Is there an issue? Send a MessageReason:
None
Changed line(s) 48 (click to see context) from:
* ComicRolePlay: Orlando practice his declaration of love to Rosalind on Ganymede, who is (of course) Rosalind in disguise.
to:
* ComicRolePlay: Orlando practice practices his declaration of love to Rosalind on Ganymede, who is (of course) Rosalind in disguise.
Is there an issue? Send a MessageReason:
Trope was cut/disambiguated due to cleanup
Deleted line(s) 86 (click to see context) :
* HeroesWantRedheads: In the 2006 film adaption, Orlando falls for Rosalind who is played by Creator/BryceDallasHoward.
Is there an issue? Send a MessageReason:
None
Changed line(s) 28 (click to see context) from:
* AdaptationExpansion: Of Thomas Lodge's novella ''Rosalynde'', which contained the plot and most of the main characters, albeit with different names. Touchstone, Jaques and Audrey were all created by Shakespeare himself, as was the semi-subplot involving them.
to:
* AdaptationExpansion: Of Thomas Lodge's novella ''Rosalynde'', which contained the plot and most of the main characters, albeit with different names. Touchstone, Jaques Jaques, and Audrey were all created by Shakespeare himself, as was the semi-subplot involving them.them.
** ''Rosalynde'' was itself an AdaptationExpansion of an older poem called ''The Tale of Gamelyn,'' whose author is unknown but may have been Chaucer. This original poem was entirely about male outlaws; Lodge added Rosalynde as a love interest.
** ''Rosalynde'' was itself an AdaptationExpansion of an older poem called ''The Tale of Gamelyn,'' whose author is unknown but may have been Chaucer. This original poem was entirely about male outlaws; Lodge added Rosalynde as a love interest.
Changed line(s) 35 (click to see context) from:
** Averted with [[SingleWomanSeeksGoodMan Rosalind and Orlando's relationship.]] Orlando is a sweetheart, and Rosalind falls head over heels in love with him pretty darn quickly.
to:
** Averted with [[SingleWomanSeeksGoodMan Rosalind and Orlando's relationship.]] Orlando is a sweetheart, and Rosalind falls head over heels in love with him pretty darn quickly.
Changed line(s) 79 (click to see context) from:
* GhibliHills
to:
* GhibliHillsGhibliHills: The Forest of Arden is walking distance from the city, and friendly enough that Duke Senior can live there with his entire court.
Changed line(s) 82 (click to see context) from:
* HalfwayPlotSwitch: For the first act, you have quite a serious plot about a young man domineered by his villanous brother and a fair lady separated from her dad by her uncle; that gets fastly forgotten when all the main characters arrive the forest, where they play develops into a light pastoral comedy.
to:
* HalfwayPlotSwitch: For the first act, you have quite a serious plot about a young man domineered by his villanous brother and a fair lady separated from her dad by her uncle; that uncle. That gets fastly quickly forgotten when all the main characters arrive in the forest, where they whereupon the play develops changes into a light pastoral comedy.
* IKnowYouKnowIKnow: Shakespeare scholar James S. Shapiro believes that the central question of the play is when exactly Orlando figures out that Ganymede is Rosalind. It's obviously sometime before the final reveal, as Orlando would otherwise be too stupid to take seriously as a character, but when? Shapiro theorizes that it's the moment he takes Ganymede's hand during their mock marriage. From then on, Orlando continues to take part in Ganymede's love lessons because he can use them to show Rosalind he's become worthy of her. Shapiro also suggests that Rosalind knows he's figured her out, turning it into an example of this trope.
Changed line(s) 91 (click to see context) from:
** Toyed with when it comes to Rosalind and Orlando; they're both fairly smitten the first time they meet, but she feels the need to test the truth of his feelings with an elaborate deception.
to:
** Toyed with when it comes to Rosalind and Orlando; they're Orlando. They're both fairly smitten the first time they meet, but Orlando is too tongue-tied to say much to Rosalind. Knowing she feels the need can't marry a man who isn't an intellectual match for her, Rosalind conceives her scheme as "Ganymede" so he can teach Orlando to test the truth of move beyond his feelings with an elaborate deception.antiquated notions of love.
Changed line(s) 109,110 (click to see context) from:
* OneSteveLimit: Avoided-- Oliver the brother and Oliver the priest; melancholy Jaques and Orlando's brother Jaques.
* OnlySaneMan: Oliver Mar-text, the country priest, comes off this way, although he only has one appearance and very few lines. He provides the punchline at the end of the scene when he's all set to marry Touchstone and Audrey, but they decide to ditch him (on Jaques' advice) and exit the scene singing and dancing:
* OnlySaneMan: Oliver Mar-text, the country priest, comes off this way, although he only has one appearance and very few lines. He provides the punchline at the end of the scene when he's all set to marry Touchstone and Audrey, but they decide to ditch him (on Jaques' advice) and exit the scene singing and dancing:
to:
* OneSteveLimit: Avoided-- Avoided -- Oliver the brother and Oliver the priest; melancholy Jaques and Orlando's brother Jaques.
* OnlySaneMan: OliverMar-text, Martext, the country priest, comes off this way, although he only has one appearance and very few lines. He provides the punchline at the end of the scene when he's all set to marry Touchstone and Audrey, but they decide to ditch him (on Jaques' advice) and exit the scene singing and dancing:
* OnlySaneMan: Oliver
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* DepartmentOfRedundancyDepartment: Touchstone's death threat to William (see below) uses several variations of IllKillYou one after the other.
Added DiffLines:
* DisguisedInDrag: Initially Rosalind decides to dress as a young man because it would be dangerous and unusual for two young ladies to be travelling unaccompanied. However, she keeps this up after finding Orlando again, so that she can determine his true feelings for her.
Is there an issue? Send a MessageReason:
None
Changed line(s) 116 (click to see context) from:
* StatuesqueStunner: Rosalind chooses a male disguise because she’s tall for a woman, and Orlando certainly thinks she’s beautiful.
to:
* StatuesqueStunner: Rosalind chooses a male disguise because she’s tall for a woman, "more than common tall" as she puts it, and Orlando certainly thinks she’s beautiful.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* EasilyForgiven: Oliver plans to kill Orlando by ''burning him alive''. This detracts somewhat from the credibility of his later HeelFaceTurn.
Is there an issue? Send a MessageReason:
* LoveTriangle: Orlando and Rosalind are in love, but Rosalind is [[WholesomeCrossdresser pretending to be a boy]], and Phoebe [[SweetOnPollyOliver has a crush on said boy]], and Silvius is in love with ''her''... Resolved when Rosalind reveals herself to be a girl.
Deleted line(s) 117 (click to see context) :
* TriangRelations: Orlando and Rosalind are in love, but Rosalind is [[WholesomeCrossdresser pretending to be a boy]], and Phoebe [[SweetOnPollyOliver has a crush on said boy]], and Silvius is in love with ''her''... Resolved when Rosalind reveals herself to be a girl.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* StatuesqueStunner: Rosalind chooses a male disguise because she’s tall for a woman, and Orlando certainly thinks she’s beautiful.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
!!As the play is OlderThanSteam and most twists in Shakespeare's plots are now [[ItWasHisSled widely known]], all spoilers on this page are [[Administrivia/SpoilersOff unmarked]].
Is there an issue? Send a MessageReason:
not an example of this trope; the scene illustrates that Duke Senior is kind and generous, not that he's bound by the laws of hospitality
Deleted line(s) 109 (click to see context) :
* SacredHospitality: While in Arden, a starving Orlando ends up holding up Duke Senior and his retinue a knifepoint for some of their food. Duke Senior is more than happy to invite Orlando to share dinner with him, which confuses Orlando at first.
Is there an issue? Send a MessageReason:
dewicked Grumpy Bear
Deleted line(s) 75 (click to see context) :
* GrumpyBear: Jaques is a pre-Nietzsche NietzscheWannabe stuck in a pastoral comedy.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SacredHospitality: While in Arden, a starving Orlando ends up holding up Duke Senior and his retinue a knifepoint for some of their food. Duke Senior is more than happy to invite Orlando to share dinner with him, which confuses Orlando at first.
Is there an issue? Send a MessageReason:
None
Changed line(s) 100 (click to see context) from:
* NiceMeanAndInbetween: The three sons of Rowland de Bois, in order of appearance: Orlando (nice), Oliver (mean) and Jacques (in-between), the latter by default simply because we don't find out much about him.
to:
* NiceMeanAndInbetween: The three sons of Rowland de Bois, in order of appearance: the gentle-natured Orlando (nice), his abusive older brother Oliver (mean) and Jacques (in-between), the latter (in-between by default simply because we don't find out much about him. him.)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* NiceMeanAndInbetween: The three sons of Rowland de Bois, in order of appearance: Orlando (nice), Oliver (mean) and Jacques (in-between), the latter by default simply because we don't find out much about him.
Is there an issue? Send a MessageReason:
Adding the "Halfway Plot Switch" trope.
Added DiffLines:
*HalfwayPlotSwitch: For the first act, you have quite a serious plot about a young man domineered by his villanous brother and a fair lady separated from her dad by her uncle; that gets fastly forgotten when all the main characters arrive the forest, where they play develops into a light pastoral comedy.
Is there an issue? Send a MessageReason:
I'm pretty sure this is not set in Roman times, and even then, it is set either in England or northern France, so that would still exclude Greek or Roman religion.
Deleted line(s) 82 (click to see context) :
* HijackedByJesus: The story is set in a time and place where Greek or Roman Religion is dominant, but the religion seems very like Christianity in 16th Century England
Is there an issue? Send a MessageReason:
None
Changed line(s) 96 (click to see context) from:
* MisplacedWildlife: Or lions (unless it is an asiatic Lion or simply escaped from a zoo or menagerie).
to:
* MisplacedWildlife: Or lions (unless it is an asiatic Lion or simply escaped from a zoo or menagerie).lions.
Is there an issue? Send a MessageReason:
None
Changed line(s) 96 (click to see context) from:
* MisplacedWildlife: Or lions.
to:
* MisplacedWildlife: Or lions.lions (unless it is an asiatic Lion or simply escaped from a zoo or menagerie).
Is there an issue? Send a MessageReason:
None
Changed line(s) 80 (click to see context) from:
* HeroesWantRedheads: In the 2006 adaption directed by Creator/KennethBranagh, Orlando falls for Rosalind who is played by Creator/BryceDallasHoward
to:
* HeroesWantRedheads: In the 2006 adaption directed by Creator/KennethBranagh, film adaption, Orlando falls for Rosalind who is played by Creator/BryceDallasHowardCreator/BryceDallasHoward.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* HeroesWantRedheads: In the 2006 adaption directed by Creator/KennethBranagh, Orlando falls for Rosalind who is played by Creator/BryceDallasHoward
Is there an issue? Send a MessageReason:
Disambiguating; deleting and renaming wicks as appropriate. Moved to discussion
Deleted line(s) 82 (click to see context) :
* TheJester: Touchstone. {{Lampshade|Hanging}}d by Jaques when he reveals that he plans on becoming "a fool" as well--he'd ''love'' to be able to criticize everyone and everything without retribution!
Is there an issue? Send a MessageReason:
None
Changed line(s) 21 (click to see context) from:
The play has been adapted on film by Sir Creator/LaurenceOlivier in 1936 (it was his first Shakespeare film adaptation) and another film was made by Creator/KennethBranagh, which reset the play in Meiji Japan.
to:
The play has been adapted on film by Sir Creator/LaurenceOlivier in 1936 (it was his first Shakespeare film adaptation) and another film was made in 2006 by Creator/KennethBranagh, which reset the play among British expatriates in [[UsefulNotes/MeijiRestoration Meiji Japan.Japan]].
Is there an issue? Send a MessageReason:
None
Deleted line(s) 109,110 (click to see context) :
* RagsToRoyalty
* RecursiveCrossdressing
* RecursiveCrossdressing
Added DiffLines:
* {{Tsundere}}: Some productions have genderswapped Jaques. The resulting lines come off as intensely Tsundere toward everyone.
Is there an issue? Send a MessageReason:
None
Changed line(s) 73 (click to see context) from:
** Ganymede, Rosalind's name when she was disguised as a man, was the name of {{ClassicalMythology Zeus'}} male lover. It was basically the Renaissance equivalent of {{uke}}.
to:
** Ganymede, Rosalind's name when she was disguised as a man, was the name of {{ClassicalMythology Zeus'}} the Greek god Zeus' male lover. It was basically the Renaissance equivalent of {{uke}}.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Ganymede, Rosalind's name when she was disguised as a man, was the name of {{ClassicalMythology Zeus'}} male lover. It was basically the Renaissance equivalent of {{uke}}.
Is there an issue? Send a MessageReason:
Changed line(s) 105 (click to see context) from:
* PainfulRhyme: InUniverse. Some of Orlando's poems have to use a long ''i'' in Rosalind to make the rhymes work, which Touchstone and Celia scoff at.
to:
* PainfulRhyme: InUniverse. Some of Orlando's poems have to use a long ''i'' in Rosalind to make the rhymes work, which Touchstone and Celia scoff at.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Averted with [[SingleWomanSeeksGoodMan Rosalind and Orlando's relationship.]] Orlando is a sweetheart, and Rosalind falls head over heels in love with him pretty darn quickly.
Is there an issue? Send a MessageReason:
Crosswick
Added DiffLines:
* TurnToReligion: After hearing that the villain has undergone a HeelFaithTurn, the rather capricious Jaques decides on a whim to find him and join him in whatever his new religion is. The play ends before we learn if he actually follows through, however.
Is there an issue? Send a MessageReason:
None
Changed line(s) 13,14 (click to see context) from:
Eventually, Frederick becomes agitated with Rosalind, and she escapes to the woods with Celia and the court clown, Touchstone. To protect themselves, they don disguises-- Celia dresses as a woman called Aliena, and Rosalind pretends to be a man named Ganymede. They meet up with the servants of the true Duke (including a very depressed and depressing man called Jaques), who takes them in.
to:
Eventually, Frederick becomes agitated with Rosalind after she falls in love with Orlando, who is the son of one of Frederick's enemies. He banishes Rosalind, and she escapes who flees to the woods with Celia and the court clown, Touchstone. To protect themselves, they don disguises-- Celia dresses as a woman called Aliena, and Rosalind pretends to be a man named Ganymede. They meet up with the servants of the true Duke (including a very depressed and depressing man called Jaques), who takes them in.