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* FandomBerserkButton: This series and its concept is created by Columbia (which produced the original movies), ''not'' DiC, who only did the animation work.



* GannonBanned: This series and its concept is created by Columbia (which produced the original movies), ''not'' DiC, who only did the animation work.
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** He's nothing compared to the Grundel, who thanks to his constant MindRape of children, draws parallels to real life peadophiles.


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* MemeticMolester: The Grundel. Just [[CompleteMonster the Grundel]]
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* AnimationAgeGhetto: Interestingly, the show began life as an attempt to get ''out'' of this; given [[JMichaelStraczynski who ran the show early on]], this shouldn't be surprising.

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* AnimationAgeGhetto: Interestingly, the show began life as an attempt to get ''out'' of this; given [[JMichaelStraczynski [[Creator/JMichaelStraczynski who ran the show early on]], this shouldn't be surprising.
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* StrawmanHasAPoint: Anytime Peter complains about Slimer.
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* TearJerker: The ending to "Drool, The Dog Faced Goblin".
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** The essential idea was to create a show that was acceptable for Saturday mornings, but would still get the same MultipleDemographicAppeal that the movie had, which is why you have unusually solid (and complex) writing and humor (with examples like "The Thing in Mrs. Faversham's Attic" or "The Hole in the Wall Gang"), episodes with near-psychedelic visuals like "Knock, Knock" and, uh, [[{{Fanservice}} a bit of occasional "focus" on Janine]]. Unfortunately, since TheMerch sold like crazy, the executives saw only dollar signs, and demanded {{Re Tool}}s to try and sell more merch. The writers revolted, many (including JMS) left and the show went right back into the ghetto. (Ironically this also drove away the wee kiddies to shows like, well, ''{{He-Man}}'' since the uniqueness of the early show is what drew people to it in the first place.)

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** The essential idea was to create a show that was acceptable for Saturday mornings, but would still get the same MultipleDemographicAppeal that the movie had, which is why you have unusually solid (and complex) writing and humor (with examples like "The Thing in Mrs. Faversham's Attic" or "The Hole in the Wall Gang"), episodes with near-psychedelic visuals like "Knock, Knock" and, uh, [[{{Fanservice}} a bit of occasional "focus" on Janine]]. Unfortunately, since TheMerch sold like crazy, the executives saw only dollar signs, and demanded {{Re Tool}}s to try and sell more merch. The writers revolted, many (including JMS) left and the show went right back into the ghetto. (Ironically this also drove away the wee kiddies to shows like, well, ''{{He-Man}}'' ''WesternAnimation/{{He-Man and the Masters of the Universe}}'' since the uniqueness of the early show is what drew people to it in the first place.)

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* CompleteMonster: The Boogieman, who targets children at night and derives great pleasure from terrorizing them.



** Arguably the fifth season more than any other. After the syndicated episodes, Seasons 3 and 4 suffered from ExecutiveMeddling to be LighterAndSofter (as well as [[TheOtherDarrin replacement voice actors for Peter, Winston and Janine]]), but still had some fan-favorites. Season 5, however, awkwardly shoehorned in elements of the second movie. (Louis was one thing, but the city's injunction against the team was seen as forced.) Slapstick humor became even more apparent and a number of episodes saw a Two Shorts format instead of one story.

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** Arguably the fifth season more than any other. After the syndicated episodes, Seasons 3 and 4 suffered from ExecutiveMeddling to be LighterAndSofter (as well as [[TheOtherDarrin replacement voice actors for Peter, Winston and Janine]]), but still had some fan-favorites. Season 5, however, awkwardly shoehorned in elements of the second movie. (Louis was one thing, but the city's injunction against the team was seen as forced.) Slapstick humor became even more apparent and a number of episodes saw a Two Shorts TwoShorts format instead of one story.

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* CreatorsPet - Arguably Slimer; he was TheScrappy to a lot of viewers, so what did the producers do? Rename the show ''Slimer and the Real Ghostbusters'' and have him show up even more. Then there were the Junior Ghostbusters. Yeah.
** Slimer was at least a little more bearable when he genuinely helped the Ghostbusters save the day, like when they went up against Killerwatt.
** A large part of the problem was that ExecutiveMeddling changed Slimer's character. Originally, Slimer was an affable sidekick that didn't speak coherently. While there were episodes where he would play a major role, there were others in which he barely appeared if at all. However, with the third season, Slimer started to take more focus in plots and began speaking coherently.



* TheWesley - Arguably Slimer; he was TheScrappy to a lot of viewers, so what did the producers do? Rename the show ''Slimer and the Real Ghostbusters'' and have him show up even more. Then there were the Junior Ghostbusters. Yeah.
** Slimer was at least a little more bearable when he genuinely helped the Ghostbusters save the day, like when they went up against Killerwatt.
** A large part of the problem was that ExecutiveMeddling changed Slimer's character. Originally, Slimer was an affable sidekick that didn't speak coherently. While there were episodes where he would play a major role, there were others in which he barely appeared if at all. However, with the third season, Slimer started to take more focus in plots and began speaking coherently.



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* {{Acceptable Targets}}: There is an ancient mystical tome in the ghost realm called "The Book of Annoying Beings." The Ghostbusters are on the second page. On the first page: [[EveryoneHatesMimes mimes.]]

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* {{Acceptable Targets}}: There is an ancient mystical tome in the ghost realm called "The Book of Annoying Beings." The Ghostbusters are on the second one page. On As the first page: Ghostmaster rips it out in frustration, we see that the very next page is devoted to [[EveryoneHatesMimes mimes.]]
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** The story goes that Lorenzo Music was dropped because Bill Murray was concerned about Peter Venkman sounding like [[GarfieldAndFriends Garfield]] and executives sought to accomodate him. If indeed true, well, that makes [[{{Film/Garfield}} a later Murray role]] very ironic.
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* HilariousInHindsight: Peter gets possessed by a demon in an early episode. The symptoms? [[TheSimpsons Spiky hair and a yellow complexion]].

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* HilariousInHindsight: Peter gets possessed by a demon in an early episode. The symptoms? [[TheSimpsons [[WesternAnimation/TheSimpsons Spiky hair and a yellow complexion]].
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* TheScrappy: The Junior Ghostbusters, a trio of kids that came with all the ExecutiveMeddling to make the show LighterAndSofter. None of the writers were thrilled with using them. JMS even once recalled saying he'd only use them if he could run them over with a truck. The kids only appeared twice here (though with [[AscendedExtra expanded roles]] on Slimer's own cartoony spin-off), but fans were still irritated because these two appearances took up screentime from the Ghostbusters' re-matches with fan favorites the Boogieman and Samhain, respectively.
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* HilariousInHindsight: Peter gets possessed by a demon in an early episode. The symptoms? [[TheSimpsons Spiky hair and a yellow complexion]].
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* BigLippedAlligatorMoment: At one point in "Banshee Bake A Cherry Pie", we get a scene of a lovestruck Venkman dreaming he's in a music video with a singer (actually a banshee) he has a crush on. Egon appears, interrupting the performance and then [[BreakingTheFourthWall breaks the fourth wall]] as the scene ends.
--> '''Egon''': "Uh hello, I'm Dr. Egon Spengler and you're not watching this overblown spectacle. It's totally in the banshee-riddled mind of my colleague here. Um, thank you."
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* AuthorsSavingThrow: "Janine, You've Changed," considered by many fans the best use of this trope ever.
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* GannonBanned: This series and its concept is created by Columbia (which produced the original movies), ''not'' DiC, who only did the animation work.
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Dead/spam link


* AnimationAgeGhetto: Interestingly, the show began life as an attempt to get ''out'' of this ([[http://www.ecto-web.org/~spookcentral/rgb_inprint_starlog1986-10.htm as documented here]]); given [[JMichaelStraczynski who ran the show early on]], this shouldn't be surprising.

to:

* AnimationAgeGhetto: Interestingly, the show began life as an attempt to get ''out'' of this ([[http://www.ecto-web.org/~spookcentral/rgb_inprint_starlog1986-10.htm as documented here]]); this; given [[JMichaelStraczynski who ran the show early on]], this shouldn't be surprising.
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* TheWoobie: Slimer in some of his focus episodes, ''especially'' in "Slimer, Come Home."
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* RetroactiveRecognition: Before hosting his own talk show, Arsenio Hall was voicing Winston Zeddemore.
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sounds as natter


** Actually, he did. The episode in question ("Janine, You've Changed") is widely seen as an AuthorsSavingThrow for Janine, who endured severe CharacterDerailment via ExecutiveMeddling.
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* FunnyAneurysmMoment: The episode "Janine's Genie" has one scene in which the Ghostbusters, including Janine, tries to prevent a ghost-hijacked plane with the passengers inside from crashing in New York City. Janine and Peter, piloting the plane themselves, nearly but avoided crashing against the WTC twin towers.

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* FunnyAneurysmMoment: The episode "Janine's Genie" has one scene in which the Ghostbusters, including Janine, tries to prevent a ghost-hijacked plane with the passengers inside from crashing in New York City. Janine and Peter, piloting the plane themselves, nearly but avoided crashing against the WTC twin towers.
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None


** The essential idea was to create a show that was acceptable for Saturday mornings, but would still get the same MultipleDemographicAppeal that the movie had, which is why you have unusually solid (and complex) writing and humor (with examples like "The Thing in Mrs. Faversham's Attic" or "The Hole in the Wall Gang"), episodes with near-psychedelic visuals like "Knock, Knock" and, uh, [[{{Fanservice}} a bit of occasional "focus" on Janine]]. Unfortunately, TheMerch sold like crazy, the executives saw only dollar signs, and demanded {{Re Tool}}s to try and sell more merch. The writers revolted, many (including JMS) left and the show went right back into the ghetto. (Ironically this also drove away the wee kiddies to shows like, well, ''{{He-Man}}'' since the uniqueness of the early show is what drew people to it in the first place.)

to:

** The essential idea was to create a show that was acceptable for Saturday mornings, but would still get the same MultipleDemographicAppeal that the movie had, which is why you have unusually solid (and complex) writing and humor (with examples like "The Thing in Mrs. Faversham's Attic" or "The Hole in the Wall Gang"), episodes with near-psychedelic visuals like "Knock, Knock" and, uh, [[{{Fanservice}} a bit of occasional "focus" on Janine]]. Unfortunately, since TheMerch sold like crazy, the executives saw only dollar signs, and demanded {{Re Tool}}s to try and sell more merch. The writers revolted, many (including JMS) left and the show went right back into the ghetto. (Ironically this also drove away the wee kiddies to shows like, well, ''{{He-Man}}'' since the uniqueness of the early show is what drew people to it in the first place.)
Is there an issue? Send a MessageReason:
None


** Arguably the fifth season more than any other. After the syndicated episodes, Seasons 3 and 4 suffered from ExecutiveMeddling to be LighterAndSofter (as well as [[TheOtherDarrin replacements for Peter and Janine), but still had some fan-favorites. Season 5, however, awkwardly shoehorned in elements of the second movie. (Louis was one thing, but the city's injunction against the team was seen as forced.) Slapstick humor became even more apparent and a number of episodes saw a Two Shorts format instead of one story.

to:

** Arguably the fifth season more than any other. After the syndicated episodes, Seasons 3 and 4 suffered from ExecutiveMeddling to be LighterAndSofter (as well as [[TheOtherDarrin replacements replacement voice actors for Peter Peter, Winston and Janine), Janine]]), but still had some fan-favorites. Season 5, however, awkwardly shoehorned in elements of the second movie. (Louis was one thing, but the city's injunction against the team was seen as forced.) Slapstick humor became even more apparent and a number of episodes saw a Two Shorts format instead of one story.
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None

Added DiffLines:

** Actually, he did. The episode in question ("Janine, You've Changed") is widely seen as an AuthorsSavingThrow for Janine, who endured severe CharacterDerailment via ExecutiveMeddling.
** Arguably the fifth season more than any other. After the syndicated episodes, Seasons 3 and 4 suffered from ExecutiveMeddling to be LighterAndSofter (as well as [[TheOtherDarrin replacements for Peter and Janine), but still had some fan-favorites. Season 5, however, awkwardly shoehorned in elements of the second movie. (Louis was one thing, but the city's injunction against the team was seen as forced.) Slapstick humor became even more apparent and a number of episodes saw a Two Shorts format instead of one story.
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* SpotlightStealingSquad: Slimer in the later seasons.
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* SpotlightStealingSquad: Slimer in the later seasons.
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** The essential idea was to create a show that was acceptable for Saturday mornings, but would still get the same MultipleDemographicAppeal that the movie had, which is why you have unusually solid (and complex) writing and humor (with examples like "The Thing in Mrs. Faversham's Attic" or "The Hole in the Wall Gang"), episodes with near-psychedelic visuals like "Knock, Knock" and, uh, [[{{Fanservice}} a bit of occasional "focus" on Janine]]. Unfortunately, TheMerch sold like crazy, the executives saw only dollar signs, and demanded {{Re Tool}}s to try and sell more merch. The writers revolted, many (including JMS) left and the show went right back into the ghetto. (Ironically this also drove away the wee kiddies to shows like, well, [[TruthInTelevision He-Man]] since the uniqueness of the early show is what drew people to it in the first place.)

to:

** The essential idea was to create a show that was acceptable for Saturday mornings, but would still get the same MultipleDemographicAppeal that the movie had, which is why you have unusually solid (and complex) writing and humor (with examples like "The Thing in Mrs. Faversham's Attic" or "The Hole in the Wall Gang"), episodes with near-psychedelic visuals like "Knock, Knock" and, uh, [[{{Fanservice}} a bit of occasional "focus" on Janine]]. Unfortunately, TheMerch sold like crazy, the executives saw only dollar signs, and demanded {{Re Tool}}s to try and sell more merch. The writers revolted, many (including JMS) left and the show went right back into the ghetto. (Ironically this also drove away the wee kiddies to shows like, well, [[TruthInTelevision He-Man]] ''{{He-Man}}'' since the uniqueness of the early show is what drew people to it in the first place.)
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None

Added DiffLines:

* AnimationAgeGhetto: Interestingly, the show began life as an attempt to get ''out'' of this ([[http://www.ecto-web.org/~spookcentral/rgb_inprint_starlog1986-10.htm as documented here]]); given [[JMichaelStraczynski who ran the show early on]], this shouldn't be surprising.
** The essential idea was to create a show that was acceptable for Saturday mornings, but would still get the same MultipleDemographicAppeal that the movie had, which is why you have unusually solid (and complex) writing and humor (with examples like "The Thing in Mrs. Faversham's Attic" or "The Hole in the Wall Gang"), episodes with near-psychedelic visuals like "Knock, Knock" and, uh, [[{{Fanservice}} a bit of occasional "focus" on Janine]]. Unfortunately, TheMerch sold like crazy, the executives saw only dollar signs, and demanded {{Re Tool}}s to try and sell more merch. The writers revolted, many (including JMS) left and the show went right back into the ghetto. (Ironically this also drove away the wee kiddies to shows like, well, [[TruthInTelevision He-Man]] since the uniqueness of the early show is what drew people to it in the first place.)
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None


* {{Acceptable Targets}}: There is an ancient mystical tome in the ghost realm called "The Book of Annoying Beings." The Ghostbusters are on the second page. On the first page: mimes.

to:

* {{Acceptable Targets}}: There is an ancient mystical tome in the ghost realm called "The Book of Annoying Beings." The Ghostbusters are on the second page. On the first page: [[EveryoneHatesMimes mimes.]]

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I have no idea what that\'s talking about, but the Seasonal Rot pothole was causing a flag on the mainpage, and the Seasonal Rot entry here is blank, so there we go.


* SeasonalRot

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* SeasonalRotFunnyAneurysmMoment: The episode "Janine's Genie" has one scene in which the Ghostbusters, including Janine, tries to prevent a ghost-hijacked plane with the passengers inside from crashing in New York City. Janine and Peter, piloting the plane themselves, nearly but avoided crashing against the WTC twin towers.
* SeasonalRot: "Makeoveris Lotsabucks" is a particularly bad example, especially since it could've been passed off as a kind of [[TheFairFolk proper fey]]. (Oddly enough, that example come from JMS himself, who [[TheyJustDidntCare may not have cared as much]] by that point.)

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