tongue you have to pull to summon her.
- The Voodoo shop in Gabriel Knight: Sins of the Fathers (1993) has a dried alligator head. The proprietor claims it to be just a curio to impress tourists and superstitious old ladies. He is lying: the head is an authentic mask for use in Voodoo rituals.