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* LockedIntoStrangeness: Toby, at the finale.

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* LockedIntoStrangeness: Toby, at the finale. Sweeney himself, in the movie.



* LooksLikeCesare: There's a lot of this in the movie, thanks to Creator/TimBurton's involvement and his fondness for the trope, but Sweeney has had this going on [[https://bsp-static.playbill.com/dims4/default/09fc7a1/2147483647/crop/1127x634%2B0%2B114/resize/970x546/quality/90/?url=http%3A%2F%2Fpb-asset-replication.s3.amazonaws.com%2Ff8%2F80%2Fde0ca37b4c5fa683cad6b01e346e%2Fgeorge-hearn.jpg ever since the original production]].



** Mrs. Lovett is almost always cast a little on the plump side or blowsy, like Creator/AngelaLansbury as opposed to the equally (perhaps more) likely possibility of her being thin and bony. Christine Baranski is one of the few skinny Mrs. Lovetts.

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** Mrs. Lovett is almost always cast a little on the plump side or blowsy, like Creator/AngelaLansbury as opposed to the equally (perhaps more) likely possibility of her being thin and bony. Christine Baranski is one of bony (though Lansbury was more plump in the few skinny Mrs. Lovetts.face than the body).
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* AbilityOverAppearance: Creator/AudraMcDonald, a Black actress, has played the Beggar Woman in multiple high-profile concert versions in which [[spoiler:Lucy, her younger self, is still described as being a pale blonde, and in which Johanna, played by white actresses, is still described as looking almost exactly like her]]. While this creates a few logical issues, the general reception has been simply that if you can get Audra, you ''get Audra''.
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*AbilityOverAppearance: Creator/AudraMcDonald, a Black actress, has played the Beggar Woman in multiple high-profile concert versions in which [[spoiler:Lucy, her younger self, is still described as being a pale blonde, and in which Johanna, played by white actresses, is still described as looking almost exactly like her]]. While this creates a few logical issues, the general reception has been simply that if you can get Audra, you ''get Audra''.


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* GreaterScopeVillain: You might think it's Judge Turpin, but surprise: it's [[spoiler: Mrs. Lovett, whose careful lie of omission about Lucy ''surviving'' her suicide attempt is what ''really'' propels Sweeney into the monster he becomes]].


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* RaceLift: Aside from simple cases of the characters sometimes being played by people of color, there do exist alternate lyrics allowing Johanna (and by extension Lucy) to have "raven" rather than "yellow" hair that were originally written for an all-Asian-American cast. In some cases, they are also "beautiful and dark" rather than "beautiful and pale".
** Interestingly, the opening description of Sweeney, which includes "his skin was pale and his eye was odd" has never been changed regardless of casting. That said, this can probably be handwaved as not referring to him simply being a fair-skinned white man, but to convey his sickly, drained appearance and works just as well for an ashen-faced man of color.
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** Johanna is the only member of her family who goes to an [[BedlamHouse insane asylum]], but she's also the only member of her family who hasn't gone irreparably insane. (The lyrics in "Kiss Me" imply that she is at least very anxious, probably clinically so- "It was a gate, it's the gate... --We don't have a gate!"- and some productions do depict her as [[GoAmongMadPeople going a little insane in the asylum]], but the libretto, for the record, limits the description of her mood after her escape to "excited and chatty", and she's clearly in control of her faculties in escaping from Sweeney in the end/)

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** Johanna is the only member of her family who goes to an [[BedlamHouse insane asylum]], but she's also the only member of her family who hasn't gone irreparably insane. (The lyrics in "Kiss Me" imply that she is at least very anxious, probably clinically so- "It was a gate, it's the gate... --We don't have a gate!"- and some productions do depict her as [[GoAmongMadPeople going a little insane in the asylum]], but the libretto, for the record, limits the description of her mood after her escape to "excited and chatty", and she's clearly in control of her faculties in escaping from Sweeney in the end/)end.)



** There also seems to have been a shift based on the Revival's take on her. Angela Lansbury made her rather grandmotherly, but Patti LuPone's version was younger (despite having been [[OlderThanTheyLook two years ''older'' than Lansbury was when she created the role) and more in the way of a PerkyGoth, a presentation which also applies to the film version (although most Creator/TimBurton characters have LooksLikeCesare going on anyway).

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** There also seems to have been a shift based on the Revival's take on her. Angela Lansbury made her rather grandmotherly, but Patti LuPone's version was younger (despite having been [[OlderThanTheyLook two years ''older'' than Lansbury was when she created the role) role]]) and more in the way of a PerkyGoth, a presentation which also applies to the film version (although most Creator/TimBurton characters have LooksLikeCesare going on anyway).
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** Johanna is the only member of her family who goes to an [[BedlamHouse insane asylum]], but she's also the only member of her family who hasn't gone insane. This really depends on how she's played--sometimes she's already insane, and sometimes she only goes insane after she's put in the insane asylum. The lyrics in "Kiss Me" imply that she is at least very unstable. "It was a gate, it's the gate... --We don't have a gate!"

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** Johanna is the only member of her family who goes to an [[BedlamHouse insane asylum]], but she's also the only member of her family who hasn't gone irreparably insane. This really depends on how she's played--sometimes she's already insane, and sometimes she only goes insane after she's put in the insane asylum. The (The lyrics in "Kiss Me" imply that she is at least very unstable. anxious, probably clinically so- "It was a gate, it's the gate... --We don't have a gate!"gate!"- and some productions do depict her as [[GoAmongMadPeople going a little insane in the asylum]], but the libretto, for the record, limits the description of her mood after her escape to "excited and chatty", and she's clearly in control of her faculties in escaping from Sweeney in the end/)

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* MusicalSpoiler: [[spoiler:When Sweeney kills the Beggar Woman, a piece of the instrumental theme from "Epiphany" plays, specifically the part where Sweeney sings, "And my Lucy lies in ashes..."]]

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* MusicalSpoiler: [[spoiler:When Sweeney kills ''Many'', and all to do with the reveal of one character's identity.
**[[spoiler: Listen carefully to the minuet during the flashback to Lucy's rape by the Judge. It's the same melody that she, as the beggar woman, sings as she tries to entice men to sleep with her.]]
**[[spoiler: In productions that include
the Beggar Woman, a piece of Woman's Lullaby, she appears disoriented and consumed by deja-vu in Sweeney's barber shop, and the lullaby she sings to an imaginary baby is not only to the tune of "Poor Thing", but addresses the baby as "my Jo"- presumably short for Johanna.]]
**[[spoiler: Finally, when Sweeney slits her throat, as she stares at him, wide-eyed and gagging, and then collapses, there's an absolutely ''aching''
instrumental theme reprise of a musical phrase from "Epiphany" plays, specifically the part where Sweeney sings, "Epiphany"- specifically, "And my Lucy lies in ashes..."]]ashes".]]
**[[spoiler:The above phrase is also the very first music the audience hears in the show, as the opening notes of the prelude.]]



** There also seems to have been a shift based on the Revival's take on her. Angela Lansbury made her rather grandmotherly, but Patti LuPone's version is younger and more in the way of a PerkyGoth, a presentation which also applies to the film version (although most Creator/TimBurton characters have LooksLikeCesare going on anyway).

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** There also seems to have been a shift based on the Revival's take on her. Angela Lansbury made her rather grandmotherly, but Patti LuPone's version is was younger (despite having been [[OlderThanTheyLook two years ''older'' than Lansbury was when she created the role) and more in the way of a PerkyGoth, a presentation which also applies to the film version (although most Creator/TimBurton characters have LooksLikeCesare going on anyway).anyway).


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* TheVamp: Mrs. Lovett in the 2005 revival, as played by Patti LuPone.
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** Ironically, neither did Edmund Lyndeck as Judge Turpin. NotSoDifferent, perhaps?

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** Ironically, neither did Edmund Lyndeck as Judge Turpin. NotSoDifferent, perhaps?
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** Some productions do manage to subvert this outright by implying Johanna and Anthony sleep together during "Ladies in Their Sensitivities", meaning they, the only characters ''shown'' to have [[GoodPeopleHaveGoodSex normal, healthy sex]], are the only ones left alive in the end.


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** On the other hand, Mrs. Lovett apparently ''always'' had it, considering she recommends Sweeney kill clueless, innocent, kindly Anthony as soon as he brings Johanna to the shop after rescuing her, for no real reason aside from Sweeney's despair at the idea that Anthony will bring Johanna to Plymouth before Sweeney can reveal himself as her father and rejoin her life.


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** Ironically, neither did Edmund Lyndeck as Judge Turpin. NotSoDifferent, perhaps?

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* KarmicDeath: [[spoiler:Sweeney Todd delivers one to Judge Turpin out of vengeance and later suffers another himself by irony.]] Likewise, [[spoiler:Mrs. Lovett is baked to death inside her own oven.]]

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* KarmicDeath: KarmicDeath:
** Sweeney gives one to [[spoiler:Judge Turpin, deceiving him with false courtesy to kill him, similar to the way Turpin lured in Lucy to assault her.]]
** Sweeney also gives one to [[spoiler:Mrs. Lovett, throwing her into her own people-cooking oven after learning that her selfish deceptions allowed him to accidentally kill his own wife.]]
** The final death of the story is given to
[[spoiler:Sweeney Todd delivers Todd, having his throat slit by one to Judge Turpin out of vengeance and later suffers another himself by irony.]] Likewise, [[spoiler:Mrs. Lovett is baked to death inside her his own oven.]]razors at the hand of a vengeful, traumatized Toby]].
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* EvilIsBurningHot: Mrs. Lovett's oven is treated with hellish tones as dead bodies are sent into it to be cooked in its roaring flames, and Lovett usually has red hair to strengthen the devil association of the flames. She is also largely unsympathetic and [[spoiler: dies in her oven as a symbolic sendoff to Hell.]] In the film adaptation, the flames of the oven symbolically take over the film as its color grading switches from old blues and greys to infernal tones once bodies start piling up and cooking in large numbers.
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* IgnoranceIsBliss: Toby has this at first toward the meat pies he and his new family are selling.
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Paring redundancy. Also, song titles go in quotes, not italics.


---> ''What happened then?''
---> ''Well, that's the play,''
---> ''And he wouldn't want us to give it away...''

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---> ''What --->What happened then?''
---> ''Well,
then?
--->Well,
that's the play,''
---> ''And
play,
--->And
he wouldn't want us to give it away...''



* EatTheEvidence: Why doesn't anyone ever find Todd's victims? Because no one thought to look in Mrs.Lovett's pies.

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* EatTheEvidence: Why doesn't anyone ever find Todd's victims? Because no one thought to look in Mrs. Lovett's pies.



* EvidenceDungeon: Sweeney Todd has a variation of this with the meat room of Mrs. Lovett's pie shop. Sweeney Todd starts murdering Sweeney's customers and baking them into pies. The smell of the human flesh burning is pumped into the air and just by the nature of butchery, loads of viscera must be left around.
* EvilIsPetty: Mrs. Lovett. Quite apart from the horrible things she and Sweeney do, which aren't petty at all, she spends a surprisingly large amount of time making spiteful jabs at people. During ''God That's Good!'' she gloats that she's put her rival Mrs. Mooney out of business. Earlier she'd scoffed at her over the suspicion that she was using cat meat. Considering what Mrs. Lovett is now including in ''her'' pies...

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* EvidenceDungeon: Sweeney Todd has a A variation of this with the meat room of Mrs. Lovett's pie shop. Sweeney Todd starts murdering Sweeney's his customers and baking them into pies. The smell of the human flesh burning is pumped into the air and just by the nature of butchery, loads of viscera must be left around.
* EvilIsPetty: Mrs. Lovett. Quite apart from the horrible things she and Sweeney do, which aren't petty at all, she spends a surprisingly large amount of time making spiteful jabs at people. During ''God "God That's Good!'' Good!" she gloats that she's put her rival Mrs. Mooney out of business. Earlier she'd scoffed at her over the suspicion that she was using cat meat. Considering what Mrs. Lovett is now including in ''her'' pies...



** During ''A Little Priest'', if Sweeney and Lovett aren't completely tearing the house down, they're doing it wrong.

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** During ''A "A Little Priest'', Priest", if Sweeney and Lovett aren't completely tearing the house down, they're doing it wrong.



* OpeningChorus: ''The Ballad of Sweeney Todd''.

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* OpeningChorus: ''The "The Ballad of Sweeney Todd''.Todd".
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Famous Last Words was moved to JustForFun.Famous Last Words; main trope is being dewicked and redirected to Last Words


* SayMyName: Both [[spoiler:Turpin's]] FamousLastWords, and Sweeney's PreMortemOneLiner as he does it are "'''''BENJAMIN BARKER!'''''"
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* HellIsThatNoise: ''That damned steam whistle''. It sounds every time Sweeney kills somebody.

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* HellIsThatNoise: ''That damned steam factory whistle''. It sounds every time Sweeney kills somebody.
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Everything, every trope on every line on every page, requires explanation.


* TheDragon: The Beadle fills this role for Judge Turpin.

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* TheDragon: The Beadle fills this the role of head henchman for Judge Turpin.



* TheDulcineaEffect: Anthony to Johanna.
* EatTheEvidence: Does this really require explanation?

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* TheDulcineaEffect: Anthony is suddenly devoted to Johanna.
Johanna's well being, despite not knowing her well at all.
* EatTheEvidence: Does this really require explanation?Why doesn't anyone ever find Todd's victims? Because no one thought to look in Mrs.Lovett's pies.



* EvilVersusEvil: A StrawNihilist SerialKiller with a [[WeaponOfChoice razor]] who [[ImAHumanitarian has his victims baked into pies]] with the help of a ruthless {{Yandere}} StepfordSmiler, against a HangingJudge [[DirtyOldMan Pervert]] whose backstory includes {{rap|eIsASpecialKindOfEvil}}ing the [[SerialKiller serial killer's]] [[ItsPersonal wife]], and whose introduction is a KickTheDog--he [[KangarooCourt has the title character transported for life]] so that he could have his wife for himself. His [[TheDragon "best friend"]] sees nothing wrong with any of this and is quite content to help him [[{{Squick}} seduce the]] daughter, who the judge [[WifeHusbandry has adopted as his own]].

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* EvilVersusEvil: A StrawNihilist SerialKiller with a [[WeaponOfChoice razor]] who [[ImAHumanitarian has his fellow human victims baked into pies]] with the help of a ruthless {{Yandere}} StepfordSmiler, against a HangingJudge [[DirtyOldMan Pervert]] whose backstory includes {{rap|eIsASpecialKindOfEvil}}ing the [[SerialKiller serial killer's]] [[ItsPersonal wife]], and whose introduction is a KickTheDog--he [[KangarooCourt has the title character transported for life]] so that he could have his wife for himself. His [[TheDragon "best friend"]] sees nothing wrong with any of this and is quite content to help him [[{{Squick}} seduce the]] daughter, who the judge [[WifeHusbandry has adopted as his own]].
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** The imprisonment of Benjamin Barker on a false charge, sending him to a prison colony for many years (Judge Turpin)
** Raping Lucy Barker and thus driving her mad (Judge Turpin)
** Snapping the neck of the bird that Anthony had bought for Johanna (the Beadle)
** Throwing Johanna into [[BedlamHouse Fogg's Asylum]] for defying Turpin (Judge Turpin)

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** *** The imprisonment of Benjamin Barker on a false charge, sending him to a prison colony for many years (Judge Turpin)
** *** Raping Lucy Barker and thus driving her mad (Judge Turpin)
** *** Snapping the neck of the bird that Anthony had bought for Johanna (the Beadle)
** *** Throwing Johanna into [[BedlamHouse Fogg's Asylum]] for defying Turpin (Judge Turpin)

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--> ''Attend the tale of Sweeney Todd;\\
He served a dark and a hungry god!\\
To seek revenge may lead to hell\\
But everyone does it though seldom as well...\\
As Sweeney...\\
As Sweeney Todd...\\
THE DEMON BARBER OF FLEET...\\
STREET!''

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--> ''Attend the tale of Sweeney Todd;\\
He served
''"There was a dark barber and a hungry god!\\
To seek revenge may lead to hell\\
But everyone does it though seldom as well...\\
As Sweeney...\\
As Sweeney Todd...\\
THE DEMON BARBER OF FLEET...\\
STREET!''
his wife\\
And she was beautiful\\
A foolish barber and his wife;\\
She was his reason and his life\\
And she was beautiful\\
And she was virtuous\\
And he was..."''

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* MurderByCremation [[spoiler:Mrs. Lovett]].

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* MurderByCremation MurderByCremation: [[spoiler:Mrs. Lovett]].



----

to:

--------
--> ''Attend the tale of Sweeney Todd;\\
He served a dark and a hungry god!\\
To seek revenge may lead to hell\\
But everyone does it though seldom as well...\\
As Sweeney...\\
As Sweeney Todd...\\
THE DEMON BARBER OF FLEET...\\
STREET!''
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The original Broadway production went up in 1979 at the Uris Theatre. It was directed by Harold Prince and starred Len Cariou as Sweeney Todd and Creator/AngelaLansbury as Mrs. Lovett. It has since been the subject of many revivals and concerts, and is widely considered Sondheim's masterpiece. Since the latest revival and release of [[Film/SweeneyToddTheDemonBarberOfFleetStreet the Tim Burton film version]], it has become even more popular than ''Theatre/IntoTheWoods''.

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The original Broadway production went up in 1979 at the Uris Theatre. It was directed by Harold Prince and starred Len Cariou Creator/LenCariou as Sweeney Todd and Creator/AngelaLansbury as Mrs. Lovett. It has since been the subject of many revivals and concerts, and is widely considered Sondheim's masterpiece. Since the latest revival and release of [[Film/SweeneyToddTheDemonBarberOfFleetStreet the Tim Burton film version]], it has become even more popular than ''Theatre/IntoTheWoods''.
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* OriginalCastPrecedent:
** Mrs. Lovett is almost always cast a little on the plump side or blowsy, like Creator/AngelaLansbury as opposed to the equally (perhaps more) likely possibility of her being thin and bony. Christine Baranski is one of the few skinny Mrs. Lovetts.
** There also seems to have been a shift based on the Revival's take on her. Angela Lansbury made her rather grandmotherly, but Patti LuPone's version is younger and more in the way of a PerkyGoth, a presentation which also applies to the film version (although most Creator/TimBurton characters have LooksLikeCesare going on anyway).
** The title character's OneLiner when he triumphantly holds out his razor is, according to the script: "My right arm is complete again!" So why is it usually performed and remembered as, "At last my arm is complete again"? Len Cariou of the original Broadway cast was left-handed.

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Direct linking.


* FromACertainPointOfView: The major epiphany of the final scene:
-->[[spoiler:'''Mrs. Lovett''']]: "No, no, not lied at all--No, I never lied, said [[spoiler:she took the poison]]--she did, never said that [[spoiler:she died]]."



--> (after tasting a pie made of a priest) '''''HEAVENLY!'''''

-->'''Mrs. Lovett''': This may bit a bit stringy, but then again, it ''is'' fiddle player.\\

to:

--> (after tasting a pie made of a priest) '''''HEAVENLY!'''''

-->'''Mrs.
'''''HEAVENLY!'''''\\\
'''Mrs.
Lovett''': This may bit a bit stringy, but then again, it ''is'' fiddle player.\\



* MetaphoricallyTrue: The major epiphany of the final scene:
-->[[spoiler:'''Mrs. Lovett''']]: "No, no, not lied at all--No, I never lied, said [[spoiler:she took the poison]]--she did, never said that [[spoiler:she died]]."



* MyGodWhatHaveIDone: After realizing [[spoiler:that the old beggar woman he killed was Lucy]], Sweeney Todd has this reaction, before [[spoiler:turning his anger towards Mrs. Lovett, who told a bit of a JediTruth]].

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* MyGodWhatHaveIDone: After realizing [[spoiler:that the old beggar woman he killed was Lucy]], Sweeney Todd has this reaction, before [[spoiler:turning his anger towards Mrs. Lovett, who told was being a bit of a JediTruth]].MetaphoricallyTrue]].
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* SmallStartBigFinish: "Johanna". Anthony is initially a little quiet while singing about the girl he likes, but the song gets bigger and more instruments join in by the end.
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** Ms. Lovett has this reaction when Todd has a VillainousBreakdown upon realizing [[spoiler:he just murdered his wife, the beggar woman]]. She immediately tries to say she didn't lie, [[spoiler:because his wife did swallow aersenic. It just didn't kill Lucy]].
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* AvianFlute: The song "[[https://www.youtube.com/watch?v=xGB1B2XIClI Greenfinch and Linnet Bird]] begins with fluttering flutes as Johanna, watching birds in cages, likens herself to one of them, singing about her own desire for freedom.
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* StupidEvil: Judge Turpin. He sends away Benjamin Barker on a false charge, leaving his desired wife a widow with a daughter. He has every opportunity to coerce Mrs. Barker into marriage, from ComfortingTheWidow to blackmail. Instead, he rapes her at a ball, with a bunch of witnesses. Then she swallows poison [[spoiler:and becomes the Beggar Woman after a nervous breakdown]]. It's only because the Judge has a high influence that he proceeds to obtain custody of Johanna, and intends to groom her when she becomes of age. This takes years, while marrying Lucy would have been quicker, and he decides to commit Johanna when she . Johanna is not stupid, however; she figures out his intentions and plans to do what her mother should have done: run away from London. In the film, at least, she succeeds thanks to Anthony.

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* StupidEvil: Judge Turpin. He sends away Benjamin Barker on a false charge, leaving his desired wife a widow with a daughter. He has every opportunity to coerce Mrs. Barker into marriage, from ComfortingTheWidow to blackmail. Instead, he rapes her at a ball, with a bunch of witnesses. Then she swallows poison [[spoiler:and becomes the Beggar Woman after a nervous breakdown]]. It's only because the Judge has a high influence that he proceeds to obtain custody of Johanna, and intends to groom her when she becomes of age. This takes years, while marrying Lucy would have been quicker, and he decides to commit Johanna when she .she refuses to play along. Johanna is not stupid, however; she figures out his intentions and plans to do what her mother should have done: run away from London. In the film, at least, she succeeds thanks to Anthony.

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* PapaWolf: A hint of Benjamin Barker remains in Sweeney Todd. Even after the judge commits Johanna, Todd helps form a plan with Anthony to rescue her.



** Sweeney Todd tells Anthony there is a way to rescue Johanna. He gives him the details of a plan to bust her out of the aslyum and tells him to carry a pistol. It's nearly undone when he nearly slashes a disguised Johanna, but she did get out.



* StupidEvil: Judge Turpin. He sends away Benjamin Barker on a false charge, leaving his desired wife a widow with a daughter. He has every opportunity to coerce Mrs. Barker into marriage, from ComfortingTheWidow to blackmail. Instead, he rapes her at a ball, with a bunch of witnesses. Then she swallows poison [[spoiler:and becomes the Beggar Woman after a nervous breakdown]]. It's only because the Judge has a high influence that he proceeds to obtain custody of Johanna, and intends to groom her when she becomes of age. This takes years, while marrying Lucy would have been quicker, and he decides to commit Johanna when she . Johanna is not stupid, however; she figures out his intentions and plans to do what her mother should have done: run away from London. In the film, at least, she succeeds thanks to Anthony.



* UnwittingInstigatorOfDoom: Anthony, when he (rather unfortunately) stops Todd from killing Judge Turpin mid-story.

to:

* UnwittingInstigatorOfDoom: Anthony, when he (rather (rather, unfortunately) stops Todd from killing Judge Turpin mid-story.



* WrongGenreSavvy: Anthony believes himself to be the romantic hero of a love story between him and Johanna and is completely naive to how corrupt and evil the other characters are (including his "friend" Sweeney Todd). Johanna seems much less naive than him as she grew up with the Judge and knows how awful he is. Similarly, in different ways, both Toby and Mrs. Lovett seem to think of themselves as being in a more conventional Victorian rags to riches story, with Lovett planning a better life away from the city, and Toby believing that he can protect and repay her for saving him. Indeed, much of the pathos in the play comes from characters acting as though they are in a rather different kind of story.

to:

* WrongGenreSavvy: Anthony believes himself to be the romantic hero of a love story between him and Johanna and is completely naive to how corrupt and evil the other characters are (including his "friend" Sweeney Todd). Johanna seems much less naive than him as she grew up with the Judge and knows how awful he is. At the very least, the two escape in the film. Similarly, in different ways, both Toby and Mrs. Lovett seem to think of themselves as being in a more conventional Victorian rags to riches story, with Lovett planning a better life away from the city, and Toby believing that he can protect and repay her for saving him. Indeed, much of the pathos in the play comes from characters acting as though they are in a rather different kind of story.



* YankTheDogsChain: At the very end, Todd finally tells Mrs. Lovett everything she's been longing for him to tell her throughout the play, while ''dancing'' with her. And then [[spoiler: he throws her in the oven and lets her burn to death.]]

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* YankTheDogsChain: At the very end, Todd finally tells Mrs. Lovett everything she's been longing for him to tell her throughout the play, while ''dancing'' with her. And then [[spoiler: he throws her in the oven and lets her burn to death.]]]] On the other hand, [[spoiler:she did withold the truth that his wife was alive, despite her protests to the contrary. It would have saved the Beggar Woman's life]].
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copied from generalised example


* TheSecretOfLongPorkPies: The bodies are used to make Mrs. Lovett's meat pies, initially just for body disposal but often it then turns out that this just increases the flavor.

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* TheSecretOfLongPorkPies: The bodies are used to make Mrs. Lovett's meat pies, initially just for body disposal but often it then turns out that this just increases the flavor.
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* WrongfullyCommitted: Johanna Barker gets involuntarily committed to Fogg's Asylum after her plan to elope with Anthony Hope gets discovered by her guardian Judge Turpin. Turpin wanted to marry Johanna himself, but learns of her elopement plans due to a tragically foolish act by Anthony which also spoils Sweeney Todd's plot to kill Turpin. She is markedly affected by the experience but is eventually rescued by Anthony, with Johanna herself shooting the asylum keeper in the play.

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