Characters: Aladdin

Characters from Disney's Aladdin universe.

For characters featured in Aladdin: The Series, go here.

For characters featured in Aladdin and the King of Thieves, go here.

Original Movie Characters

    open/close all folders 

"You're only in trouble if you get caught!"

Voiced by: Scott Weinger
An orphan grown to maturity on the streets of Agrabah, the homeless Aladdin has little to focus on in life beyond surviving day to day, dreaming of the comfort and safety that would be his were he to somehow become rich. Despite this hostile life, he retains a pure heart and a generous soul, making him a "diamond in the rough". For this, Jafar manipulates him into retrieving the Lamp of the Genie from the Cave of Wonders, but fails to claim it himself. Instead, with the Genie's help, Aladdin eventually defeats the evil vizier and becomes affianced to the love of his life, Princess Jasmine. Many further adventures follow, culminating with the crashing of his wedding by the legendary Forty Thieves, but finally Aladdin and Jasmine are wed.
  • Anti-Hero: Earlier on due to growing up as a criminal, he's quite deceitful. He got over it after the second movie.
  • Arbitrary Skepticism: In "The Ethereal," he dismisses Jasmine's visions of the titular antagonist as being All Just a Dream. However, upon seeing the events of the dream that Jasmine described come true one by one, he's soon convinced.
  • Badass: His signature song shows him easily evading the guards.
  • Badass Normal: This is a guy who goes up against magical beings, sorcerers, and giant robots, and somehow finds a way to come out on top every time.
  • Batman Gambit: Showcased in the first movie. His plan to defeat Jafar banked on exploiting the man's ego.
  • Beware the Nice Ones: He's a Nice Guy through and through, but you do not want to make him angry. In the first film, when Prince Achmed badmouths him, Aladdin is only stopped from physically attacking him because the palace gates slammed shut behind him.
  • Bound and Gagged: And submerged underwater to drown, until Genie saves him.
  • A Boy and His X: A Man and His Monkey. This is his relationship with his monkey Abu.
  • Character Development: By the final film, he's really grown into a man worthy of being Sultan. This is best seen in King of Thieves. After breaking his father out of prison, Aladdin returns to face any punishment he might receive, because he realized how much his running away would affect Jasmine due to his own father's abandonment of his family. Aladdin has learned that his actions affect other people, a lesson some people would say more rulers need to learn.
  • Character Tics: Aladdin rubs the back of his head when he's embarrassed, raises a single eyebrow when he's interested, and wiggles his eyebrows when he says something suggestive or has more than one meaning.
  • Chaste Hero: Although he's engaged to Jasmine and thusly spends a lot of time at the palace he still seems to live in the abandoned building from the first movie.
  • Chick Magnet: He effectively rivals Batman for his talent with this.
  • Chronic Hero Syndrome: Especially in the animated show, where characters, often Iago, are able to use the knowledge that he'll always help people in need to get him to go along with things.
  • Consummate Liar: Being a Guile Hero Street Urchin, it's part of the trade, but at the same time it's treated as a serious character flaw. Aladdin grows out of it before it becomes an actual Fatal Flaw.
  • Dark and Troubled Past: Explored in the television series. He grew up an orphan after his father left the family on a treasure hunt and never came home and his mother died some time afterwards, forcing him to raise himself on the streets as a thief. He later finds out that his dad is the leader of the infamous "40 Thieves."
  • Deadpan Snarker: To some extent, though not as frequently as say, Iago. "Better check your crystal ball again, Jafar!"
  • Determinator:
  • Did You Just Scam Cthulhu?: Twice at least. One of them by conning them into becoming a Cthulhu... who is constrained by itty bitty living space.
  • Distressed Dude: At one point in the first movie, he's thrown into the ocean by Jafar's guards, and would have drowned if not for the Genie.
  • Does Not Like Shoes: Even after the Prince Ali charade is over, we see him wear shoes to select events such as his wedding and a few times in the TV show. However, he seems to prefer going barefoot 99 percent of the time.
  • Establishing Character Moment: His opening musical number, in which he easily dodges the city guard who are after him for stealing a loaf of bread while singing about how he needs it to live, which is immediately followed by him giving said bread to a pair of young children without a second thought.
  • Exposed to the Elements: When Jafar banishes him to the ends of the Earth, aka a frozen tundra, he walks about there in only his vest and pants combo with no shoes, and survives long enough to track down Carpet and get back to Agrabah.
  • Flaw Exploitation: He beats Jafar in the first movie by exploiting his ego and lust for power.
  • Friend to All Children: He's proven this countless times.
  • Friend to All Living Things: He's the only one of the thieves in "Seems Like Old Crimes, Part 1" to treat Abu kindly.
  • Guile Hero: He's a roguish street rat who gets by via theft and charm and uses cunning and trickery to best most conflicts, but we never doubt he's the good guy.
  • The Hero: The main character of the franchise.
  • Hero with Bad Publicity: Thanks to his past as a street rat.
  • Honor Before Reason: In the third movie; after breaking Cassim out of the dungeon and being discovered, instead of escaping Agrabah with his father, Aladdin refuses to abandon Jasmine and willingly goes back to face the consequences of his actions.
  • I Did What I Had to Do: He justified his stealing by only taking whatever he needed and nothing more. On one occasion where he did take more than he needed, he was devastated to see how much he hurt someone and returned the money.
  • Idiot Hero: Even though he's also a Guile Hero, Aladdin is prone to foolish choices: He goes about his life carelessly while making the most moronic decisions, spare for a few moments of flash in the pan brilliance when his or somebody else's life depends on it. It's particularly noticeable when you realize how most of the other characters, save for Jasmine, spend their time trying to steer him to a correct choice. Still, his idiocy seems not to extend too far beyond what's needed for the Aesop of the week. And his moronic behavior goes through stages, as well: in the first movie, it's due to his horrifically low self esteem telling him that lying about himself will make people like him, even when it's obvious that Jasmine loves him for who he is. In the show, it shifts to either overconfidence or his chronic inability to pass by a problem and not try to solve it.
  • Indy Ploy: He is truly "one jump" ahead of his opponents; exactly one jump.
  • Insecure Love Interest: He doesn't believe Jasmine could ever love the real him and disguises himself as a Prince to become worthy of her.
  • Justified Criminal: As established from the very beginning, Aladdin only steals food to survive. Of course, he gets No Sympathy from the various merchants and the palace guard for it.
    Aladdin: Gotta eat to live, gotta steal to eat. Tell you all about it when I've got the time.
  • Just Like Robin Hood: How often does he actually keep anything he steals for himself? Only a jeweled flower to earn bonus points with his girlfriend.
  • Leitmotif: Often accompanied by "One Jump Ahead Reprise".
  • Losing Your Head: In one episode ("Heads, You Lose") along with Caliph Kapok. Thankfully, Al gets better. By the way, we saw him get nearly decapitated before in The Return of Jafar. In the first film, Jafar lied to Jasmine that he had him beheaded as punishment for kidnapping her.
  • Lovable Rogue: As a thief and a trickster (at least initially), but a sympathetic one you can root for.
  • Love at First Sight: He fell in love with Jasmine instantly after seeing her for the first time.
  • Missing Mom: Her fate is never revealed, but evidently she vanished from his life at some point, with the intimation that she died. Originally, she was to be a character in the first film.
  • Mr. Fanservice: Reportedly, he was redesigned during development because originally he was deemed not attractive enough.
  • Must Make Amends: After Aladdin left behind the genie lamp, which led to Iago bringing it to Jafar, then Jafar using it to wish himself to be sultan and the world's most powerful sorcerer.
    "I made a mess of everything; somehow I gotta go back and set things right."
  • Never Bareheaded: It's rare to see him without a hat.
  • Nice Guy: Aladdin might be a thief and The Trickster, but there is no doubt whatsoever about his decency and sense of morality. In fact, "The Diamond In The Rough" line is essentially a perfect measure about his decency.
  • Nice Hat: A red fez.
  • Nice Job Breaking It, Hero:
    • He didn't wish the Genie free when he had the chance and left it behind to go talk to Jasmine, giving Iago the opportunity to swipe the lamp and hand it over to Jafar. He even acknowledges that he blew it. Then again, he does fix his mistakes.
    • While exploiting Jafar's lust for power to trick him into Becoming the Genie seemed like a good idea in the first movie, come The Return of Jafar, when Jafar is unearthed by Abis Mal...
  • No Social Skills: A mild case, again due to his having grown up on the streets, he often doesn't fit in at the palace. Although he does have a sort of common man's wisdom that impresses the Sultan enough to want to make him his royal advisor.
  • Nobody Calls Me Chicken: Interestingly, he was originally based on the Trope Namer, Marty McFly, before being redesigned.
  • Official Couple: With Jasmine. They're engaged by the end of the first movie and married by the end of the third.
  • Parental Abandonment: His mother is heavily implied to be dead, and his father left to seek out a fabulous treasure, eventually becoming the leader of the feared Forty Thieves, the most dreaded of all bandits in the land.
  • Pragmatic Hero: As a thief, a trickster, and a habitual liar, Aladdin may very well be one of the most morally ambiguous Disney protagonists yet. Every bad deed he committed was only for survival rather than out of malice.
  • Protagonist Title: First "Aladdin" and then "Aladdin and the X".
  • Rags to Royalty: From a street rat to a prince.
  • Red Is Heroic: His trademark red hat and he's the hero.
  • Red Oni, Blue Oni: The red to Mozenrath's blue. Mozenrath is a lot more cold-blooded and calculating, whereas Aladdin has a more impulsive and improvosing nature.
  • Street Smart: By necessity. "Gotta eat to live"
  • Took a Level in Jerkass: A downplayed example in the TV series, as a lot of episodes saw Aladdin act more smug than he did in the films, but his positive and noble attributes remained overall intact.
  • Turn Out Like His Father: Luckily, it doesn't go that far.
  • Waistcoat of Style: Subverted, as it's rather plain and simple.
  • Walking Shirtless Scene: Apparently, he couldn't afford buttons for his vest. Or a shirt. Or nipples.
  • Why Did It Have to Be Snakes?: It turns out that Aladdin is terrified of Unkbut, which are giant spiders that live underground. He eventually conquers this fear later on.

    The Genie 
"Master! I don't think you quite realize what you've got here. So why don't you just ruminate...whilst I illuminate the possibilities!"

A powerful magical being who has been sealed away inside a lamp for ten thousand years or more, the Genie is the anchor point around which the first movie turns. Granted his freedom by a grateful Aladdin, he returns to be by Aladdin's side out of gratitude to the one master who has ever shown him kindness.
  • Abnormal Limb Rotation Range: A rare example where it also falls under Losing Your Head. He's quite capable of pulling off his limbs and/or head to rotate them.
  • Angel Face, Demon Face: He starts the movie as a playful, googly, shapeshifting whackjob. But when his lamp came into the possession of Jafar, his coloration and body shape changed to the "evil Djinn" stylistic (Only temporarily, because this is a Disney movie, and the Genie had to be recognizable for marketing purposes.)
    "Sorry kid, I got a new master, now."
  • Badass Beard: He has a curly black beard and is obviously very powerful
  • Benevolent Genie: When Aladdin wished to be a prince, Genie could have just given him a certificate or something. Instead, he got new fancy clothes, a parade, a full musical number, and a grand entrance to impress the princess. It's a wonder he didn't make him, you know, Prince. In fact, he's a bit too benevolent for his own good; unlike his TV series girlfriend, Eden, he even grants wishes he would really rather not with honesty and integrity, rather than trying to screw over his hated would-be masters.
  • Berserk Button: Gets very upset when Aladdin doubts his powers. Granted, Aladdin was tricking him, but still.
  • Beware the Silly Ones: Yeah, he's a goofball. He also has more magic than most human sorcerers can hope to amass even as a free genie, has quite a temper, has a protective streak, and, oh yeah, its implied he isn't bound by that no-killing rule anymore. There's a reason the threat of his rage can singlehandedly quash a raging battle between two opposing sides.
  • The Big Guy: While he can become any size he wants, his "default" size is larger than any other character.
  • Boisterous Bruiser: Very fun-loving and energetic.
  • Breakout Character: Easily one of the most recognizable characters of Disney, thanks to his first VA.
  • Brought Down to Badass: He loses a lot of his phenomenal cosmic powers after being set free. He still has a lot of magical abilities left to him and often proves essential in solving whatever disaster is plaguing Agrabah.
  • Brought Down to Normal: In one episode of the TV series, he gives his powers to Iago to show him how hard it is to be a genie.
  • Cloudcuckoolander: His craziness is somewhat justified as a result from spending centuries trapped in his lamp.
  • Combat Medic: He can heal and fight.
  • Deadpan Snarker: When played by Robin Williams.
  • Did You Just Scam Cthulhu?: Does this to the antagonists (two all-powerful wizards, mind you) in an episode of the TV series called "The Game". He seems to taking lessons from Al.
  • Everyone Calls Him Barkeep: He's just "the Genie."
  • Flanderization: An odd case of this being due to different actors. Williams' Genie is a screwball, but also has a sensitive and reasonable side, sometimes acting as a sort of father figure to Aladdin (particularly in King of Thieves). When Castellaneta plays him, this almost completely vanishes, and his hyperactive goofiness is played up much more.
  • Forgot About His Powers: In the series, and the sequel films, although this is actually justified as a case of Brought Down to Badass: as stated early in Return of Jafar, whilst being set free did remove him of the restrictions he was under as a Genie of the Lamp, it also stole away a significant amount of his power, leaving him with "semi-phenomenal, nearly cosmic" magic, reducing him to about the level of a particularly talented magician. This fact is reiterated several times in the series. On a meta-level, this keeps him from utterly annihilating all attempts to induce drama or coherent plots to the series.
  • Four-Fingered Hands: Proof that he isn't human.
  • Fourth Wall Observer: The Genie's supernatural abilities permit him to break the fourth wall, as well as parody real-life people and popular culture completely outside of the boundaries of the fictional universe in which he is contained.
  • Fun Personified
  • Genie in a Bottle: Until the end of the first film, which comes with a nerf in his powers.
  • The Genie Knows Jack Nicholson: Trope Namer.
  • Genius Ditz: He's goofy and scatterbrained but he also has wise, reasonable side, he's very savvy, and is one of the most powerful characters in the Disney universe.
  • Gentle Giant: Much bigger than the other characters, and very nice and compassionate.
  • Great Gazoo: Comes with being a genie.
  • Jaw Drop: Provides the page image!
  • Large Ham: Originally played by the one and only Robin Williams and hilariously so. Especially when he's singing, he's very loud, theatrical, and flamboyant.
  • Let's Get Dangerous: Especially against Jafar in the second movie. When the Genie is free to unleash his power, he can actually get pretty scary.
  • Leitmotif: The "To Be Free" theme. In his more humorous moments he's also accompanied by the refrain from "Friend Like Me."
  • Man of a Thousand Voices: When voiced by the Swedish Dan Ekborg.
  • Me's a Crowd: Can create numerous copies of himself in an instant.
  • My Master, Right or Wrong: Despite being a good guy, he has no choice but to follow the orders of the one who holds his lamp.
  • The Nicknamer: He gives the nickname "Rug Man" to the magic carpet. He also calls Aladdin "Al".
  • No Name Given: His real name is unknown, but it's possible he forgot it after 10,000 years.
  • OOC Is Serious Business: After being introduced to Aladdin, he almost always addresses him as Al. The one time he actually uses the name "Aladdin" is when Aladdin is about to drown.
  • Our Genies Are Different: For the most part, Genie was consistent with how the 20th century Western world viewed genies, although he had a few new twists. He was one of the first genies to want to be set free, and the first genie that could not kill.
  • Plucky Comic Relief: Despite being a very important character, the Genie serves as a comic relief element in each of his appearances.
  • Reality Warper: He has PHENOMENAL COSMIC POWERS that are certainly far beyond that of any human sorcerer, but he does explicitly state three limitations to them: he cannot kill (directly), make someone fall in love, or bring the dead back to life (though he implies that he can bring people Back from the Dead... but he won't: Came Back Wrong is implied.)
  • Real Men Wear Pink: On his date with Eden.
  • Red Oni, Blue Oni: The red to Carpet's blue. He's energetic and boisterous, while Carpet is The Quiet One.
  • Rule of Three: Besides the Three Wishes, he also has three exceptions as follows:
  • Sealed Good in a Can: He was stuck in his lamp in the Cave of Wonders for ten thousand years before Aladdin found him.
  • Shipper on Deck: Pro Aladdin/Jasmine, to the point where he is willing to give up his freedom to see them together:
    Genie: Al, no problem. You've still got one wish left. Just say the word and you're a prince again.
    Aladdin: But Genie, what about your freedom?
    Genie: Hey, it's only an eternity of servitude. This is love. Al, you're not gonna find another girl like her in a million years. Believe me, I know. I've looked.
  • Story-Breaker Power: PHENOMENAL COSMIC POWERS and a free genie would make story conflict difficult. Because of this, his powers were nerfed upon being freed from the lamp. In the series as well, there was often someone who could match him (like another genie) or some kind of Mage Killer etc.
  • Three Wishes: And only three.
    "And ix-nay on the wishing for more wishes. That's it, three. Uno, dos, tres. No substitutions, exchanges, or refunds."
  • Took a Level in Dumbass: He seems to be a bit slower on the uptake in the series than he did in the movies.
  • The Trickster: Slightly less so than Aladdin. He'll grant wishes, but he'll put on a show first.
  • Top-Heavy Guy: He has an extremely big upper body and much smaller lower half, though the fact that his lower half is usually a ghost-like tail distracts from it. It's much more noticeable when he's pretending to be human, or in the animated series where he uses legs more often.
  • The Unfettered: He literally becomes this at the end of the first movie; wishing him free negates his problems with only being able to use his magic when a master commands it, and with having his life bound to his lamp. Implicitly, it also removes the restrictions on how he can use his magic, meaning that once freed, Genie technically can kill people. Fortunately, he's far too nice a guy to do something like that.
  • Voluntary Shapeshifter: His most commonly used power, and there's never any established limits on it. He can morph into all kinds of things, including Steamboat Willie.
  • Weaksauce Weakness:
    • Genie is powerless if placed into a container (like a jar) with a lid or stopper of some kind.
    • Also, guava juice makes genies lose control of their powers.
  • Why Did It Have to Be Snakes?: He's really afraid of Mukhtars, who are the natural enemies of all genies.


As princess of Agrabah, she must marry by her sixteenth birthday, yet only wishes to marry for love. Tired of the confines of palace life, she escapes and meets a peasant thief named Aladdin, whose life she saves when he is caught by the thugs of the evil vizier to her father, Jafar, before being returned to the palace. With the help of the Genie, Aladdin later becomes Prince Ali unbeknownst to Jasmine and tries to win her heart.

Voiced by: Linda Larkin-Vasquez (speaking), Lea Salonga (singing), Liz Callaway (singing)

  • Action Girl: Not so much in the movies, but very much so in the series. There she often helps Aladdin beat the bad guy of the week, and in several episodes, she does it by herself.
  • Adaptational Badass: Kicks a lot more butt in the series than in the movies.
  • Badass Princess: Again, she's one in the series.
  • Bare Your Midriff: She provides the page image!
  • Bedlah Babe: In fact is probably the premier example in fiction (so much so that Halloween versions of this dress are often deliberately modelled after her). Her outfit is the source of some controversy and also some difficulties with portraying her in the Disney Princess line—since she doesn't wear a swishy ballgown she often looks out of place in the line when they're in unique Pimped Out Dresses.
  • Beware the Nice Ones: In two ways: Firstly: She's sweet, caring and pure-hearted, but it is not wise to make her angry at you. Secondly: Underestimating her is a very bad idea. Villains and non-villians alike, including Aladdin, always learn this the hard way.
  • Daddy's Girl: She's a cross between this and Rebellious Princess, as she loves her father dearly, but doesn't always see eye-to-eye with him.
  • Damsel out of Distress: Capture and other forms of distress were common in the movies and series but she rescued herself often enough and was never docile about it. One example in the movie is distracting Jafar while Aladdin went for the lamp and one from the series was her escape attempts from the Enchanted Garden.
  • Defrosting Ice Queen: Towards Aladdin (under his Prince Ali guise) in the original film. Initially she's as impressed with him as with her other suitors (That is, not at all). "A Whole New World" is the bulk of it, and concludes when she deduces that "Prince Ali" is actually "The boy from the market".
  • Everything's Sparkly with Jewelry: Her outfit is fairly loaded with jewels in the merchandise.
  • Evil Costume Switch: Her "Scourge of the Desert" costume in Forget Me Lots.
  • Friend to All Children: She has shown this many times, especially in the series episode "The Ethereal", where she sacrifices herself to save a child, and gets better soon afterward.
  • Friend to All Living Things: She even sympathizes with Arbutus after he kidnaps her, when she realizes that all of his plants are still living things.
  • Girly Bruiser: Mainly in the series where she is more a tough Action Girl, but still a very feminine princess at heart.
  • Gold Makes Everything Shiny: Her necklace and earrings.
  • Go-Go Enslavement: Jafar makes Princess Jasmine wear a red harem outfit, although her normal clothes don't cover much more; they're just blue. Once he's defeated they turn back, confirming they were magical in nature.
  • Graceful Ladies Like Purple: Some of The Merch gives her a purple Pimped-Out Dress (but still has a bared midriff).
  • Hair Decorations: Her headband.
  • Hotter and Sexier: The original Aladdin movie has an in-universe example when Jafar puts Jasmine in Go-Go Enslavement. It cuts lower at cleavage and crotch to emphasize this.
  • Hypnotize the Princess: Invokes this trope as part of We Need a Distraction. However, this actually happens to her for real in the TV show episode "I Never Mechanism I Didn't Like".
  • I Just Want to Be Free: Although after the first attempt ending so disastrously (and then shortly meeting Ali after), she stops trying.
  • "I Want" Song: In both of the musical stage adaptations, she gets one. In the "Aladdin Musical Spectacular" stage show at Disneyland, it's "To Be Free", and in the Broadway Musical, it's "These Palace Walls".
  • Impossible Hourglass Figure: Along with Ariel, she has the most exaggerated figure of any Disney Princess or heroine.
  • Leitmotif: Heard prominently about twenty seconds into "Jasmine Runs Away."
  • Marry for Love: If she's gotta get married, it better be to the guy she wants!
  • Missing Mom: Her mother is mentioned briefly when the Sultan says her mother wasn't nearly so picky, but is otherwise presumed dead.
  • Ms. Fanservice: Definitely an attractive Disney Princess, especially in her red slave suit.
  • Official Couple: With Aladdin.
  • Out of Focus: Played with. She's first Disney Princess to be a Deuteragonist rather than a Protagonist, but she still has a very big role. Despite being a deuteragonist, Jasmine has the most screen time of all the Disney Princesses, being in three movies, a TV series, a short, a Broadway play, and some video games. note 
  • Parent Service: Probably the most sexualized of any of the Disney Princesses, presumably because the movie is about Aladdin and she's meant to be seen through his eyes.
  • Plucky Girl: Among other things, she managed to sneak out of the palace and openly stood up to Jafar.
  • Rapunzel Hair: Until Tangled, she had the longest hair of any Disney Princess and still does if you discount magical enhancement.
  • Rebellious Princess: Not only does she not want to get married, she also doesn't enjoy the confinements of palace life—therefore she is the most quintessential example in the line
  • Runaway Fiancée: Really any fiancee, since Jasmine wasn't interested in marrying for anything but love.
  • Show Some Leg: The only Disney Princess who tries to bait the villain with her affections. It almost worked, if not for the reflection of the tiara she wore.
  • Single Woman Seeks Good Man: Doesn't give one flying rat's ass about all the rich, snobby princes trying to woo her, and instead goes for the poor but good-hearted Aladdin. The whole film gives the message of Be Yourself.
  • Spoiled Sweet: Along with Ariel, she's the only Disney Princess who grew up as a princess. Her life is especially shown to be grand and sumptuous. In the animated series, she tends to try to use her status as Princess of Agrabah to bark orders at villains. It never works.
  • Stripperiffic: Jasmine's regular outfit is pretty revealing, but her slave outfit manages to be even more so.
  • Taken for Granite: There was an episode in the TV Series where Mozenrath turned Jasmine to stone.
  • Tomboy and Girly Girl: Girly girl to Sadira's Tomboy.
  • Tomboy Princess: Mainly in the series where she is more rowdy and much tougher, but is still a very feminine princess at heart.
  • True Blue Femininity: Her outfit was colored a bright blue to invoke the idea of an oasis in the desert.
  • Tsundere: A Type B — contrary to her reputation among fans as being very temperamental, Jasmine only ever reacts poorly to the people she believes are trying to use her, and otherwise she is a sunny and friendly person.
  • The Ugly Guy's Hot Daughter: As is generally true of many comic-relief Disney dads, the Sultan is a short, fat man (though not cartoonishly ugly either), and his daughter is beautiful and willowy.
  • Uptown Girl: The daughter of the local Sultan who falls for a "street rat".
  • Well, Excuse Me, Princess!: A few times she can come off as over-reacting and unreasonable.
  • Younger Than They Look: She's only fifteen at the start of the film, but is presumably sixteen by the end.

"He hates fireworks, and he really doesn't like flying either."

Voiced by: Frank Welker

Aladdin's oldest friend, a highly intelligent monkey with a strong streak of kleptomania and a natural gift for thievery.
  • Big Eater: He chows into things that are nearly as big as he is.
  • Butt Monkey: Although not as badly as Iago, he does tend to get hurt or humilated for drama (and, to a lesser extent, comedy).
  • Empathy Pet: To Aladdin for the thieving. He also points out his Love at First Sight with Jasmine.
  • Everything's Better with Monkeys: He's a monkey and Aladdin's Non-Human Sidekick.
  • Freudian Excuse: "Seems Like Old Crimes" explains that Abu was trained by a trio of thieves. It's implied that he's constantly stealing because the trio never let him have a piece of the take (and stole what Aladdin had given to him).
  • Jerk with a Heart of Gold: Much more selfish and greedy than the other main characters (not including Iago), and can get frustrated rather quickly. However he's kindhearted, loyal and willing to risk his life to save Aladdin and his friends.
  • The Lancer: Aladdin's sidekick.
  • Loveable Rogue: Like Aladdin. He's thief and a kleptomaniac, but also funny, likable and a good friend to Aladdin.
  • Master of Unlocking: He has a set of lockpicks hidden away in his vest. He uses them to free Aladdin from jail.
  • The Millstone: In the Cave of Wonders, he grabs a huge ruby out of a monkey idol's paws, initiating the destruction of the cave.
  • Misplaced Wildlife: A new world monkey in the Middle East?
  • Money Fetish: He's just about as greedy as Iago is, which is why they're surprisingly close, even if they act like they hate each other. In the cartoon series, he and Iago often egg each other on in the pursuit of treasure from their adventuring.
  • Naughty Is Good: He's quite mischievous and sneaky, despite being one of the good guys.
  • Never Bareheaded: Also much like Aladdin.
  • Nice Hat: Just like Aladdin's hat, no less. It turns out Aladdin even bought Abu that hat.
  • Pragmatic Hero: Noticeably more selfish than Aladdin, and continues to be exceedingly sneaky even into the sequels. Monkeys don't share well.
  • Prehensile Tail: He's a cartoon monkey. Of course he can use his tail to manipulate and carry stuff.
  • Ridiculously Cute Critter: What would you expect of a Disney Non-Human Sidekick? Just look at him! He's adorable.
  • Silent Snarker: From time to time. Just look at his expression in the above pic!
  • The Sneaky Guy: He's very good at sneaking around, even more so than Aladdin thanks to his smaller size, and he often uses this to help the others.
  • Spanner in the Works: In the first movie, after Jafar betrays Aladdin and tries to kill him, Abu attacks him and secretly steals the lamp.
  • Speech-Impaired Animal: Though he can make noise, he can't speak. Iago can apparently understand what Abu says, though.
  • Sticky Fingers: He'll steal anything not nailed down. This really gets him in trouble in the Cave of Wonders.
  • The Unintelligible: A little harder to notice. Most of the time it just sounds like monkey noises. But there are times when you can make out the human language. Like "Ahhraadeeen" or "eaahh shwuaah".
  • Undying Loyalty: Towards Aladdin.
  • Vitriolic Best Buds: With Iago.

"Look at this! I'm so ticked off that I'm molting!"

Originally Jafar's loyal if often abused sidekick, Iago the Parrot is sealed away with Jafar inside of the lamp at the end of the first film. Instrumental in freeing the both of them from the sandy wastes of the desert, he abandons Jafar and sets out to find his own path in life, ultimately ending up a somewhat reluctant friend to Aladdin and company.
  • Anti-Hero: Ather his Heel-Face Turn. He retains his Jerkass personality and negative traits from the first movie, but he always comes through for the heroes when needed.
  • Becoming the Mask: It's implied subtly that, over the course of the series, Iago actually comes to not only have a stronger moral streak, but to actually enjoy adventuring. Which would explain why he decides to leave Agrabah and adventure with Cassim at the end of The King of Thieves instead of just enjoying the life of luxury that a presumably more settled-down Aladdin and Jasmine would offer.
  • Being Evil Sucks: In the TV series episode "Poor Iago" Iago becomes extremely greedy (even more than usual) only for him to receive all sorts of nasty punishments because of his behavior. This causes him to have an epiphany and he attempts to completely reform his ways, becoming kind-hearted and generous. However...
  • Being Good Sucks: ...this winds up backfiring on him as well. He ultimately decides it's best to just stick with a balance and not be too much of a jerk, but don't be too nice either.
  • Berserk Button: "Polly want a cracker." In the first movie, the Sultan was constantly feeding him "moldy, disgusting crackers". He decided to return the favor when Jafar rose to power. In the second movie, Jafar reminding him that he would have still been in the bazaar without him spouting that same line was the last straw. And in the third movie, just as Cassim was going to repeat that line, Iago said if he finished he'd "let [him] have it on principle!"
  • Big Damn Heroes: He pulls an epic one in the end of the second movie, which results in Jafar being killed.
  • Breakout Character: He rivals Genie with popularity.
  • Butt Monkey: The movie writers' mantra: "When in doubt, hurt the bird."
  • Changed My Mind, Kid: In The Return of Jafar. He opts to bail just before the final confrontation with Jafar. Just when things are looking bleak for our heroes, Iago comes charging into the fight and manages to snatch Jafar's genie lamp. Despite being injured by a magical blast, Iago is able to shove the lamp into a pool of lava, destroying Jafar and saving the day.
  • Dirty Coward: For much of the second movie, he spent a lot of time looking out for himself almost exclusively although unlike many of the examples here, he can be courageous and selfless. Two examples come up in the second film.
  • Did You Just Romance Cthulhu?: His relationship with Thundra. She's a powerful nature goddess, Iago just a regular bird.
  • The Drag-Along: In the series he is the quintessential embodiment of this trope. He's more concerned with living in the lap of luxury and staying out of danger, and, as a Card Carrying Coward, is none too happy with being dragged along on some grand adventure every other day (which is understandable, since he's a bit of a pain magnet).
  • The Dragon: In the first movie. He is Jafar's parrot who makes trouble for the heroes in stealing their possessions, deceiving them with fake voices, and acting as a sort of sentry before the final conflict.
  • Evil Redhead: At first.
  • Feathered Fiend: In the first movie he's almost as cruel as Jafar. Even in the series, he's still the nastiest member of the group, which the group is more than willing to exploit if they need someone who can be unreservedly spiteful or vicious. Aladdin might be too nice a guy to sic a magic-devouring monster on an Evil Sorcerer — but he's got no qualms about letting Iago do it for him.
    Jafar: "I love the way your foul little mind works!"
  • Feather Fingers: He's got some dexterous wings, holding crackers or tearing out his own feathers with them.
  • Fiery Redhead: Technically, he has red feathers, but he's got attitude.
  • The Friend Nobody Likes: Zigzagged. He elicits a lot of complaints and teasing from the others in the group for his flaws and his trouble-making, but they still trust and care for him, and he reciprocates as best he can given his personality.
  • Greed: Even after his Heel-Face Turn he still maintains his greedy qualities.
  • Heel-Face Turn: He spent the entirety of the first film on Jafar's side. The beginning of the second film, The Return of Jafar, sees Iago escape from Jafar's lamp and slowly turn face over the course of the movie, even offing Jafar for good by kicking his lamp into magma. Not that Iago's all that heroic, but his conscience does get the better of him on a number of occasions.
  • Heel-Face Revolving Door: Switching sides three times in The Return of Jafar, and then conspiring with Cassim in King of Thieves.
  • Hidden Depths: There's actually a braver and more noble side to Iago. He just chooses to pretend it isn't there as much as he can. Also, he's surprisingly informed on magic and arcana.
  • I Choose to Stay: Inverted after the third movie, where he chooses to leave the palace after Aladdin's marriage to Jasmine and travel the world with Cassim.
  • The Imp: Small, loud, motor-mouthed and less than moral, as well as having a propensity to stir up trouble, intentionally and otherwise.
  • Ink-Suit Actor: Frequently described as "a feathered Gilbert Gottfried".
  • Jerkass: In the original movie, where he's an obnoxious and cruel sidekick for Jafar.
  • Jerkass Has a Point: Iago may be cowardly and smug to the point of being neurotic, but given that he's often dragged against his will around the world to face very powerful supernatural beings, it's not without reason. He also sometimes provides sensible explanations to problems, like when he was the first one to realize that Harud's "Curse of Clumsiness" was just a mind trick.
  • Jerk with a Heart of Gold: As his character develops he becomes a good guy, but is still usually out for himself alone and greedy to a fault.
  • Large Ham: Example from the TV Show:
  • Laser-Guided Karma: A frequent victim of this.
  • Manipulative Bastard: A master of this.
  • The Millstone: In the TV series, a lot of the problems Aladdin and the gang go through wind up being the result of Iago's greed, ego, and/or cowardice. However, there are also several times where he still winds up contributing greatly to the group as well in spite of these vices.
  • Misplaced Wildlife: He's a South American parrot in the Middle East. Jafar found him in the bazaar and taught him how to talk.
  • Mistreatment-Induced Betrayal: The primary reason for his Heel-Face Turn: he's tired of constantly being abused and pushed around by Jafar.
  • Money Fetish: Unabashedly the greediest member of the series and always eager for cash.
  • Mr. Exposition: He shares this role with Genie in the series, often waxing forth on facts relating to various magical conundrums and obstacles they encounter. Generally, if it relates to Black Magic or Evil Sorcerers, Iago will be the one explaining things, courtesy of his time as Jafar's familiar.
  • The Napoleon: He usually takes this role when he works with Abu and Genie.
  • No Indoor Voice: What did you expect from Gilbert Gottfried?
  • Obfuscating Stupidity: In the first movie, he pretended to be an ordinary parrot when around characters other than Jafar.
  • Polly Wants a Microphone: Interestingly, for most of the original movie, Iago pretends to be a regular parrot when in the presence of characters other than Jafar. In the second movie, Jafar claims that "If it weren't for me, you'd still be in a cage at the bazaar squawking 'Polly want a cracker'", which is sometimes taken to mean that Iago was a normal parrot whom Jafar made articulate with some sort of magic. On the other hand, no one seems to find it surprising that Iago is articulate.
  • Red-Headed Hero: Averted in the first film, but becomes one in the first sequel and onwards.
  • Sarcastic Devotee: He is this to both Jafar and later Aladdin.
  • Screw This, I'm Outta Here!: Attempted at the end of the first movie, but it doesn't work out.
  • Sixth Ranger: With doses of The Lancer.
  • Small Name, Big Ego: He's arrogant and egotistical, despite the fact he has no magical powers, political status or combat skills.
  • Snarky Nonhuman Sidekick: To Jafar initially, but also after his Heel-Face Turn in the sequels and television series.
  • Soul Jar: More like "Emotion Jar", Word Of God states that one of the concepts behind Iago's character is that Jafar transferred all of his emotions to Iago so that he would be free of distractions and better at conjuring magic. Of course, Iago is too small to actually suppress those emotions so you've got yourself a feathered Gilbert Gottfried.
  • Stationary Wings: The fact that he can express with his wings in mid-air makes you think he's floating.
  • Talking Animal: Unlike Abu and Rajah. Justified, since he's a parrot.
  • Tiny Guy, Huge Girl: Tiny Guy to Thundra's Huge Girl.
  • Token Evil Teammate: After his Heel-Face Turn. He's not quite as malicious as he was in the first film, but he's a lot more ruthless and vice-driven than anyone else.
  • Toothy Bird: As pictured in the trope page, he sports a fine set of choppers.
  • Vitriolic Best Buds: Tends toward this: in the first movie, he has a relationship like this with Jafar until their falling out in the sequel. He is like this with the rest of the team in the series, though he gets especially close (and insulting) to Abu and Genie.
  • Voice Changeling: His specialty. Justified because he's a parrot.
  • Wild Card: Throughout all three movies and the series, Iago is about as reliable morality-wise as a chocolate teapot. In fact rather less so, as a chocolate teapot is not capable of good or evil, whereas Iago is capable of both or neither depending on his mood.

    The Carpet 
Voiced by: N/A

An enchanted carpet that has been trapped in the Cave of Wonders for an untold time, this magical rug is capable of flight and is a sentient being in its own right. He and the Genie are old friends, in part due to spending so long in the Cave together.
  • Animate Inanimate Object: He's a sentient (and flying) carpet.
  • Bash Brothers: He and Genie work particularly well together and have known each other for a very long time.
  • Big Damn Heroes: Often catches the heroes mid-air.
  • Don't Touch It, You Idiot!: To Abu in the first movie.
  • Face Palm: Manages to do this without a face or a palm. It uses its corner tassels as makeshift "hands".
  • Hypercompetent Sidekick: A helpful and useful Non-Human Sidekick who helps the heroes several times.
  • Leitmotif: Yes, even the Carpet gets one. You can hear a soft variation of it when they first meet Carpet, followed by a bombastic version during the escape from the cave. It returns as Aladdin and Abu escape the ends of the earth later on.
  • Magic Carpet: Well, obviously. He's a carpet that can rapidly transport people who sit on top of it.
  • Red Oni, Blue Oni: The blue oni to Genie's red oni. He's The Quiet One while Genie is boisterous and energetic.
  • The Reliable One: Big time. He's just a carpet, but a heroic, intelligent carpet who is always there whenever Aladdin and the others need him.
  • Running Gag: Constantly besting Genie at various games.
  • Shipper on Deck: Aladdin and Jasmine's First Kiss happened thanks to him.
  • The Silent Bob: Justified; he's a carpet. He can't talk!
  • Silent Snarker: Several times, like in the scene with Aladdin and Jasmine after the "A Whole New World" song. See also Face Palm.
  • Smarter Than You Look: He has shown to possess an almost-human level of intelligence, due to his Hypercompetent Sidekick role.
  • The Speechless: It's a carpet. He may be sentient, but is not exactly prone to conversation.
  • That One Player: To Genie. It's a Running Gag throughout the entire series, cartoon and films alike, that he always bests Genie in whatever game they're playing.
  • Weaksauce Weakness: He can be beaten by particularly heavy piece of furniture, or someone with a knowledge of basic knots. Also, getting ripped or having a part of him burned off wrecks his ability to fly.

    The Sultan 
"I'm not going to be around forever, and I just want to make sure you're taken care of."

Voiced by: Douglas Seale

The benevolent and good-natured Sultan of Agrabah, Jasmine's father loves his people but especially his daughter and wishes only for her to be happy and taken care of. So, he tries to get her betrothed to an Arranged Marriage, but fails because no prince is ever good enough for her. When she falls in love with Aladdin, who also saves Agrabah from the tyranny of Jafar, he gives them his blessing to wed.
  • Adaptational Badass: In the TV series.
  • Adipose Rex: Age and high living have made him quite roly-poly.
  • Badass Grandpa: For the most part, averted... though in some episodes of the series he shows this such as the episode where he impressed the man-hating amazons.
  • Berserk Button: Do not threaten the city or its people, and especially his daughter Jasmine if you know what's good for you.
  • Big Good: As the kind, benevolent Sultan of Agrabah.
  • Bumbling Dad: To Jasmine. Not stupid, but somewhat childish and gullible.
  • Clueless Boss: His default state, especially in the first movie. Every now and then in the series however he would show moments of competence.
  • Crouching Moron, Hidden Badass: He seems to be a bumbling, almost childlike figure most commonly, but he was a pretty good adventurer and warlord in his younger days, and he still retains something of his old skills.
  • Genius Ditz: He's a competent ruler, but he seems hopelessly inept at reading people and is generally incredibly scatterbrained.
  • Good Counterpart: He's Jafar's opposite both physically and mentally.
  • The Good King: It's shown in the TV series. When Jasmine tells him about the impoverished people in his kingdom, he expresses concern. His inflection implies "I gotta do something about that."
  • Good Parents: Despite his flaws, he is a good father to Jasmine. He wants her to marry but doesn't want it to be to someone she hates.
  • Horrible Judge of Character: The Trope Namer! The movie even lampshades this when the Sultan prides himself to be an excellent judge of character, and Iago grumbles his sarcastic "NOT!"
  • Let's Get Dangerous: He's normally docile, child-like and fun-loving, but he knows when to put his foot down when he has to.
  • Leitmotif: A cute li'l Fanfare.
  • Man Child: At times he acts very childish, such as collecting toys and getting really excited when riding the carpet.
  • Miniature Senior Citizen: Although he wasn't any taller when he was younger either.
  • Nice Guy: Shown to be a very kind and generous person. He actually has no personal problems with Jasmine marrying outside of royalty, it's just that royal customs forbid it. And he forgot that he makes the royal customs.
  • No Name Given: Although the lyrics for the unused reprises for Arabian Nights reveal that his name is Hamed. Also, in one episode of the series, the ghost of his grandfather calls him "Bobo."
  • Papa Wolf: Towards his daughter Jasmine. See Berserk Button.
  • Ping-Pong Naïveté: Sometimes he comes off as pretty on the ball under his bubbliness, but at others he just seems wholly inept, such as that one time where he's apparently totally unaware that there are poor people in Agrabah.
  • Reasonable Authority Figure: Despite his flaws, he's generally a worthy ruler knowing when to put his power into good use. In The King of Thieves, he agrees to drop all charges against Aladdin for busting Cassim free because Aladdin only did so out of love and willingly came back to accept the consequences.
  • Royals Who Actually Do Something: On occasion in the television show. The end of the first movie has him realize how outdated the law is, and how much Aladdin has proven himself, so he revokes it.
  • Retired Badass: If the stories about his past are true he's had an eventful life before settling down.
  • Screw the Rules, I Make Them!: Though it takes him a movie to realize he can.

Voiced by: Frank Welker

Princess Jasmine's large yet loyal and loving pet tiger.
  • All Animals Are Dogs: He acts like a (very tough) house cat.
  • Amplified Animal Aptitude: Not to the extent of Abu, but he's pretty smart for an animal, assisting Jasmine in her escape from the palace and even comforting her while she's grieving for Aladdin, whom Jasmine, thanks to Jafar's trickery, believed to have been executed.
  • Cats Are Mean: Initially, before he warms up to Aladdin and later the reformed Iago.
  • Cool Pet: He's completely loyal and devoted to Jasmine.
  • Cute Kitten: Turned into one by Jafar (temporarily) in the first movie.
  • Demoted to Extra: In the TV Series, due to low-budget animation studios having trouble drawing his stripes properly on a consistent basis.
  • Empathy Pet: Much like Abu is this to Aladdin.
  • Panthera Awesome: Although he acts more like an oversized housecat.
  • Undying Loyalty: For Jasmine.

"Now where were we? Ah, yes - abject humiliation!"

Voiced by: Jonathan Freeman

The Sultan's Grand Vizier in the first film, he yearns to claim power over the throne but is forbidden from ever attaining that position. For this reason, he seeks the Lamp of the Genie, so that he may use the Genie to become Sultan in turn. Ultimately outwitted by Aladdin, he wishes himself to be turned into a genie, only to be sealed away inside his own lamp. Upon escaping, he "recruits" the bandit Abis Mal to aid him in seeking revenge.
  • Ambition Is Evil: Particularly pronounced in comparison to Aladdin, who ultimately only wants power because he thinks it will make him good enough for Jasmine (with a bit of self esteem issues thrown in). Jafar wants power for power's sake, despite the fact he's already in a powerful position as the Grand Vizier and a Dragon-in-Chief to the Sultan, able to hypnotize him and make him into a Puppet King whenever he feels like it. It just isn't enough for him; he wants more. He even becomes a powerful sorcerer once his second wish is granted then conquers Agrabah effortlessly. Not even that satisfies his greed apparently, finding that Genie was the one who granted him his powers would mean that he was one step below powerfully. Jafar uses his third Becoming the Genie.
  • And Now You Must Marry Me: His plan for Jasmine after he thinks the lamp's out of play. She's horrified to find out. Even after he does retrieve the lamp, he keeps her in a chain.
  • Animal Eyes: Briefly during his shape shifting into a snake
  • Ax-Crazy: He looks calm and cold-blooded at first, but once he obtains the Lamp's power he loses all his coolness, revealing his true psychopathic nature. Genie calls him "Señor Psychopath" for a reason.
  • Baby Talk: Present in the Swedish dub of the second movie where he often speaks in a tone that makes him come across as even more insulting and condescending towards others, especially towards Abis Mal.
  • Bad Boss: To Iago in the first movie and Abis Mal in the second movie. The former is fed up and quits being evil.
  • Bald of Evil: Not noticeable at first, but he's shown to be this during his Big "YES!" to Big "NO!" scene.
  • Beard of Evil: Jasmine, falsely admiringly, notes that it's "So twisted".
  • Becoming the Genie: His wish to become an all-powerful genie fires back on him and traps him in a new lamp. By the second film however this works to his advantage, since with his lamp rediscovered his transformation into an evil genie basically made him a near-omnipotent villain with all the time in the world to plot his revenge, but at the cost of having his life force trapped within the lamp.
  • Big Bad: The main villain of the first two films.
  • Big "NO!": Gives out one after every defeat.
  • Breath Weapon: "I'm just getting warmed up!" (fire breath)
  • Card-Carrying Villain: Though he doesn't say outright he's evil, he doesn't seem to take offense to Iago calling him "Your Rottenness" or "Oh Mighty Evil One". And if you call him a snake...
  • Charm Person: With his magic staff which he used to convince the Sultan to more easily persuade him.
  • The Chessmaster: In the first movie, and especially the second movie.
  • Classic Villain: Representing Ambition and Pride. He even provides the page image.
  • Color-Coded for Your Convenience: Dressed in villainous black and red.
  • Composite Character: Jafar is a mixture of 3 antagonists from the fairy tale the movie is based on. They are the sorcerer who wanted the genie, the vizier who tried to discredit Aladdin after his rise to wealth, and the vizier's son who tried to marry the princess.
  • Creepy Long Fingers: Which goes along with his thin frame.
  • Dark Is Evil: In his normal and sorcerer forms.
  • Deadpan Snarker: During his less hammy moments.
  • Deader Than Dead: This is seemingly his final fate in Hercules and the Arabian Night, his final chronological (though non-canon) appearance outside of alternate continuities. Jafar, being already dead but temporarily resurrected by Hades as long as he's holding his staff, has the snake staff destroyed by Hercules, causing him to sink into the river Styx, but disappear entirely before he's fully immersed.
  • Determinator: In the first movie, he is completely foiled several times before the climax - in fact, halfway through the movie he is nearly beaten for good. Every time it seems like's finished, he comes up with a brand new plan and tries again - and by the end of the movie he's gone through about three.
  • Dragged Off to Hell: His ultimate fate in the Hercules crossover. After Hercules breaks his staff, the only thing keeping him alive, Jafar turns back into a ghost and is forcibly dragged into the River Styx by the souls within.
  • Dragon-in-Chief: To Abys Mal in the sequel. As the holder of Jafar's lamp, Mal is technically Jafar's master and can give him orders. But Jafar is a Jackass Genie who twists Mal in wasting two of his wishes, and Mal is just so pathetic and Jafar is just so intimidating and powerful that he's able to boss Mal around without trying very hard.
  • Evil Chancellor: A classic example, he even provides the image
  • Evil Counterpart:
    • Jafar is essentially a "dark mirror" of sorts for Aladdin. Just older, and having chief flaws that are exaggerated versions of Aladdin's own. Essentially both want to move up in the world and resort to trickery in order to do so. Both resort to deception in this pursuit. Jafar pretending to be a calm, stoic, and loyal advisor whilst he is actually a maniacal, sadistic, and eccentric villain. Aladdin in his Prince Ali guise puts out an air of arrogance, boisterousness, and regality to cover up his more mild-mannered and humble true persona. Ironically enough, Jasmine is able to see through both of them. Both also at least start to become too dependent on the use of magic in their pursuits. Aladdin uses the Genie to set up his façade as a prince, and eventually becomes so worried about keeping up appearances that he tells the Genie that he believes he is going to have to go back on his promise to free him as he doesn't think he can keep up the ruse without him. Jafar similarly depends on using magical artifacts like his snake staff that has hypnotic powers with which he maintains control over the Sultan, and also like Aladdin seeks to use the Genie to help move himself up but in a more forceful way. In the end Jafar is defeated by Aladdin using his own natural wits rather than magic with which me manages to play on Jafar's obsessive craving for power. Jafar himself is somewhat conscious of their similarities given his line during the Prince Ali Reprise song number where he says, "So Ali turns out to be merely Aladdin. Just a con, need I go on, take from me." Heck, both even have small, as well as greedy, comic relief animal sidekicks that hang out with them. The unused source material implies that like Aladdin, Jafar grew up in poverty and unappreciated by most people, though unlike Al, he didn't retain his nobility as he strove to become more in his life.
    • Jafar comes to serve as this for Genie after he has made his wish to turn himself into a genie as well.
  • Evil Costume Switch: His hat, robes, and staff change after he becomes a sorcerer, and again after he becomes a genie.
  • Evil Eyebrows: Big and thin ones
  • Evil Genius: When he doesn't give into Pride he's actually very clever, especially in the sequel.
  • Evil Is Bigger: He may be Lean and Mean, but he absolutely towers over everybody else in the movie except the Genie.
  • Evil Is Hammy: Especially after becoming the greatest sorcerer in the world.
  • Evil Is Petty: From The Return of Jafar onwards, his only motivation is to get revenge on Aladdin; everything else, including world domination, is a distant second.
  • Evil Laugh: One of the greats. The one he gives after he has Jasmine and the Sultan at his mercy is so psychotic it's downright terrifying.
  • Evil Plan: Acquiring the lamp and marrying are ends to the same goal; take over the kingdom.
  • Evil Sorcerer: The greatest IN THE WORLD!!!
  • Family-Unfriendly Death: In the sequel after his lamp is destroyed. He convulses in agony while his skeleton appears in flashes of light in a manner not dissimilar to how electrocution is portrayed.
  • Fatal Flaw: His pride and greed. He can't control his lust for more power no matter how strong he gets, and couldn't stand being second-best to the Genie, and that is precisely how he lost in the first movie.
  • Faux Affably Evil: Begins as composed, polite and stoic, but gradually reveals the true monster behind the act.
  • Fisher King: When he takes control the sky becomes red.
  • A Form You Are Comfortable With: He spends most of the second movie in his original human form because his true genie form is a bit too much for Abis Mal to handle.
  • From Nobody to Nightmare: Multiple times. He starts as a Smug Snake, then he becomes an Evil Sorcerer, then he becomes a Physical God. In Return of Jafar he doesn't get any stronger, but he definitely gets smarter.
  • Glowing Eyes of Doom: In his Genie form.
  • A God Am I:
  • Greed: His Fatal Flaw. He cannot control his lust for more and more power. This is also what eventually does him in—-see below.
  • Hoist by His Own Petard: His wish to be an all-powerful genie is what resulted in his being imprisoned in a lamp at the end of the first movie.
  • Hypno Ray: Via his Magic Staff.
  • Good Colors, Evil Colors: His genie form is red, with fangs and claws, compared to Genie's blue. He also wears completely dark clothing compared to everyone else's white and blue clothes.
  • Insult Backfire: Which triggers his giant cobra form:
    Aladdin: Are you too afraid to fight me yourself, you cowardly snake?!
    Jafar: A snake, am I? Perhaps you'd like to see how ssssnakelike I can be! (cue giant snake transformation)
  • It's All About Me: He's completely obsessed with his own personal power and gratification, which results in his Chronic Backstabbing Disorder; he disregards everyone else, often making enemies where he could have avoided it just by being a bit more generous.
  • Jackass Genie: In Return of Jafar, where he grants wishes to his master Abis Mal in exactly the worst way and compels him to help "his" genie under threat of receiving a Fate Worse Than Death.
  • Jerkass: Jafar isn't just evil, he's just plain unpleasant, being vain, greedy, self-centered, treacherous, conniving and manipulative. It's what causes Iago to turn against him in the sequel.
  • Killed Off for Real: He is killed off for real in The Return of Jafar. The Aladdin canon continued with three seasons of a cartoon series as well as a final movie, all without bringing Jafar back, even though Jafar is a relatively popular Disney villain. He does return in a Hercules crossover episode, in which he's still technically dead. His partner is Hades, Lord of the Dead.
  • Lack of Empathy:
    • After seeing Jasmine cry after lying about Aladdin's execution, his reaction?
    Jafar: I think she took it rather well.
    • Earlier, at the beginning of the movie, Jafar recruits a thief to help him get into the Cave of Wonders. When said thief gets trapped in there, his fate does not debilitate Jafar in any way and instead wonders who the "Diamond in the Rough" is. He's pretty much like "Pfft, whatever." Doubles as No Honor Among Thieves.
  • Large And In Charge: Iago's words about him in Return of Jafar.
  • Large Ham: Hoo boy, he is one of Disney's largest.
  • Leader Wannabe: He wants to be Sultan.
  • Lean and Mean: To contrast with the round and buffed characters in the film. Subverted when he becomes a genie; in that form he is large and muscular.
  • Leitmotif: A dramatic, descending piece that sounds a bit like "Arabian Nights."
  • Lightning Bruiser: Jafar in his cobra form. Justified because he's huge and because cobras are REALLY fast.
  • Loophole Abuse: Genies can't kill anyone outright, but in Return of Jafar there's nothing stopping him from setting up people to be killed indirectly, such as leaving them dangling from a rock over a pit of lava, teleporting them to the bottom of the ocean and threatening to drown them, or setting up their execution. Or making them wish they were dead, as he often reminds people:
    "You'd be surprised what you can live through."
  • Magic Staff: His first, projecting his Hypno Ray through the eyes, was smashed by Aladdin, breaking his control over the Sultan. His second, the open-mouthed replacement after his second wish, had more general applications. He gets a third in the Hercules crossover, which is what keeps him corporeal.
  • Manipulative Bastard: He uses his influence to control the kingdom with his Charm Person powers, he graduates to greater intelligent schemes in the sequel.
  • Names to Run Away from Really Fast: He's named after Grand Vizier Jafar, which has often been adopted as a name for a Middle Eastern villain.
  • Nice Hat: Which becomes pointy as a sorcerer.
  • Obviously Evil: To everyone but the Sultan, who is a Horrible Judge of Character.
  • Ominous Opera Cape: Which is black that's red on the inside.
  • One-Winged Angel: In addition to the Scaled Up mentioned below, he turns into a Genie. While it doesn't work for him at the time and he becomes Sealed Evil in a Can, he proves in the sequel he's far more powerful than before. Even before he became a Genie, he transformed himself into a giant cobra as a sorcerer.
  • Out of the Inferno: He calmly walks through the ring of fire he surrounded Aladdin with.
  • Politically Incorrect Villain: Implied. He views speechlessness as "a fine quality in a wife".
  • Power Echoes: In his genie form.
  • Pride: His Fatal Flaw. He can't accept even being the second most powerful being on Earth and wishes to become a genie, leading to his own imprisonment.
  • Psychopathic Manchild: A very intelligent and manipulative example but when he lets his temper get the better of him, he acts like a a very spoiled and egoecentric child who just cannot stand anyone else, even coming close to his level. He also cruelly tortures and toys Jasmine after she rejects him.
  • Pungeon Master: As a sorcerer, Jafar announces each attack with a lame pun. "Your time is up!/Don't toy with me!/Get the point?!", etc.
  • Reality Warper: His powers increase with each wish until he becomes an all-powerful genie with phenomenal cosmic powers.
  • Red and Black and Evil All Over: His outfit. It has a black cape with red inside it, and a red feather in his turban.
  • Red Sky, Take Warning: Once he wishes himself Sultan, the entire sky over Agrabah turns red and stays red until he's sealed in the lamp. This returns in the climax of The Return Of Jafar when he opens the lava pit, and again, goes away after he disappears.
  • Revenge Before Reason: In "Return Of Jafar," where his downfall comes mainly due to being so obsessed with revenge that he ignores the loose ends that ultimately destroy him. Hades calls him out on this in the series' crossover with Hercules.
  • Scaled Up: Turns into a gigantic cobra. Worth noting, this is one of the few times it's actually effective.
  • Sealed Evil in a Can: He becomes one at the end of Aladdin after he wishes to become a Genie and he gets trapped in a dark lamp. He gets freed in Aladdin: The Return of Jafar by a thief, and goes back to Agrabah to get his revenge on the heroes.
  • Shoulders of Doom: Gets them after becoming a sorcerer.
  • Smug Snake: Initially, but he graduates to a Magnificent Bastard in Return of Jafar
  • Sssssnake Talk: As a giant cobra, obviously.
  • The Sociopath: See Jerkass above.
  • Soul Jar: After becoming a genie, his life-force is tied to his lamp and if its destroyed, he goes along with it. Which is exactly how he meets his end in the second film.
  • The Starscream:
    • His lifestyle is as the Mind Control-equipped power behind the throne to the weak sultan of Agrabah, with ambitions only to obtain greater magical power, but as Jasmine's coming-of-age threatens to introduce political competitionnote , he conceives an intent to marry into the succession.
    • Eventually after securing the genie he just makes a wish and is sultan of Agrabah, which is thinking kind of small compared to some versions of the story given it appears to be a wealthy little oasis city all by its lonesome in a bunch of dunelands, maybe a lesser cousin of Samarkand. Anyway he turns the real sultan into a court jester. He did not like pretending to respect the guy. Points for his coming up with the succession thing within the story, and from Iago's suggestion. No Hikaru Genji Plan here, folks!
  • Villain Ball: Several, notably listening to Aladdin's suggestion that he should become a stronger genie rather than kill him immediately.
  • Villain Song: Prince Ali Reprise in the first film and You're Only Second Rate in the second one. He also had three cut songs from the first movie, Why Me?, Humiliate The Boy, and My Finest Hour.
  • Villain with Good Publicity: As the grand vizier. Ends when Aladdin exposes him and his plans.
  • Wicked Cultured: One of the most sophisticated in Disney canon.
  • Wingding Eyes: During his Evil Laugh at the end of Prince Ali Reprise.
  • With Great Power Comes Great Insanity: After he becomes a sorcerer, he goes a little bit nuts. It only gets worse in The Sequel. Of course, there's nothing to say he wasn't already insane to begin with.
  • Would Hit a Girl: Even though he doesn't get to the point due to deciding that forcing her to become his love slave via Genie would be much better, Jafar was about to seriously backhand Jasmine when she tossed the wine in his face. And he outright tries to kill her by suffocating Jasmine in a giant sand hourglass.
  • X-Ray Sparks: When destroyed in the second film.

"I'll have your hands for a trophy, street rat!"

Voiced by: Jim Cummings

Chief of the Sultan's guards, Razoul is the enforcer of law and order in Agrabah, and holds a particular resentment for Aladdin, who has a past of escaping him and making he and his men seem like fools.
  • All Crimes Are Equal: It doesn't matter if you're an old man or a woman, or if you're a Justified Criminal like Aladdin who only steals food to survive. If you commit a crime, he will come after you. Truth in Television: Medieval era laws and punishments were very harsh, no matter where in the world you were.
  • Badass Beard: Zigzagged in that Razoul's not much of a Bad Ass in the series, but still, he sports a very impressive chin-warmer.
  • Butt Monkey: More so in the series, where he is routinely trounced, defeated or humiliated, especially by the various monsters of the week.
  • Chained Heat: With Aladdin in the TV series finale. Even better, it was a magic chain. If they got along, it was long; disagreeing, short; and if they started fighting, the shackles fused together.
  • Determinator: The first film establishes that he has been after Aladdin for quite some time.
  • Grumpy Bear: We rarely ever see him happy about anything, and the one time he was, it quickly got snatched away by the King of Thieves.
  • Hero Antagonist: He's only doing his job.
  • Inspector Javert: Even after Aladdin becomes Jasmine's fiance, Razoul will look for any excuse to arrest Aladdin or make things hard for the "street rat."
  • Jerkass Has a Point: Sometimes. When Aladdin was a thief, Razoul was just trying to do his job of maintaining law and order in Agrabah. He also can't be blamed for being suspicious of a former criminal courting the Princess who he is in charge of protecting.
  • Jerk with a Heart of Gold: He doesn't even try to hide his dislike of Aladdin even after the Sultan and Jasmine accept him, but he still at least tolerates his presence.
  • Karma Houdini: Despite having had a direct hand in multiple occasions when Aladdin has nearly died, he never faces any significant punishment.
  • Mythology Gag: In The King of Thieves, Razoul is shown initially bungling the magic words to access the lair of the 40 Thieves. This is a reference to Ali-Baba's brother in Ali Baba and the Forty Thieves, who got caught in the thieves' lair because he forgot the magic password after he got inside, leaving him trapped in their treasury.
  • Psycho for Hire: There are numerous hints that he actively enjoys executing people. In the first movie, he eagerly and readily attempts to drown Aladdin/Prince Ali in the ocean under Jafar's orders, and in The Return of Jafar, when Jafar's Evil Plan leads him to think that Aladdin had killed the Sultan, he's so eager to see it happen that he plays the executioner himself. However, when the Sultan, overshadowed by an evil spirit, ordered Jasmine to be executed, he wasn't comfortable with being the one to do the job. Considering that at times he was about to execute Aladdin, it seems more like he's eager to kill Aladdin. And he might be a sadist who enjoys killing merely because he was told so by his superiors but he is also genuinely loyal to the Sultan and the princess.
  • Red Shirt Army: This is very evident where the Royal Guards had difficulty defeating Dominus Tusk.
  • The Resenter: A mild version occasionally shows in the TV series, he's evidently not happy about the fact that the thief he's been chasing in the movie has become his superior. You can't just expect the cop to be cool with the ex-con after all, prince or not.
  • Surrounded by Idiots: The other guards aren't very bright.
    Guard: He's got a sword!
    Razou: You idiots... WE'VE ALL GOT SWORDS!
  • Undying Loyalty: To the Sultan and Princess Jasmine. Case-in-point: in the first movie, when Aladdin is arrested by him, Jasmine, who had been hanging out with him in disguise, promptly reveals herself and demands that they let him go. Razoul, who had been eager to finally capture Aladdin, immediately changes his tune and apologizes, politely telling Jasmine that he would do so, but he's working under Jafar's orders.
  • Unwitting Pawn: To Jafar in the first two movies, some occasions in the TV series, and to Sa'luk in King Of Thieves.

     Fazal and Hakim 
Hakim (left) and Fazal (right).
Voiced by: N/A

The two guards most frequently seen alongside Razoul, going from nameless extras in the first film to named, if minor, characters in the series. Like Razoul, they loyally serve the Sultan and Agrabah, although not with a particularly great deal of competence.
  • Big Eater: Fazal loves to eat, to the point that Razoul jokes that when Fazal is not thinking of his next meal, it'll be time to bury him.
  • Butt Monkey: Like their boss, they get manhandled and kicked around a lot, mostly to show off how Aladdin is the show's hero.
  • The Eeyore: Hakim sole characterization is based on his glum, gloomy attitude and his monotone way of speech.
  • Fat and Skinny: Fazal's the fat one, Hakim is the skinny one.
  • Karma Houdini: Like Razoul, they were involved in abducting and attempting to murder "Prince Ali", but never get notably punished for it.
  • Those Two Guys: There's technically a third guard who hangs out with them, but he never speaks or gets named, so it's mostly them.
  • Trademark Favorite Food: Fazal loves dates.

     Prince Achmed 
Voiced by: Corey Burton

A Jerkass prince and one of Jasmine's would-be suitors.
  • Disproportionate Retribution: He tried to whip two children for simply getting in his way.
  • Goofy Print Underwear: He wears pink underpants with red hearts, as seen when Rajah bites a piece out of his pants.
  • Irony: He explicitly tells Aladdin that he's nothing but a "worthless street rat" and will never be anything more. Not only does Achmed not get Jasmine, but Aladdin himself ends up with her at the end.
  • Jerkass: He's first introduced calling two children "filthy brats" and trying to whip them.
  • Laser-Guided Karma: After publicly humiliating Aladdin before going to court Jasmine, he's attacked by Rajah and sent packing.
  • Nice Hat: A purple turban with black feathers.
  • Prince Charmless: To quote Aladdin:
    Aladdin: If I was as rich as you, I could afford some manners!
  • Would Hurt a Child: He tried to beat two little kids with a bullwhip just for getting in his way; fortunately, Aladdin intervened.