Film / Paper Moon

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Paper Moon is a 1973 comedy-drama film, based on the novel Addie Pray by Joe David Brown, directed by Peter Bogdonovich, and starring the father and daughter team of Ryan and Tatum O'Neal.

Set during The Great Depression, the movie follows Moses "Moze" Pray, a Con Man specializing in selling Bibles From The Dead, who is reluctantly tasked with delivering the recently-orphaned nine-year-old girl Addie Loggins to her aunt in Missouri. Despite vehemently denying that Addie is his daughter (which she likely is, considering Moze knew her "wild" mother well), he takes a liking to a her — even more so when he realizes his grifting looks more legitimate with a child by his side.

The film was nominated for Academy Awards in four categories: Best Screenplay Adaptation, Best Sound, and two nominations for Best Supporting Actress — Madeline Kahn and Tatum O'Neal herself. Tatum won, making her the youngest actor to win a competitive Oscar (she was 10).


This work provides the following tropes:

  • The Alleged Car: The truck Moze trades his 1936 Ford Convertible for.
  • All Men Are Perverts/Buxom Is Better: Trixie has no qualms about using her assets to get what she wants from men.
    Trixie: So how 'bout it, honey? Just for a little while, let old Trixie sit up front with her big tits.
  • Brick Joke: At one point Addie makes reference to "Frank D. Roosevelt". Much later, after she and Moze get an in argument and she walks away, he yells after her: "And his name ain't Frank, it's Franklin!"
  • California Doubling: almost entirely averted: filmed on location (including interiors) in central Kansas and western Missouri.
  • Children Are Innocent: Ha, ha. Basically explains why Moze and Addie do business that well.
  • Corrupt Hick: Sheriff Hardin and his bootlegger twin brother.
  • Cosmetic Catastrophe: A non-visual example — Addie puts on some of her mother's perfume in an attempt to seem more grown up, but having never used perfume before she practically bathes in it. She's pleased when Moze obviously notices the smell, but becomes less pleased when he cracks open the windscreen in the car to get rid of it.
  • Curb-Stomp Battle: Sheriff Hardin and his men catch up with Moze, corner him in an alley, and beat the hell out of him.
    Moze: You can't arrest me now. We're in Missouri. And your damn brother's a bootlegger!
    Hardin: You got an awful big mouth, mister. Maybe I can't arrest you in Missouri and maybe I don't want to. But I sure can make sure that you ain't gonna feel too good while you're here.
  • Deliberately Cute Child: Addie's M.O.
  • Deliberately Monochrome
  • Duels Decide Everything: Moze tries to swap his convertible for a pickup truck to ditch the sheriff chasing them; when the truck's owner refuses to swap, he proposes a "wrassling" match to resolve the matter.
  • Gold Digger: Miss Trixie, full stop.
  • High-Class Call Girl: Miss Trixie, though she doesn't have the refinement or discretion typical of the trope.
    Addie: Imogene, what do you suppose Miss Trixie'd do if somebody offered her $25 to put out?
    Imogene: Ooo-wee! You crazy? For that much money, that woman'd drop her pants down in the middle of the road!
  • Hustler/Short Con: Moze and Addie.
  • Intergenerational Friendship: Moze and Addie, although there's father-child undertones as well (duh).
  • Leeroy Jenkins: How Moze and Addie escape from the sheriff.
  • Little Miss Con Artist: Addie, who is very talented in the field.
  • Little Miss Snarker/Mouthy Kid: Addie is not a sweet-talking, always-smiling child.
  • Pet the Dog: Addie stops Moze from swindling a widow whose house is packed with small children. As the very next scene shows though, she has no qualms about overcharging people with money to spare.
  • Pragmatic Adaptation: several changes were made from the book to the movie (including moving the setting from the south to Kansas)
  • Quick Change: Done several times by both Moze and Addie, such as when Moze purchases ribbons for Addie and rapid-talks the befuddled clerk out of several dollars.
  • Random Smoking Scene: Addie is seen smoking in several scenes.
  • Road Trip Plot: Moze and Addie Travel from Gorham, Kansas to Joplin, Missouri.
  • Servile Snarker/Sassy Black Woman: Trixie's maid, Imogene, is a subdued example; while she won't sass Miss Trixie to her face, she doesn't hesitate to perform small acts of subversion, such as recklessly tossing the bags right after Trixie warns her to be gentle with them.
  • Smoking Is Cool: Addie definitely thinks so.
  • Source Music: All the music in the movie has a diegetic source, usually Addie's radio or the car radio.
  • Title Drop: At a carnival there's a guy who snaps photographs of couples sitting on a literal paper moon. Addie gets her picture taken alone, although the poster art (shown above) depicts both her and Mose on it.
    • The classic song of the same name is also briefly heard during that scene, as well as over the opening credits.
  • Token Minority: Imogene is the only non-Caucasian character in the entire movie.
  • Tomboy: Addie has a boyish haircut and often wears boyish clothes. Early on a couple of adult characters anger her by mistaking her for a boy.
  • Too Much Information: Addie tells Moze that Trixie is sick to keep him away from her for a while, but he wants to see her. Imogene then mentions that it's due to her period, which causes Moses to immediately back off.
  • Troubling Unchildlike Behaviour: Addie acts more like an adult than a child. Moze's and the audience's image of her as cute and innocent is shattered when she whips out a cigarette.
  • Unusual Euphemism:
    • Miss Trixie has to "go winky-tink".
    • Imogene describes Trixie's period as "her woman time".
  • Villain Protagonist: Moze and Addie.
  • Work Off the Debt: This is the reason why Addie stays with Moze in the beginning — he uses the threat of a lawsuit to collect $200 from the family of the man who accidentally killed her mother, then spends most of it to repair his car and tries to send Addie off on a train to her aunt's with just $20. Addie, knowing that the money rightfully belongs to her, threatens to report him to the police unless he raises the money to pay her back.
    Addie: I want my two hundred dollars!
  • Your Cheating Heart: Addie and Imogene conspire to break up Moze and Trixie by getting him to catch her with the hotel manager.

http://tvtropes.org/pmwiki/pmwiki.php/Film/PaperMoon