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* AdaptationDistillation: The original film involved a number of barely-related skits, first around Arthur's quest for the knights and then for the quest for the grail. The musical focuses more on the grail quest and makes what sketches from the film they ''do'' include more relevant to the plot (i.e. The anarchist peasant becomes Galahad, the rescue of Prince Herbert [[spoiler: leads to Lancelot coming out and marrying Herbert]]).
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* AdaptationalAlternateEnding: The original film had an infamously [[AntiClimax anticlimactic ending]], with Arthur and his men getting arrested before they could retrieve the Holy Grail. In the show, they actually do find the Grail in the end, and every character gets their own happy ending (Arthur marries [[spoiler:Guinevere]] while Lancelot marries [[spoiler:Herbert]], and Robin pursues a successful career in musical theatre).
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* AdaptationalAlternateEnding: The original film had an infamously [[AntiClimax anticlimactic ending]], ending]] due to budget constraints, with Arthur and his men getting arrested before they could retrieve the Holy Grail. In the show, they actually do find the Grail in the end, and every character gets their own happy ending (Arthur marries [[spoiler:Guinevere]] while Lancelot marries [[spoiler:Herbert]], and Robin pursues a successful career in musical theatre).
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* TakeThat: The Quest turns out to be to put on a musical in [insert city location] "as long as it isn't an Creator/AndrewLloydWebber [[Theatre/ThePhantomOfTheOpera musical]]". The cast proceed to cut themselves with their swords and kill themselves to a mock-Webber tune. "The Song That Goes Like This" is also a dig at Webber's sentimental love ballads, complete with a gondola and a chandelier.
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* TakeThat: The Quest turns out to be to put on a musical in [insert city location] "as long as it isn't "but not an Creator/AndrewLloydWebber [[Theatre/ThePhantomOfTheOpera musical]]". The cast proceed to cut themselves with their swords and kill themselves to a mock-Webber tune.tune, or just cover their ears and scream. "The Song That Goes Like This" is also a dig at Webber's sentimental love ballads, complete with a gondola and a chandelier.
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* TakeThat: The Quest turns out to be to put on a musical in [insert city location] "as long as it isn't an Creator/AndrewLloydWebber [[Theatre/ThePhantomOfTheOpera musical]]". The cast procedes to cut themselves with their swords and kill themselves to a mock-Webber tune.
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* TakeThat: The Quest turns out to be to put on a musical in [insert city location] "as long as it isn't an Creator/AndrewLloydWebber [[Theatre/ThePhantomOfTheOpera musical]]". The cast procedes proceed to cut themselves with their swords and kill themselves to a mock-Webber tune.tune. "The Song That Goes Like This" is also a dig at Webber's sentimental love ballads, complete with a gondola and a chandelier.
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No longer a trope
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* YouHaveToHaveJews: The TropeNamer, from "You Won't Succeed on Broadway".
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You Have To Have Jews is no longer a trope.
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** The UK tour changes "You Won't Succeed on Broadway" to a song about needing stars, since YouHaveToHaveJews is a predominantly American trope, whereas in Britain most touring musical productions tend to have at least one soap opera actor/reality TV star/broadcast comedian in the cast.
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** The UK tour changes "You Won't Succeed on Broadway" to a song about needing stars, since YouHaveToHaveJews is a predominantly American trope, whereas in Britain most touring musical productions tend to have at least one soap opera actor/reality TV star/broadcast comedian in the cast.stars.
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Commented out a ZCE.
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* ScreenToStageAdaptation
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** Another iteration at a college in California portrayed Sir Not-Appearing-In-This-Show as a [[{{starwars}} Jedi Knight]], complete with robes and [[{{anachronismstew}} lightsaber]].
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** Another iteration at a college in California portrayed Sir Not-Appearing-In-This-Show as a [[{{starwars}} [[Franchise/StarWars Jedi Knight]], complete with robes and [[{{anachronismstew}} lightsaber]].
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*** The 2015 UK touring version had them add the ENTIRE first verse and chorus of "Itsy bitsy, teenie weenie, yellow polka dot bikini" in at least one production, while stand up comedian Joe Pasquale, who played Arthur, looked increasingly gobsmacked. Luckily for him its a well known song so he could remember the lyrics.
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*** The 2015 UK touring version had them add the ENTIRE first verse and chorus of "Itsy bitsy, teenie weenie, yellow polka dot bikini" in at least one production, while stand up comedian Joe Pasquale, who played Arthur, looked increasingly gobsmacked. Luckily for him its it's a well known well-known song so he could remember the lyrics.
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** In the new touring production The Knights end their spiel with "Wopa Gangnam Style!" to rapturous applause.
** For one college production, The Knights begin singing the opening theme song of ''WesternAnimation/TheLionKing1994''.
** For one college production, The Knights begin singing the opening theme song of ''WesternAnimation/TheLionKing1994''.
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*** During [[Series/AmericanIdol Clay Aiken's]] first night as Sir Robin on Broadway, The Knights go through the usual gibberish, then sing a line of "Invisible," which drove the many Aiken fans in the audience wild.
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** The 2007-08 UsefulNotes/LasVegas production already seemed right at home on the Strip with its take on Camelot ([[http://en.wikipedia.org/wiki/Excalibur_Hotel_and_Casino here's what inspired it to begin with]]), but there were additional shout outs to the city anyway: King Arthur noting that "What happens in Camelot stays in Camelot!" and, in the final stretch, the Lady of the Lake telling him that they've done one better than succeeding on Boradway in making it to Vegas. Also, the production was mounted at Wynn Las Vegas, so the specially-decorated lobby included a dig at owner Steve Wynn's habit of decorating his resorts with fine art with a large, fancy vase marked "Wynn sez sell!"
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** The 2007-08 UsefulNotes/LasVegas production already seemed right at home on the Strip with its take on Camelot ([[http://en.wikipedia.org/wiki/Excalibur_Hotel_and_Casino here's what inspired it to begin with]]), but there were additional shout outs to the city anyway: King Arthur noting that "What happens in Camelot stays in Camelot!" and, in the final stretch, the Lady of the Lake telling him that they've done one better than succeeding on Boradway Broadway in making it to Vegas. Also, the production was mounted at Wynn Las Vegas, so the specially-decorated lobby included a dig at owner Steve Wynn's habit of decorating his resorts with fine art with a large, fancy vase marked "Wynn sez sell!"
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** The lyrics of "The Diva's Lament" -- in which the female lead mentions not having won any awards -- after the show did quite well at the Tony Awards.
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** The lyrics of "The Diva's Lament" -- in which the female lead mentions not having won any awards -- after the show did quite well at the Tony Awards.Awards; specifically, Creator/SaraRamirez winning a Tony.
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Trope was made into disambig
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* KingArthur: Well, yeah...
** Myth/KingArthurAndTheHolyGrail: Quite a faithful adaptation, including some of the more odd parts (goodhearted poor guy becoming Sir Galahad, having a moral that's nothing to do with a physical grail albeit a different moral -- in the myth it's to be humble, in the musical it's [[spoiler:to do what you like and find your purpose for yourself]]-- being large ones.)
** Myth/KingArthurAndTheHolyGrail: Quite a faithful adaptation, including some of the more odd parts (goodhearted poor guy becoming Sir Galahad, having a moral that's nothing to do with a physical grail albeit a different moral -- in the myth it's to be humble, in the musical it's [[spoiler:to do what you like and find your purpose for yourself]]-- being large ones.)
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* AdaptationalAlternateEnding: The original film had an infamously [[AntiClimax anticlimactic ending]], with Arthur and his men getting arrested before they could retrieve the Holy Grail. In the show, they actually do find the Grail in the end, and every character gets their own happy ending (Arthur marries [[spoiler:Guinevere]] while Lancelot marries [[spoiler:Herbert]], and Robin pursues a successful career in musical theatre).
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A 2005 [[TheMusical musical]] "[[AffectionateParody lovingly ripped off]]" (by Eric Idle and John Du Prez) from ''Film/MontyPythonAndTheHolyGrail'', thus sharing many of the same tropes. Nominated for fourteen Tony Awards, of which it won three, including Best Musical. The original cast included Creator/TimCurry, [[Series/{{Frasier}} David Hyde Pierce]], Creator/HankAzaria, Creator/SaraRamirez, and Christopher Sieber.
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A 2005 [[TheMusical musical]] "[[AffectionateParody lovingly ripped off]]" (by Eric Idle and John Du Prez) from ''Film/MontyPythonAndTheHolyGrail'', thus sharing many of the same tropes. Nominated for fourteen Tony Awards, of which it won three, including Best Musical. The original cast included Creator/TimCurry, [[Series/{{Frasier}} David Hyde Pierce]], Creator/DavidHydePierce, Creator/HankAzaria, Creator/SaraRamirez, and Christopher Sieber.
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Referencing one of the songs in "Spamalot"
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!!Includes examples of:
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* DontBeRidiculous: Arthur invokes this trope when Patsy suggests they could build a shrubbery out of cats.
-->'''Arthur:''' ...where are we supposed to find a cat?
-->'''Arthur:''' ...where are we supposed to find a cat?
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* SmallStartBigFinish: Parodied in "The Song that Goes Like This", where Sir Galahad sings that in every show there's a song that starts "soft and low" and "ends with a kiss". By the final verse he and the Lady of the Lake are complaining that the song is too long and loud.
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* ArtisticLicenseGeography: "Finland" refers to the titular country as Scandinavian, even though Finland isn't actually a part of Scandinavia, which encompasses just Denmark, Sweden and Norway.
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* ArtisticLicenseGeography: "Finland" refers to the titular country as Scandinavian, even though Finland isn't actually a part of Scandinavia, which encompasses just comprises of Denmark, Sweden and Norway.
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* ArtisticLicenseGeography: "Finland" refers to the titular country as Scandinavian, even though Finland isn't actually a Scandinavian country, which encompasses just Denmark, Sweden and Norway.
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* ArtisticLicenseGeography: "Finland" refers to the titular country as Scandinavian, even though Finland isn't actually a Scandinavian country, part of Scandinavia, which encompasses just Denmark, Sweden and Norway.
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* ArtisticLicenseGeography: "Finland" refers to the titular country as Scandinavian, even though Finland isn't actually a Scandinavian country, which encompasses just Denmark, Sweden and Norway.
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* AdaptedOut: Several of the minor characters from the movie don't appear in the stage show, such as the three-headed knight, the Old Man from Scene 24, and the ladies of Castle Anthrax. Some of their lines have been given to other characters.
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* ComicallyMissingThePoint: Arthur, who is somewhat less straight-faced and serious than his movie counterpart, has a tendency towards this.
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* OnlySaneMan: Patsy seems to have taken over this role from Arthur, who is still one of the more grounded characters in the show, but notably more likely than his movie counterpart to get swept up in the silliness of it all. Patsy, though, is more often than not the voice of reason... not that he has much luck getting people to listen to him.
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* LighterAndSofter: It's just as ridiculous as the movie it's based on, if not more so, but the comedy is not quite as dark here. Far fewer people are killed off for comedic effect, and even the ones who ''are'' killed off generally turn out to be NotQuiteDead, for equally comedic effect. The general tone is also notably less cynical, and where the movie had a GainaxEnding that was somewhere between a DownerEnding and a ShaggyDogStory, here the ending is unambiguously happy.
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** The playbill has a hilarious fake bio page for "DIK OD TRIAANENEN FOL", starring the East Finland Moose Ballet, 45 magnificent creatures in high-stepping harmony. Believed to be the greatest display of horn ever seen on an American stage."
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** The playbill has a hilarious fake bio page for "DIK OD TRIAANENEN FOL", starring the East Finland Moose Ballet, 45 magnificent creatures in high-stepping harmony. Believed to be the greatest display of horn ever seen on an American stage."
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-->He is not yet dead! [startles the bejesus out of Lancelot, Robin, and the corpse cart loader.]
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-->"This poor little chap is your son, sir! All he ever wanted was a little love and affection, but did you ever give it to him? No, no, I'll wager you denied him! You try to ''kill'' him, and worse, far worse, you try to ''marry him off'' to some girl, some ''female'' that he obviously has no feelings for whatsoever! Yes, yes, I know about a little bit of bullying fathers, you bastard! Have you no heart? Have you no human tenderness? Can’t you see that all he’s asking for is a little love and understanding? Is that too much to ask? ''Is it? Too much! To Ask!!!''"
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-->"This poor little chap is your son, sir! All he ever wanted was a little love and affection, but did you ever give it to him? No, no, I'll wager you denied him! You try to ''kill'' him, and worse, far worse, you try to ''marry him off'' to some girl, some ''female'' that he obviously has no feelings for whatsoever! Yes, yes, I know about a little bit of bullying fathers, you bastard! Have you no heart? Have you no human tenderness? Can’t you see that all he’s asking for is a little love and understanding? Is that too much to ask? ''Is it? Too much! To Ask!!!''"ask!!!''"
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* SettingIntroductionSong: The show opens with the Fisch Schlapping Song, a big dramatic number about Finland, where none of the action happens. Played somewhat straight by the historian describing the historical/meteorological climate of England immediately before, although it's all spoken word over music and not actually sung.
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* SettingIntroductionSong: The show opens with the "The Fisch Schlapping Song, Song", a big dramatic number about Finland, where none of the action happens. Played somewhat straight by the historian describing the historical/meteorological climate of England immediately before, although it's all spoken word over music and not actually sung.
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** Once in New England, a soccer cup final was going on at the time, so the Head Knight ended his rant with "GOOOOOOOAAAALLLLL!...it's one-one in the second half!" to the applause of many men in the audience.
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** Once in New England, a soccer cup final was going on at the time, so the Head Knight ended his rant with "GOOOOOOOAAAALLLLL!... it's one-one in the second half!" to the applause of many men in the audience.
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* SparedByTheAdaptation: Most of the characters who were killed off in the movie, survive in the musical.
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* SparedByTheAdaptation: Most of the characters who were killed off in the movie, movie survive in the musical.
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-->'''Arthur:''' Shit. (to Bedevere, in Swedish) Do you have a phrasebook?
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-->'''Arthur:''' Shit. (to ''[to Bedevere, in Swedish) Swedish]'' Do you have a phrasebook?
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* WanderingMinstrel: As in the movie, [[CowardlyLion Brave, brave Sir Robin]] has a group of them follow wherever he goes.
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* WanderingMinstrel: As in the movie, [[CowardlyLion Brave, brave, brave Sir Robin]] has a group of them follow wherever he goes.
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** For one college production, The Knights begin singing the opening theme song of ''Disney/TheLionKing''.
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** For one college production, The Knights begin singing the opening theme song of ''Disney/TheLionKing''.''WesternAnimation/TheLionKing1994''.
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* ThatPoorCat: Played once during the "Always Look On the Bright Side of Life" number in some productions.
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* MarshmallowHell: In some versions, The Lady of the Lake shoves Galahad's face into her bosom in "Come With Me".
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** The play is also sponsored by Spam (hence the name), and Lancelot's patsy Concord finds a Lunchable with "spam, spam, spam, spam, spam, spam, spam, baked beans, and spam."
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Changed line(s) 104 (click to see context) from:
* TakeThat: The Quest turns out to be to put on a musical in [insert city location] "as long as it isn't an Creator/AndrewLloydWebber [[ThePhantomOfTheOpera musical]]". The cast procedes to cut themselves with their swords and kill themselves to a mock-Webber tune.
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* TakeThat: The Quest turns out to be to put on a musical in [insert city location] "as long as it isn't an Creator/AndrewLloydWebber [[ThePhantomOfTheOpera [[Theatre/ThePhantomOfTheOpera musical]]". The cast procedes to cut themselves with their swords and kill themselves to a mock-Webber tune.
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* INeedAFreakingDrink: In "Diva's Lament", the Lady of the Lake considers going to the pub.
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* BSODSong: "Diva's Lament (What Ever Happened To My Part?)" and "I'm All Alone" for the Lady of the Lake and Arthur, respectively. They're both played for laughs, natch.
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Wick Namespace Migration - Removing Review-ness.
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** For one college production, The Knights begin singing the opening theme song of ''Film/{{The Lion King}}''.
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** For one college production, The Knights begin singing the opening theme song of ''Film/{{The Lion King}}''.''Disney/TheLionKing''.
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* StylisticSuck: When the HolyHandGrenade kills the KillerRabbit, the set piece that's in front of it falls over [[CrowningMomentOfFunny revealing the rabbit's puppeteer]]. This is clearly intentional, because the puppeteer and the knights stare at each other for a moment, before he [[LookADistraction points behind them]] and runs offstage as the knights turn around.
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* StylisticSuck: When the HolyHandGrenade kills the KillerRabbit, the set piece that's in front of it falls over [[CrowningMomentOfFunny revealing the rabbit's puppeteer]].puppeteer. This is clearly intentional, because the puppeteer and the knights stare at each other for a moment, before he [[LookADistraction points behind them]] and runs offstage as the knights turn around.
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-->He is not yet dead! [startles the bejesus out of Lancelot, Robin, and the corpse cart loader]
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-->He is not yet dead! [startles the bejesus out of Lancelot, Robin, and the corpse cart loader]loader.]