A long-time contributor of cartoons to The New Yorker
magazine, Charles Addams
(1912-1988) specialized in whimsically grotesque scenes, which was evidently something of a case
of Drawing What He Knew
One set of his recurring characters became the basis for the television series (and later movies) The Addams Family
. Addams also drew such classic one-off cartoons as a skier somehow going around a tree on both sides at once
; a moustachioed villain
with a young damsel slung over his shoulder heading down into a subway, presumably to tie her to the tracks
; and a banana peel
lying on a busy city sidewalk, cordoned off by "caution" signs.
This creator provides examples of the following tropes:
- Awful Wedded Life: Numerous examples of husbands and wives either fantasizing about or actively plotting to do each other in. Interestingly, the reoccurring tribe who became The Addams Family is a very notable exception to this.
"Are you unhappy, darling?"
"Oh, yes. Yes! Completely."
- Bald of Evil: The guy who became Uncle Fester.
- Black Comedy: It's basically his trademark.
- Chained to a Railway: Used as a gag more than once.
- Collector of the Strange: Addams himself. He died (peacefully) seated behind the wheel of one of his classic automobiles.
- Death as Comedy: One cartoon has a woman inviting her husband to enter the house, while she has a gun aimed at the door.
- Deliberately Monochrome: Most cartoons are in black-and-white and take place in dark settings.
- The Nameless: In his original cartoons the Addams Family characters remained nameless. Only for the tv sitcom The Addams Family the script writers asked him to invent names for the individual family members.
- Nightmare Fetishist: The man was openly into the dark and macabre.
- Noodle People: The gal who became Morticia.