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- The main theme. Now with face-melting guitar solos. Or a full orchestra and chorus.
- And then Unyielding came along to prove this theme did not require any of the above to ROCK.
- And then it got cranked up to eleven by Reclaimer, or "What happens to you take a kickass rock song playing to a battle, remix it, and then play to the second, larger battle immediately afterwards."
- "Greatest Journey", the most epic complete rendition of the Halo theme, serves as the background music for the final run of Halo 3.
Halo: Combat Evolved
- Heavy Price Paid from Halo 2. Just have a listen.. Very few songs really hit home how desperate the situation has become, and how everything is on the line. The title is very fitting; a heavy price has been paid, with many Elites being slaughtered, and a heavier price remains to be paid: the annihilation of every sentient being in the galaxy.
- Earth City from Halo 2. An absolutely epic piece that closes out the level "Metropolis" as In Amber Clad races to follow the Prophet of Regret's ship through a slipspace rupture that ends up engulfing New Mombasa.
- The soul-soothing In Amber Clad from Halo 2.
- Blow Me Away by Breaking Benjamin, used in Halo 2 at the climactic battle scene. After a gameful of sweeping orchestras and choirs, it decided to ROCK OUT.
- That's the equally-impressive vocals version, but this is the version you hear as you're running the gauntlet of, oh, dozens of aliens doing their best to splatter each other into little chunks of goo.
- The best part of that song is how it crops up as you enter the room to a bunch of elites and brutes fighting, and then launches into the insane rock as two hunters join the party. At that point, all ideas of hanging around until the groups destroy each other goes pretty much out the window. (And with that, we have the answer to how to stop the player sitting out of your huge battle scene - invoke Autobots, Rock Out!.)
- The version including the vocals was also used as the theme tune for Major League Gaming's coverage of their 2006 Halo 2 season.
- "On A Pale Horse", because Banshee fights on the bridges of Assault on the Control Room are always fun.
- The Epilogue Suite for Halo 2. Those guitar riffs during the first minute especially.
- Wage from the Delta Halo Suite. When you listen to it, whatever you are doing becomes epic by association. Putting it with the entire suite just takes it Up to Eleven for bonus points.
- For whatever reason, they couldn't get "Blow Me Away" and "Follow (1st Movement of the Odyssey}" for the 10th anniversary remake of Halo 2. But that's okay, because 343 Industries went ahead and composed brand-new guitar-shredding rock tracks for their respective scenes: "Breaking the Covenant" and "Follow In Flight".
- "One Final Effort" from Halo 3.
- To Kill a Demon, played during one of the more ridiculously fun vehicle sections.
- Tribute from Halo 3. A fitting end to the original trilogy, with easily one of the most beautiful, tear-jerking melodies in the whole series. It perfectly encapsulates the loss and emotion felt throughout the trilogy, and brings it to a somber, yet hopeful close.
- "Follow Our Brothers", from Halo 3. A beautiful, uplifiting reprise of "Brothers in Arms" from Halo: Combat Evolved, that plays over an inspiring scene of the UNSC and Covenant Separatists gearing up to go through the Portal, united against a common foe.
- "This Is Our Land". Made all the more awesome because that's playing as you are rolling into an invaded human city with every intention of driving those Covenant bastards back out.
- Halo 3's version of "On A Pale Horse" topped the original, as the first part of the piece "Behold a Pale Horse". A lot of Halo 3's work were new versions of themes from the first and second.
- "Reborn", the overture of the final level of Halo 3.
- The entire Covenant suite is one big Moment Of Awesome for Awesome Music.
- The main menu theme of Halo 3, Unforgotten/Never Forget. It's really a beautiful piece. Probably a Tear Jerker / Award Bait Song if there ever was one. "Unforgotten", indeed.
- The reprise of "Under Cover of Night" (from Halo: CE) going into the final level of Halo 3 is a standout moment from that game. To know that the two biggest badasses of the humans and Elites were about to go to their potential deaths...breathtaking. "We'll head for the Portal...and then we'll all go home."
Halo 3: ODST
- Now, with Halo 3: ODST, we can add Menagerie and Skyline.
- Menagerie gets special mention for reappearing in Halo: Reach, playing as Noble Six helps escort a certain Gunnery Sergeant while the Covenant glass New Alexandria in the background.
- An excellent track also from Halo 3:ODST, Special Delivery, that closes out the final mission in the game. Starts out somber and melancholy, but slowly builds to a beautiful rendition of the main theme as the Squad's Phantom escapes New Mombasa and the camera pans out over the Artifact.
- Traffic Jam. Has a driving rhythm, makes an orchestra sound as awesome as an electric guitar's power chords, and has an actual electric guitar soloing on top of that. Played during Mickey's mission where you roll through the enclosed city streets of New Mombasa in a Scorpion tank.
- During the final level, you have Mercy Plea. So somber yet heroic; evoking the feeling of soldiers going off to face their final battle with honor.
- The ad for the game, "We Are ODST", featured a cover of Light of Aidan's "Lament" that captured in Gaelic the tragedy and courage of war.
- With Halo: Reach, ashes (a real Tear Jerker to rival Unforgotten or the Halo 3 remix Never Forget) and the indescribably awesome Walking Away.
- "We Remember", which is an awesome combination of Combat Evolved's rock and Halo 3's choral tunes.
- From Reach, we have a track that plays during the beginning of Tip of the Spear, and caps off the game credits: Unreconciled. So chillingly epic.
- With Halo 4, Neil Davidge proves himself a worthy successor to O'Donnell (who is contracted to Bungie, not 343 Industries), with "Arrival", an epic piece that plays during the final battle of the Campaign.
- On the note of Halo 4, we have the very first title in the soundtrack, "Awakening", an ungodly mix of electric guitars, choir, and violins.
- Also, the Infinity's/UNSC's Leitmotif in Halo 4, "To Galaxy". A slow build-up leading to a sweeping, heroic, but serious-sounding piece. The build-up section is used as background music for the multiplayer menu, but other segments are used in Spartan Ops and of course, in the UNSC's "We are the giants now" Badass Boast intro.
- Another awesome Halo 4 track is "Faithless", an epic track with a pounding beat that plays while carving through Covenant on Ivanoff Station, and in a few Covenant-themed Spartan Ops missions.
- Revival starts off with an ethereal chant that ends with a surprisingly epic bass drop, and plays when you first meet the Didact to great effect.
- Green and Blue. John and Cortana. Earth and sky. Life and sadness. Whatever you read into the title, this song is a powerful, compelling dirge, and it was cut criminally short in the actual game.
- Arrival, Revival, and Nemesis all received top-notch dubstep remixes for Halo 4's weaponry trailers. "Nemesis" is fast paced, with some epic drops. "Arrival" focuses more on the original's violin work with a new beat, and "Revival" is a bit calmer, focusing more on the original's singing.
- Another two epic pieces are Push Through, which plays when the Chief's driving a tank to clear the Covies attacking the Infinity; and Convoy, the thumping track which plays when the Chief boards the Mammoth.
- Armour, an eclectic electronic mix for the concept art trailer.
- Co-composer Kazuma Jinnouchi created some of the best action themes in the game. Jinnouchi's compositions are much more familiar to Halo fans than Davidge's atmospheric themes: epic scale, bombastically orchestral and clearly influenced by Marty's works.
- Atonement, the main menu theme. One section stands out is a powerful build of strings, the climax of which ends with a quiet reprise of Keep What You Steal (more or less Cortana's theme) from Halo 3.
- Mantis, which plays when you're piloting the Mantis.
- Lasky's Theme.
- 117, the Master Chief's Leitmotif. An absolutely beautiful piece that plays over the Chief's Broadsword assault on the Didact's ship, before segueing into a chilling theme as the UNSC deals with the aftermath of the Didact's attack before the piece slowly builds in intensity as the "117" leitmotif plays over the Master Chief walking onto S-Deck on the UNSC Infinity and removing his armor for the first time in five years.
- Sacrifice, the heroic crescendo played during the Chief's entry into the Didact's ship.
- Never Forget, an excellent remix of a classic Halo composition.
- Majestic, the incredible theme song for Spartan Ops.
Marty O'Donnell is god, but Neil Davidge and Kazuma Jinnouchi are worthy successors.