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Since Spiritual Successor is now YMMV, moved from the main page.
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* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples, as well as an example of the problems mixed-race people can face during colonialism? Also, was Pierre just holding out until Margot came to Morocco?
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* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples, as well as an example of the problems mixed-race people can face during colonialism? Also, was Pierre just holding out until Margot came to Morocco?Morocco?
* SpiritualSuccessor: This can be seen as one to ''Theatre/TheRoseOfAlgeria''. In both productions the setting is North Africa, the French hero has a family connection to the governor (De Lome's uncle/Pierre's father) and a strained relationship due to the hero's personality which differs from the "ideal" soldier. Both stories feature a protagonist in love with the other's alter ego and deal in some way with colonialism with the French Foreign Legion as a backdrop.
* SpiritualSuccessor: This can be seen as one to ''Theatre/TheRoseOfAlgeria''. In both productions the setting is North Africa, the French hero has a family connection to the governor (De Lome's uncle/Pierre's father) and a strained relationship due to the hero's personality which differs from the "ideal" soldier. Both stories feature a protagonist in love with the other's alter ego and deal in some way with colonialism with the French Foreign Legion as a backdrop.
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Not YMMV
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* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples, as well as an example of the problems mixed-race people can face during colonialism? Also, was Pierre just holding out until Margot came to Morocco?
* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles in either the original stage production or the 1929 and 1953 movies were French, Spanish or Moroccan.
* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles in either the original stage production or the 1929 and 1953 movies were French, Spanish or Moroccan.
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* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples, as well as an example of the problems mixed-race people can face during colonialism? Also, was Pierre just holding out until Margot came to Morocco?
* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles in either the original stage production or the 1929 and 1953 movies were French, Spanish or Moroccan.Morocco?
* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles in either the original stage production or the 1929 and 1953 movies were French, Spanish or Moroccan.
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None
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* EarWorm: The songs! Once you've heard them, they will ''never leave your head.''
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* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles in either the original stage production or the 1929 and 1953 movies were French, Spanish or Moroccan.
* FreudWasRight: ''The Sabre Song.'' The fact that the sword symbolises [[TheHero the Red Shadow]] ''is even mentioned in the stage directions.'' As well as the fact that Margot is indecisive about what she wants.
* FreudWasRight: ''The Sabre Song.'' The fact that the sword symbolises [[TheHero the Red Shadow]] ''is even mentioned in the stage directions.'' As well as the fact that Margot is indecisive about what she wants.
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* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles in either the original stage production or the 1929 and 1953 movies were French, Spanish or Moroccan.
* FreudWasRight: ''The Sabre Song.'' The fact that the sword symbolises [[TheHero the Red Shadow]] ''is even mentioned in the stage directions.'' As well as the fact that Margot is indecisive about what she wants.
Moroccan.
* FreudWasRight: ''The Sabre Song.'' The fact that the sword symbolises [[TheHero the Red Shadow]] ''is even mentioned in the stage directions.'' As well as the fact that Margot is indecisive about what she wants.
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* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles were French, Spanish or Moroccan.
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* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles in either the original stage production or the 1929 and 1953 movies were French, Spanish or Moroccan.
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None
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* FakeNationality: None of the actors playing the French, Spanish or Moroccan roles were French, Spanish or Moroccan.
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unfortunate implications need citations
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* UnfortunateImplications: ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.''
** And also, the whole scene before The Song of the Brass Key, when the guard has the speech about "the soldiers of Spain must have diversions" implies that Clementina and co. are basically spoils of war. (They were camp followers).
** And also, the whole scene before The Song of the Brass Key, when the guard has the speech about "the soldiers of Spain must have diversions" implies that Clementina and co. are basically spoils of war. (They were camp followers).
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** And also, the whole scene before The Song of the Brass Key, when the guard has the speech about "the soldiers of Spain must have diversions" implies that Clementina and co. are basically spoils of war. (They were camp followers).
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And also, the whole scene before The Song of the Brass Key, when the guard has the speech about "the soldiers of Spain must have diversions" implies that Clementina and co. are basically spoils of war. (They were camp followers).
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Changed line(s) 5 (click to see context) from:
* UnfortunateImplications: ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.'' And also, the whole scene before the Song of the brass Key, when the guard has the speech about "the soldiers of Spain must have diversions" implies that Clementina and co. are basically spoils of war.
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* UnfortunateImplications: ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.
And also, the whole scene before
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Changed line(s) 5 (click to see context) from:
* UnfortunateImplications: ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.'' And also, the whole scene before the Song of the brass Key, when the guard has the speech about
to:
* UnfortunateImplications: ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.'' And also, the whole scene before the Song of the brass Key, when the guard has the speech about "the soldiers of Spain must have diversions" implies that Clementina and co. are basically spoils of war.
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None
Changed line(s) 5 (click to see context) from:
* UnfortunateImplications: ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.''
to:
* UnfortunateImplications: ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.'' And also, the whole scene before the Song of the brass Key, when the guard has the speech about
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None
Added DiffLines:
* FreudWasRight: ''The Sabre Song.'' The fact that the sword symbolises [[TheHero the Red Shadow]] ''is even mentioned in the stage directions.'' As well as the fact that Margot is indecisive about what she wants.
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None
Changed line(s) 1 (click to see context) from:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples, as well as an example of the problems mixed-race people can face? Also, was Pierre just holding out until Margot came to Morocco?
to:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples, as well as an example of the problems mixed-race people can face? face during colonialism? Also, was Pierre just holding out until Margot came to Morocco?
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None
Changed line(s) 1 (click to see context) from:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples? Also, was Pierre just holding out until Margot came to Morocco?
to:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples? peoples, as well as an example of the problems mixed-race people can face? Also, was Pierre just holding out until Margot came to Morocco?
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None
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* UnfortunateImplications: Oh, boy. Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.''
to:
* UnfortunateImplications: Oh, boy. ''And how!'' Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.''
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None
Changed line(s) 3 (click to see context) from:
* Unfortunate Implications: Oh, boy. Where to start? The whole thing. From the Red Shadow actually being a European,
to:
* Unfortunate Implications: UnfortunateImplications: Oh, boy. Where to start? The whole thing. From the Red Shadow actually being a European, to being the best at single combat in "all of Morocco." Plus, the whole "barbaric Muslim/Arab" idea. And the name of the sequence that "Let Love Go", "One Flower Grows Alone In Your Garden" and "One Alone" appear in is "Eastern and Western Love", implying that "Easterners" are ''all polygamists.''
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None
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* EarWorm: The songs! Once you've heard them, they will ''never leave your head.''
to:
* EarWorm: The songs! Once you've heard them, they will ''never leave your head.''''
*Unfortunate Implications: Oh, boy. Where to start? The whole thing. From the Red Shadow actually being a European,
*Unfortunate Implications: Oh, boy. Where to start? The whole thing. From the Red Shadow actually being a European,
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None
Changed line(s) 1 (click to see context) from:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples? Also, was Pierre just holding out until Margot came to Morocco?
to:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples? Also, was Pierre just holding out until Margot came to Morocco?Morocco?
* EarWorm: The songs! Once you've heard them, they will ''never leave your head.''
* EarWorm: The songs! Once you've heard them, they will ''never leave your head.''
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples?
to:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples?peoples? Also, was Pierre just holding out until Margot came to Morocco?
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None
Added DiffLines:
* AlternateCharacterInterpretation: Is Azuri really just hypersexualised, petty and manipulative, or an example of the negative effects of colonisation on indigenous peoples?
