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* SharpDressedMan: The gangsters.
* SpiritualSuccessor: To ''The Beatles LOVE'' and ''Theatre/VivaElvis''.

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* %%* SharpDressedMan: The gangsters.
* SpiritualSuccessor: To ''The Beatles LOVE'' and ''Theatre/VivaElvis''.
gangsters.
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* FunnyAfro: The Mime and Fantatics don these to imitate the Jackson 5 in one comic interlude.

to:

* FunnyAfro: The Mime and Fantatics don these to imitate the Jackson 5 Music/TheJacksonFive in one comic interlude.
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* BareYourMidriff: Two ladies bare theirs: the cello player and the pole dancer who performs to "Dangerous".
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Everythings Better With Monkeys has been turned into a disambiguation. Zero Context Examples and examples that don’t fit existing tropes will be removed.


* EverythingsBetterWithMonkeys: ''Bubbles the chimp'' (as played by a dancer) is a character!
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Removed: 207

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TRS: Man In White renamed to Villain In A White Suit; Woman In White disambiguated


* EtherealWhiteDress: The "corpses" in the Scary Story sequence are all clad in white.



* ManInWhite
** The Mime, befitting his status as an innocent everyman.
** Most of the male "corpses" in the Scary Story sequence.



* WorldTree: Originally the set was dominated by a "Giving Tree" similar to one Jackson loved to sit in at the Neverland Ranch; most of the huge setpiece was discarded early in the run, though the tall trunk remains.
* [[WomanInWhite Women in White]]: The female "corpses" during the Scary Story.

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* WorldTree: Originally the set was dominated by a "Giving Tree" similar to one Jackson loved to sit in at the Neverland Ranch; most of the huge setpiece was discarded early in the run, though the tall trunk remains.
* [[WomanInWhite Women in White]]: The female "corpses" during the Scary Story.
remains.
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** AudienceParticipationFailure: If audience reviews at Ticketmaster are any indication, sometimes they have a hard time getting the crowd to chant. After all, he's not going to show up.

to:

** * AudienceParticipationFailure: If audience reviews at Ticketmaster are any indication, sometimes they have a hard time getting the crowd to chant. After all, he's not going to show up.
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--> ...dancing robots appear with LED breastplates that first flash dollar signs amidst videos of urban and international violence, then display hearts as Mother Teresa appears onscreen to feed starving children. The number was originally designed for Jackson's This Is It shows (performances that were preempted by the artist's demise), so Cirque can't entirely be blamed for its unseemly exploitation of human suffering for commercial entertainment. Of course Jackson would have seen himself as raising awareness, and Cirque doubtless think the same thing about the pro-Gaia number ["Earth Song"] that unfolds as 30,000 people sip from souvenir plastic cups.

to:

--> ... dancing robots appear with LED breastplates that first flash dollar signs amidst videos of urban and international violence, then display hearts as Mother Teresa appears onscreen to feed starving children. The number was originally designed for Jackson's This Is It shows (performances that were preempted by the artist's demise), so Cirque can't entirely be blamed for its unseemly exploitation of human suffering for commercial entertainment. Of course Jackson would have seen himself as raising awareness, and Cirque doubtless think the same thing about the pro-Gaia number ["Earth Song"] that unfolds as 30,000 people sip from souvenir plastic cups.
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None


* AudienceParticipation: The performers head out into the audience and encourage the crowd to chant "Michael! Michael!" to lead into the Megamix.

to:

* AudienceParticipation: The performers head out into the audience and encourage the crowd to chant "Michael! Michael!" to lead into the Megamix.



--> ...dancing robots appear with LED breastplates that first flash dollar signs amidst videos of urban and international violence, then display hearts as Mother Teresa appears onscreen to feed starving children. The number was originally designed for Jackson's This Is It shows (performances that were preempted by the artist's demise), so Cirque can't entirely be blamed for its unseemly exploitation of human suffering for commercial entertainment. Of course Jackson would have seen himself as raising awareness, and Cirque doubtless think the same thing about the pro-Gaia number ["Earth Song"] that unfolds as 30,000 people sip from souvenir plastic cups.

to:

--> ...dancing robots appear with LED breastplates that first flash dollar signs amidst videos of urban and international violence, then display hearts as Mother Teresa appears onscreen to feed starving children. The number was originally designed for Jackson's This Is It shows (performances that were preempted by the artist's demise), so Cirque can't entirely be blamed for its unseemly exploitation of human suffering for commercial entertainment. Of course Jackson would have seen himself as raising awareness, and Cirque doubtless think the same thing about the pro-Gaia number ["Earth Song"] that unfolds as 30,000 people sip from souvenir plastic cups.



* EveryoneHatesMimes: A RealLife example -- a common professional critical complaint is that The Mime is ''just'' a dancing mime, with no distinctive personality, and makes a weak viewpoint character.

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* EveryoneHatesMimes: A RealLife example -- a common professional critical complaint is that The Mime is ''just'' a dancing mime, with no distinctive personality, and makes a weak viewpoint character.



* TheFlapper: Most of the women in the {{Gangsterland}} sequence.

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* TheFlapper: Most of the women in the {{Gangsterland}} sequence.



* WhiteMaleLead: The Mime; while it's never been unusual for a Cirque show to have a white male performer playing the viewpoint character, the trope sticks out more in a show paying tribute to a ''black'' performer.

to:

* WhiteMaleLead: The Mime; while it's never been unusual for a Cirque show to have a white male performer playing the viewpoint character, the trope sticks out more in a show paying tribute to a ''black'' performer.
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None

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* {{Retool}}: Over the course of the overseas itinerary, several acrobatic acts were cut to trim operating expenses. The licensing fees Jackson's estate charged were higher than Cirque budgeted for, so the show was selling lots of tickets while turning little profit for the company.

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''Michael Jackson THE IMMORTAL World Tour'' is Creator/CirqueDuSoleil's 31st production, an arena tour launched in 2011.

to:

''Michael Jackson THE IMMORTAL World Tour'' is Creator/CirqueDuSoleil's 31st production, an arena tour launched in 2011.
2011 that ran into 2014.



This tour returned to North America in 2014.
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This tour is spending 2013 in Europe, Asia, and Australia, and will return to North America in 2014.

to:

This tour is spending 2013 in Europe, Asia, and Australia, and will return returned to North America in 2014.
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None


This tour will be spending 2013 in Europe, Asia, and Australia.

to:

This tour will be is spending 2013 in Europe, Asia, and Australia.
Australia, and will return to North America in 2014.
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None


* WhiteMaleLead: The Mime; while many Cirque shows have white male characters serving the viewpoint role, this trope comes off as odd for a show paying tribute to a black performer.

to:

* WhiteMaleLead: The Mime; while many it's never been unusual for a Cirque shows show to have a white male characters serving performer playing the viewpoint role, this character, the trope comes off as odd for sticks out more in a show paying tribute to a black performer. ''black'' performer.
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None

Added DiffLines:

* WhiteMaleLead: The Mime; while many Cirque shows have white male characters serving the viewpoint role, this trope comes off as odd for a show paying tribute to a black performer.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* {{Bowdlerise}}: At the show's first performance in China (Beijing, to be specific) in 2013, [[http://www.cnn.com/2013/08/15/world/asia/tank-man-cirque-soleil/index.html the audience was shocked]] to see the famous image of the Tiananmen Square "Tank Man" during the "They Don't Care About Us" video montage, even though the show was prescreened by the country's Ministry of Culture. As this image is literally BannedInChina, subsequent performances in the country cut the offending clip out.
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* InCaseYouForgotWhoWroteIt: Type 1 example.
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None


This tour will be spending 2013 in Europe and Asia.

to:

This tour will be spending 2013 in Europe Europe, Asia, and Asia.
Australia.
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None


''Michael Jackson THE IMMORTAL World Tour'' is Creator/CirqueDuSoleil's 30th production, an arena tour launched in 2011.

to:

''Michael Jackson THE IMMORTAL World Tour'' is Creator/CirqueDuSoleil's 30th 31st production, an arena tour launched in 2011.
Is there an issue? Send a MessageReason:
None


The premise has an everyman mime journey into the heart of the Neverland Ranch, MichaelJackson's most famous residence in life, and through a series of acrobatic and dance vignettes based around common themes and settings in his songs. These include dancing, gangsters and dangerous women, and supernatural creatures. While Jackson's original recordings are the basis of the soundtrack, there are live musicians and singers shoring them up.

to:

The premise has an everyman mime journey into the heart of the Neverland Ranch, MichaelJackson's Music/MichaelJackson's most famous residence in life, and through a series of acrobatic and dance vignettes based around common themes and settings in his songs. These include dancing, gangsters and dangerous women, and supernatural creatures. While Jackson's original recordings are the basis of the soundtrack, there are live musicians and singers shoring them up.
Is there an issue? Send a MessageReason:
None


''Michael Jackson THE IMMORTAL World Tour'' is CirqueDuSoleil's 30th production, an arena tour launched in 2011.

to:

''Michael Jackson THE IMMORTAL World Tour'' is CirqueDuSoleil's Creator/CirqueDuSoleil's 30th production, an arena tour launched in 2011.
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* SpiritualSuccessor: To ''TheBeatlesLOVE'' and ''VivaElvis''.

to:

* SpiritualSuccessor: To ''TheBeatlesLOVE'' ''The Beatles LOVE'' and ''VivaElvis''.''Theatre/VivaElvis''.
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* {{Gangsterland}}: As depicted in movies of the 1930s, this is the setting of the "This Place Hotel"/"Smooth Criminal"/"Dangerous" sequence.

to:

* {{Gangsterland}}: GangsterLand: As depicted in movies of the 1930s, this is the setting of the "This Place Hotel"/"Smooth Criminal"/"Dangerous" sequence.
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None


* EveryoneHatesMimes: A RealLife example -- a common professional critical complaint is that The Mime is ''just'' a dancing mime, with no distinctive personality, and makes a weak viewpoint character. It doesn't help that the ExcusePlot of an everyperson traveling through a magic realm is old hat for Cirque at this point.

to:

* EveryoneHatesMimes: A RealLife example -- a common professional critical complaint is that The Mime is ''just'' a dancing mime, with no distinctive personality, and makes a weak viewpoint character. It doesn't help that the ExcusePlot of an everyperson traveling through a magic realm is old hat for Cirque at this point.
Is there an issue? Send a MessageReason:
None


* EverybodyHatesMimes: A RealLife example -- a common professional critical complaint is that The Mime is ''just'' a dancing mime, with no distinctive personality, and makes a weak viewpoint character. It doesn't help that the ExcusePlot of an everyperson traveling through a magic realm is old hat for Cirque at this point.

to:

* EverybodyHatesMimes: EveryoneHatesMimes: A RealLife example -- a common professional critical complaint is that The Mime is ''just'' a dancing mime, with no distinctive personality, and makes a weak viewpoint character. It doesn't help that the ExcusePlot of an everyperson traveling through a magic realm is old hat for Cirque at this point.
Is there an issue? Send a MessageReason:
None


* EverybodyHatesMimes: A RealLife example -- a common professional critical complaint is that The Mime is ''just'' a dancing mime, with no distinctive personality, and makes a weak viewpoint character. It doesn't help that the ExcusePlot of an everyperson traveling through a magic realm is old hat for Cirque at this point.



* [[WomanInWhite Women in White]]: The female "corpses" during the Scary Story.

to:

* [[WomanInWhite Women in White]]: The female "corpses" during the Scary Story.
Is there an issue? Send a MessageReason:
None


''Michael Jackson THE IMMORTAL World Tour'' (yes, the "the" is supposed to be capitalized, but not doing so reads better as a link) is CirqueDuSoleil's 30th production, an arena tour launched in 2011.

to:

''Michael Jackson THE IMMORTAL World Tour'' (yes, the "the" is supposed to be capitalized, but not doing so reads better as a link) is CirqueDuSoleil's 30th production, an arena tour launched in 2011.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

''Michael Jackson THE IMMORTAL World Tour'' (yes, the "the" is supposed to be capitalized, but not doing so reads better as a link) is CirqueDuSoleil's 30th production, an arena tour launched in 2011.

The premise has an everyman mime journey into the heart of the Neverland Ranch, MichaelJackson's most famous residence in life, and through a series of acrobatic and dance vignettes based around common themes and settings in his songs. These include dancing, gangsters and dangerous women, and supernatural creatures. While Jackson's original recordings are the basis of the soundtrack, there are live musicians and singers shoring them up.

This tour will be spending 2013 in Europe and Asia.

''Theatre/MichaelJacksonONE'' is a sister production at the Mandalay Bay Resort and Casino in Las Vegas, Nevada.

!!!This show contains examples of:
* AnimalMotifs: Costumed performers play elephants during "Ben" and descend from the rafters as bats during the horror sequence.
* AudienceParticipation: The performers head out into the audience and encourage the crowd to chant "Michael! Michael!" to lead into the Megamix.
** AudienceParticipationFailure: If audience reviews at Ticketmaster are any indication, sometimes they have a hard time getting the crowd to chant. After all, he's not going to show up.
* BareYourMidriff: Two ladies bare theirs: the cello player and the pole dancer who performs to "Dangerous".
* CluelessAesop: [[http://www.tcdailyplanet.net/arts/theater/cirque-du-soleil-michael-jackson-immortal-world-tour-review This review]] argues that "They Don't Care About Us" presents this; later in the review he notes that the show wouldn't have existed had Jackson's estate not seen its profit potential -- yet it equates money with evil.
--> ...dancing robots appear with LED breastplates that first flash dollar signs amidst videos of urban and international violence, then display hearts as Mother Teresa appears onscreen to feed starving children. The number was originally designed for Jackson's This Is It shows (performances that were preempted by the artist's demise), so Cirque can't entirely be blamed for its unseemly exploitation of human suffering for commercial entertainment. Of course Jackson would have seen himself as raising awareness, and Cirque doubtless think the same thing about the pro-Gaia number ["Earth Song"] that unfolds as 30,000 people sip from souvenir plastic cups.
* CultureEqualsCostume: For the "Black or White" portion of the Megamix, there are "Thai" dancers, a "Spanish" ''matador'' (!), etc.
* CreepyCemetery: Guess where the horror-inspired segment ("Thriller", etc.) takes place?
* DancePartyEnding: Naturally.
* TheDeadCanDance: In the Scary Story sequence. Instead of "Thriller" zombies, the dancers are white-clad mummies.
* TheElevenOClockNumber: "Will You Be There".
* TheEveryman: The Mime.
* EverythingsBetterWithMonkeys: ''Bubbles the chimp'' (as played by a dancer) is a character!
* EverythingsBetterWithSparkles: Many costumes in this show are festooned with sequins, crystals, etc. Michael's iconic sparkly white glove appears more than once (including a jumbo-sized version that a dancer manipulates from within).
* FacelessGoons: The robot-esque soldiers in "They Don't Care About Us", though they become good by the end of the number.
* TheFlapper: Most of the women in the {{Gangsterland}} sequence.
* FunnyAfro: The Mime and Fantatics don these to imitate the Jackson 5 in one comic interlude.
* {{Gangsterland}}: As depicted in movies of the 1930s, this is the setting of the "This Place Hotel"/"Smooth Criminal"/"Dangerous" sequence.
* GreenAesop: The "Earth Song" segment.
* HandicappedBadass: Even people who don't like the show single out Jean Sok, a one-legged dancer, for praise.
* JukeboxMusical: More accurately, Jukebox Circus.
* LivingStatue: Several friendly ones flank the gates of Neverland; they come to life in the early "Childhood" sequence.
* ManInWhite
** The Mime, befitting his status as an innocent everyman.
** Most of the male "corpses" in the Scary Story sequence.
* NonIronicClown: The Mime and the four Fanatics.
* PantomimeAnimal: The elephants.
* RoseTintedNarrative: Of Jackson's life and career. The show heavily stresses his lost childhood and his concerns for children and the environment, makes a big deal of the Mime and his friends getting the chance to enter the gates of Neverland Ranch, and unlike its spiritual predecessors, emphasizes the fact that the show's subject is dead. As far as stirring the audience's emotions goes, by the end the performers are urging them to chant his name, as if this were an actual Jackson concert (see AudienceParticipation).
* SharpDressedMan: The gangsters.
* SpiritualSuccessor: To ''TheBeatlesLOVE'' and ''VivaElvis''.
* SwansASwimming: The duo straps performers for "I Just Can't Stop Loving You" are costumed as stylized swans; the woman is in white, the man in black.
* TheVamp: The pole dancer who performs to "Dangerous", embodying the subject of the song.
* WorldTree: Originally the set was dominated by a "Giving Tree" similar to one Jackson loved to sit in at the Neverland Ranch; most of the huge setpiece was discarded early in the run, though the tall trunk remains.
* [[WomanInWhite Women in White]]: The female "corpses" during the Scary Story.

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