The SpongeBob SquarePants games have plenty of awesome music.
SpongeBob SquarePants: SuperSponge has its own page.
SpongeBob SquarePants: Battle for Bikini Bottom
- Bikini Bottom/Sand Mountain
. A calm, cheerful, and ambient track for both the game’s central and slide section Hub Level that’s very pleasant to listen to. - Jellyfish Fields. A very catchy tune that helps capture the serenity of the green pastures. A perfect track to start your adventure with.
- Downtown Bikini Bottom. Despite the city itself being a wreck from the robot attack, the music is very calm and soothing.
- Goo Lagoon. Nothing says “cowabunga!” like a parody of the classic beach track "Wipe Out", with awesome guitars playing. Hope you brought sunscreen.
- Poseidome, Robo-Sandy’s boss battle theme, is a very kick-ass Industrial Metal track that suits the overall theme of fighting in a public arena in front of the masses.
- Rock Bottom is a very eerie track for the dark and mysterious abyss of strange creatures. The electronic beat is slow yet heavy and tense, sounding like something out of a spy movie or Metal Gear Solid, which fits, considering the level's emphasis on SpongeBob's ability to "tip-toe" allowing him to sneak up on the newly introduced Sleepy Time bots and safely navigate the collapsible platforms. It also perfectly suits the infiltration of the Rock Bottom Art Museum and its Laser Hallway.
- The Mermalair has classic Batman-esque vibes written all over it. A perfect and awesome piece for exploring a secret superhero lair.
- The Slide theme. A fast-paced rock theme for zooming down those slides like a pro.
- Industrial Park, Robo-Patrick's boss battle theme, sounds very cold, menacing, and melancholy capturing a sense of urgency a well as the fact that the boss fights with radioactive ice cream, and it even comes with a One-Woman Wail.
- Kelp Forest, despite being That One Level, has a catchy, exotic, and somewhat mystical track for the dense wilderness that is easy to get lost in. The slower-paced version that plays in the caves is especially mysterious sounding.
- Flying Dutchman’s Graveyard starts off eerie and haunting but then evolves into an awesome rock piece half-way through.
- SpongeBob's Dream. A very catchy techno track that also sounds very ambient and surreal. Befitting for the nature of dreams. A minor version of it is used for the mini-boss battles.
- Chum Bucket Lab. The Final Boss theme for SpongeBot Steelpants and Robo-Plankton, and Orchestral Bombing at its finest!
The SpongeBob SquarePants Movie Game
- No Cheese. A very catchy jazz track complete with an awesome saxophone to start the game with.
- I'm Ready... Depression. Despite the level's name, this track is cheerful and wacky, befitting of Goofy Goober's Ice Cream Party Boat... and our heroes' amusing ice cream hangover. Though the "depression" portion could be attributed to the piano playing in the background, which does sound very discordant, fitting with SpongeBob and Patrick's depression.
- Combat Arena Challenge. An intense, yet slightly goofy battle theme for fighting all those hordes of enemies.
- Sandwich Driving 101. A fast-paced rural-style track, perfect for those insane road trips with the Patty Wagon. The Three... Thousand Miles to Shell City version is the same but without the fiddle melody, which suits the nature of exploring the desert beyond the county line.
- SpongeBall/Floating Block Challenge. A very smooth and mellow track for these Bonus Levels.
- Rub a Dub Dub, Slip Slide in a Tub, this game's very own awesome slide theme, manages to out-do the one from Battle for Bikini Bottom.
- Bubble Blowing Baby Hunt is an intense heavy metal track for the rough and tough nature of Thug Tug.
- Disco Star plays during the disco portion of Bubble Blowing Baby Hunt, and it is guaranteed to get your groove on!
- I'll Let You Pet Mr. Whiskers, the Frogfish's boss battle theme, is as intimidating as it sounds.
- Now That We're Men. No, it isn't the same song that SpongeBob and Patrick sing in the movie. This track is very eerie and foreboding, which makes crossing the Trench inhabited by monsters sound even more dangerous. The song even tosses in a brief Dark Reprise of the SpongeBob theme to drive the point home.
- Shell City, Dead Ahead is a foreboding industrial track that helps capture the nature of the junkyard and Patrick's journey into the unknown.
- Name's Dennis, the boss battle theme for your first encounter with the hitman Dennis, sounds deadly with the sense of urgency to keep fighting to stay alive.
- Dennis Strikes Back, Dennis' second boss battle theme, sounds even deadlier than his first one. It really shows that he isn't done yet.
- Welcome to Planktopolis... Minions. A very intimidating track for the once beautiful Bikini Bottom now under the tyrannical rule of Plankton. And it even captures the essence of fierce opposition SpongeBob will face.
- Turn the Tables on Plankton, the Final Boss theme for King Neptune, is an intense rock theme with awesome guitar riffs to capture the feeling of the final battle. It's also a Suspiciously Similar Song to "Rock You Like a Hurricane". During the climax of the fight, the original Goofy Goober Rock theme from the movie will play.
SpongeBob SquarePants: Creature from the Krusty Krab
- Diesel Dreaming, the racing and battle OST for the first level of the game, perfectly captures the feel of racing and speed.
- Super-Sized Patty, a light guitar track that takes cues from the show's classic "Grass Skirt Chase" theme, adding more instruments in each of the three levels. The second version drops the lead guitar in favor of a more electronic sound befitting the factory area the second stage takes place in. The third variation takes the instrumentation of the two previous tracks and adds on even more to create an energetic and fast-paced rendition of one of the show's most famous background tracks.
- The three music tracks that play in the Alaskan Belly Trouble and all of their variations qualify:
- The first track is a hectic, unsettling track that suits SpongeBob's current situation, plummeting into a deep chasm with no end in sight. It gets reused as the battle theme in the final part of the worm along with on-foot "idle" and "normal" variations of the theme that are especially ominous and foreboding ambient pieces.
- The first track that plays inside the worm comes in idle, normal, and battle forms, with all of them being very catchy and bouncy jazz pieces.
- The second on-foot track is also notable with its idle and normal variations being somber, unnerving and mysterious ambient tracks like something out of a Tim Burton movie, whereas the battle version is a more upbeat and hectic-sounding piece of jazz with a slight melancholy slant.
- The first track
- Rocket Rodeo is an insane mix of folk, rock and electronic music.
- Revenge of the Giant Plankton Monster has a very B-movie vibe to it, fitting of a gigantic Plankton Monster destroying a city.
- It Came From Bikini Bottom gives off a very terrifying and imposing vibe, almost like that of a huge alien invasion (or in this case, giant, blood-thirsty one-eyed beast fueled by pure, unadulterated destruction). At this point, you know the game's not screwing around anymore.
- Rooftop Rumble, a fast paced track bound to make you hungry for some kick-butt action.
- The final stage, Hypnotic Highway, demonstrates the pure chaos, disarray and insanity fitting the strange and creepy visuals you're bombarded with in this epic finale of a race.
