We're the part of the Temple that's hidden from the other Knights Templar: the secret from the holders of the secrets, the ace up the sleeve. All of us warriors, all of us priests. We serve, we obey. When needed, we kick ass.The Confessions of Peter Crossman
is a collection of short stories by Debra Doyle and James D. Macdonald. A hybrid of spy thriller and urban fantasy, they concerns the actions of the Catholic Church's secret service, in the person of Father Peter Crossman (of the Inner Temple of The Knights Templar
) and Sister Mary Magdalene (of the Special Action Executive of the Poor Clares).
Averts Christianity is Catholic
to the extent it's not just window-dressing, or because the authors don't know better; it's a deliberate attempt to create an intelligent and entertaining story within the Catholic world view, by authors who knows their subject. Everything the warrior priests and the fun nun with the gun do is justifiable within the Church's rules, and the fantastic elements are all drawn from Catholic lore. It should be emphasized that this doesn't mean the book isn't fun
The short stories in this collection originally appeared in Katherine Kurtz's Tales of the Knights Templar
anthologies. Peter Crossman and Mary Magdalene also feature in the novel The Apocalypse Door
The Confessions of Peter Crossman provides examples of:
"Stealing God""Selling the Devil"
- Action Girl: Sister Mary Magdalene.
- Beethoven Was an Alien Spy: The Knights Templar weren't disbanded in the 14th century, they just went underground; Peter Crossman and his colleagues are Templars.
- Celibate Hero: Peter Crossman, being a priest, and Mary Magdalene, being a nun.
- Fantastic Catholicism: Checks off "Fights The Supernatural" and "Is Full of Badasses".
- First-Person Smartass: Peter Crossman.
- Meaningful Rename: "Peter Crossman" is not, as he puts it in The Apocalypse Door, the name he was given at Baptism. Probably this is also the case with his colleagues, and almost certainly also with Mary Magdalene.
- Nun Too Holy: Sister Mary Magdalene of the Special Action Executive of the Poor Clares, "the fun nun with the gun", never actually strays beyond the bounds of her vows, but you wouldn't think it from the way she carries on.
- The Spymaster: Peter Crossman's boss, Prester John, who appears in "Stealing God".
- Beethoven Was an Alien Spy: Adds The Knights Hospitallers to the mix.
- Demonic Possession
- Empathic Weapon: The sword Clarent; when Peter Crossman uses it, he finds himself doing moves he's never trained for and feels that it's more like it's wielding him. It doesn't just take over during fights; it can also influence the person holding it to seek out particular people and pick fights with them, for its own motives. Legend credits it with an implacable sense of justice (which, as Crossman notes, is a very dangerous thing when untempered by mercy).
- Public Domain Artifact: King Arthur's other sword, Clarent.
- Tarot Troubles: Peter Crossman gets a Tarot reading done. The usual clichés are avoided (no Death card).
- Virgin Power: Used by Sister Mary Magdalene against a demon.
- Alter Kocker: The Wandering Jew.
- All Jews Are Ashkenazi: The Wandering Jew is a (stereo)typical American Jew, but then he's been living in New York long enough for things to rub off, and anyhow it's funny that way.
- Beethoven Was an Alien Spy: Lord Kitchener was also one of the Templars.
- King in the Mountain: "Sleeping Kings" features seven of them.
- Meaningful Name: The members of the Kipling Society all have names of characters from Rudyard Kipling's works, which are meaningful if you know the originals. (And not flattering, so presumably not chosen by the men themselves.)
- Public Domain Artifact: The Lance of Longinus in "Sleeping Kings".
- Wandering Jew: A guest appearance by the one and only original Wandering Jew, who's been living in New York for the last few centuries. There's also a passing mention of the Three Nephites; the Wandering Jew mentions that he hasn't seen them about lately, and Crossman points out that this is because they moved out to Utah in the 19th century.